DOCSLIB.ORG

Genesis We Can't Dance Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Genesis We Can't Dance Mp3, Flac, Wma Genesis We Can't Dance mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: We Can't Dance Country: Spain Released: 1991 Style: Pop Rock, Synth-pop MP3 version RAR size: 1554 mb FLAC version RAR size: 1458 mb WMA version RAR size: 1636 mb Rating: 4.6 Votes: 744 Other Formats: MP1 MIDI FLAC TTA VQF MPC RA Tracklist 1 No Son Of Mine 6:40 2 Jesus He Knows Me 4:16 3 Driving The Last Spike 10:08 4 I Can't Dance 4:01 5 Never A Time 3:50 6 Dreaming While You Sleep 7:16 7 Tell Me Why 4:59 8 Living Forever 5:41 9 Hold On My Heart 4:38 10 Way Of The World 5:39 11 Since I Lost You 4:09 12 Fading Lights 10:27 Companies, etc. Phonographic Copyright (p) – Anthony Banks Ltd. Phonographic Copyright (p) – Philip Collins Ltd. Phonographic Copyright (p) – Michael Rutherford Ltd. Copyright (c) – Anthony Banks Ltd. Copyright (c) – Philip Collins Ltd. Copyright (c) – Michael Rutherford Ltd. Licensed To – Virgin Records Ltd. Marketed By – EMI Distributed By – EMI Manufactured By – Optimal Media GmbH – AB57417 Published By – Anthony Banks Ltd. Published By – Philip Collins Ltd. Published By – Michael Rutherford Ltd. Published By – Hit & Run Music (Publishing) Ltd. Published By – EMI Music Publishing Ltd. Recorded At – The Farm Mixed At – The Farm Remastered At – Metropolis Mastering Credits Coordinator – Carol Willis Design, Art Direction – Icon Engineer [Assistant] – Mark Robinson Engineer, Remix [Stereo Mixes] – Nick Davis Illustration – Felicity Roma Bowers Management – Tony Smith Photography By – David Sheinmann* Producer – Genesis, Nick Davis Remastered By – Tony Cousins Remix [Assistant] – Tom Mitchell Sleeve [Adaption] – Chris Peyton Written-By – Mike Rutherford, Phil Collins, Tony Banks Notes Repress of We Can't Dance. Manufactured in 2011 (probable release year). Made and printed in the EU. Barcode and Other Identifiers Barcode: 5 099923 498426 Barcode (Scanned): 5099923498426 Mastering SID Code: ifpi L574 Mould SID Code: IFPI 9701 Matrix / Runout: 2349842 AB57417-01 manufactured by optimal media GmbH Label Code: LC3098 Rights Society: SDRM/BIEM Other versions Category Artist Title (Format) Label Category Country Year GEN CD3, 262 We Can't Dance (CD, Virgin, GEN CD3, 262 UK & Genesis 1991 082 Album) Virgin 082 Europe We Can't Dance (Cass, 1597 Genesis B.W. 1597 Poland Unknown Album, Unofficial) We Can't Dance (Cass, 533 Genesis Vivo 533 Romania Unknown Album, Unofficial) GEN CD3, 262 We Can't Dance (CD, Virgin, GEN CD3, 262 Genesis Europe 1991 082 Album) Virgin 082 7 82344-2, 7 We Can't Dance (CD, Atlantic, 7 82344-2, 7 Genesis US 1991 823 44-2 Album) Atlantic 823 44-2 Related Music albums to We Can't Dance by Genesis 1. Genesis - Tell Me Why 2. Genesis - Throwing It All Away 3. Genesis - I Can't Dance 4. Genesis with Phil Collins - Live USA - Vol. 2 5. Genesis - No Reply At All 6. Genesis - 1983 - 1998 7. Genesis - Turn It On Again - Best Of '81 - '83 8. Genesis - Land Of Confusion 9. Genesis - Genesis 10. Genesis - Abacab.
