Education Automation on Spaceship Earth: Buckminster Fuller's Vision
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UC Irvine UC Irvine Previously Published Works Title Towards a performative aesthetics of interactivity Permalink https://escholarship.org/uc/item/6w42d6p2 Author Penny, SG Publication Date 2011-12-01 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Fibreculture Journal DIGITAL MEDIA + NETWORKS + TRANSDISCIPLINARY CRITIQUE issue 19 2011: Ubiquity issn: 1449 1443 FCJ-132 Towards a Performative Aesthetics of Interactivity Simon Penny University of California, Irvine Introduction As I write this, at the end of 2010, it is sobering to reflect on the fact that over a couple of decades of explosive development in new media art (or ‘digital multimedia’ as it used to be called), in screen based as well as ‘embodied’ and gesture based interaction, the aesthetics of interaction doesn’t seem to have advanced much. At the same time, interaction schemes and dynamics which were once only known in obscure corners of the world of media art research/ creation have found their way into commodities from 3D TV and game platforms (Wii, Kinect) to sophisticated phones (iPhone, Android). While increasingly sophisticated theoretical analyses (from Manovich, 2002 to Chun, 2008 to Hansen, 2006, more recently Stern, 2011 and others) have brought diverse perspectives to bear, I am troubled by the fact that we appear to have ad- vanced little in our ability to qualitatively discuss the characteristics of aesthetically rich interac- tion and interactivity and the complexities of designing interaction as artistic practice; in ways which can function as a guide to production as well as theoretical discourse. -
Buckminster Fuller Playboy Interview
Buckminster Fuller the Playboy interview February 1972 a cesc publication Buckminster Fuller - the 1972 Playboy Interview ©1972 Playboy cesc publications, P.O. Box 232, Totnes, Devon TQ9 9DD England Page 2 of 19 Buckminster Fuller - the 1972 Playboy Interview ©1972 Playboy a candid conversation with the visionary architect/inventor/philosopher R. BUCKMINSTER FULLER PLAYBOY: Is there a single statement you could make than the others and that makes him a challenge to the that would express the spirit of your philosophy? speediest and most powerful, and there’s a fight between the two and the one wins disseminates the FULLER: I always try to point one thing out: if we do species. The others can just go hump.’ more with less, our resources are adequate to take care of everybody. All political systems are founded Imagine how this happened with man - man in great on the premise that the opposite is true. We’ve been ignorance, born with hunger, born with the need to assuming all along that failure was certain, that our regenerate, not knowing whether or not he’ll survive. universe was running down and it was strictly you or He begins by observing that the people who eat roots me, kill or be killed as long as it lasted. But now, in and berries very often get poisoned by them, and he our century, we’ve discovered that man can be a sees that the animals that don’t eat those things don’t success on his planet, and this is the great change that get poisoned. -
Brochure Exhibition Texts
BROCHURE EXHIBITION TEXTS “TO CHANGE SOMETHING, BUILD A NEW MODEL THAT MAKES THE EXISTING MODEL OBSOLETE” Radical Curiosity. In the Orbit of Buckminster Fuller September 16, 2020 - March 14, 2021 COVER Buckminster Fuller in his class at Black Mountain College, summer of 1948. Courtesy The Estate of Hazel Larsen Archer / Black Mountain College Museum + Arts Center. RADICAL CURIOSITY. IN THE ORBIT OF BUCKMINSTER FULLER IN THE ORBIT OF BUCKMINSTER RADICAL CURIOSITY. Hazel Larsen Archer. “Radical Curiosity. In the Orbit of Buckminster Fuller” is a journey through the universe of an unclassifiable investigator and visionary who, throughout the 20th century, foresaw the major crises of the 21st century. Creator of a fascinating body of work, which crossed fields such as architecture, engineering, metaphysics, mathematics and education, Richard Buckminster Fuller (Milton, 1895 - Los Angeles, 1983) plotted a new approach to combine design and science with the revolutionary potential to change the world. Buckminster