B.O.M.Newsletter #277 今月の注目作品!
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Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
Jan/Feb/Mar 2021 Winter Express Issue
Vol. 41 No. 1 INSIDE THIS ISSUE! Jan. Feb. Mar. Taborgrass: Passing e Torch, Helen Hakanson: Remembering A 2021 Musical LIfe and more... $500 Oregon Bluegrass Association Oregon Bluegrass Association www.oregonbluegrass.org By Linda Leavitt In March of 2020, the pandemic hit, and in September, two long-time Taborgrass instructors, mandolinist Kaden Hurst and guitarist Patrick Connell took over the program. ey are adamant about doing all they can to keep the spirit of Taborgrass alive. At this point, they teach weekly Taborgrass lessons and workshops via Zoom. ey plan to resume the Taborgrass open mic online, too. In the future, classes will meet in person, once that becomes feasible. et me introduce you to Kaden Kaden has played with RockyGrass (known as Pat), e Hollerbodies, and Hurst and Patrick Connell, the 2019 Band Competition winners Never Julie & the WayVes. Lnew leaders of Taborgrass. In 2018, Patrick As a mandolinist met Kaden at born in the ‘90s, Taborgrass, and Kaden was hugely started meeting inuenced by to pick. Kaden Nickel Creek. became a regular Kaden says that at Patrick’s Sunday band shied Laurelirst his attention to Bluegrass Brunch bluegrass. Kaden jam. According was also pulled to Patrick, “One closer to “capital B Sunday, Joe bluegrass” by Tony Suskind came to Rice, most notably the Laurelirst by “Church Street jam and brought Blues,” and by Brian Alley with Rice’s duet album him. We ended with Ricky Skaggs, Kaden Hurst and Patrick Connell up with this little “Skaggs and Rice.” group called e Kaden’s third major Come Down, Julie and the WayVes, Portland Radio Ponies. -
Exploring the Bluegrass Nation As an Imagined Community
NOTIONS OF NATION: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN L. LANEY Submitted to the Graduate School at Appalachian State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2013 Department of Appalachian Studies NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY A Thesis by JORDAN LANEY May 2013 APPROVED BY: Nancy S. Love Chairperson, Thesis Committee David Haney Member, Thesis Committee Fred Hay Member, Thesis Committee Patricia D. Beaver Director, Center for Appalachian Studies Edelma D. Huntley Dean, Cratis Williams Graduate School Copyright by Jordan L. Laney 2013 All Rights Reserved Abstract NOTIONS OF NATIONS: EXPLORING THE BLUEGRASS NATION AS AN IMAGINED COMMUNITY Jordan L. Laney B.F.A., Goddard College M.A., Appalachian State University Chairperson: Nancy S. Love While bluegrass music has been a topic of conversation within the discipline of Appalachian Studies, research concerning the emergence of the community in cyberspace is relatively rare. Appalachian music’s role as a transnational facilitator is groundbreaking in areas of social networking, and as a member of the bluegrass community, I am fascinated by the communication that results now that members of that community can connect to friends in Europe, Japan, and France as easily as to next door neighbors. Noting that music is what brings these individuals together, this study addresses ways in which the bluegrass community embodies an imagined community and uses political language to gather in cyberspace. The study is not meant to discredit the direct ties the music has to Appalachia, but rather to applaud and understand the work of enthusiasts in the field who have found ways to mobilize the music through the Internet. -
Mark Schatz Resume