Load more

Recommended publications
  • Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos
    Tab.3a - Classifica canzoni Genesis/Ranking Genesis songs Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti Pos. Canzoni/Songs Genesis Voti 1 Supper's ready 95 25 Fly on a windshield 9 32 Dusk 2 2 The Musical box 92 White mountain 9 Many too many 2 3 Firth of fifth 90 26 Timetable 8 In that quiet earth 2 4 The cinema show 80 27 The chamber of 32 doors 7 Tonight tonight tonight 2 5 The lamia 44 The colony of slippermen 7 A trick of the tail 2 6 Watcher of the skies 42 28 Robbery assault and battery 6 Silver rainbow 2 7 The Carpet crawlers 38 Calling all stations 6 Dreaming while you sleep 2 8 Can Utility and the coastliners 37 Driving the last spike 6 The waiting room 2 9 Dancing with the moonlit Knight 36 Uncertain weather 6 Second home by the sea 2 10 One for the vine 35 All in a mouse's night 6 After the ordeal 2 11 The fountain of Salmacis 32 29 Undertow 5 Horizons 2 12 Mad man moon 30 Abacab 5 33 More fool me 1 13 Entangled 25 Hairless heart 5 It's gonna get better 1 14 Blood on the rooftops 24 Home by the sea 5 Alien afternoon 1 15 The knife 23 Back in NYC 5 Man of our times 1 16 Ripples 22 Visions of angels 5 Land of confusion 1 In the cage 22 Domino 5 Alone tonight 1 17 Seven stones 21 30 I know what I like 4 In the beginning 1 Los endos 21 Duchess 4 Congo 1 18 Dance on a volcano 18 Down and out 4 Shipwrecked 1 Stagnation 18 Squonk 4 The dividing line 1 Duke's travel 18 Turn it on again 4 Your own special way 1 19 Afterglow 17 Me and Sarah Jane 4 If that's what you need 1 20 Looking for someone 15 Evidence of autumn
    [Show full text]
  • PROGRESSIVE ROCK ELEMENTS in the POP-ROCK MUSIC of GENESIS, 1978-91 by Michael Paul Koss
    From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 Item Type Electronic Dissertation; text Authors Koss, Michael Paul Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 30/09/2021 22:27:18 Link to Item http://hdl.handle.net/10150/145489 FROM PROG TO POP: PROGRESSIVE ROCK ELEMENTS IN THE POP-ROCK MUSIC OF GENESIS, 1978-91 by Michael Paul Koss _____________________________________ Copyright © Michael P. Koss 2011 A Dissertation Submitted to the Faculty of the SCHOOL OF MUSIC In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2011 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Michael Koss entitled From Prog to Pop: Progressive Rock Elements in the Pop-Rock Music of Genesis, 1978-91 and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy. ________________________________________________ Date: April 11, 2011 Donald G. Traut ________________________________________________ Date: April 11, 2011 Pamela Decker ________________________________________________ Date: April 11, 2011 Kelland Thomas Final approval and acceptance of this dissertation is contingent upon the candidate‘s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement.
    [Show full text]
  • The Story So Far
    1. How Long (Ace) 2. Tempted (Squeeze) 3. Silent Running (Live) 4. When You Walk In The Room (Live) 5. The Living Years (2006 Version) 6. I Live On A Battlefield (with the Royal Philharmonic Orchestra) 7. Dedicated (2006 Version) 8. Over My Shoulder (Live from Abbey Road) 9. Love Will Keep Us Alive (Full Version) - Featuring Timothy B Schmit of the Eagles 10. Eyes Of Blue 11. Beautiful World 12. Satisfy My Soul 13. Groovin’ 14. Any Day Now 15. Where Did I Go Wrong? 16. It Ain’t Over 17. What A Wonderful World (with the SWR Big Band) PCARiT14. This Compilation P2014 Carrack-UK. g2014 Carrack-UK Unauthorised copying, reproduction, hiring, lending, public performance and broadcasting prohibited. All rights reserved. Unauthorised duplication is a violation of applicable laws. Paul Carrack-The Story So Far... In my own words 1. How Long Taken from the album Blue Views. Originally released by Ace in 1974 In 1973 I was sharing a one-room bedsit in Camden with my girlfriend (now my wife) Kathy. The band I’d been with for the last 5 years since leaving home and going on the road had finally returned from Germany broke after having our equipment stolen. I reluctantly got a job cleaning cars at Henley’s Cars for the princely sum of 42 pence an hour. When the initial novelty of doing ‘real work’ with overalls and everything, wore off (after about a week) I was thoroughly miserable, apart from the fact that Kathy and I were madly in love. At some point I got a call from Tex Comer, the bass player in the aforementioned band.
