Modernism and the Machine
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A Film by MICHAEL HANEKE East Coast Publicity West Coast Publicity Distributor IHOP BLOCK KORENBROT SONY PICTURES CLASSICS
A film by MICHAEL HANEKE East Coast Publicity West Coast Publicity Distributor IHOP BLOCK KORENBROT SONY PICTURES CLASSICS Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Lindsay Macik 853 7th Avenue, #3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax X FILME CREATIVE POOL, LES FILMS DU LOSANGE, WEGA FILM, LUCKY RED present THE WHITE RIBBON (DAS WEISSE BAND) A film by MICHAEL HANEKE A SONY PICTURES CLASSICS RELEASE US RELEASE DATE: DECEMBER 30, 2009 Germany / Austria / France / Italy • 2H25 • Black & White • Format 1.85 www.TheWhiteRibbonmovie.com Q & A WITH MICHAEL HANEKE Q: What inspired you to focus your story on a village in Northern Germany just prior to World War I? A: I wanted to present a group of children on whom absolute values are being imposed. What I was trying to say was that if someone adopts an absolute principle, when it becomes absolute then it becomes inhuman. The original idea was a children’s choir, who want to make absolute principles concrete, and those who do not live up to them. Of course, this is also a period piece: we looked at photos of the period before World War I to determine costumes, sets, even haircuts. I wanted to describe the atmosphere of the eve of world war. There are countless films that deal with the Nazi period, but not the pre-period and pre-conditions, which is why I wanted to make this film. -
MICHAEL HANEKE SONY WRMI 02Pressbook101909 Mise En Page 1 10/19/09 4:36 PM Page 2
SONY_WRMI_02Pressbook101909_Mise en page 1 10/19/09 4:36 PM Page 1 A film by MICHAEL HANEKE SONY_WRMI_02Pressbook101909_Mise en page 1 10/19/09 4:36 PM Page 2 East Coast Publicity West Coast Publicity Distributor IHOP BLOCK KORENBROT SONY PICTURES CLASSICS Jeff Hill Melody Korenbrot Carmelo Pirrone Jessica Uzzan Ziggy Kozlowski Lindsay Macik 853 7th Avenue, #3C 110 S. Fairfax Ave, #310 550 Madison Ave New York, NY 10019 Los Angeles, CA 90036 New York, NY 10022 212-265-4373 tel 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax SONY_WRMI_02Pressbook101909_Mise en page 1 10/19/09 4:36 PM Page 3 X FILME CREATIVE POOL, LES FILMS DU LOSANGE, WEGA FILM, LUCKY RED present THE WHITE RIBBON (DAS WEISSE BAND) A film by MICHAEL HANEKE A SONY PICTURES CLASSICS RELEASE US RELEASE DATE: DECEMBER 30, 2009 Germany / Austria / France / Italy • 2H25 • Black & White • Format 1.85 www.TheWhiteRibbonmovie.com SONY_WRMI_02Pressbook101909_Mise en page 1 10/19/09 4:36 PM Page 4 Q & A WITH MICHAEL HANEKE Q: What inspired you to focus your story on a village in Northern Germany just prior to World War I? A: Why do people follow an ideology? German fascism is the best-known example of ideological delusion. The grownups of 1933 and 1945 were children in the years prior to World War I. What made them susceptible to following political Pied Pipers? My film doesn’t attempt to explain German fascism. It explores the psychological preconditions of its adherents. What in people’s upbringing makes them willing to surrender their responsibilities? What in their upbringing makes them hate? Q. -
A Film by MICHAEL HANEKE DP RB - Anglais - VL 12/05/09 10:46 Page 2
DP RB - anglais - VL 12/05/09 10:46 Page 1 A film by MICHAEL HANEKE DP RB - anglais - VL 12/05/09 10:46 Page 2 X FILME CREATIVE POOL, LES FILMS DU LOSANGE, WEGA FILM, LUCKY RED present THE WHITE RIBBON (DAS WEISSE BAND) PRESS WOLFGANG W. WERNER PUBLIC RELATIONS phone: +49 89 38 38 67 0 / fax +49 89 38 38 67 11 [email protected] in Cannes: Wolfgang W. Werner +49 170 333 93 53 Christiane Leithardt +49 179 104 80 64 A film by [email protected] MICHAEL HANEKE INTERNATIONAL SALES LES FILMS DU LOSANGE Agathe VALENTIN / Lise ZIPCI 22, Avenue Pierre 1er de Serbie - 75016 Paris Germany / Austria / France / Italy • 2H25 • Black & White • Format 1.85 [email