DOCSLIB.ORG

Ike &Tina Turner Biography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ike &Tina Turner Biography WHO'S THIS ? i I ISTER OF EDUC RESIDENCE STORY PAG€ 3 ! I . *.. .. ... , I I editorial -1 letters I \ 1, Is there any truth to the rumor that groups of Link students are circulating written statements to the effect that they disagree with the statements published by the Ihe Editor Student Association? Could they be the students who have boycotted'Council meetings on the grounds that the Is there any truth to the rumor that theadministr- council was apathetic and ineffective and afraid to take ktion of BCIT is bargaining away the interests of the a stand? Are these students in its current dealings with the staff Society? a stand? re these groups pretending to be speaking Are the students to be sold out by the second floor just for dletechnologies when refly hey are &st to suiet things down for a me? Has the acbninistra- reflecting the views of a very few students (orperhaps tion asked the students for their opinion on any pending instmctorsp 4re the students to get the shaft because the idministration won't stand up to the Staff Society? Is there any truth to the rumor that themembers of the Student Association who were loudest in com- I IS there aW truth to the rumor that the Students plwabout the lack of a quorum at recentmeetings re preparing to demand a voice on any committees that a were the first to leave last meeting? And leave it in Many of you are no doubt wonder- kre set up to advise in the management of this Institute? a position of having to opera% without a quorum. Is the Student Association at last prepared to move a position of having to operate without a quorum? ing about the proposed Instructor'$ lorward demanding that their wishes be respected before Is there any truth to the -or that at a pa* strike. There have been numeroud kCiSiOnS are made? IS the Studkt Association likewise held in New Westminster on Saturday, January 18th, a rumours and half truths tossec prepared to put forth their points of view to the Staff member of the administration said to a first year Society? student of BCIT "If you nm for student council next around which further confuse the year. ...I will make sure you don't get a vote. ."? . issue. Though Iam no experl IS there any truth to the rumor that one technology Cauld this be an example of a-inistrative interference is preparing to circulate a petition requesting that one ia student polities? men this student does M for on this incident myself, I will Df their instructors be changed and that the students who medfice the Student Assetion rrill that put forth views and opinions whicl take this particular course next year won't be subjected amstmtoruse influence to sllray any votes? I have gathered over the past to that particular instructor? Will we stand for it? Is theStudentAssociationmoey couple of months. Though man] an issue?Jim Britton 10B2 instructors are reluctant to div; The Editor I also hope that those people aren't afraid to say that the ulge any pertinent information, Staff Society is not fully backed by the instructors in have learned that the vote of con- sirs: * . Business, Engineering and Health. They may belong to the Staff Society but the nucleus of the Staff Society are fidence at a recent staff societj I notice that Jim Britton did not comment on the instructors who are not attached to any technology and meeting turned out in actual fac fact that on Thursday, January 23rd. while the just how interested they are in BCIT is questionable. to be a strike vote. The vott Staff Society was conducting its strike vote, some They aren't directly responsible for any specific group representatiye s of the Staff Society paid a visit to of students so perhaps their interests lie only with was 83% in favour of strike anc the SAC to explain their viewpoint on affairs at hand. themselves. Our instructors in Business, Engineering 17% against. It seems the instr- Perhaps, in the seclusion of the darkened lounge and Health just aren't taking part in policy decisionsin uctors are fully prepared to wall the S.S. even though they are the vast majority. the picket line if their demands Perhaps they were attempting to solicit the support I know that most of our instructors are interested in of the Student Association. Neither was there any the future of BCIT and I sure wish they'd speak up. are not met. I personally takc comment on the tact that the meeting was tentatively this action with mixed emotions set for the Villa where there would be less chance The working conditions of instructors will affect the