Evelyne Brochu Comédienne
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Orphanblack S5 Safo RZ
In der letzten Staffel versuchen Sarah und ihre Schwestern, Kira vor den Neolutionisten zu schützen, und decken ein über einhundertjähriges Geheimnis auf … Die Reise der Klone nähert sich ihrem Ende. Rachel hat sie in die Enge getrieben und vollständig unter Kontrolle. Aber Sarah und ihre Schwestern sind bereit zu kämpfen. Das ist der Anfang eines tödlichen Endspiels, das extreme Folgen hat – nicht nur für sie, sondern für die Zukunft der gesamten Menschheit. Dieser abschließende Test bringt die Klone bis zu ihrer äußersten Grenze. Wem können sie am Ende überhaupt noch vertrauen? Zehn Folgen lang dürfen sich die Zuschauer noch einmal gemein- sam mit Sarah Manning und ihren Klon-Schwestern auf letzte Abenteuer begeben. Vielleicht t röstet es da ein wenig, dass die Schöpfer der Kult-Serie den Fans einen krönenden Abschluss versprochen haben — mit der fünften Staffel wird „Orphan Black“ nun ein würdiges Ende finden! DIE SENSATIONSSERIE AUS KANADA! KRITIKER UND ZUSCHAUER SIND AUCH VON STAFFEL 5 HOCH BEGEISTERT: 8,4/10 (bei über 71.000 Stimmen) auf 93 % Kritiker-Zustimmung und 4.4/5 Punkten auf rot tentomatoes.com Über 1 Mio. Fans auf Unzählige 5-Sterne-Bewertungen auf PREISGEKRÖNTES ENTERTAINMENT MIT INSGESAMT 61 AUSZEICHNUNGEN UND 76 NOMINIERUNGEN, U. A. MIT: PRIMETIME EMMY AWARD 2016 GOLDEN-GLOBE-NOMINIERUNG 7 CANADIAN SCREEN AWARDS 2016 10 CANADIAN SCREEN AWARDS 2015 10 CANADIAN SCREEN AWARDS 2014 CRITICS CHOICE TELEVISION AWARD TELEVISION CRITICS ASSOCIATION AWARDS 2013 YOUNG HOLLYWOOD AWARD 2013 Vorläufige Coverabbildung. Änderungen vorbehalten. FORT- SETZUNG DER UMFANGREICHEN UND REICHWEITEN- STARKEN PRESSE- & PR-KAMPAGNE DVD- UND BLU-RAY-FAKTEN Bestell-Nr.: 4006448 76777 8 Bildformat: 16:9 (1,78:1) Genre: Science-Fiction/Thriller Disc-Type: 3 x DVD-9 Verpackung: Softbox in O-Card Ländercode: 2 PAL Laufzeit: ca. -
Henri Badaröh S1764896
Of Mothers and Others: Decoding Queer Discourses in the Cinema of Xavier Dolan Neon installation “visibility is a trap" (Laurent Grasso, 2012) Henri Badaröh (s1764896) Master of Arts – Media Studies: Film and Photographic Studies Supervisor: Dr P.W.J. Verstraten Second reader: Dr E.A. Steinbock January 2019 To my sister E. To my “editor-in-chief” R, to whom I shall be eternally grateful. And to all my professoras and professores, from A to Z. Contents Introduction 3 Transcending Femininities: Alienation and Assimilation in Laurence Anyways 8 Camping Gender in Laurence Anyways 9 Gay Camp, Female Troubles 17 Confusing the Spectator: Blurred Boundaries and (In)visible Ambiguities in Tom at the Farm 26 Reclaiming the Homo- 27 Tom at the Farm and the Problem with Bi 35 Queering Straightness: Expectations and Spectatorship in Mommy 42 Deviating the Medium with Mommy 43 Successful Failures 50 Conclusion 59 Works Cited 62 Badaröh 3 Introduction I’m looking for a person who understands my language and speaks it. A person who, without being a pariah, will question not only the rights and the value of the marginalized, but also those of the people who claim to be normal. –Laurence Alia (Melvil Poupaud), in Laurence Anyways 1 With precise words, we are introduced to Laurence Anyways (2012), the third film of French- Canadian filmmaker Xavier Dolan (born 1988). Laurence Anyways follows I Killed My Mother [J'ai tué ma mère, 2009] and Heartbeats [Les amours imaginaires, 2010]. In his semi-autobiographical debut, Dolan immersed into the mysteries of the relationship between mother and son, a film heaped with bourgeois family drama, pseudo-intellectual zest and a hotchpotch of pleasing aesthetics. -