    [Show full text]
  • Get 'Em out by Friday the Official Release Dates 1968-78 Introduction
    Genesis: Get ‘Em Out By Friday The Official Release Dates 1968-78 Introduction Depending on where one looks for the information, the original release dates of Genesis singles and albums are often misreported. This article uses several sources, including music paper cuttings, websites and books, to try and determine the most likely release date in the UK for their officially released product issued between 1968 and 1978. For a detailed analysis to be completed beyond 1978 will require the input of others that know that era far better than I with the resources to examine it in appropriate levels of detail. My own collection of source material essentially runs dry after 1978. As most people searching for release dates are likely to go to Wikipedia that is where this search for the truth behind Genesis’ back catalogie. The dates claimed on Wikipedia would themselves have come from a number of sources referenced by contributors over the years but what these references lack is the evidence to back up their claims. This article aims to either confirm or disprove these dates with the added bonus of citing where this information stems from. It’s not without a fair share of assumptions and educated deductions but it offers more on this subject than any previously published piece. The main sources consulted in the writing of this article are as follows: 1. The Genesis File Melody Maker 16 December 1972 2. Genesis Information Newsletter Issue No. 1 October 1976 3. Wax Fax by Barry Lazzell - a series of articles on Genesis releases published in Sounds over several weeks in 1977 4.
    [Show full text]
  • The Classic Rock String Quartet the Genesis Chamber Suite Mp3, Flac, Wma
    The Classic Rock String Quartet The Genesis Chamber Suite mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: The Genesis Chamber Suite Country: UK Released: 2003 MP3 version RAR size: 1744 mb FLAC version RAR size: 1697 mb WMA version RAR size: 1823 mb Rating: 4.5 Votes: 302 Other Formats: DXD MMF ADX MP1 MP2 WMA RA Tracklist Hide Credits Looking For Someone 1 5:24 Written-By – Anthony Phillips, Mike Rutherford, Peter Gabriel, Tony Banks White Mountain 2 4:55 Written-By – Anthony Phillips, Mike Rutherford, Peter Gabriel, Tony Banks Musical Box (Abridged) 3 5:36 Written-By – Mike Rutherford, Peter Gabriel, Phil Collins, Steve Hackett, Tony Banks Supper's Ready (Abridged) 4 3:59 Written-By – Mike Rutherford, Peter Gabriel, Phil Collins, Steve Hackett, Tony Banks Ripples 5 4:18 Written-By – Mike Rutherford, Phil Collins, Steve Hackett, Tony Banks Entangled 6 4:17 Written-By – Mike Rutherford, Phil Collins, Steve Hackett, Tony Banks Mad Man Moon 7 5:00 Written-By – Mike Rutherford, Phil Collins, Steve Hackett, Tony Banks Afterglow 8 3:32 Written-By – Tony Banks One For The Vine 9 4:56 Written-By – Tony Banks Follow You Follow Me 10 3:53 Written-By – Mike Rutherford, Phil Collins, Tony Banks The Lady Lies 11 3:53 Written-By – Tony Banks Please Don't Ask 12 4:02 Written-By – Phil Collins Los Endos 13 4:48 Written-By – Mike Rutherford, Phil Collins, Steve Hackett, Tony Banks Notes Dolby Digital 5.1 & DTS Barcode and Other Identifiers Barcode: 5060071500897 Related Music albums to The Genesis Chamber Suite by The Classic Rock String Quartet The Phil Collins Big Band - The Phil Collins Big Band Big Hits Sampler Genesis - ..
