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The Tuscan Child
PRAISE FOR RHYS BOWEN’S IN FARLEIGH FIELD “Well-crafted, thoroughly entertaining.” —Publishers Weekly “The skills Bowen brings . inform the plotting in this character-rich tale, which will be welcomed by her fans as well as by readers who enjoy fiction about the British home front.” —Booklist “In what could easily become a PBS show of its own, Bowen’s novel winningly details a World War II spy game.” —Library Journal “This novel will keep readers deeply involved until the end.” —Portland Book Review “In Farleigh Field delivers the same entertainment mixed with intellectual intrigue and realistic setting for which Bowen has earned awards and loyal fans.” —New York Journal of Books “Well-plotted and thoroughly entertaining . With characters who are so fully fleshed out, you can imagine meeting them on the street.” —Historical Novel Society “Through the character’s eyes, readers will be drawn into the era and begin to understand the sacrifices and hardships placed on English society.” —Crimespree Magazine “A thrill a minute . highly recommend.” —Night Owl Reviews, Top Pick “Riveting.” —Military Press “Instantly absorbing, suspenseful, romantic and stylish—like binge- watching a great British drama on Masterpiece Theatre.” —Lee Child, New York Times bestselling author “In Farleigh Field is brilliant. The plotting is razor sharp and ingenious, the setting in World War Two Britain is so tangible it’s eerie. The depth and breadth of character is astonishing. They’re likeable and repulsive and warm and stand-offish. And oh, so human. And so relatable. This is magnificently written and a must read.” —Louise Penny, New York Times bestselling author “Irresistible, charming and heartbreakingly authentic. -
Hip Hop, Memes, and the Internet
BY ALL MEMES NECESSARY: HIP HOP, MEMES, AND THE INTERNET MAX TRETTER FRIEDRICH-ALEXANDER-UNIVERSITY ERLANGEN-NUREMBERG INTRODUCTION: HIP HOP ON THE INTERNET The internet influences hip hop in various ways. First and foremost, the internet is a medium that opens up a new space and stage in which hip hop can be performed. This stage is no longer local, but global, which represents both opportunity and challenge. On the one hand, each hip hop artist must assert themselves against countless compet- itors from all over the world; on the other hand, their breakthrough online, if it suc- ceeds, can be monumental in comparison to an analog breakthrough, which is usually confined to a limited area. Therefore, for hip hop artists it is increasingly important to attract attention – as only those who get the attention succeed in this new medium (Prior 2018, Jenkins et al. 2013). The internet’s central influence on hip hop is the inten- sification of the battle for attention – which results in hip hop artists trying new ap- proaches and strategies to gain that attention. One of them is producing their content with an eye to making it as meme-able as possible and capitalizing on meme dynamics on the internet. In this study, I approach memes as a concept, following the definition of Dawkins (2006) who originally defined the concept of memes in his work The Selfish Gene. Memes are small units of information that are usually very simple and catchy (ges- tures, styles, melodies, or phrases). They are transmitted from person to person by imitation or adaption, replicate and spread very quickly, and contribute to the dissem- ination and formation of common behaviors and cultures (Dawkins 2006). -
Introduction M Priorities
Mose_0771065043_xp_01_r1.qxd 9/25/06 3:40 PM Page 1 We Contain Multitudes: Our Many Roles, Many Selves introduction anager, professional, mentor, mother, wife, volunteer, artist, friend, athlete. Never before M have there been so many demands on women to excel in so many domains of life, so many opportuni- ties for self-expression and success, for disappointment and frustration. Our sense of self is nuanced, intricate, and rich. We derive our feelings of satisfaction from multi- ple roles. Freud famously said: “Love and work are the corner- stone of our humanness.” If we augment “love” to include our friends and our passions and “work” to include paid and unpaid activity, this is all that matters. These are the issues we are particularly likely to reflect on at midlife, a time of significant opportunities and chal- lenges when we take stock and ask, “What next?” and “How can I feel better about my life?” and reevaluate our priorities. 