Mark Schatz 821 Miner Rd, Crownsille, MD 21032 Professional Profile Mark is a prominent figure in the contemporary acoustic music world. His recording credits include projects with Bela Fleck, Tony Rice, Jerry Douglas, Tim O'Brien, Nickel Creek, John Hartford, and The Claire Lynch Band. Though best known for his work on acoustic bass, Mark has released two of his own solo recordings on Rounder Records which feature his original compositions and clawhammer banjo playing. Awards -1986, 1987 Frets Readers Poll Award as best Bluegrass Bass Player -1991 IBMA’s Album of the Year for Bluegrass Album Band-Vol V -1992 IBMA's Instrumental Recording of the Year for Jerry Douglas's Slide Rule -1994, 1995 IBMA's Bass Player of the Year - 2005, Annie Award, Anne Arundel County Arts Council - 2014, Individual Artist Award, Maryland State Arts Council Work Experience -Spectrum (bass, dancer) 1980-81 -Freelance work in Nashville TN 1982-84 -The Tony Rice Unit (bass, harmony vocals, road manager) 1985-89 -Footworks Percussive Dance Ensemble (musician, dancer, Musical Dir) 1989 to present -Tim O'Brien and The O'Boys (bass, harmony vocals, banjo, dancer) 1990-97 -Freelance work including John Hartford, Tim O'Brien, Jerry Douglas, Sam Bush, Bela Fleck, Emmylou Harris, Llnda Ronstadt, Dan Fogelberg 1997-2002 - Nickel Creek 2003-2007 - The Claire Lynch Band 2008 to 2016 - Nickel Creek Reunion Tour 2014 Significant Recording Projects -Bela Fleck: Crossing the Tracks, Natural Bridge, Double Time, Inroads, Drive, The Bluegrass Sessions -Jerry Douglas: Fluxedo, -
Progressions
PROGRESSIONS Play along slowly CIRCLE OF FIFTHS • G-E7-A7-D7-G MORE CIRCLE OF FIFTHS • D-B7-E7-A7-D • C-A7-D7-G7-C • A-F#7-B7-E7-A • F-D7-G7-C7-F • Bd-G7-C7-F-Bd • Ed-C7-F-Bd-Ed • E-C#-F#7-B7-E 1-6 minor-4-5-1 • G-EM-C-D-G • C-AM-F-G-C • D-BM-G-A-D • E-C#M-A-B-E • F-DM-Bd-C-F 4-2M-6M-3M-5-1-6M-1 • C-AM-EM-BM-D-G-EM-G • F-DM-AM-EM-G-C-AM-C • G-EM-BM-F#M-A-D-BM-D • A-F#M-C#M-G#M-B-E-C#M-E • Bd-GM-DM-AM-C-F-DM-F • D-BM-F#M-C#M-E-A-F#M-A ROCKY TOP • G-C-G-EM-D-G (Repeat) EM-D-F-C-G- F-G-F-G • C-F-C-AM-G-C (Repeat) AM-G-Bd-F-C- Bd-C-Bd-C • D-G-D-BM-A-D (Repeat) BM-A-C-G-D- C-D-C-D • E-A-E-C#M-B-E (Repeat) C#M-B-D-A- E-D-E-D-E 1-4-5-1-4-1-5-1 • G-C-D-G-C-G-D-G • C-F-G-C-F-C-G-C • D-G-A-D-G-D-A-D • E-A-B-E-A-E-B-E • F-Bd-C-F-Bd-F-C-F • A-D-E-A-D-A-E-A • B-E-F#-B-E-B-F#-B THE BASICS AND WHY THEY’RE IMPORTANT I think it’s very important to start with the basics no matter what your level. -
The Pinecone Bluegrass Show WQDR 94.7 FM, and Streaming on 947Qdr.Com Hosted by Tim Woodall July 26, 2015, 6 – 9 P.M
The PineCone Bluegrass Show WQDR 94.7 FM, and streaming on 947qdr.com Hosted by Tim Woodall July 26, 2015, 6 – 9 p.m. Celebrating our 26 th year on the air! The PineCone Bluegrass Show is a reporting station in Bluegrass Unlimited and Bluegrass Today music polls. Artist Song Title Album Title Record Label Flatt & Scruggs and the Foggy Cumberland Gap Foggy Mountain Banjo Columbia Mountain Boys Records Lonesome River Band Harvest Time Talkin’ to Myself Sugar Hill Rhonda Vincent Busy City Only Me Upper Management Music Bill Keith Crazy Creek Something Auld, Something Newgrass, Rounder Something Borrowed, Something Bluegrass Jimmy Martin Sunny Side of the Mountain High Lonesome: The Story of CMH Records Bluegrass Music (Original Motion Picture Soundtrack) (Various Artists) Bill Monroe I’m on My Way to the Old Home High Lonesome: The Story of CMH Records Bluegrass Music (Original Motion Picture Soundtrack) (Various Artists) Larry Sparks Roving Gambler Classic Bluegrass Rebel Records Lorraine Jordan & Carolina Road Running Water (feat. The Kentucky Country Grass Pinecastle Headhunters) Records Becky Buller Southern Flavor ’Tween Earth and Sky Dark Shadow Recording Doyle Lawson & Quicksilver