Tu Dors Nicole
and present TU DORS NICOLE a Stéphane Lafleur film with Julianne Côté Catherine St-Laurent Francis La Haye Simon Larouche Godefroy Reding and Marc-André Grondin Length: 93 min Original language: French Format: 35 mm, black & white CANADIAN DISTRIBUTION PUBLICITY Sébastien Létourneau Judith Dubeau Les Films Christal IXION Communications Tel : +1 514 336 9696 Tel : +1 514 495 8176 Fax : +1 514 336 0607 Cell : +1 514 983 6286 [email protected] [email protected] TU DORS NICOLE synopsis Making the most of the family home while her parents are away, Nicole (22) is enjoying a peaceful summer with her best friend Véronique. When Nicole’s older brother shows up with his band to record an album, the girls’ friendship is put to the test. Their vacation takes an unexpected turn, punctuated by a heatwave, Nicole’s growing insomnia and the persistent courtship of a 10-year-old boy. Tu dors Nicole takes a humorous look at the beginning of adulthood and all its possibilities. 1 TU DORS NICOLE | PRESS KIT (AUGUST 2014) TU DORS NICOLE cast Nicole Julianne CÔTÉ Véronique Catherine ST-LAURENT Rémi Marc-André GRONDIN JF Francis LA HAYE Pat Simon LAROUCHE Martin Godefroy REDING Martin’s voice Alexis LEFEBVRE crew Writer and Director Stéphane LAFLEUR Producers Luc DÉRY, Kim McCRAW Line producer Claude PAIEMENT Story consultant Valérie BEAUGRAND-CHAMPAGNE Casting director Lucie ROBITAILLE Director of photography Sara MISHARA Production designer André-Line BEAUPARLANT Costume designer Sophie LEFEBVRE First assistant director Danielle LAPOINTE Editor Sophie LEBLOND Sound Pierre BERTRAND, Sylvain BELLEMARE, Bernard GARIÉPY STROBL Original music Rémy NADEAU-AUBIN, ORGAN MOOD Postproduction supervisor Erik DANIEL Production micro_scope Distribution in Canada Les Films Christal International sales Séville International 2 TU DORS NICOLE | PRESS KIT (AUGUST 2014) TU DORS NICOLE director’s biography Stéphane Lafleur is a filmmaker, musician and film editor. -
WIFF-2019-Program-FULL-1.Pdf
HOW TO WIFF 2 TICKET INFO 3 WHERE TO WIFF 4 WIFF VILLAGE/WIFF ALLEY 5 WHO WE ARE 6-7 SALUTE TO OUR SPONSORS 8-21 SPECIAL THANKS 22 A MESSAGE FROM VINCENT 23 A MESSAGE FROM LYNNE 24 A MESSAGE FROM THE MAYOR 25 FESTIVAL FACTS 26-27 MIDNIGHT MADNESS 28 SPECIAL SCREENINGS 29 WIFF PRIZE IN CANADIAN FILM 30 MARK BOSCARIOL 48-HOUR FLICKFEST 31 WIFF LOCAL 32 WOMEN OF WIFF 33 HOTDOCS SHOWCASE 34 SPOTLIGHT ON ARCHITECTURE 35 LES FILMS FRANCOPHONES 36 IN CELEBRATION OF MUSIC 37 TRIXIE MATTEL 38 LGBTQ2+ 39 SPOTLIGHT AWARD 40 TAKE IT FROM VINCENT 41 OPENING NIGHT FILM 42 CLOSING NIGHT FILM 43 FILM SYNOPSES 44-127 SCREENING CALENDAR 128-137 INDEX BY COUNTRY 138-139 1. PICK YOUR FILMS Films and showtimes can be found online at windsorfilmfestival.com, in the program book or at the box office. Film synopses are listed by title in alphabetical order, with their countries of origin noted. 2. TYPES OF TICKETS If you plan on seeing several films, consider a festival pass for an unlimited movie experience. Show your valid student card for discounted single tickets or festival passes. If you want to catch a show with a large group of 20+, our group sales packages will help you save. If tickets are sold out in advance a limited number of standby tickets will be available at the venue just before showtime. 3. BUY YOUR TICKETS Online – Purchase through your phone or computer by visiting our website. Print them off at home or bring them up on your mobile device. -