1 Mose_0771065043_xp_01_r1.qxd 9/25/06 3:40 PM Page 2 2 Women Confidential We have so many needs and desires. In my career/life-planning workshops with managers and professionals, I am always aware of the different ways in which men and women identify and rank their values. The most striking difference is not in the values themselves or how they are ranked, although there are differences, but in how the lists are completed. The men finish the exercise in a few minutes and move on to the next question. The women write the list. Then they erase it. Then they do it again. -
Calderon, Nicholas Interview 2 Calderon, Nicholas
Fordham University Masthead Logo DigitalResearch@Fordham Oral Histories Bronx African American History Project 5-27-2010 Calderon, Nicholas Interview 2 Calderon, Nicholas. Bronx African American History Project Fordham University Follow this and additional works at: https://fordham.bepress.com/baahp_oralhist Part of the African American Studies Commons Recommended Citation Calderon, Nicholas. May 27, 2010. Interview with the Bronx African American History Project. BAAHP Digital Archive at Fordham University. This Interview is brought to you for free and open access by the Bronx African American History Project at DigitalResearch@Fordham. It has been accepted for inclusion in Oral Histories by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. Interviewee: Nicholas Calderon Interviewer: Mark Naison Date: May 27, 2010 Mark Naison (MN): Hello. Today is Thursday May 27th, 2010. This is the Bronx African American History Project and we’re dealing with the second interview with Nicholas Calderon aka Young Buggs. Leader Interviewer is Noel Wolfe, assisting is Mark Naison and our videographer is Dawn Russell. So Noel, take it away. Noel Wolfe (NW): So we last left off when we were talking about how you were shifting into music in a way from drug dealing and I wanted to start there. What did music provide you at that stage? You were 17 years old? Nicholas Calderon (NC): Yes mam. Basically my comfort because it wasn’t my home, so music was a way out to get away from that temporarily though. MN: Now we’re talking about music, were you thinking about being a leader assist like writing rhymes and telling stories? NC: That’s what mainly it was about. -
High Fidelity
HIGH FIDELITY A MUSICAL COMEDY BY Amanda Green, Tom Kitt, and David Lindsay-Abaire BASED ON THE NOVEL BY NICK HORNBY AND THE TOUCHSTONE PICTURES FILM HIGH SCHOOL EDITION SHOW PERUSAL 11/07/19 High Fidelity - 1st ed. – 10.21.13 – highfidelity_conductor1cf Copyright © 2013 Amanda Green, Tom Kitt, and David Linsday Abaire ALL RIGHTS RESERVED Copyright Protection. This play (the “Play”) is fully protected under the copyright laws of the United States of America and all countries with which the United States has reciprocal copyright relations, whether through bilateral or multilateral treaties or otherwise, and including, but not limited to, all countries covered by the Pan- American Copyright Convention, the Universal Copyright Convention, and the Berne Convention. Reservation of Rights. All rights to this Play are strictly reserved, including, without limitation, professional and amateur stage performance rights; motion picture, recitation, lecturing, public reading, radio broadcasting, television, video, and sound recording rights; rights to all other forms of mechanical or electronic reproduction now known or yet to be invented, such as CD-ROM, CD-I, DVD, photocopying, and information storage and retrieval systems; and the rights of translation into non-English languages. Performance Licensing and Royalty Payments. Amateur and stock performance rights to this Play are controlled exclusively by Broadway Licensing. No amateur or stock production groups or individuals may perform this Play without obtaining advance written permission from Broadway Licensing. Such royalty fees may be subject to change without notice. Although this book may have been obtained for a particular licensed performance, such performance rights, if any, are not transferable. -