Roll Big River In Session Mountain Home Music James King Crazy Heart Lonesome and Then Some Rounder The Spinney Brothers My Music Comes from Bill Tried & True Mountain Fever Records The Bluegrass Band Wreck of the Old 97 Once Again, from the Top, Vol. 1 Hay Holler Harvest Alison Krauss & Union Station So Long, So Wrong So Long, So Wrong Rounder Don Rigsby Little Maggie Doctor’s Orders: A Tribute to Ralph Rebel Records Stanley Donna Hughes Bottom of a Glass Gaining Wisdom Rounder Hammertowne Iver Johnson is My Name Hammertowne Mountain Fever Records Jerry Douglas Randy Lynn Rag Everything is Gonna Work Out Fine Rounder Jason Davis Bootleg John Second Time Around Mountain Fever Records Johnny Williams You Live in a World All Your Own Going My Way Mountain Roads Recordings The Johnson Mountain Boys Our Last Goodbye Blue Diamond Rounder J.D. -
Bluegrass Bulletin Northern Bluegrass Circle Music Society
SUMMER JULY 2012 Bluegrass Bulletin Northern Bluegrass Circle Music Society bluegrassnorth.com Publisher Michelle Guidera Visit us online at www.bluegrassnorth.com ♫♫♫♫♫♫♫♫♫♫♫♫♫♫♫ The Bluegrass Bulletin is published four times a year to provide information and recognition to NBCMS members ♫♫♫♫♫♫♫♫♫♫♫♫♫♫♫ Editors Michelle Guidera Rob Baker Doug Reid Submit items to Michelledentinger @gmail.com INSIDE … - President’s Message p.2 - Workshop p.3 - Rob Baker– “As I saw it“ p.4&5 - Calling all members! p.6 - upcoming concert p.7 - May’s BBQ p.8-9 - Kevin Jacobson’s “What's that noise? p.10-12 - NBCMS word search p.13 - Did you know?? p.14-15 Bluegrass Music Jam Every Wednesday at 6:45 pm Pleasantview Community Hall-10860-57 Avenue Jamming Since ‘96 The Bluegrass Bulletin Summer July 2012 Bluegrass Bulletin Page 2 Presidents Message circle of friends and really accomplished musicians. I heard Ron’s Recipe for traditional North Carolina old-time music, true bluegrass, Merle Bluegrass Jam Haggard country and Celtic tunes being played in various camp- Since my early sites. Brian is hoping this can become an annual event but retirement, one of would not be offended if someone else spear-headed the picnic my goals has to next year. Well done, old chap. You R O C K !! become a better chef. More healthy and inter- esting cooking is my new passion. I have tried quite a few batches and I think I have created the best bluegrass jam in Edmonton. You will require the following ingredients: -one good slap of bass -a handful of rhythm guitar -finely chopped mandolins -a roll of banjo -slide in some dobro -smooth it all out with some fiddle Here are some words of caution when the jam is cooking: there can never be too much sweetness in the harmonies keep stirring the jam but don’t add any non-bluegrass ingredients maintain proper balance, too much of any one ingredient could taint the batch This jam is best served at least once a week. -
More: Young Guns
I have left off many fiddlers/violinists I admire greatly and focused a little more on the players whom really have a bluegrass sound and play in that genre - among others. Casey Driessen – Champ of the Chop, own stuff is the best (3D, Oog), fiddler for Bela Fleck Check out this link: https://www.caseydriessen.com/chop-notation-project Britney Haas - Old-time, Scottish, Crooked Still, also has solo CD, NPR’s “Live from Here” fiddler Shad Cobb - so creative n inventive, has solo CD, fiddler for John Cowan Band Gabe Wicher - Punch Brothers Jason Carter - Bluegrass, Del McCoury Band Andrew Bird - not a country fiddler but check out his stuff, 20 CD's in last 20 years - very cool Michael Cleveland – Bluegrass, Michael Cleveland & Flamekeeper Hunter Berry - plays for Rhonda Vincent & the Rage MORE: Mark O'Connor - most recorded fiddler in Nashville in the 80’s-90’s any style Stuart Duncan - the KING – The Nashville Bluegrass Band, bluegrass, swing, commercial country Tim O’Brien - Bluegrass and beyond Darol Anger - Bluegrass, World Styles Bruce Molsky - Old-Time Alison Krauss - mostly vocal now but played on a lot of her earlier stuff Mike Marshall - World styles Andy Leftwich - Bluegrass, former Ricky Skagg’s Kentucky Thunder Sara Watkins - Nickel Creek, I’m With Her Billy Contrearas - Swing, Jazz YOUNG GUNS: Mike Barnett – Bluegrass, Swing, Old-Time Ricky Skaggs & Kentucky Thunder Alex Hargreaves – any style, NPR’s “Live from Here” Jeremy Kittle – any style, NPR’s “Live from Here” Luke Bulla – any style, currently w/Lyle lovett Patrick McAvinue -
Ctba Newsletter 0403
Central Texas Bluegrass Volume 26 Number 3 Bulletin March 2004 Music of the Southern Appalachian Mountains An Historical and Musical Background on the Southern Appalachian Region By Mike Seeger The music you will be reading about here is from the Blue Ridge and Southern Appalachian mountain regions of Virginia, West Virginia, southward through Kentucky, North Carolina, Tennessee, and barely into Georgia and Alabama. This area is to the west of the flat tidewater and piedmont areas of the Atlantic coastline and includes some broad valleys with good agricultural land, such as the Shenandoah Valley in Virginia, as well as many smaller craftspeople and some small industry to supply local needs, valleys, some just wide enough for a little bottomland next but until the late 1800's there was little industrial develop- to a creek. The eastern mountains are not nearly as tall as ment. Little slavery existed in the area largely because the the Rockies; they generally rise 1,000 to 3,000 feet with a hilly land didn't lend itself to the plantation system of the maximum of 6,000 feet, and are forested with a variety of flat land to the east and south. The mountains were more deciduous and evergreen trees and many smaller bushes difficult to farm, less accessible, and therefore not as desir- and flowers. Some mountains are green, rolling hills, but in able as the tidewater and piedmont, so that many of the certain areas, such as in the southeastern area of Kentucky less wealthy settlers, or those wanting more independence and some of West Virginia, the mountains are quite steep and isolation, sought to live there. -
Bill Evans [email protected]
Bill Evans [email protected] www.billevansbanjo.com / www.youtube.com/BillEvansBanjo Right hand tips and other stuff • Keep wrist arched, either high (like J. D. Crowe) or low (like Earl). • Set as a goal to keep both the ring and pinky fingers down on the head; try keeping ring finger down only for a while if you have trouble at first keeping both fingers on head. • Imagine the hand and arm as stationary, let the movement come from the fingers but don’t sweep fingers out more than needed: be economical. • Let the primary movement from index and middle fingers come from the joint closest to the hand – as if you were pushing down on the strings or if you were scratching a bug bite on your leg. • Don’t venture too far from the bridge for lead playing. • Strive for power and tone; don’t worry about speed. • I repeat, don’t worry about speed. • Strive for great sound from individual notes first, then roll patterns. • Get good fingerpicks and thumb picks; experiment with pick angles and amount of bend to fingerpicks. Try striking string far down surface of pick – near the hole. • Play roll patterns evenly; don’t bounce or accent. • Work with a metronome to check rhythm and to increase speed. • If you’re having trouble figuring out a lick from tab, play the right hand only first, then add the left hand. Practice tips • Use tab as a resource but strive to memorize a sound rather than a visual image; ears first, eyes second. Be able to ear every note in your head. -