Directed by Denis Villeneuve Synopsis
REMSTAR MEDIA PARTNERS PRESENT DIRECTED BY DENIS VILLENEUVE SYNOPSIS Based on true events that occurred on December 6, 1989, at Montreal’s Polytechnique School, the movie relates the events of that day through the eyes of two students, Valérie and Jean-François, whose lives were changed forever when a young man entered the school with one purpose in mind: to kill himself and take as many women as possible with him. A WORD FROM THE DIRECTOR The tragedy of POLYTECHNIQUE is more than a simple news item society. The tragedy of POLYTECHNIQUE couldn’t have happened and raises more than one question. One never recovers from such a anywhere other than in precisely such an evolved society. tragedy but in order to retain hope I believe we should bring some This is a painfully Quebecois film. kind of meaning to it. I know that cinema can play its part in that. As much as we move on from history, we must maintain the There have been further massacres since then, but that depicted necessary bridges. We have a duty to remember. History will repeat in POLYTECHNIQUE remains unique, engraved on our memories. It itself horrendously if we forget. To remain silent is to accept this is so because of the motivation of the killer and how he proceeded recurrence. to execute them: separating the men from the women in order to bring an outmoded world up to date. It brings a certain shared Jacques Davidts and I listened to many witnesses of the tragedy. misogyny and the alienation of the relationship between men and For most of them it was the first time they had talked about it. -
Liste Des Finalistes
LISTE DES FINALISTES 7 juillet 2020 CATÉGORIES « ÉMISSIONS » .................................................................................... 2 CATÉGORIES « MÉTIERS » ........................................................................................ 8 RÉALISATION ....................................................................................................... 8 TEXTES .............................................................................................................. 11 SCÉNARIO DOCUMENTAIRE ........................................................................... 12 RECHERCHE ...................................................................................................... 13 DIRECTION PHOTOGRAPHIQUE ..................................................................... 14 MONTAGE .......................................................................................................... 15 SON ..................................................................................................................... 16 DIRECTION ARTISTIQUE .................................................................................. 17 MUSIQUE ............................................................................................................ 18 HABILLAGE GRAPHIQUE .................................................................................. 19 CATÉGORIES « INTERPRÉTATION ET ANIMATION » ....................................... 20 INTERPRÉTATION EN FICTION ....................................................................... -
The Future Is Female