Breaking the Glass Ceiling in Healthcare Technology Is a Slow, Steady Process Women Have Emerged from Various Fields to Lead New Technological Efforts
SPONSORED CONTENT Breaking the glass ceiling in healthcare technology is a slow, steady process Women have emerged from various fields to lead new technological efforts Kristin Myers Jeana O’Brien Lisbeth Votruba Laura Wilt Moderator Executive Vice Senior Vice President, Chief Clinical Chief Information Fawn Lopez President of Chief Medical Innovation Officer, Officer, Ochsner Fawn Lopez, Publisher, Technology, Chief Information Officer, AvaSure Health Modern Healthcare, Information Officer, Baylor Scott & White Vice President, Crain Mount Sinai Health Health Communications System or years, women in healthcare technology—in fact, the technology field altogether—were more of an anomaly than the norm. Today, they are still in the Fminority when it comes to executive leadership in the field but opportunities for women in healthcare technology are increasing. A new generation of technology leaders will continue to push healthcare forward in the years ahead, bringing with them a strong technical background and a potentially different take on addressing current and future issues. Fawn Lopez, publisher of Modern Healthcare and vice president of Crain Communications, sat down with four female leaders in healthcare technology to discuss the path they’ve taken to get to their current positions as well as the road ahead. Fawn Lopez: What do you think is the We’ve been able to bring different perspectives current state of diversity and inclusion in and different backgrounds to the table and that makes us attractive. At the same time, I think the healthcare technology sector? that there’s still a significant gap in women in leadership. Women in technology leadership Jeana O’Brien: If we consider healthcare in particular are still not that common, so I technology companies, all over the United States, would hope that will continue to increase as the we’ve made great strides in terms of having more denominator or the pool of applicants from within women employed in those areas of technology. -
Returning the Self to Professional Psychology
Running head: RETURNING THE SELF Returning the Self to Professional Psychology by Scott A. Markham B.A., University of Massachusetts, Amherst, 2003 M.S., Antioch University New England, 2010 Submitted in partial fulfillment of the requirements for the degree of Doctor of Psychology in the Department of Clinical Psychology of Antioch University New England, 2012 Keene, New Hampshire RETURNING THE SELF ii Department of Clinical Psychology DISSERTATION COMMITTEE PAGE The undersigned have examined the dissertation entitled: RETURNING TO THE SELF IN PROFESSIONAL PSYCHOLOGY presented on September 27, 2012 by Scott A. Markham Candidate for the degree of Doctor of Psychology and hereby certify that it is accepted*. Dissertation Committee Chairperson: Colborn W. Smith, PhD Dissertation Committee members: Barbara Belcher-Timme, PsyD Jim Graves, PhD Accepted by the Department of Clinical Psychology Chairperson Kathi A. Borden, PhD on 11/27/12 * Signatures are on file with the Registrar’s Office at Antioch University New England. RETURNING THE SELF iii Acknowledgements I would like to acknowledge Barbra Belcher-Timme, Jim Graves, and Colby Smith for their ongoing curiosity and their support for the ongoing process of self. I give special appreciation to David Moriarty, Colby Smith, and Rebekah Markham for their assistance locating me in the manuscript. RETURNING THE SELF iv Table of Contents Acknowledgements ............................................................................................................ iii Abstract ................................................................................................................................1 -
The Forever Baby