Fuller with the Dymaxion Car and the Fly´s Eye Dome, at his 85th birthday in Aspen, 1980 © Roger White Stoller The exhibition peeps into Fuller’s kaleidoscope from the global state of emergency of year 2020, a time of upheaval and uncertainty that sees us subject to multiple systemic crises – inequality, massive urbanisation, extreme geopolitical tension, ecological crisis – in which Fuller worked tirelessly. By presenting this exhibition in the midst of a pandemic, the collective perspective on the context is consequently sharpened and we can therefore approach Fuller’s ideas from the core of a collapsing system with the conviction that it must be transformed. In order to break down the barriers between the different fields of knowledge and creation, Buckminster Fuller defined himself as a “Comprehensive Anticipatory Design Scientist,” a scientific designer (and vice versa) able to formulate solutions based on his comprehensive knowledge of universe. -
The Cybernetic Brain
THE CYBERNETIC BRAIN THE CYBERNETIC BRAIN SKETCHES OF ANOTHER FUTURE Andrew Pickering THE UNIVERSITY OF CHICAGO PRESS CHICAGO AND LONDON ANDREW PICKERING IS PROFESSOR OF SOCIOLOGY AND PHILOSOPHY AT THE UNIVERSITY OF EXETER. HIS BOOKS INCLUDE CONSTRUCTING QUARKS: A SO- CIOLOGICAL HISTORY OF PARTICLE PHYSICS, THE MANGLE OF PRACTICE: TIME, AGENCY, AND SCIENCE, AND SCIENCE AS PRACTICE AND CULTURE, A L L PUBLISHED BY THE UNIVERSITY OF CHICAGO PRESS, AND THE MANGLE IN PRAC- TICE: SCIENCE, SOCIETY, AND BECOMING (COEDITED WITH KEITH GUZIK). THE UNIVERSITY OF CHICAGO PRESS, CHICAGO 60637 THE UNIVERSITY OF CHICAGO PRESS, LTD., LONDON © 2010 BY THE UNIVERSITY OF CHICAGO ALL RIGHTS RESERVED. PUBLISHED 2010 PRINTED IN THE UNITED STATES OF AMERICA 19 18 17 16 15 14 13 12 11 10 1 2 3 4 5 ISBN-13: 978-0-226-66789-8 (CLOTH) ISBN-10: 0-226-66789-8 (CLOTH) Library of Congress Cataloging-in-Publication Data Pickering, Andrew. The cybernetic brain : sketches of another future / Andrew Pickering. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-226-66789-8 (cloth : alk. paper) ISBN-10: 0-226-66789-8 (cloth : alk. paper) 1. Cybernetics. 2. Cybernetics—History. 3. Brain. 4. Self-organizing systems. I. Title. Q310.P53 2010 003’.5—dc22 2009023367 a THE PAPER USED IN THIS PUBLICATION MEETS THE MINIMUM REQUIREMENTS OF THE AMERICAN NATIONAL STANDARD FOR INFORMATION SCIENCES—PERMA- NENCE OF PAPER FOR PRINTED LIBRARY MATERIALS, ANSI Z39.48-1992. DEDICATION For Jane F. CONTENTS Acknowledgments / ix 1. The Adaptive Brain / 1 2. Ontological Theater / 17 PART 1: PSYCHIATRY TO CYBERNETICS 3. -
Journal of Sociocybernetics
JOURNAL OF SOCIOCYBERNETICS Volume 7 Number 1 Summer 2009 Official Journal of the Research Committee on Sociocybernetics (RC51) of the International Sociological Association i ii JOURNAL OF SOCIOCYBERNETICS www.unizar.es/sociocybernetics/ Editor Karl-Heinz Simon Co-Editors Barry Gibson Juan Aguado Editorial Board Eva Buchinger, Wien Felix Geyer, Amsterdam Magdalena A. Kalaidjieva, Sofia Tuomo Kuosa, Helsinki Chaime Marcuello, Zaragossa Vessela Misheva, Stockholm The JOURNAL OF SOCIOCYBERNETICS (ISSN 1607-8667) is an electronic journal published biannually--Spring/Summer and Fall/Winter--by the Research Committee on Sociocybernetics of the International Sociological Association. MANUSCRIPT submissions should be sent electronically (in MSWord or Rich Text File format) to each of the editors: Karl-Heinz Simon ([email protected]), Barry Gibson ([email protected]) and Juan Aguado ([email protected]). In general, please follow the Chicago Manuel of Style; citations and bibliography should follow the current journal style (APA). Normally, articles should be original texts of no more than 6000 words, although longer articles will be considered in exceptional circumstances. The Jour- nal looks for submissions that are innovative and apply principles of General Systems Theory and Cybernetics to the social sciences, broadly conceived. COPYRIGHT remains the property of authors. Permission to reprint must be obtained from the authors and the contents of JoS cannot be copied for commercial purposes. JoS does, however, reserve the right to future reproduction of articles in hard copy, portable document format (.pdf), or HTML editions of JoS. iii SOCIOCYBERNETICS traces its intellectual roots to the rise of a panoply of new ap- proaches to scientific inquiry beginning in the 1940's. -