WINTER 2018 WE SET OUT TO FIND CANADA’S MOST IMPRESSIVE YOUNG PRODUCERS AND DISCOVERED THE FUTURE IS FEMALE PAW PATROL-ING THE WORLD OVER THE TOP? How Spin Master found the right balance We ask Netflix for their of story, product and marketing to create take on the public reaction a global juggernaut to #CreativeCanada 2 LETTER FROM THE CEO TABLE OF 3 LETTER FROM THE CMPA ADDRESSING HARASSMENT WITHIN CONTENTS CANADA’S PRODUCTION SECTOR 12 OVER THE TOP? A CONVERSATION WITH NETFLIX CANADA’S CORIE WRIGHT 4 18 S’EH WHAT? THE NEXT WAVE A LEXICON OF CANADIANISMS FROM YOUR FAVOURITE SHOWS CHECK OUT SOME OF THE BEST AND BRIGHTEST WE GIVE OF CANADA’S EMERGING CREATOR CLASS 20 DON’T CALL IT A REBOOT MICHAEL HEFFERON, RAINMAKER ENTERTAINMENT 22 TRAILBLAZERS CANADA’S INDIE TWO ALUMNI OF THE CMPA MENTORSHIP PROGRAM RISE HIGHER AND HIGHER 24 IN FINE FORMAT PRODUCERS MARIA ARMSTRONG, BIG COAT MEDIA 28 HOSERS TAKE THE WORLD THE TOOLS MARK MONTEFIORE, NEW METRIC MEDIA THEY NEED PRODUCTION LISTS so they can bring 6 30 DRAMA SERIES 44 COMEDY SERIES THE FUTURE IS FEMALE diverse stories to 55 CHILDREN’S AND YOUTH SERIES MEET NINE OF CANADA’S BARRIER-TOPPLING, STEREOTYPE-SMASHING, UP-AND-COMING PRODUCERS 71 DOCUMENTARY SERIES life on screen for 84 UNSCRIPTED SERIES 95 FOREIGN LOCATION SERIES audiences at home and around the world 14 WINTER 2018 THE CMPA A FEW GOOD PUPS HOW SPIN MASTER ENTERTAINMENT ADVOCATES with government on behalf of the industry TURNED PAW PATROL INTO AN PRESIDENT AND CEO: Reynolds Mastin NEGOTIATES with unions and guilds, broadcasters and funders UNSTOPPABLE SUPERBRAND OPENS doors to international markets CREATES professional development opportunities EDITOR-IN-CHIEF: Andrew Addison CONTRIBUTING EDITOR: Kyle O’Byrne SECURES exclusive rates for industry events and conferences 26 CONTRIBUTOR AND COPY EDITOR: Lisa Svadjian THAT OLD EDITORIAL ASSISTANT: Kathleen McGouran FAMILIAR FEELING CONTRIBUTING WRITER: Martha Chomyn EVERYTHING OLD IS NEW AGAIN! DESIGN AND LAYOUT: FleishmanHillard HighRoad JOIN US. -
Cineplexmagazine-February2013.Pdf
Contents february 2013 | VOL 14 | Nº2 CoVer storY 33 aLL about osCar! prepare for hollywood’s big night with our academy awards preview, which includes a look at the nominated movies and actors, the dos and don’ts of posing on Oscar’s red carpet, and 10 things you might not know about this year’s unconventional host, Seth MacFarlane. plus, we’ve included a handy take-home ballot! reGuLars 4 EditOr’s NOte etty g / 6 Snaps N he 8 In brief O 12 SpOtLight 14 All dressed up 16 In theatres C ab / er by Lester C Lester er by V 46 CastiNg CaLL co O 48 ReturN eNgagemeNt C ON 49 at hOme b d’ami O 50 FiNaLLy... mage i by b by O t ar C O s O features ph 20 Die HarD Quiz 22 ozombie L Ver 26 LoVe struCk 30 return to oz Celebrate the release of the Nicholas Hoult on filming Safe Haven star Josh Duhamel Oz The Great and Powerful’s fifthDie Hard film,A Good inside Quebec’s deserted tells us why this adaptation James Franco, Mila Kunis, Day to Day Hard, with a quiz mirabel airport and taking of a Nicholas sparks novel Michelle Williams, that tests your knowledge of zombie classes for the is more than a “paint by Rachel Weisz and Sam Raimi the action-packed franchise zom-com Warm Bodies numbers” love story take us over the rainbow by iNgrid raNdOja by marNi Weisz by mathieu ChaNtelois by garry murdOCk FEBRUARY 2013 | CINEPLEX MAGAZINE | 3 EDITOR’S NOTE PUBLISHER SALAH BACHIR EDITOR MARNI WEISZ DEPUTY EDITOR INGRID RANDOJA ART DIRECTOR TREVOR STEWART ASSISTANT ART DIRECTOR STEVIE SHIPMAN ExecutivE Director, PRODUCTION SHEILA GREGORY CONTRIBUTORS MATHIEU CHANTELOIS, GARRY MURDOCK, éDITH VALLIÈRES ADvERTISING SALES FOR CINEPLEX MAGAZINE AND LE MAGAZINE CINEPLEX IS HANDLED BY CINEPLEx MEDIA. -