2021 Spring NBCMS Newsletter Pdf Copy
NORTHERN BLUEGRASS CIRCLE MUSIC SOCIETY NEWSLETTER SPRING 2021 What’s Been Going On… ? When we last met at Pleasantview Community Hall, we had our regularly scheduled board meeting in the basement of the Hall while Bluegrass 101 was in full bloom upstairs. If I remember correctly, the song that we were working on that night was “I’m Lost, I’ll Never Find the Way”. How ironic that it would end up being the last song played and sung “The NBCMS is a non- together in Pleasantview Community Hall by the dedicated members of the profit music society that Northern Bluegrass Circle Music Society Bluegrass 101 Jammers. promises to promote, How ironic that we went our different ways knowing that our Board present and preserve had met to discuss the dangers of the COVID situation and risk Bluegrass Music.” management followed by the very difficult but obvious decision that would guide our Club for more than a year into an unknown future. The decision was to suspend our weekly gatherings in light of Alberta’s first landed COVID infection on March 5th, 2020 that rapidly grew into 19 infected persons a week later. I remember feeling fear with respect to the danger this infection was bringing to some, and the velocity and aggressive nature of its spread. We didn’t know much as Board Members that Wednesday evening March 11th, 2020, but I would bet that each Board Member knew in their gut that this was serious and in their hearts that we were making the only responsible decision that we could that night. -
Bluegrassové Listy 01/2016
Bluegrassové listy členský zpravodaj Bluegrassové asociace České republiky ročník XXI, březen 2016 číslo Poutníci „45 let“ » New River Train » Rozhovor s Tomášem Kejklíčkem » Rob Ickes opouští Blue Highway » 11. Zimní muzikantský camp Kosodrevina 1 Bluegrassová asociace Bluegrassová akci), na webu BAČR v dalších tiskovinách vydávaných BAČR. » Pro sponzory BA je určen institut doživotní- asociace ho členství za 5.000 Kč. Co je Bluegrasová asociace ČR? Všechny typy členství vyřizuje sekretář BA, který BA je občanské sdružení založené v roce 1995, rovněž dojedná individuálně podrobnosti týkající celou organizaci řídí zvolené předsednictvo, sou- se kolektivního, pořadatelského a sponzorského častným předsedou je Petr Brandejs. členství. Za člena je rovněž možno přihlásit se na některých akcích. Co je cílem BA? Cílem BA je, aby se bluegrassu dařilo v ČR co Výhody členství nejlépe; aby se rozvíjel, byl v kontaktu se zahra- » slevy ve vybraných obchodech s hudebninami ničím a co nejvíce se rozšířil. BA se také snaží » zdarma Bluegrassové listy nejméně 4x ročně zajistit co největší informovanost svých členů. » zařazení do databáze členů – v případě zájmu možno e-mailem zasílat pozvánky na akce Jaká je činnost BA? » možnost zapůjčení aparatury » BA vydává Bluegrassové listy » sleva na vstupném na Banjo Jamboree a ně- » BA spolupořádá nejstarší evropský bluegras- které další festivaly a akce sový festival v Evropě, Banjo Jamboree Zájemci o individuální členství mohou zasílat peníze » BA používá databázi členů k zaslání pozvá- složenkou na adresu BAČR, Hana Hyšplerová, nek na nejrůznější bluegrassové akce Lipová 336, 50732 Kopidlno nebo převodem » BA pořádá výběrová kola na festival Banjo na účet: 108596029/0300. Zájemce o ostatní typy Jamboree členství prosíme o kontaktování Hanky Hyšplerové » BA vítá další náměty svých členů (kontakt viz níže), která s nimi domluví podrobnosti.