Second Order Cybernetics 31/08/2008 10:08
SECOND ORDER CYBERNETICS 31/08/2008 10:08 Search Print this chapter Cite this chapter SECOND ORDER CYBERNETICS Ranulph Glanville, CybernEthics Research, UK and Royal Melbourne Institute of Technology University, Australia Keywords: actor, analogy, argument, automata, autopoiesis, behavior, biology, Black_Box, causality, circularity, coding, cognition, communication, computation, concept, consciousness, control, conversation, cybernetics, description, design, distinction, ecology, education, environment, epistemology, error, ethics, feedback, form, function, generosity, goal, homeostasis, idea, identity, individual, information, interaction, internet, knowing, language, learning, logic, management, mathematics, meaning, mechanism, memory, meta-, metaphor, moment, mutualism, network, object, observe, organizational_closure, oscillation, person, phenomenon, philosophical, physics, positivist, (post-)_modernism, praxis, process, program, psychology, purpose, quality, reality, reason, recursion, relative, responsibility, science, second_order_cybernetics, (self-)_reference, semiotics, social, structure, subject, support, system, theory, thinking, time, truth, understanding, variety, whole_(and_part) Contents 1. Introduction: What Second Order Cybernetics is, and What it Offers 2. Background—the Logical Basis for Second Order Cybernetics 3. Second Order Cybernetics—Historical Overview 4. Theory of Second Order Cybernetics 5. Praxis of Second Order Cybernetics 6. A Note on Second Order Cybernetics and Constructivism 7. Cybernetics, Second Order -
How Cybernetics Connects Computing, Counterculture, and Design
Walker Art Center — Hippie Modernism: The Struggle for Utopia — Exhibit Catalog — October 2015 How cybernetics connects computing, counterculture, and design Hugh Dubberly — Dubberly Design Office — [email protected] Paul Pangaro — College for Creative Studies — [email protected] “Man is always aiming to achieve some goal language, and sharing descriptions creates a society.[2] and he is always looking for new goals.” Suddenly, serious scientists were talking seriously —Gordon Pask[1] about subjectivity—about language, conversation, and ethics—and their relation to systems and to design. Serious scientists were collaborating to study Beginning in the decade before World War II and collaboration. accelerating through the war and after, scientists This turn away from the mainstream of science designed increasingly sophisticated mechanical and became a turn toward interdisciplinarity—and toward electrical systems that acted as if they had a purpose. counterculture. This work intersected other work on cognition in Two of these scientists, Heinz von Foerster and animals as well as early work on computing. What Gordon Pask, took an interest in design, even as design emerged was a new way of looking at systems—not just was absorbing the lessons of cybernetics. Another mechanical and electrical systems, but also biological member of the group, Gregory Bateson, caught the and social systems: a unifying theory of systems and attention of Stewart Brand, systems thinker, designer, their relation to their environment. This turn toward and publisher of the Whole Earth Catalog. Bateson “whole systems” and “systems thinking” became introduced Brand to von Foerster.[3] Brand’s Whole Earth known as cybernetics. Cybernetics frames the world in Catalog spawned a do-it-yourself publishing revolution, terms of systems and their goals. -
The Best Way to Predict the Future Is to Design It Exploration in Future Possibilities from an Industrial Design Perspective