    [Show full text]
  • Large-Scale Strategy and Compositional Design in the Early Music of Genesis
    Copyrighted Material 12 Large-Scale Strategy and Compositional Design in the Early Music of Genesis MARK SPICER Th e title of this chapter might remind some readers of an article by Andrew Mead that appeared in Perspectives of New Music more than two decades ago (Mead 1985), in which the author used sophisticated set-theoretic analytical techniques to dig beneath the surface of Arnold Schoenberg’s music, disclos- ing a “large-scale strategy” at work within several of the twelve-tone composi- tions. Mead had the advantage of writing for a scholarly community already well convinced of Schoenberg’s genius. I suspect the idea of placing the music of the British rock group Genesis in the same league as Schoenberg would be greeted with considerable skepticism—if not downright horror—by many musicologists, and this is certainly not my intent in the present essay. (Alas, it will probably require some drastic revolutions in taste before such early- Genesis classics as “Th e Return of the Giant Hogweed” are admitted into the canon of twentieth-century masterworks.) But I do hope to show that despite being several musical worlds removed from Schoenberg, Genesis’ music is rich, diverse, and equally worthy of our analytical attention. One of the most infl uential and long-lasting of the so-called “progressive rock” bands that emerged in Britain around 1970 in the wake of the Beatles, Genesis is probably better known to most pop-rock fans as the supergroup who made frequent appearances on the Billboard charts during the 1980s and early 1990s, with
    [Show full text]
  • The Carroll News- Vol. 81, No. 11
    John Carroll University Carroll Collected The aC rroll News Student 11-21-1991 The aC rroll News- Vol. 81, No. 11 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 81, No. 11" (1991). The Carroll News. 1022. http://collected.jcu.edu/carrollnews/1022 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. Serving the John Carroll University Community Vol. 81, No. 11 John Carroll University, University Heights, Ohio 44118 November 21, 1991 High kicking Senator pleads guilty to slander Chris Kazor concert and how the losses from comments about Dashner, News Editor that concert should not be reflected Heckman and McAndrew. in the price of formal bids. Sophomore Joe Parks acted as The Student Union Judicial Boustani also spoke of SU Trea­ Boustani 's counsel during the Board held a hearing on Nov. 14 surer Dennis McAndrew and Di­ hearing. Nemanich did not have concerning the behavior of junior rector of Student Activities Lisa any of the allegedly slandered off-campus senator Laura Heckman as "lining their pockets" parties attend the hearing because Boustani at the Oct. 29 SU meet­ with proceeds from the concert she felt that they would have made ing. The Judicial Board was called "strong emotional witnesses." Chief Justice Judy Nemanich into action when it received five Senn was the ftrst witness to be presided over the hearing of the letters of complaint concerning questioned.
    [Show full text]
  • ENGLISH Presstext Genesis Classic
    performed by former frontman Ray Wilson "Celebrating 50 Years" RAY WILSON, ex singer of GENESIS, presents their greatest hits and best from his solo career. Not only does 2018 herald 50 years since the birth of one of the world's greatest Rock Bands, Genesis, but it also will be 50 years since the birth of one of the UK's finest vocalists, Ray Wilson. Ray and his band will be performing songs dating all the way back to the early Genesis years, right up to the most recent recordings from the band and his own solo career. Ray's show is well renowned for including some of the best songs from the World of Genesis, during which he also performs a few classics from the solo careers of Peter Gabriel, Phil Collins and Mike Rutherford. In addition, his own unique career, both as a solo artists, and frontman of number 1 selling artists Stiltskin and Genesis, makes for an unrivalled evening of entertainment. Multifarious song structures of the progressive rock era and hits of the 1970s to 1990s. That’s a new dimension of GENESIS, retaining the original character of the songs. Surety for this is the unique voice of RAY WILSON, who recorded the fourth best- selling GENESIS record „CALLING ALL STATIONS” in the history of the band. 20 years after the release of GENESIS’S last studio album ”CALLING ALL STA- TIONS”, RAY WILSON and his band will perform some of the best tracks from the album, including hit singles ”CONGO” and ”NOT ABOUT US” and some of the Live favourites like ”THE DIVIDING LINE”, with it's Epic Drum Solo and Lead Guitar duel.