class- Emotionally I am all for the of being observed or overheard. Perhaps, in the room condition of students. The instructors have it seclusion of the darkened lounge "deals" were to be made. pretty easy now and the students have it tough. Iguess instructors; however one doesn' I certainly hope that the Student Association can maintain that if things get better for instructors they getworse il its present posture of mature neutrality. have to be a complete jerk to , for students. Some instructors have been asking students realize that we the students arc to fill out "evaluation" forms in the past years. Some Perhaps I should put the question to Jim Brittonasto instructors even read them and tried to improve their being used as a weapon by the how concerned the Board of Governors is with the teacu methods. I certainly hope that the S.S. in its instructors at the bargaining table students here., I certainly hope that in years to come collective agreement, will demand that all instructors I we won't have to appeal to the Board because both use these forms to improve their lectures and as a Should the instructors decide tc Administration and instructors are so concerned with form of self-evaluation. strike our studies will be inter. their own "rights" that students are neglected. The Student Association should remind both groups rupted or suspended for an indef. I hope that no one is afraid to mention the factthat some that students are a vital part of BCIT. init e ti me. instructors will vote for a strike so long as the skiing is ' Are we going to just sit here ai good. R. Semaj 35B1 a neutral party and risk our ed- I ucation at the expense of a sense- ' Audiences at the Playhouse Theatre Centre are being less bargaining impasse? treated to the first show of 1975 in the form of OF THE FIELDS, LATLEY. Asequel to last year's LEAVING HOME, OF THEFIELDS LATELY is proving +* -+e++ that it can stand on its own and is adding a whole new can Saw dimension to the Mercer family. - - and are interested in t extra money apply to t The pley, by Canadian writer, David French, concerns t Jacob and Mary Mercer, a working class couple in t nancy harford at the t 1961 Toronto. Their eldest son, Ben returns home for his Aunt Dot's funeral and attempts to break 1 student association t of is offices in the sac building down the wall tension that ever present, through L--*+--+-- t invisible, between his father and himself. The play comes alive as the actors skillfully and realistically portrayed the dramatic theme of family division. Powys Thomas is superb as Jacob, Mary portrayed by Florence Henderson, is likeable and heart warming. Together these two make a couple who are close and who have a relationship basedon years of trials and successes. Barney 0' Sullivan as Uncle Wiff comes acreoss with sad resrtained en- thuisiasm that is just right and Kenneth Farrell as young Ben Mercer displays the right amount of total frustration and helplessness as he realizes that the wall, which had been begun when he was only 12, is now no nearer to crumbling as it was then,. EDITOR ..................BRUCE OKABE OF THE FIELDS LATELY is well worth seeing if only - PATJONES because of the reflections of your own family life ~VERTIISNG ......... KAREN HUHTALA that you will see. Some word spoken, some small ,. actions of the characters, all help create the feeling thay you are watching your own family life unfold. TYPING.. ...............VERONICA TIMMONS Remember, the whole world is a stage and the PHOTO D-WP-OR.,..TED EDWARDS ' inhabitants are the players. Thanks the cast, director and writer of the fields ~OToG.-.,......-./ DENNIS JACOBSON to lately is a classice example of this. ROLANDKOKKEa OF THE FIELDS, LATLEY WILL BE RUNNING AT THE DOUG SI'EPMJDE PLAYHOUSE EVERY NIGHT UNTIL 1 FEB. SEEIT! CONTRIBUTORS.....MARION BENJAMIN MARIAN BENJAMIN I BIAF*RAHOUSE -BY: MARIAN BENJAMIN OR FLUSH TWICE ITS A LONG WAY TO BRENTWOOD These are just a sample of out to local estaurants, drive- the 243 "Short one-liners" that go r etc; to get some sort of What can be do-ne? This All this boils down to is made up the 79 telegrams that went ins, a large WaitiWxSme; onewhichis nutritional meal. is a question that students have asked to Mrs. Eileen Dailly, January 14, F o o d bills themselves since September. played by everyone concerned. 1975, as part of the kick-off to Whatever the answer, something Paul Polson, Accomodations Officer OPERATION BUG for this type of "nutritional EILEEN. meals" are averaging around must be done! Students cpn not for BCVS refuses to make a comment Brentwood House students, led by on Brentwood House.