protected] / Cell: +33 6 89 85 96 95 [email protected] / Cell: +33 6 75 13 05 75 in Cannes: Download of Photos & Press kit at: Booth F7 (Riviera) www.filmsdulosange.fr DP RB - anglais - VL 12/05/09 10:46 Page 4 A village in Protestant northern Germany. - 2 - - 3 - DP RB - anglais - VL 12/05/09 10:46 Page 6 1913-1914. On the eve of World War I. - 4 - - 5 - DP RB - anglais - VL 12/05/09 10:46 Page 8 The story of the children and teenagers of a church and school choir run by the village schoolteacher, and their families: the Baron, the steward, the pastor, the doctor, the midwife, the tenant farmers. - 6 - - 7 - DP RB - anglais - VL 12/05/09 10:46 Page 10 Strange accidents occur and gradually take on the character of a punishment ritual. -
Le Ruban Blanc
Un film de MICHAEL HANEKE X FILME CREATIVE POOL, LES FILMS DU LOSANGE, WEGA FILM, LUCKY RED présentent LE RUBAN BLANC PRESSE (DAS WEISSE BAND) matilde incerti 16 rue Saint Sabin - 75011 Paris Tel. : 01 48 06 15 40 [email protected] à Cannes : Hôtel Univers 2, rue du maréchal Foch - 06400 Cannes Tel. : 04.93.06.30.00 / Fax : 04.93.06.30.30 Un film de MICHAEL HANEKE DISTRIBUTION LES FILMS DU LOSANGE Régine VIAL / Olivier MASCLET / Mathieu BERTHON 22, Avenue Pierre 1er de Serbie - 75016 Paris Tel. : 01 44 43 87 15-16-17 / Fax : 01 49 52 06 40 Allemagne / Autriche / France / Italie • 2H25 • Noir & Blanc • Format 1.85 à Cannes : Résidence du Gray d'Albion - 64 ter rue d'Antibes Entrée 3A / 4ème étage - 06400 Cannes Photos & dossier de presse téléchargeables sur Tél. : 04 93 68 22 89 / Fax : 04 93 68 32 48 SORTIE LE 21 OCTOBRE 2009 www.filmsdulosange.fr Un village de l'Allemagne du Nord protestante. - 2 - - 3 - 1913-1914. A la veille de la Première Guerre mondiale. - 4 - - 5 - L'histoire des enfants et adolescents d'une chorale dirigée par l'instituteur du village, leurs familles : le baron, le régisseur, le pasteur, le médecin, la sage-femme, les paysans. - 6 - - 7 - D'étranges accidents surviennent et prennent peu à peu le caractère d'un rituel punitif. Qui se cache derrière tout cela ? - 8 - - 9 - LES COMEDIENS CHRISTIAN FRIEDEL (L'Instituteur) Filmographie 2009 - Le ruban blanc (Das weisse Band) de Michael Haneke ERNST JACOBI (La voix de l’instituteur âgé) LEONIE BENESCH (Eva) Filmographie 2009 - Le ruban blanc (Das weisse Band) de -
German Videos Use the Find Function to Search This List
German Videos Use the Find function to search this list Aguirre, The Wrath of God Director: Werner Herzog with Klaus Kinski. 1972, 94 minutes, German with English subtitles. A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader’s obsessions soon turn to madness.LLC Library CALL NO. GR 009 Aimée and Jaguar DVD CALL NO. GR 132 Ali: Fear Eats the Soul Director: Rainer Werner Fassbinder. with Brigitte Mira, El Edi Ben Salem. 1974, 94 minutes, German with English subtitles. A widowed German cleaning lady in her 60s, over the objections of her friends and family, marries an Arab mechanic half her age in this engrossing drama. LLC Library CALL NO. GR 077 All Quiet on the Western Front DVD CALL NO. GR 134 A/B Alles Gute (chapters 1 – 4) CALL NO. GR 034-1 Alles Gute (chapters 13 – 16) CALL NO. GR 034-4 Alles Gute (chapters 17 – 20) CALL NO. GR 034-5 Alles Gute (chapters 21 – 24) CALL NO. GR 034-6 Alles Gute (chapters 25 – 26) CALL NO. GR 034-7 Alles Gute (chapters 9 – 12) CALL NO. GR 034-3 Alpen – see Berlin see Berlin Deutsche Welle – Schauplatz Deutschland, 10-08-91. [ Opening missing ], German with English subtitles. LLC Library Alpine Austria – The Power of Tradition LLC Library CALL NO. GR 044 Amerikaner, Ein – see Was heißt heir Deutsch? LLC Library Annette von Droste-Hülshoff CALL NO. GR 120 Art of the Middle Ages 1992 Studio Quart, about 30 minutes. Masterpieces of the Hermitage – Museum of St. -
X Filme Creative Pool, Wega Film, Les Films Du Losange, Lucky Red