The best way to predict the future is to design it Exploration in future possibilities from an Industrial Design perspective Alexander Jayko Fossland Department of Product Design Norwegian University of Science and Technology ABSTRACT The main problem discussed is what one should design towards in general terms and what rationale can back up designing in general. The article is aimed at professional designers and students of design looking to broaden their philosophical basis for design practice. R. Buckminster Fuller’s literature is assessed. Critical questions are raised about the industrial design profession, constructive and destructive abilities are discovered. Through Fuller’s perspectives, open source, open design, digital fabrication and the blockchain are found to be potential remedies for humanity’s shortcomings in sustainably operating Spaceship Earth. KEYWORDS: R. Buckminster Fuller, Industrial Design, Total human success, Spaceship Earth, Ephemeralization, Real Wealth, Open Source, Open Design, the Blockchain, Digital Fabrication. 1. INTRODUCTION consideration, in addition the analyses of digital fabrication, open source, open design and This article discusses perspectives, principles and blockchain technology is assessed through implications of R. Buckminster Fuller´s philosophy published articles. in the light of modern industrial design. It tries to establish a consensus about what we should 1.1 Origins design towards, and what a designer’s responsibility and contributions could be. Finally In exploring the role of industrial designers, a it looks at concepts in contemporary technology preliminary understanding of the origins of the relevant to Fullers visions and ideas. Industrial Design profession is required. The question of whether Industrial Designers are true This article reviews literature from the following advocates for innovation or profit-driven stylists texts by R. -
Afterlives of Systems Article 1
communication +1 Volume 3 Afterlives of Systems Article 1 2014 Introduction Christina Vagt Technische Universität Berlin, [email protected] Florian Sprenger [email protected] Follow this and additional works at: http://scholarworks.umass.edu/cpo Part of the Arts and Humanities Commons Recommended Citation Vagt, Christina and Sprenger, Florian (2014) "Introduction," communication +1: Vol. 3, Article 1. Available at: http://scholarworks.umass.edu/cpo/vol3/iss1/1 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in communication +1 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Keywords systems theory, afterlife, history, warburg, technology Creative Commons License This work is licensed under a Creative Commons Attribution-Share Alike 3.0 License. This article is available in communication +1: http://scholarworks.umass.edu/cpo/vol3/iss1/1 Vagt and Sprenger: Introduction Under the impression of today’s planetary crises, the rise of ecological thinking, as well as technologies of smart, ubiquitous systems and the impression of global interconnectedness, there appears a new desire to excavate the remnants of the past. To investigate the historical and epistemological foundations of current systems thinking promises to lead to an understanding of the current condition that we are in – and its technological groundings. When system-oriented thinking emerged within biological contexts in the first half of the 20 th Century, it came along with universal pretensions: the concepts of ecosystems (Tansley) and general systems theory (von Bertalanffy) were both immersed in longstanding struggles between materialism and holism. -
Edwardsville- Southern Illinois University Talk January 31, 2009
Edwardsville- Southern Illinois University Talk January 31, 2009 Good evening and thank you for the privilege of addressing you this evening. It is an honor and a humbling experience on many dimensions to be here to receive the first Annual Sustainability Award given to R. Buckminster Fuller. • It is an honor to represent the Fuller family. My cousin Allegra Fuller Snyder Bucky’s daughter- for he was known throughout the world as Bucky- sends you her greetings and very best. I am Bucky’ niece- He was Uncle Bucky or Uncle Buckle as he often called himself. My father Wolcott Fuller was 3 years younger than Bucky- my father was a civil engineer on a different, more grounded level than Bucky’s visionary engineering thinking. • It is an honor to receive the award posthumously for someone who died 26 years ago, but who feels represents today, and increasingly so; attesting to the vitality, vision and relevance of Bucky’s thinking and life. • It is an honor to receive the award from a spiritual and education center, to be present this evening among educators and thinkers, for the award is also a testament to the fundamental value of education- core to human activity. Bucky was through and through an educator; his life was dedicated to transmitting and sharing his thoughts and ideas and visions about the planet, its function and sustainability to all students- of any age. His many books such as the OPERATING MANUAL FOR SPACESHIP EARTH are evidence of the centrality of education in his lifetime- as indeed was his associates with SIU for many years. -