Load more

Recommended publications
  • Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
    Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like
    [Show full text]
  • 100 Years: a Century of Song 1950S
    100 Years: A Century of Song 1950s Page 86 | 100 Years: A Century of song 1950 A Dream Is a Wish Choo’n Gum I Said my Pajamas Your Heart Makes / Teresa Brewer (and Put On My Pray’rs) Vals fra “Zampa” Tony Martin & Fran Warren Count Every Star Victor Silvester Ray Anthony I Wanna Be Loved Ain’t It Grand to Be Billy Eckstine Daddy’s Little Girl Bloomin’ Well Dead The Mills Brothers I’ll Never Be Free Lesley Sarony Kay Starr & Tennessee Daisy Bell Ernie Ford All My Love Katie Lawrence Percy Faith I’m Henery the Eighth, I Am Dear Hearts & Gentle People Any Old Iron Harry Champion Dinah Shore Harry Champion I’m Movin’ On Dearie Hank Snow Autumn Leaves Guy Lombardo (Les Feuilles Mortes) I’m Thinking Tonight Yves Montand Doing the Lambeth Walk of My Blue Eyes / Noel Gay Baldhead Chattanoogie John Byrd & His Don’t Dilly Dally on Shoe-Shine Boy Blues Jumpers the Way (My Old Man) Joe Loss (Professor Longhair) Marie Lloyd If I Knew You Were Comin’ Beloved, Be Faithful Down at the Old I’d Have Baked a Cake Russ Morgan Bull and Bush Eileen Barton Florrie Ford Beside the Seaside, If You were the Only Beside the Sea Enjoy Yourself (It’s Girl in the World Mark Sheridan Later Than You Think) George Robey Guy Lombardo Bewitched (bothered If You’ve Got the Money & bewildered) Foggy Mountain Breakdown (I’ve Got the Time) Doris Day Lester Flatt & Earl Scruggs Lefty Frizzell Bibbidi-Bobbidi-Boo Frosty the Snowman It Isn’t Fair Jo Stafford & Gene Autry Sammy Kaye Gordon MacRae Goodnight, Irene It’s a Long Way Boiled Beef and Carrots Frank Sinatra to Tipperary
    [Show full text]
  • Memphis, Tennessee, Is Known As the Home of The
    Memphis, Tennessee, is known as the Home of the Blues for a reason: Hundreds of bluesmen honed their craft in the city, playing music in Handy Park and in the alleyways that branch off Beale Street, plying their trade in that street’s raucous nightclubs and in juke joints across the Mississippi River. Mississippians like Ike Turner, B.B. King, and Howlin’ Wolf all passed through the Bluff City, often pausing to cut a record before migrating northward to a better life. Other musicians stayed in Memphis, bristling at the idea of starting over in unfamiliar cities like Chicago, St. Louis, and Los Angeles. Drummer Finas Newborn was one of the latter – as a bandleader and the father of pianist Phineas and guitarist Calvin Newborn, and as the proprietor of his own musical instrument store on Beale Street, he preferred the familiar environs of Memphis. Finas’ sons literally grew up with musical instruments in their hands. While they were still attending elementary school, the two took first prize at the Palace Theater’s “Amateur Night” show, where Calvin brought down the house singing “Your Mama’s On the Bottom, Papa’s On Top, Sister’s In the Kitchen Hollerin’ ‘When They Gon’ Stop.’” Before Calvin followed his brother Phineas to New York to pursue a jazz career, he interacted with all the major players on Memphis’ blues scene. In fact, B.B. King helped Calvin pick out his first guitar. The favor was repaid when the entire Newborn family backed King on his first recording, “Three O’ Clock Blues,” recorded for the Bullet label at Sam Phillips’ Recording Service in downtown Memphis.
    [Show full text]
  • 1950S Playlist
    1/10/2005 MONTH YEAR TITLE ARTIST Jan 1950 RAG MOP AMES BROTHERS Jan 1950 WITH MY EYES WIDE OPEN I'M DREAMING PATTI PAGE Jan 1950 ENJOY YOURSELF (IT'S LATER THAN YOU THINK) GUY LOMBARDO Jan 1950 I ALMOST LOST MY MIND IVORY JOE HUNTER Jan 1950 THE WEDDING SAMBA EDMUNDO ROS Jan 1950 I SAID MY PAJAMAS (AND PUT ON MY PRAY'RS) TONY MARTIN/FRAN WARREN Jan 1950 SENTIMENTAL ME AMES BROTHERS Jan 1950 QUICKSILVER BING CROSBY/ANDREWS SISTERS Jan 1950 CHATTANOOGIE SHOE SHINE BOY RED FOLEY Jan 1950 BIBBIDI-BOBBIDI-BOO PERRY COMO Feb 1950 IT ISN'T FAIR SAMMY KAYE/DON CORNELL Feb 1950 RAG MOP LIONEL HAMPTON Feb 1950 THE THIRD MAN THEME ANTON KARAS Feb 1950 MY FOOLISH HEART GORDON JENKINS Feb 1950 THE CRY OF THE WILD GOOSE