FESTIVAL DI CANNES 2009 PALMA D’ORO X FILME CREATIVE POOL, WEGA FILM, LES FILMS DU LOSANGE, LUCKY RED presentano IL NASTRO BIANCO un film di Michael Haneke durata 2H25 uscita 30 ottobre 2009 materiali stampa scaricabili da www.luckyred.it nella sezione press Ufficio Stampa LUCKY RED (Via Chinotto,16 tel +39 06 3759441 fax +39 06 37352310) Georgette Ranucci (+39 335 5943393 [email protected]) Alessandra Tieri (+39 335 8480787 [email protected]) SINOSSI Un villaggio protestante della Germania del Nord. 1913/1914. Alla vigilia della prima guerra mondiale. La storia dei bambini e degli adolescenti di un coro diretto dal maestro del villaggio, le loro famiglie: il barone, l’intendente, il pastore, il medico, la levatrice, i contadini. Si verificano strani avvenimenti che prendono un poco alla volta l’aspetto di un rituale punitivo. Cosa si nasconde dietro tutto ciò? CAST TECNICO Regia Michael HANEKE Collaborazione alla sceneggiatura Claude CARRIERE Fotografia Christian BERGER aac Suono Guillaume SCIAMA Jean-Pierre LAFORCE Montaggio Monika WILLI Scenografia Christoph KANTER Costumi Moidele BICKEL Direttore della Produzione Ulli NEUMANN Produttore esecutivo Michael KATZ Prodotto da Stefan ARNDT (X Filme Creative Pool GmbH-Berlino) Veit HEIDUSCHKA (Wega Film - Vienna) Margaret MENEGOZ (Les Films du Losange - Parigi) Andrea Occhipinti (Lucky Red - Roma) In collaborazione con ARD/DEGETO BAYERISCHER RUNDFUNK ORF Film/Fernseh-Abkommen FRANCE 3 CINEMA CANAL + TPS STAR TF1 vidéo Con il sostegno di Medienboard Berlin - Brandeburg Mitteldeutsche -
Das Leben Neben Dem Anderen Der Darsteller Ulrich Mühe Hat Dem Film „Das Leben Der Anderen“ Zum Oscar Verholfen, Er Gab Der Stasi Sein Gesicht
ANDREAS MÜHE ANDREAS Schauspieler Mühe, Regisseur Donnersmarck in Los Angeles: Es ist fast so, als dokumentierten sie hier die deutsche Einheit OSCARS Das Leben neben dem anderen Der Darsteller Ulrich Mühe hat dem Film „Das Leben der Anderen“ zum Oscar verholfen, er gab der Stasi sein Gesicht. Er hoffte, mit diesem Erfolg seiner ostdeutschen Vergangen- heit entkommen zu können – doch sie holt ihn immer wieder ein. Von Alexander Osang ls der Oscar spät in der Nacht die ihnen aus, drückt sie, küsst sie, er weiß, „Nee“, sagt Susanne Lothar. Feier über den Bergen Hollywoods dass er seinen Oscar mit ihnen teilen muss, Sie hat in dieser Nacht viel getrunken, Aerreicht, ist Ulrich Mühe schon fast und er weiß auch, dass das nicht geht. gelacht und geweint, sie hat mehrfach ge- auf dem Weg ins Bett. Der Oscar kommt in Ulrich Mühe und seine Frau Susanne sagt, dass dieser Oscar auch ihrem Mann einer schwarzen Stretchlimousine und liegt Lothar nähern sich der Traube um Don- gehöre, einmal erklärte sie einer älteren in der Hand von Florian Henckel von Don- nersmarck und seinen Oscar von hinten. Dame aus Süddeutschland: „Ulrich Mühe nersmarck. Donnersmarck hüpft um das Susanne Lothar klopft dem großen Mann ist dieser Film.“ Also klopft sie weiter auf Auto, lacht und zerrt immer wieder Mit- auf den Rücken seiner Smokingjacke. Don- den Smokingrücken, bis Donnersmarck glieder der Filmcrew in seine Nähe und da- nersmarck merkt es nicht, er küsst gerade sich endlich umdreht und auch Ulrich mit auf die Bilder der Fotografen und Ka- einen Direktor des Bayerischen Rund- Mühe in seine Arme nimmt. -
Quarterly 1 · 2011
German Films Quarterly 1 · 2011 PORTRAITS Director Alain Gsponer Producer Kick Film “Shooting Star” Alexander Fehling Friedrich Wilhelm Murnau Foundation BOROS 57. INTERNATIONALE KURZFILMTAGE OBERHAUSEN 5. — 10. MAI 2011 WWW.KURZFILMTAGE.DE German Films Quarterly 1 · 2011 portraits 4 LOOKING BEHIND THE FAÇADE A portrait of director Alain Gsponer 6 FASCINATION FOR THE DIVERSITY OF THE HUMAN CONDITION A portrait of production company Kick Film 8 GERMANY’S SHOOTING STAR A portrait of actor Alexander Fehling 10 PRESERVING FILM HERITAGE A portrait of the Friedrich Wilhelm Murnau Foundation 12 news in production 16 ART GIRLS Robert Bramkamp 17 BAIKONUR Veit Helmer 18 DREIVIERTELMOND Christian Zübert 19 DUNKEL Alex Schmidt 19 FÜR ELISE Wolfgang Dinslage 20 HOTEL LUX Leander