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Graduate School Professional Papers 2019 The orF ever Baby Carlos Javier Medina Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Poetry Commons Recommended Citation Medina, Carlos Javier, "The orF ever Baby" (2019). Graduate Student Theses, Dissertations, & Professional Papers. 11380. https://scholarworks.umt.edu/etd/11380 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE FOREVER BABY By CARLOS JAVIER MEDINA DOMINICI B.A. Liberal Arts, Florida International University, Miami, Florida, 2016 Thesis presented in partial fulfillment of the requirements for the degree of Degree Master of Fine Arts in Poetry The University of Montana Missoula, MT Official Graduation Date May 2019 Approved by: Scott Whittenburg, Dean of The Graduate School Graduate School Prageeta Sharma, Chair English Stacy Szymaszek English Jannine Montauban Modern and Classical Languages and Literatures Medina, Carlos, M.F.A., Spring 2019 Creative Writing The Forever Baby Chairperson or Co-Chairperson: Prageeta Sharma This collection of poems looks at identity across multiple forms of lived experience. Each section of this project is distinct in its use of voice although the content is weaved together around the same themes: the aging body, personality, and poetic introspection. -
My Bible! Books a Nd Studies Every Spare Mo Ment
··· ~ · ~. ;> ;·~ , . .. I"""".: "'' . WHO IS LAURA REDDIG? ~.. J I t .I . I ' Volume 57 March 1979 No. 3 Why Should North American Baptists give her $300,000? Cover Art: Dare to Reach Out Victory for • Laura Reddig is a real person. She has served for forty years as a missionary in Louis Neibauer Cameroon. Dare to Re ach Out. ... .. .. .. ..... .. .. ...... ...... ..... 4 Barbara Binder Press Freedom • Laura Reddig is a symbol of the loving, sacrificial service rendered by all of our The Saga of a Young Pastor' s Wife ... ..... .... ........ .. .. ........ 6 II missionaries. Marva Radke My Bible . .. .. ..... .. ... .. ... ...... ........ .... ..... 6 A recent State Supreme Court ac • Laura Reddig does not get the offering which bears her name. Kenneth Goodman tion dismissing a libel suit by the Un The Adventure of Being a Christian . .......... ... ... .... ........... ... ...... 7 ification Church against the author • Laura Reddig Easter Mission Offering is the name of the annual .Easter offering Hisashi Murakami and publisher of a book that called which goes for the Mission and Ministry Budget. The goal of $300,000 will help These Men You Will Hear. .. ... .... .. .. .. ... .. .... s church indoctrination techniques a support more than 105 missionaries serving in five countries. Committed to the World: Class of 1979 . ... .... • . .. ........ .. .... 9 form of brainwashing was hailed by David J. Draewell and senior students the American Jewish Congress Here are samples of what the Laura Reddig Easter Mission Offering will help pro Putting It Together . .... .. ... .. .. ... ..... .... .. .. .. 12 which represented the author-as "a vide: Ernie Zimbelman significant victory for freedom o f the Woman's World .... .... .... .. ......... ... .. .... ..... ...... 14 press." My Maryland Summer, Fran Hoogestraat Dusty Sklar who wrote " Gods and Up the Stairway, Oorene Walth Beasts: The Nazi and the Occult," and IN CAMEROON Conference Corner, Sandy Bauslaugh Harper & Row, which published the $ 1,000 Radio work. -
Heritage Journal, Spring 2018
Spring 2018 The Heritage Journal is a biannual newsletter for the Black Studies Program at Providence College. We invite our scholarly community—students, faculty, staff, alum and community members to contribute to Heritage. Pieces can take multiple forms such as art, poetry or prose; they can be reflective or analytical. EDITOR IN CHIEF Dr. Julia Jordan-Zachery EDITOR Edmicelly Xavier DESIGN Edmicelly Xavier COVER ART Edmicelly Xavier 2 BLACK STUDIES PROGRAM PROVIDENCE COLLEGE 1 Cunningham Square Providence, RI 02918 Phone: 401.865.2083 Fax: 401.865.1222 http://providence.edu/black-studies DIRECTOR SPECIAL LECTURERS Julia Jordan-Zachery Danny Kyei-Poakwa Tryon Woods AFFILIATED FACULTY GRADUATE ASSISTANT Tony Affigne 2017-2018 Patrick H. Breen Matthew Dowling Edmicelly Xavier* Zophia Edwards *2017-2018 Black Studies Eric L. Hirsch Program Graduate Assistant. Christopher Kelton Edmicelly helped edit, design, Charlotte O'Kelly and created the cover art for the Tuire Valkeakuri Heritage, Spring 2018 issue. 