FRANKIE LAINE Feb 1950 THE FAT MAN FATS DOMINO Feb 1950 DADDY'S LITTLE GIRL MILLS BROTHERS Feb 1950 MUSIC MUSIC MUSIC TERESA BREWER Mar 1950 THE THIRD MAN THEME GUY LOMBARDO Mar 1950 CANDY AND CAKE MINDY CARSON Mar 1950 MY FOOLISH HEART BILLY ECKSTINE Mar 1950 IF I KNEW YOU WERE COMIN' I'D'VE BAKED A CAKE EILEEN BARTON Mar 1950 WANDERIN' SAMMY KAYE Mar 1950 DEARIE GUY LOMBARDO Apr 1950 COUNT EVERY STAR HUGO WINTERHALTER Apr 1950 HOOP-DEE-DOO PERRY COMO Apr 1950 BEWITCHED BILL SNYDER Apr 1950 PETER COTTONTAIL GENE AUTRY Apr 1950 ARE YOU LONESOME TONIGHT BLUE BARRON May 1950 THE OLD PIANO ROLL BLUES HOAGY CARMICHAEL/CASS DALEY May 1950 BEWITCHED DORIS DAY May 1950 VALENCIA TONY MARTIN May 1950 I DON'T CARE IF THE SUN DON'T SHINE PATTI PAGE May 1950 I WANNA BE LOVED ANDREWS SISTERS May 1950 BONAPARTE'S RETREAT KAY STARR Jun 1950 MONA
    [Show full text]
  • Disco Top 15 Histories
    10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15
    [Show full text]
  • Born to Take the Highway: Women, the Automobile, and Rock N Roll
    Born to Take the Highway Chris Lezotte 161 Born to Take the Highway: Women, the Automobile, and Rock ‘n’ Roll Chris Lezotte In a Washington Post feature article from a few but also in the profusion of auto-themed songs years back, popular music critic J. Freedom du about favorite cars (GTO, Barracuda), car Lac laments the death of the car song. Du Lac engines (Chevy 409, Rocket 88), car parts (Four attributes the demise of the car song—a musical in the Floor, Stick Shift), and highways (Route phenomenon that peaked in popularity during the 66, Thunder Road) (38). In addition, cars—as 1950s and 1960s—to the current crop of automo- objects of desire, devotion, and obsession—were biles. He contends that the quiet, safe, economi- often linked through song with women (Maybel- cal, and eco-friendly cars of today provide little lene, Mustang Sally), or given feminine personas inspiration for music about cars. While he (Betsy, She’s My Chevy). As du Lac writes, acknowledges that contemporary music often ref- automobiles—in song and on the road—were erences the automobile, as du Lac remarks, “they not only good for getting girls, but were also aren’t actually car songs at all.” “desirable girls themselves.” The classic car song to which du Lac refers— The decades following the Second World and to which music journalists and scholars War produced two exclusive male provinces— most often address—is that intertwined with the American car culture and rock ‘n’ roll—which automotive culture of the post-World War II serendipitously and successfully combined into era.
    [Show full text]
  • From King Records Month 2018
    King Records Month 2018 = Unedited Tweets from Zero to 180 Aug. 3, 2018 Zero to 180 is honored to be part of this year's celebration of 75 Years of King Records in Cincinnati and will once again be tweeting fun facts and little known stories about King Records throughout King Records Month in September. Zero to 180 would like to kick off things early with a tribute to King session drummer Philip Paul (who you've heard on Freddy King's "Hideaway") that is PACKED with streaming audio links, images of 45s & LPs from around the world, auction prices, Billboard chart listings and tons of cool history culled from all the important music historians who have written about King Records: “Philip Paul: The Pulse of King” https://www.zeroto180.org/?p=32149 Aug. 22, 2018 King Records Month is just around the corner - get ready! Zero to 180 will be posting a new King history piece every 3 days during September as well as October. There will also be tweeting lots of cool King trivia on behalf of Xavier University's 'King Studios' historic preservation collaborative - a music history explosion that continues with this baseball-themed celebration of a novelty hit that dominated the year 1951: LINK to “Chew Tobacco Rag” Done R&B (by Lucky Millinder Orchestra) https://www.zeroto180.org/?p=27158 Aug. 24, 2018 King Records helped pioneer the practice of producing R&B versions of country hits and vice versa - "Chew Tobacco Rag" (1951) and "Why Don't You Haul Off and Love Me" (1949) being two examples of such 'crossover' marketing.