Haußmann 21 KEIN SEX IST AUCH KEINE LÖSUNG Torsten Wacker 22 KRIEGSLIEDER Tristan Chytroschek 23 MUSENSÖHNE Philipp Clarin 24 OFFROAD Elmar Fischer 25 ORANGE Marcus H. Rosenmüller 25 DIE RÄUBERIN Markus Busch 26 RUHM Isabel Kleefeld 27 TOM SAWYER Hermine Huntgeburth 28 TÖTE MICH Emily Atef 29 DIE VERMISSTEN Jan Speckenbach 30 ZEHN FRAUEN Ingo J. Biermann new german films 32 7 ODER WARUM ICH AUF DER WELT BIN 7 OR WHY I EXIST Antje Starost, Hans-Helmut Grotjahn 33 ALMANYA – WILLKOMMEN IN DEUTSCHLAND ALMANYA Yasemin Samdereli 34 APELE TAC SILENT RIVER Anca Miruna Lazarescu 35 THE BIG BLACK Oliver Kyr 36 FREMDKÖRPER IMPURITY Alex Weimer 37 THE FUTURE Miranda July 38 GENERATION HIP HOP MIT DEN FANTASTISCHEN VIER, FETTES BROT UND SIDO THE HIP HOP GENERATION Nicola Graef 39 GLÜCKSFORMELN SEEKING HAPPINESS Larissa Trueby 40 HEXE LILLI – DIE REISE NACH MANDOLAN LILLY THE WITCH – THE JOURNEY TO MANDOLAN Harald Sicheritz 41 IN DER WELT HABT IHR ANGST IN THE WORLD YOU HAVE FEAR Hans W. -
A Film by Andres Veiel
A FILM BY ANDRES VEIEL 2 IN THE EARLY 60s, Bernward Vesper and fellow university student Gudrun Ensslin begin a passionate love in the stifling atmosphere of provincial West Germany. Sensitive to the increasing restlessness of the times, the fiery couple lash out at the denial regarding their fathers‘ roles in Hitler‘s Third Reich. Dedi- cated to the power of the written word, Bernward and Gudrun found a publishing house for controversial political works and become part of the spreading global uprising: „If not us, who; If not now, when?“ But discontentment with the world takes its toll on their tumultuous relationship. By the late 60s, Gudrun has joined rebellious Andreas Baader‘s pro-violence cause and Bernward risks his sanity by using psychedelic drugs in his struggles to finally write the novel committed to changing the world... Based on the emotional true story of an explosive era. 3 SYNOPSIS and she, too, questi- ons her father‘s role during Hitler‘s Third Reich. With the help of her knowledge and dedication, Bernward founds a publishing house whose first publication is, para- doxically to Gudrun and many others, a controversial past work of Bernward‘s ostracized father. Sharing both work and bed, Bernward WEST GERMANY, 1961. Uni- cious past. The war ended barely 15 and Gudrun live out a passionate versity student Bernward Vesper has years ago, and the mood is stifling love doubted by their families. Sen- devoted himself to the written word, and conservative, all the more so in sitive to the increasing restlessness aspiring one day that his own writing Bernward‘s provincial surroundings. -
German Actresses of the 2000S – a Study of Female Representation, Acting and Stardom
German Actresses of the 2000s – A Study of Female Representation, Acting and Stardom Verena von Eicken Doctor of Philosophy University of York Theatre, Film and Television September 2014 Abstract This thesis centres on four German actresses active from the year 2000: Nina Hoss, Sandra Hüller, Sibel Kekilli and Diane Kruger. These performers have embodied a range of multifaceted female characters, as well as offering insightful representations of ‛Germanness’ at home and abroad. Their films are emblematic of the revival of German cinema in the 2000s, which has seen the proliferation of commercially successful historical dramas and the emergence of the critically lauded Berlin School art film movement. This research seeks to contribute to German film studies by considering the role actresses have played in the context of the resurging German cinema of the new millennium. The four actresses are discussed both in terms of the female representations offered by their films, and as performers and stars. The films of Nina Hoss, Sandra Hüller and Sibel Kekilli explore the particular social, political and cultural circumstances of women in contemporary Germany, such as the ramifications of reunification and a changing economic order, the