    [Show full text]
  • Die 3-Cd Genesis- Anthologie 'R-Kive'
    DIE 3-CD GENESIS- ANTHOLOGIE ‘R-KIVE’ VÖ: 03. Oktober 2014 Erstmals vereint: 37 der besten Songs von Genesis und aus den Solowerken der einzelnen Musiker Am 03. Oktober wird Virgin EMI / Universal Music Catalogue die drei CDs umfassende Genesis-Anthologie ‘R- Kive’ veröffentlichen. Das 37 Songs umfassende CD-Set, das 42 Schaffensjahre umfasst, dokumentiert die Bandgeschichte mit klassischen Arbeiten von Genesis und ausgewähltem Material aus den Solokarrieren von Tony Banks, Phil Collins, Peter Gabriel, Steve Hackett sowie Mike Rutherford / Mike + The Mechanics. Die Werke von Genesis und die aus der Band hervorgegangenen Soloprojekte sind im Laufe der Jahre zu einer mehr als bemerkenswerten Serie von Glanzleistungen angewachsen und haben es gemeinsam auf unglaubliche 14 Alben gebracht, die die Charts anführten, sowie zwei weitere Dutzend in den Top 10. Insgesamt wurden von Genesis und den Solowerken der Bandmusiker weltweit mehr als 300 Millionen Alben verkauft. ‘R-Kive’ enthält in chronologischer Reihenfolge die größten Hits von Genesis, darunter ‘Invisible Touch’, ‘Turn It On Again’, ‘Land of Confusion’ und ‘I Can’t Dance’. Dazu gesellen sich, in entsprechender Reihenfolge, Soloklassiker wie ‘The Living Years’ und ‘Over My Shoulder’ von Mike + The Mechanics, ‘In The Air Tonight’ von Collins und sein Duett mit Philip Bailey, ‘Easy Lover’, sowie Peter Gabriels ‘Solsbury Hill’. ‘R-Kive’ beginnt mit ‘The Knife’, einer neunminütigen Proto-Punk-Nummer, die bei den frühen Konzerten den krönenden Abschluss bildete und noch zu jener Zeit entstanden war, bevor Hackett und Collins zur Band stießen. Zu den insgesamt 22 Songs von Genesis ist jeder der fünf Musiker gleichberechtigt mit jeweils drei Songs seiner Solowerke vertreten.
    [Show full text]
  • MARK SPICER Genesis's Foxtrot* One of the Most Ironic
    MARK SPICER Genesis’s Foxtrot* One of the most ironic developments in Billboard chart history occurred in July 1986, when Genesis, basking in the success of having finally scored their first (and only) U.S. #1 hit with Invisible Touch were knocked out of the top spot just one week later by their former frontman Peter Gabriel, who, in turn, scored his first (and only) U.S. #1 with Sledgehammer. While I must admit to having a personal affection for their later records, I think it is safe to say that most fans would prefer to forget the slick, synthesizer-driven pop that characterized much of Genesis’s output in the 1980s and 1990s, and instead look back fondly to the first half of the 1970s — the golden age of British progressive rock — when the group was famous for crafting epic rock pieces in which the multiple shifts of texture, affect, tonality and groove echo those typically found, say, in a large-scale symphonic work by Liszt or Holst. Like Yes, Emerson, Lake & Palmer (ELP), Gentle Giant, King Crimson, Jethro Tull, Soft Machine, Henry Cow, and their other compatriots in British progressive rock during this remarkable period, Genesis did not set out to create music that was immediately catchy or danceable (although one can certainly imagine dancing, however awkwardly, to many of their odd-metered grooves). Theirs was serious music intended for serious listeners. Indeed, as John Covach has put it, “there was the perception [among fans] that these musicians were attempting to shape a new kind of classical music — a body of music that would not disappear after a few weeks or months on the pop charts, but would instead be listened to (and perhaps even studied), like the music of Mozart, Beethoven and Brahms, for years to come.” (Covach, 1997: 4) Figure 1 shows a chronology of Genesis albums released through October 1977, when guitarist Steve Hackett left the group and the three remaining members decided to continue as a trio.