2015 Was Not a New Publication but a Sale
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Books Available to Buy
The Stained Glass Centre: Books Available to Buy If you are interested in purchasing any of the books listed below, please get in contact with the Friends Administrator by post or email: The Stained Glass Centre Friends Administrator, c/o York Glaziers Trust, 6 Deangate, York YO1 7JB, or [email protected] Books can be picked up from the centre by arrangement, made available to collect at any of our upcoming events, or will be posted to you. Postage and packaging prices will be dependent on the weight and size of purchase. Many thanks The Stained Glass Centre Author Title Price Stock History of York Minster (no cover so title and author £1.00 1 unknown) Albutt, R. Stained Glass Windows of AJ Davies of the £25.00 1 Bromsgrove Guild, Worcestershire Albutt, R. Stained Glass Windows of Bromsgrove and Redditch, £8.00 1 Worcestershire Angus, M. Modern Stained Glass in British Churches £5.00 3 Archer, M. Introduction to English Stained Glass £2.00 7 Archer, M. Stained Glass £1.00 4 Armitage, L. Stained Glass £10.00 1 Atterbury, P. Pugin £25.00 2 Aubert, M. Stained Glass of the Xiith and Xiiith Centuries from £12.00 1 French Cathedrals Aubert, M. Le Vitrail en France £5.00 1 Baker, E. Church Archaeology £5.00 1 Baker, J. English Stained Glass of the Medieval Period (83 £10.00 3 Plates) Beaulah, K. Church Tiles of the Nineteenth Century £1.00 1 Beckett, L. & A. York Minster £3.00 1 Hornak Beckett, W. & G. Pains of Glass: The Story of the Passion from King's £2.00 2 Pattison College Chapel, Cambridgeshire Bell, C.C. -
'Daylight Upon Magic': Stained Glass and the Victorian Monarchy
‘Daylight upon magic’: Stained Glass and the Victorian Monarchy Michael Ledger-Lomas If it help, through the senses, to bring home to the heart one more true idea of the glory and the tenderness of God, to stir up one deeper feeling of love, and thankfulness for an example so noble, to mould one life to more earnest walking after such a pattern of self-devotion, or to cast one gleam of brightness and hope over sorrow, by its witness to a continuous life in Christ, in and beyond the grave, their end will have been attained.1 Thus Canon Charles Leslie Courtenay (1816–1894) ended his account of the memorial window to the Prince Consort which the chapter of St George’s Chapel, Windsor had commissioned from George Gilbert Scott and Clayton and Bell. Erected in time for the wedding of Albert’s son the Prince of Wales in 1863, the window attempted to ‘combine the two ele- ments, the purely memorial and the purely religious […] giving to the strictly memorial part, a religious, whilst fully preserving in the strictly religious part, a memorial character’. For Courtenay, a former chaplain- in-ordinary to Queen Victoria, the window asserted the significance of the ‘domestic chapel of the Sovereign’s residence’ in the cult of the Prince Consort, even if Albert’s body had only briefly rested there before being moved to the private mausoleum Victoria was building at Frogmore. This window not only staked a claim but preached a sermon. It proclaimed the ‘Incarnation of the Son of God’, which is the ‘source of all human holiness, the security of the continuousness of life and love in Him, the assurance of the Communion of Saints’. -
Architecture and Literature in Victorian Britain by Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof
Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed. Long before literature asked “what is an author?” Victorian architecture theory asked: “who can be said to have made this?” Figures like John Ruskin, Owen Jones, and James Fergusson radicalize this question into what I call a redistribution of intention, an ethically charged recognition of the value of other makers. -