    [Show full text]
  • What the Experts Say About Mississippi Music
    What The Experts Say Blues in Mississippi *Alan Lomax in his book , The Land Where the Blues Began, said, AAlthough this has been called the age of anxiety, it might better be termed the century of the blues, after the moody song style that was born sometime around 1900 in the Mississippi Delta.@ Lomax goes on to credit black Delta blues musicians by saying, ATheir productions transfixed audiences; and white performers rushed to imitate and parody them in the minstrel show, buck dancing, ragtime, jazz, as nowadays in rock, rap, and the blues.@ *While there was indeed anxiety between blacks and whites in Mississippi, at least one venue demanded mutual respect - - - - music. Robert M. Baker, author of A Brief History of the Blues, said, A...blues is a native American musical and verse form, with no direct European and African antecedents of which we know. In other words, it is a blending of both traditions.@ However, there is no question that rhythmic dance tunes brought over by slaves influenced greatly the development of the blues. Blacks took the instruments and church music from Europe and wove them with their ancestral rhythms into what we know as the blues. *Christine Wilson, in the Mississippi Department of Archives publication, All Shook Up, Mississippi Roots of American Popular Music, said, A Music that emerged from Mississippi has shaped the development of popular music of the country and world. Major innovators created new music in every form - - - gospel, blues, country, R&B, rock, and jazz.@ *William Farris in Blues From the Delta wrote, ABlues shape both popular and folk music in American culture; and blues-yodeling Jimmie Rodgers, Elvis Presley, and the Rolling Stones are among many white performers who incorporate blues in their singing styles.@ For another example, Joachim Berendt=s book, The Jazz Book, outlines the development of jazz from its blues roots.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • Updates & Amendments to the Great R&B Files
    Updates & Amendments to the Great R&B Files The R&B Pioneers Series edited by Claus Röhnisch from August 2019 – on with special thanks to Thomas Jarlvik The Great R&B Files - Updates & Amendments (page 1) John Lee Hooker Part II There are 12 books (plus a Part II-book on Hooker) in the R&B Pioneers Series. They are titled The Great R&B Files at http://www.rhythm-and- blues.info/ covering the history of Rhythm & Blues in its classic era (1940s, especially 1950s, and through to the 1960s). I myself have used the ”new covers” shown here for printouts on all volumes. If you prefer prints of the series, you only have to printout once, since the updates, amendments, corrections, and supplementary information, starting from August 2019, are published in this special extra volume, titled ”Updates & Amendments to the Great R&B Files” (book #13). The Great R&B Files - Updates & Amendments (page 2) The R&B Pioneer Series / CONTENTS / Updates & Amendments page 01 Top Rhythm & Blues Records – Hits from 30 Classic Years of R&B 6 02 The John Lee Hooker Session Discography 10 02B The World’s Greatest Blues Singer – John Lee Hooker 13 03 Those Hoodlum Friends – The Coasters 17 04 The Clown Princes of Rock and Roll: The Coasters 18 05 The Blues Giants of the 1950s – Twelve Great Legends 28 06 THE Top Ten Vocal Groups of the Golden ’50s – Rhythm & Blues Harmony 48 07 Ten Sepia Super Stars of Rock ’n’ Roll – Idols Making Music History 62 08 Transitions from Rhythm to Soul – Twelve Original Soul Icons 66 09 The True R&B Pioneers – Twelve Hit-Makers from the
    [Show full text]
  • Kygo X Tina Turner “What's Love Got to Do with It” Out
    KYGO X TINA TURNER “WHAT’S LOVE GOT TO DO WITH IT” OUT NOW Global superstar, producer and DJ, Kyrre Gørvell-Dahll – a.k.a Kygo, teams up with the incomparable, brilliant, and legendary Grammy Award winning superstar Tina Turner to unveil a remake of “What’s Love Got To Do With It” – Turner’s iconic #1 song that was inducted into the Grammy Hall of Fame and is included in Rolling Stone Magazine’s list of “The 500 Greatest Songs of All Time.” “What’s Love Got To Do With It” comes alongside a brand new video directed by Sarah Bahbah and stars Laura Harrier (Hollywood, Blackkklansman) and Charles Michael Davis (The Originals, The Vampire Diaries). Listen / Watch here HERE – out now via Sony Music International/Ultra Records/RCA Records. Says Kygo, “I couldn’t be more excited to collaborate with Tina Turner, who is an icon that I grew up listening to. ‘What’s Love Got To Do With It’ is one of my all-time favorite songs so to have a chance to rework it has been a very special moment in my career. I love working around timeless vocals and although it’s challenging to preserve elements of the original track and adding my own touch, I’m extremely happy with how it turned out!” It’s been a big summer for Kygo who back in May released his critically acclaimed third full-length album Golden Hour which features his hit single “Lose Somebody” with OneRepublic as well as “Higher Love” with Whitney Houston, the latter of which has more than 651 million audio and video streams combined and charted at Top 40 radio.
    [Show full text]
  • Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin
    Directed by Morgan Neville Produced by Gil Friesen Produced by Caitrin Rogers WORLD PREMIERE U.S. DOCUMENTARY COMPETITION SUNDANCE FILM FESTIVAL 2013 Running Time: 90 minutes | Language: English SYNOPSIS Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others. These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film. DIRECTOR’S STATEMENT About two years ago, I sat down with Gil Friesen, a longtime music industry veteran from A&M Records, whom I only knew by reputation. He told me he wanted to make a film about backup singers. He didn’t know what the film was going to be, but he knew there was something intriguing in there.
    [Show full text]