LES PRIX ÉCRANS CANADIENS 2014 Nominations Dans Les
LES PRIX ÉCRANS CANADIENS 2014 Nominations dans les catégories en Cinéma TORONTO | MONTRÉAL, 13 janvier 2014 BEST MOTION PICTURE / MEILLEUR FILM Sponsor / Commanditaire | William F. White International and Comweb Group LE DÉMANTÈLEMENT / THE AUCTION – Bernadette Payeur, Marc Daigle EMPIRE OF DIRT – Jennifer Podemski, Geoff Ewart, Heather K. Dahlstrom ENEMY – Kim McCraw, Luc Déry, Miguel A. Faura, Niv Fichman, Sari Friedland THE F-WORD – Andre Rouleau, David Gross, Macdara Kelleher GABRIELLE – Kim McCraw, Luc Déry THE GRAND SEDUCTION – Roger Frappier, Barbara Doran MAÏNA – Karine Martin, Michel Poulette, Yves Fortin TOM À LA FERME / TOM AT THE FARM – Charles Gillibert, Nathanaël Karmitz, Xavier Dolan ACHIEVEMENT IN ART DIRECTION/PRODUCTION DESIGN / MEILLEURE DIRECTION ARTISTIQUE MARIO HERVIEUX – Le Démantèlement / The Auction PATRICE VERMETTE – Enemy MICHEL PROULX – Louis Cyr, l’homme le plus fort du monde / Louis Cyr: The Strongest Man in the World JEAN BÉCOTTE – Maïna ANTHONY IANNI, FRANÇOIS SEGUIN – The Mortal Instruments: City of Bones ACHIEVEMENT IN COSTUME DESIGN / MEILLEURS COSTUMES LEA CARLSON – The Colony CARMEN ALIE – Louis Cyr, l’homme le plus fort du monde / Louis Cyr: The Strongest Man in the World VÉRONIQUE MARCHESSAULT – Maïna SARAH MILLMAN – Molly Maxwell GERSHA PHILLIPS – The Mortal Instruments: City of Bones ACHIEVEMENT IN CINEMATOGRAPHY / MEILLEURES IMAGES NICOLAS BOLDUC CSC – Enemy ALLEN SMITH – Maïna ANTONIO RIESTRA – Mama FRANÇOIS DELISLE – Le Météore / The Meteor PIERRE GILL, CSC – Upside Down ACHIEVEMENT IN DIRECTION -
Press Kit - International (April 2019) 1
For Those Who Don’t Read Me (Original French Title: À tous ceux qui ne me lisent pas) a film by Yan Giroux written by Guillaume Corbeil Yan Giroux starring Martin Dubreuil Céline Bonnier Henri Picard CONTACT: Élaine Hébert, Luc Déry, Kim McCraw Tel : +1 514 844-4554 [email protected] synopsis All his life, Yves dedicated himself to poetry, carrying his suitcase to any couch that would welcome him. When he storms into Dyane's life, a graphic designer who falls for his charms, her son Marc immediately disapproves of this eccentric stranger in his mother's bed. But the studious teenager soon finds Yves' rebel ways contagious and begins to explore his own artistic side. Meanwhile, the poet feels increasingly trapped in his new life and decides to sabotage everything in a great outburst. Now alone at the end of the world, he realizes his words no longer mean anything. Freely inspired by the life and work of Quebec poet Yves Boisvert (1950-2012), For Those Who Don't Read Me tells the story of a man's quest for the absolute, fighting not to end up forgotten between two cookbooks. FOR THOSE WHO DON’T READ ME | PRESS KIT - INTERNATIONAL (APRIL 2019) 1 cast Yves Boisvert Martin DUBREUIL Dyane Céline BONNIER Marc Henri PICARD Jacques Jacques L’HEUREUX Maryse Marie-Ève PERRON Marcel Martin LAROCQUE Claude Stéphane CRÊTE Ariane Lily THIBEAULT crew Director Yan GIROUX Writers Guillaume CORBEIL, Yan GIROUX Producers Élaine HÉBERT, Luc DÉRY, Kim McCRAW Casting director Marjolaine LACHANCE Cinematographer Ian LAGARDE Production designer Marie-Claude -