The Gothic Revival Character of Ecclesiastical Stained Glass in Britain
Folia Historiae Artium Seria Nowa, t. 17: 2019 / PL ISSN 0071-6723 MARTIN CRAMPIN University of Wales THE GOTHIC REVIVAL CHARACTER OF ECCLESIASTICAL STAINED GLASS IN BRITAIN At the outset of the nineteenth century, commissions for (1637), which has caused some confusion over the subject new pictorial windows for cathedrals, churches and sec- of the window [Fig. 1].3 ular settings in Britain were few and were usually char- The scene at Shrewsbury is painted on rectangular acterised by the practice of painting on glass in enamels. sheets of glass, although the large window is arched and Skilful use of the technique made it possible to achieve an its framework is subdivided into lancets. The shape of the effect that was similar to oil painting, and had dispensed window demonstrates the influence of the Gothic Revival with the need for leading coloured glass together in the for the design of the new Church of St Alkmund, which medieval manner. In the eighteenth century, exponents was a Georgian building of 1793–1795 built to replace the of the technique included William Price, William Peckitt, medieval church that had been pulled down. The Gothic Thomas Jervais and Francis Eginton, and although the ex- Revival was well underway in Britain by the second half quisite painterly qualities of the best of their windows are of the eighteenth century, particularly among aristocratic sometimes exceptional, their reputation was tarnished for patrons who built and re-fashioned their country homes many years following the rejection of the style in Britain with Gothic features, complete with furniture and stained during the mid-nineteenth century.1 glass inspired by the Middle Ages. -
Disappearing Walls: Architecture and Literature in Victorian Britain by Benjamin Zenas Cannon a Dissertation Submitted in Partia
Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Ian Duncan, Chair Professor Kent Puckett Professor Andrew Shanken Spring 2014 Disappearing Walls: Literature and Architecture in Victorian Britain © 2014 By Benjamin Zenas Cannon Abstract Disappearing Walls: Architecture and Literature in Victorian Britain By Benjamin Zenas Cannon Doctor of Philosophy in English University of California, Berkeley Prof. Ian Duncan, Chair From Discipline and Punish and The Madwoman in the Attic to recent work on urbanism, display, and material culture, criticism has regularly cast nineteenth-century architecture not as a set of buildings but as an ideological metastructure. Seen primarily in terms of prisons, museums, and the newly gendered private home, this “grid of intelligibility” polices the boundaries not only of physical interaction but also of cultural values and modes of knowing. As my project argues, however, architecture in fact offered nineteenth-century theorists unique opportunities to broaden radically the parameters of aesthetic agency. A building is generally not built by a single person; it is almost always a corporate effort. At the same time, a building will often exist for long enough that it will decay or be repurposed. Long before literature asked “what is an author?” Victorian architecture theory asked: “who can be said to have made this?” Figures like John Ruskin, Owen Jones, and James Fergusson radicalize this question into what I call a redistribution of intention, an ethically charged recognition of the value of other makers. -
The Birmingham & Midland Institute