3 Heritage Journal, Spring 2018 TABLE OF CONTENTS Letter from the Editor (5) Note from the Director (6) Slave Speaks to Chain (7) Dearly Beloved (11) Brown Skinned Beauty (12) Dearly Beloved – Laquan MacDonald (14) For a Black Girl (15) Dearly Beloved – George Stinney (16) The Collaborative (17) To The White Man Who Tried to Love Me (18) Dearly Beloved – Christian Taylor (19) Dara Bayer on Dearly Beloved (20) Class of 2018 (22) Awards (23) Acknowledgements (24) 4 Letter from the Editor Edmicelly Xavier, 2016-2018 Graduate Assistant Greetings Readers, Serving as the Graduate Assistant for the Black Studies Program this year in particular has been my haven for healing. -
Lil Pump Släpper Nytt Album
Harverd Dropout 2019-02-22 11:15 CET Lil Pump släpper nytt album - Harverd Dropout ute nu! Tonårsstjärnan och hiphop-artisten Lil Pump släpper idag sitt andra album ”Harverd Dropout”. Albumet gästas av världsartister som Lil Wayne, Kanye West, 2 Chainz, Offset och Lil Uzi Vert. På ”Harverd Dropout” återfinns de tidigare släppta låtarna ”Esskeetit” och ”Drug Addicts” med över 159 miljoner respektive 59 miljoner streams på Spotify. Den första singeln från albumet ”Racks On Racks” har streamats över 14 miljoner. Lil Pump är vår tids största virala artist genom hans provokativa Instagram- konto och har trots sin unga ålder redan sålt multi-platinum och har totalt över två miljarder streams. Temat för det nya albumet är college och sitt egna Pump University, på sin YouTube-kanal kan fansen följa Lil Pumps ”Lil Sessions” som visar hans version av college. Här kan fansen också ladda ner sitt eget diplom från Pump University. Idag släpptes också musikvideon till den senaste singeln ”Be Like Me” featuring Lil Wayne som regisserats av Sophie Muller som tidigare arbetat med artister som Beyonce, Björk och Coldplay. Se YouTube-videon här Låtlista- “Harverd Dropout” 1. Drop Out 2. Nu Uh 3.I Love It 4. ION (feat. Smokepurpp) 5. Fasho Fasho (feat. Offset) 6. Racks on Racks 7. Off White 8. Butterfly Doors 9.Too Much Ice (feat. Quavo) 10. Multi Millionaire (feat. Lil Uzi Vert) 11, Vroom Vroom Vroom 12. Be Like Me (feat. Lil Wayne) 13. Stripper Name (feat. YG and 2 Chainz) 14. Drug Addicts 15. Esskeetit 16. Who Dat Warner Music International, a leading company in national and international repertoire operates through numerous international affiliates and licensees in more than 50 countries. -
The King's Banner
THE KING’S BANNER Christ the King Lutheran Church, Houston, Texas 2353 Rice Blvd, Houston TX 77005 Volume 71, Number 6, 713-523-2864 ctkelc.org June/July, 2017 Pentecost Picnic June 4 Capital Campaign Phase II Come and join together for a good ol’ time at our annual Culminates June 4 Pentecost Picnic on Sunday, June 4 at 12:15 p.m. in the courtyard. On Pentecost Sunday—the celebration All are invited to bring sides to complement the entrée of fried of the beginning of the Church on chicken, like salads (potato, pasta, rice, green salads), vegetables, Earth—the members of Christ the King fruit and dessert. Vegetarian options are welcome! We ask that Lutheran Church have an opportunity individuals help with $5, and families of four and more $20. to finish the work we began more than Come dressed in your casual picnic attire and two years ago in the “Build Us Up, Send choose the color RED for Pentecost Sunday. Us Forth” capital campaign, as we celebrate our life as a church today and look forward to the years to come. Pentecost Picnic A Gift from Our Muslim Neighbors— An Iftar Dinner Friday, June 16 Sunday, June 4 12:15 p.m. A very special gift has been offered to members of Christ the King Church by our spiritual cousins of the Islamic Institute: a free and educational Iftar Dinner, here at Do You Speak a Foreign Language? Christ the King Church, on Friday, June 16, 7:45 p.m. Use it on Pentecost! “Iftar” means “breaking of the fast” during Islam’s high Each year on Pentecost Sunday (June 4), we invite those who holy days of Ramadan.