150 Canadian Films
150 CANADIAN FILMS MESSAGE FROM THE PRIME MINISTER OF CANADA Dear Friends: I am delighted to extend my warmest greetings to Canadians on National Canadian Film Day, a Canada 150 Signature Project, presented by REEL CANADA. This one-day event connects Canadians from sea to sea to celebrate the achievements of Canadian filmmakers. The film festival is one of many cultural projects during the Sesquicentennial year that will help build a sense of pride in and attachment to everything our remarkable country represents. National Canadian Film Day focuses on discovery, with opportunities to view culturally diverse Canadian films on television, online and in theatres large and small across the country. I would like to commend REEL CANADA for coordinating this exciting celebration of homegrown film excellence and I encourage everyone to get involved. With so many works to choose from, and an audience eager to explore the best of Canada’s rich film history, National Canadian Film Day is sure to be a resounding success. On behalf of the Government of Canada, I offer my best wishes for an enjoyable and memorable experience. Justin P.J. Trudeau Prime Minister of Canada The Rt. Hon. Justin P.J. Trudeau, P.C., M.P. Prime Minister of Canada MESSAGE FROM THE MINISTER OF CANADIAN HERITAGE As we kick off the 150th anniversary of Confederation, we want to support projects that inspire national pride and strengthen the bonds between citizens from coast to coast to coast. This is why we are pleased to support REEL CANADA and its National Canadian Film Day 150. -
WIFF-2014-Program.Pdf
The Windsor International Film Festival (WIFF) is a cultural, not-for-profit organization whose mission is to recognize and celebrate the art of cinema by showcasing Canadian and international films and filmmakers. Through its exhibition, education, and community development programs, WIFF builds audiences for Canadian content and talent, provides training opportunities for emerging filmmakers, and promotes the creative economy of Windsor and Southwestern Ontario. WINDSOR INTERNATIONAL FILM FESTIVAL Denise Deziel | Debra Henderson (Vice Chair) | Mori McIntosh (Secretary) | Kim Nelson | Pat Papadeas | Sung Min Bae | Lynne Watts (Chair) | Martha Winterbottom (Treasurer) Honorary Members: Mark Boscariol, Peter Coady, Michael Reboulis, Lou Tortola WINDSOR INTERNATIONAL FILM FESTIVAL Executive Director: Vincent Georgie Managing Director: Nick Cacciato Technical Director: Sung Min Bae Administrative Manager: Michael Ruffolo Box Office Coordinators: Jen Holson and Rowena Cacciato Volunteer Coordinator: Rowena Cacciato Program Manager, 48-Hour FlickFest and 100 Mile Shorts: Svjetlana Oppen Print Traffic Coordinator: Alan Bull Graphic Design & Layout: Dave Houle WINDSOR INTERNATIONAL FILM FESTIVAL P.O. Box 591 | Station A | Windsor, ON | N9A 6M6 windsorfilmfestival.com Photo: Nick Brancaccio/Windsor Star Brancaccio/Windsor Nick Photo: Happy Birthday WIFF! 10 Years Already From humble beginnings in the fall of 2005 to what is now an established cultural force on the Canadian film scene, WIFF has a lot to celebrate in its 10th Anniversary. Every November, our passionate, loyal and enthusiastic audience turns to us to show them the very best that the world film landscape has to offer them. WIFF is a time to take risks, to explore new genres, to find out what both the world’s most established and up-and-coming filmmakers have on their minds.