THE BIRMINGHAM & MIDLAND INSTITUTE What's On July - December 2019 SCIENCE ARTS LITERATURE 1 About the BMI The Birmingham & Midland Institute has been at the heart of Birmingham’s cultural life for over 150 years. It was originally founded by Act of Parliament in 1854 for the ‘Diffusion and Advancement of Science, Literature and Art amongst all Classes of Persons resident in Birmingham and Midland Counties’. Charles Dickens was one of its early Presidents. CONTENTS During the late nineteenth century, the BMI played a leading role in the introduction of scientific and technical education in Season Highlights 2 Birmingham until the state gradually took over its functions. It was thus the forerunner of many educational bodies such Art 4 as the Birmingham Conservatoire. Located in a Grade II* listed building, the BMI Room and Venue Hire 6 has a thriving programme of cultural and educational activities, which includes a wide Music 7 spectrum of arts and science lectures, exhibitions and concerts. The building is also a venue for many externally-organised events Literature 8 and can be booked for conferences and meetings. The Birmingham Library 7 The BMI has longstanding associations with a number of independent societies who use Affiliated Societies 18 the premises for their activities and meetings. Affiliated societies have kindred interests and and Joint Events include the Birmingham Philatelic Society and the Birmingham and Midland Society for Genealogy and Heraldry. The BMI receives no public subsidy or direct revenue funding; it depends entirely on income generated through the support of members, visitors, donors, and volunteers. Visit our website, Facebook and Twitter pages for the latest updates on events and activities! SEASON HIGHLIGHTS DRAWING ON RUSKIN FREE ENTRY DROP-IN, NO NEED TO BOOK Keep an eye out for an exciting, long term drawing project starting in the spring and leading to an exhibition in the autumn. -
Royal Gold Medall
1912 - Basil Champneys 1977 - Sir Denys Lasdun Royal Gold Medall 1913 - Sir Reginald Blomfield 1978 - Jørn Utzon 1914 - Jean Louis Pascal 1979 - Charles and Ray Eames 1848 - Charles Robert Cockerell 1915 - Frank Darling, Canada 1980 - James Stirling 1849 - Luigi Canina 1916 - Sir Robert Rowand Anderson 1981 - Sir Philip Dowson 1850 - Sir Charles Barry 1917 - Henri Paul Nenot 1982 - Berthold Lubetkin 1851 - Thomas Leverton Donaldson 1918 - Ernest Newton 1983 - Sir Norman Foster 1852 - Leo von Klenze 1919 - Leonard Stokes 1984 - Charles Correa 1853 - Sir Robert Smirke 1920 - Charles Louis Girault 1985 - Sir Richard Rogers 1854 - Philip Hardwick 1921 - Sir Edwin Landseer Lutyens 1986 - Arata Isozaki 1855 - Jacques Ignace Hittorff 1922 - Thomas Hastings 1987 - Ralph Erskine 1856 - Sir William Tite 1923 - Sir John James Burnet 1988 - Richard Meier 1857 - Owen Jones 1924 - No award 1989 - Renzo Piano 1858 - Friedrich August Stüler 1925 - Sir Giles Gilbert Scott 1990 - Aldo van Eyck 1859 - Sir George Gilbert Scott 1926 - Prof. Ragnar Ostberg 1991 - Colin Stansfield Smith 1860 - Sydney Smirke 1927 - Sir Herbert Baker 1992 - Peter Rice 1861 - JB Lesueur 1928 - Sir Guy Dawber 1993 - Giancarlo de Carlo 1862 - Rev Robert Willis 1929 - Victor Alexandre Frederic 1994 - Michael and Patricia Hopkins 1863 - Anthony Salvin Laloux 1995 - Colin Rowe 1864 - Eugene Viollet-le-Duc 1930 - Percy Scott Worthington 1996 - Harry Seidler 1865 - Sir James Pennethorne 1931 - Sir Edwin Cooper 1997 - Tadao Ando 1866 - Sir Matthew Digby Wyatt 1932 - Dr. Hendrik Petrus Berlage 1998 - Oscar Niemeyer 1867 - Charles Texier 1933 - Sir Charles Reed Peers 1999 - Barcelona 1868 - Sir Austen Henry Layard 1934 - Henry Vaughan Lanchester 2000 - Frank Gehry 1869 - Karl Richard Lepsius 1935 - Willem Marinus Dudok 2001 - Jean Nouvel 1870 - Benjamin Ferrey 1936 - Charles Henry Holden 2002 - Archigram 1871 - James Fergusson 1937 - Sir Raymond Unwin 2003 - Rafael Moneo 1872 - Baron von Schmidt 1938 - Prof. -
Information 123