persistent female inequality in the workplace and the family, and the nationally specific conception of the mother role. Contributing to the study of film acting and performance, analyses of the four actresses’ performances are conducted to demonstrate how they enhance the films. Analysing and comparing the work of actresses from the 1920s until the present day, a German screen acting tradition is identified that is characterised by the actresses’ maintenance of a critical distance to the character they portray: female performers working across different decades share a stilted, non-naturalistic acting style, which imbues their characters with a sense of mastery and counteracts their frequent experience of oppression or objectification. -
Diplomarbeit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT Titel der Diplomarbeit „Theaterauszeichnungen in Österreich – Geschichte, Struktur und gesellschaftlicher Stellenwert“ Verfasserin Ulrike Kremsner Angestrebter akademischer Grad Magistra der Philosohie (Mag. Phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A317 Studienrichtung laut Studienblatt: Diplomstudium Theater-,Film- und Medienwissenschaft Betreuerin: ao.Univ.Prof. Dr. Monika Meister 2 DANKSAGUNG Mein Dank gilt all jenen Menschen, die mir mit ihrer tatkräftigen Unterstützung geholfen haben diese Diplomarbeit fertig zu stellen. Insbesondere Frau ao. Univ. Prof. Dr. Monika Meister, für ihre unendliche Geduld und Hilfe. Herrn Werner Urbanek vom Verein Wiener Theaterpreis, Herrn Dr. Gerhard Blasche und der Dramaturgie des Wiener Burgtheaters, Herrn Hannes Heide, Bürgermeister der Stadt Bad Ischl, Herrn Mag. Gregor Dragostinoff und der Dramaturgie des Volkstheaters Wien, den Mitarbeiterinnen und Mitarbeitern des Bundeskanzleramtes, den Mitarbeiterinnen und Mitarbeitern der Ehrenzeichenkanzlei des Wiener Rathauses und den Mitarbeiterinnen und Mitarbeitern des Archives des ORF für ihre hilfreichen Auskünfte. Gertraud, Wilfried, Elisabeth, Heidi, Babsi, Tanja, Christine, Michl und vor allem Poli für unzählige Aufmunterungen, konstruktive Kritik, offene Ohren und Unterstützung in allen Bereichen. Dr. Lothar und Dr. Helga Sträter für all ihre Hilfe. 3 4 Inhaltsverzeichnis Inhaltsverzeichnis ______________________________________________ -
Mackenzie Haneke Thesis Full Draft
A Cold Cruel Teacher: Masochistic Submission to the Films of Michael Haneke A Masters Thesis Presented to The Graduate Administration Committee of McGill University by Matthew Mackenzie April 2013 Thesis Advisor: Dr. Ara Osterweil Abstract This thesis offers analyses of two of Michael Haneke's most provocative films, Funny Games US, and The Piano Teacher. Contrary to the popular critical conclusion that Haneke is a cinematic sadist, this thesis argues that the aesthetics and thematic concerns of his films are best understood through the dynamics of masochism, not sadism. Using a variety of theories of masochism, including the conflicting theories of Sigmund Freud and Gilles Deleuze, this project seeks to build upon the work of Gaylyn Studlar and argue for the subversive power inherent in masochistic submission in the cinema. Cette thèse propose des analyses de deux des films les plus provocateurs de Michael Haneke, Funny Games US, et La Pianiste. Contrairement à la conclusion critique populaire qui Haneke est un sadique cinématographique, cette thèse soutient que l'esthétique et les préoccupations thématiques de son films sont mieux compris par la dynamique du masochisme, sadisme pas. En utilisant une variété de théories de masochisme, y compris les théories contradictoires de Sigmund Freud et Gilles Deleuze, ce projet vise à s'appuyer sur les travaux de Gaylyn Studlar et plaider pour le pouvoir subversif inhérent à la soumission masochiste dans le cinéma. Mackenzie 2 Table of Contents Page Title Page.........................................................................................................................................1