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Title Artist - Human Metallica (I Hate) Everything About You Three Days Grace "Adagio" From The New World Symphony Antonín Dvorák (I Just) Died In Your Arms Cutting Crew "Ah Hello...You Make Trouble For Me?" Broadway (I Know) I'm Losing You The Temptations "All Right, Let's Start Those Trucks"/Honey Bun Broadway (I Love You) For Sentimental Reasons Nat King Cole (Reprise) (I Still Long To Hold You ) Now And Then Reba McEntire "C" Is For Cookie Kids - Sesame Street (I Wanna Give You) Devotion Nomad Feat. MC "H.I.S." Slacks (Radio Spot) Jay And The Mikee Freedom Americans Nomad Featuring MC "Heart Wounds" No. 1 From "Elegiac Melodies", Op. 34 Grieg Mikee Freedom "Hello, Is That A New American Song?" Broadway (I Want To Take You) Higher Sly Stone "Heroes" David Bowie (If You Want It) Do It Yourself (12'') Gloria Gaynor "Heroes" (Single Version) David Bowie (If You're Not In It For Love) I'm Outta Here! Shania Twain "It Is My Great Pleasure To Bring You Our Skipper" Broadway (I'll Be Glad When You're Dead) You Rascal, You Louis Armstrong "One Waits So Long For What Is Good" Broadway (I'll Be With You) In Apple Blossom Time Z:\MUSIC\Andrews "Say, Is That A Boar's Tooth Bracelet On Your Wrist?" Broadway Sisters With The Glenn Miller Orchestra "So Tell Us Nellie, What Did Old Ironbelly Want?" Broadway "So When You Joined The Navy" Broadway (I'll Give You) Money Peter Frampton "Spring" From The Four Seasons Vivaldi (I'm Always Touched By Your) Presence Dear Blondie "Summer" - Finale From The Four Seasons Antonio Vivaldi (I'm Getting) Corns For My Country Z:\MUSIC\Andrews Sisters With The Glenn "Surprise" Symphony No.
    [Show full text]
  • Genesis Three Sides Live Mp3, Flac, Wma
    Genesis Three Sides Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Three Sides Live Country: Canada Released: 1982 Style: Pop Rock, Prog Rock MP3 version RAR size: 1337 mb FLAC version RAR size: 1717 mb WMA version RAR size: 1211 mb Rating: 4.4 Votes: 412 Other Formats: MP1 TTA VQF DXD RA VOX MP3 Tracklist 1-1 Turn It On Again 5:23 1-2 Dodo 7:20 1-3 Abacab 8:43 1-4 Behind The Lines 5:24 1-5 Duchess 6:38 1-6 Me And Sarah Jane 5:52 1-7 Follow You Follow Me 4:45 2-1 Misunderstanding 4:05 2-2 In The Cage 11:52 2-3 Afterglow 5:03 2-4 Paperlate 3:15 2-5 You Might Recall 5:28 2-6 Me And Virgil 6:18 2-7 Evidence Of Autumn 4:58 2-8 Open Door 4:04 Companies, etc. Marketed By – Phonogram Phonographic Copyright (p) – Gelring Ltd. Copyright (c) – Hit & Run Music Ltd. Credits Cover – Bill Smith Drums [Live Recordings Only] – Chester Thompson (tracks: 2-4 to 2-6) Drums, Vocals – Phil Collins Engineer – Geoff Callingham Guitar, Bass – Daryl Stuermer (tracks: 2-4 to 2-6) Guitar, Bass, Backing Vocals – Mike Rutherford Keyboards, Backing Vocals – Tony Banks Management – Carol Willis , Charlene Colon, Tony Smith Photography By – Martin Goddard* Producer – Genesis Written-By – Mike Rutherford (tracks: 1-1 to 1-5, 1-7, 2-2, 2-4 to 2-6, 2-9), Phil Collins (tracks: 1-1 to 1-5, 1-7, 2-1, 2-2, 2-4 to 2-6), Tony Banks (tracks: 1-1 to 1-7, 2-2 to 2-7) Notes CD1 in variant 2 has no printing, clean CD.
    [Show full text]