ISSN 0960-7870 BRITISH BRICK SOCIETY INFORMATION 123 FEBRUARY 2013 BRICK CHURCHES ISSUE OFFICERS OF THE BRITISH BRICK SOCIETY Chairman Michael Chapman 8 Pinfold Close Tel: 0115-965-2489 NOTTINGHAM NG14 6DP E-mail: [email protected] Honorary Secretary Michael S Oliver 19 Woodcroft Avenue Tel. 020-8954-4976 STANMORE E-mail: [email protected] Middlesex HA7 3PT Honorary Treasurer Graeme Perry 62 Carter Street Tel: 01889-566107 UTTOXETER E-mail: [email protected] Staffordshire ST14 8EU Enquiries Secretary Michael Hammett ARIBA 9 Bailey Close and Liason Officer with the BAA HIGH WYCOMBE Tel: 01494-520299 Buckinghamshire HP13 6QA E-mail: brick so c @mh 1936.plus. c om Membership Secretary Dr Anthony A. Preston 11 Harcourt Way (Receives all direct subscriptions, £12-00 per annum*) SELSEY, West Sussex P020 0PF Tel: 01243-607628 Editor of BBS Information David H. Kennett BA, MSc 7 Watery Lane (Receives all articles and items for BBS Information) SHIPSTON-ON-STOUR Tel: 01608-664039 Warwickshire CV36 4BE E-mail: [email protected] Printing and Distribution Chris Blanchett Holly Tree House, 18 Woodlands Road Secretary LITTLEHAMPTON Tel: 01903-717648 West Sussex BN17 5PP E-mail: [email protected] Web Officer Vacant The society's Auditor is: Adrian Corder-Birch F.Inst.L.Ex . Rustlings, Howe Drive E-mail: [email protected] HALSTEAD, Essex C09 2QL The annual subscription to the British Brick Society is £10-00 per annum. Telephone numbers and e-mail addresses of members would be helpful for contact purposes. but these will not be included in the Membership List. -
William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe
Western Michigan University ScholarWorks at WMU Dissertations Graduate College 6-2005 William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe Andrea Yount Western Michigan University Follow this and additional works at: https://scholarworks.wmich.edu/dissertations Part of the European History Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Yount, Andrea, "William Morris and the Society for the Protection of Ancient Buildings: Nineteenth and Twentieth Century Historic Preservation in Europe" (2005). Dissertations. 1079. https://scholarworks.wmich.edu/dissertations/1079 This Dissertation-Open Access is brought to you for free and open access by the Graduate College at ScholarWorks at WMU. It has been accepted for inclusion in Dissertations by an authorized administrator of ScholarWorks at WMU. For more information, please contact [email protected]. WILLIAM MORRIS AND THE SOCIETY FOR THE PROTECTION OF ANCIENT BUILDINGS: NINETEENTH AND TWENTIETH CENTURY IDSTORIC PRESERVATION IN EUROPE by Andrea Yount A Dissertation Submitted to the Faculty of The Graduate College in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Department of History Dale P6rter, Adviser Western Michigan University Kalamazoo, Michigan June 2005 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. UMI Number: 3183594 Copyright 2005 by Yount, Andrea Elizabeth All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. -
Gloucester Cathedral Faith, Art and Architecture: 1000 Years
GLOUCESTER CATHEDRAL FAITH, ART AND ARCHITECTURE: 1000 YEARS SUGGESTIONS FOR FURTHER READING SUPPLIED BY THE AUTHORS CHAPTER 1 ABBOT SERLO AND THE NORMAN ABBEY Fernie, E. The Architecture of Norman England (Oxford University Press, 2000). Fryer, A., ‘The Gloucestershire Fonts’, Transactions of the Bristol and Gloucestershire Archaeological Society 31 (1908), pp 277-9. Available online at http://www2.glos.ac.uk/bgas/tbgas/v031/bg031277.pdf Hare, M., ‘The two Anglo-Saxon minsters of Gloucester’. Deerhurst lecture 1992 (Deerhurst, 1993). Hare, M., ‘The Chronicle of Gregory of Caerwent: a preliminary account, Glevensis 27 (1993), pp. 42-4. Hare, M., ‘Kings Crowns and Festivals: the Origins of Gloucester as a Royal Ceremonial Centre’, Transactions of the Bristol and Gloucestershire Archaeological Society 115 (1997), pp. 41-78. Hare, M., ‘Gloucester Abbey, the First Crusade and Robert Curthose’, Friends of Gloucester Cathedral Annual Report 66 (2002), pp. 13-17. Heighway, C., ‘Gloucester Cathedral and Precinct: an archaeological assessment’. Third