Welcome to Vol. 6 No. 9 of BFI News, the E-Bulletin of the Buckminster Fuller Institute
Welcome to Vol. 6 No. 9 of BFI_News, the e-bulletin of the Buckminster Fuller Institute ........................................................... BFI_News brings you news from around the world related to humanity's option for success and comprehensive design solutions. It also features updates from BFI and periodic special offers for our members. ........................................................... BFI UPDATE ........................................................... BFI BOARD CHALLENGE GRANT The BFI Board of Directors has committed itself to a $20,000 Challenge Grant to inspire the financial support of our e-bulletin subscribers, store customers, members and other supporters. We encourage you to seize this opportunity to help us meet the Board's challenge. It is with complete confidence in the quality of our new programs and the caliber of our team that we extend this invitation for you to join our Membership as soon as possible. If you make your donation before December 31, 2005, your money will be matched, dollar for dollar, by the Board's Challenge Grant! To become a member, renew your membership, or simply make a donation, please visit: <http://www.bfi.org/membership.html> ........................................................... DESIGN SCIENCE LAB 2006 The first annual Design Science Summer Lab was a complete success and planning is already underway for next year's lab. For more information or if you are interested in participating in next year's program, please sign up for the 2006 mailing list using the link below: <http://www.bfi.org/summerlab/2006mail.php> ........................................................... *DYMAXION ARTIFACTS STORE UPDATE* Featured Items: Out of Print Books BFI carries all of Bucky's out of print books, from Operating Manual for Spaceship Earth to Nine Chains to the Moon. -
Anexos. Anexo 01 Publicación Cronológica De Los Libros De Buckminster Fuller
ANEXOS. ANEXO 01_ PUBLICACIÓN CRONOLÓGICA DE LOS LIBROS DE BUCKMINSTER FULLER. Recopilación extraía del Instituto Buckminster Fuller Buckminster Fuller, R. (1928). 4D Time Lock. Publicado privadamente en Chicago, Illinois, 200 copias: Biotechnic Press, Lama Foundation, Albuquerque, New Mexico (1929, 1970, 1972). Buckminster Fuller, R. (1938). Nine Chains to the Moon. J. B. Lippincott Company, Philadelphia, New York, London, Toronto 1938; republished Doubleday & Company, Inc., Garden City, New York. 1963. Buckminster Fuller, R. y Marks, R.W. (1960). The dymaxion world of Buckminster Fuller. Anchor Press, Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller, R. (1962). Untitled epic poem on the history of industrialization. Simon & Schuster, New York. Buckminster Fuller, R. (1963). Education automation. Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller, R. (1963). Ideas and Integrities. Prentice Hall, Englewood Cliffs, New Jersey. 1963; Collier, Macmillan, Toronto, Canada. 1963. Buckminster Fuller, R. (1963). No more secondhand god. Doubleday & Company, Inc., Garden City, New York. Buckminster Fuller R. (1963). Operating manual for spaceship earth. E.P. Dutton & Co., New York. 1963, 1971. Buckminster Fuller R. (1968). Capítulo “How Little I know” en What I have learned. Simon & Schuster, NewYork. Buckminster Fuller, R. (1969). Utopia or Oblivion. Bantam Books, New York. Buckminster Fuller, R. (1970). The Buckminster Fuller reader. Editado por James Meller. Jonathan Cape, UK., London. 1970. Penguin Books, Ltd., Middlesex, England. 1970. Buckminster Fuller, R. con Angel, J. y Fiore, Q. (1970). I seem to be a verb Bantam Books, New York. Buckminster Fuller, R. (1970). Intuition. Anchor Press, Doubleday & Company, Inc., Garden City, New York; Impact Publishers, San Luis Obispo, California.