edition, produced for incorporation in the Gloucester Cathedral Conservation Plan (2003). Available online at http://www.bgas.org.uk/gcar/index.php Heighway, C. M., ‘Reading the stones: archaeological recording at Gloucester Cathedral’, Transactions of the Bristol and Gloucestershire Archaeological Society 126 (2008), pp. 11-30. McAleer, J.P., The Romanesque Church Façade in Britain (New York and London: Garland, 1984). Morris R. K., ‘Ballflower work in Gloucester and its vicinity’, Medieval Art and Architecture at Gloucester and Tewkesbury. British Archaeological Association Conference Transactions for the year 1981 (1985), pp. 99-115. Thompson, K., ‘Robert, duke of Normandy (b. in or after 1050, d. -
February 1998
In this issue February 1998 Valuing young people Christmas and the law The tallest falls Luis Palau is coming Chernobyl children This month’s Notes & Events The Parish Magazine of St Peter’s with All Saints’ Welcome to the February issue of the Berkhamsted Review. In this month’s issue... It’s interesting to reflect on the fact that, like so many things in life, the Valuing young people Review is the result of a lot of effort and Christina Billington wants us to value teamwork on the part of many people. Our the contributions young people can contributors; our advertisers; our loyal make. distributors (particularly this time of year when trudging through windswept streets Christmas and the law delivering magazines is hardly appealing); Some surprising legal pitfalls of the the editorial team; the people who make festive period uncovered by Stephen sure we can pay our bills; our printers… Halliday. everyone plays a vital part. The same is true of technology, though I speak The tallest fall somewhat wryly as this month this Helen Appleyard on the Ashlyns School ‘member’ of our team is responsible for expedition to the world’s tallest the magazine being a little late! waterfall. The amount of work everyone does, month in and month out, is truly amazing Luis Palau is coming and is most certainly valued. A big thank The famous evangelist is coming to you to everyone. Berkhamsted. Revd Peter Swaffield Building on this, the Review is one of outlines the plans. the ways we can get our message across not just to our parish but to the wider Host families wanted! community in Berkhamsted. -
Saint Mary's Church, Wherstead, Suffolk, Brief History and Guide
Saint Mary’s Church Wherstead Suffolk Brief History and Guide WELCOME to this ancient and interesting church, which has stood for 900 years on its knoll overlooking the beautiful Orwell valley. We hope that you will enjoy its great charm and atmosphere, and above all we hope that you will feel at home here, because St. Mary’s is not just an ancient building, but is a living center for Christian worship – the purpose for which it was built. It is our Father’s House, and that is why the people of this tiny community cherish and care for it as they do. It is a place where people of all faiths or of none may find peace and inspiration and where Christians, whoever or whatever they are, can look upon as “Home”. WHERSTEAD is a scattered parish, its main center of population being along the village street, through which we travel to the church, passing the former smithy, the old village (rebuilt 1872) and the entrance to Wherstead Park. The mansion was designed by Wyatville in 1792 for Sir Robert Harland who, in 1813, exchanged the estate with Mr. John Vernon of Orwell Park on the other side of the river. It was rented for a short time by the parents of Edward FitzGerald. Sir Robert sold Orwell Park to Col. Tomline in 1847 and came back to spend his final year at Wherstead. Lady Harland (see Vernon, who died in 1860, left Wherstead to Charles Easlead, whose wife was Sir Robert Harland’s niece. The Park is now the Area Headquarters of the Electricity Board.