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Cal Performances Presents

Th ursday, February , ,  Friday, February , , pm Zellerbach Hall Wait Wait…Don’t Tell Me! Photo by Nagelmann Tony Th e Oddly Informative News Quiz from NPR

Cal Performances’ – season is sponsored by Wells Fargo.

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NPR’s Wait Wait…Don’t Tell Me! takes a Visit the show’s web site at http://waitwait. fast-paced, irreverent look at the news of the .org to take the weekly news quiz, fi nd out world—and the weird. Now in its eighth year, what newsmaker personality you most resemble the show off ers a modern and sometimes rau- or fi nd a local station and broadcast . cous twist on the old-time quiz show, mining NPR news stories for quiz questions. Th e host is , who is an award-win- The People ning playwright and father of three in his spare time. Legendary NPR newscaster is In addition to their glamorous roles on NPR, the the show’s offi cial judge and scorekeeper. Wait Wait…Don’t Tell Me! gang count among Each week, Sagal quizzes the panelists and their ranks popular authors, journalists, actors, listeners to determine just how closely they paid magicians, newscasters and even an extra in a attention to the week’s news. He serves ques- Michael Jackson video. tions in all forms: lightning rounds, tape from NPR news shows, multiple choice, identify the Peter Sagal (host) has had a varied career in- “fake” story and fi ll-in-the-blank limericks. cluding stints as a stage director, an actor, an Listeners call -wait-wait for a chance to win extra in a Michael Jackson video, a contestant the most coveted prize in all of public radio: a on Jeopardy, a travel writer, an essayist, a ghost custom-recorded greeting by Carl Kasell for writer and a staff writer for a motorcycle maga- their home’s answering machine or voice mail. zine. He is the author of numerous plays that One of the most popular segments is “Who’s have been performed around the country and Carl Th is Time?” in which Mr. Kasell recites abroad. quotes from the week’s newsmakers as contes- tants guess whom he is impersonating. “Th is is Carl Kasell (offi cial judge and scorekeeper) is an the only show where you’ll get to hear NPR’s all-around genius and great guy. He has also most senior newscaster impersonate Britney been a newscaster for NPR’s daily newsmaga- Spears,” the Wait Wait producers say. Another zine since its in . signature Wait Wait…Don’t Tell Me! game, His newscasts on Morning Edition can be heard “Not My Job,” invites well-known celebrities at the top of the hour every weekday morning to answer questions that are out—way out—of on public radio stations nationwide. A veteran their area of expertise. broadcaster, Kasell launched his radio career A rotating trio of witty panelists completes more than  years ago. He sometimes moon- the Wait Wait team. Th ey include author and lights as a magician. humorist Roy Blount Jr., Globe writer Charlie Pierce, Washington Post columnist Rod Abid (senior producer) came to NPR Roxanne Roberts, writer/performer Adam Washington in , and began a long stint Felber, BBC contributor Ellicott, author working with through the night P. J. O’Rourke, comedian on Morning Edition. He rose to post of direc- and humorist/pundit . tor. He also spent months on the road as one Wait Wait…Don’t Tell Me! is a co-produc- of NPR’s foreign news producers; he’s especially tion of NPR and Public Radio. Th e proud that he can say he spent three weeks in program, created by the same folks who pro- the former Yugoslavia with . He duce , debuted nationally in  and joined Wait, Wait...Don’t Tell Me! as senior pro- quickly established itself as one of public radio’s ducer just two days after the YK fi zzle. He says favorite weekend programs. that working in war zones provided him with

14 CAL PERFORMANCES About the Artists the training he needed to produce Wait, Wait... Tell Me! Robert has served as a recording engi- Don’t Tell Me! By the way, his given name is neer based in NPR’s Chicago Bureau since , Murad, but all call him Rod. but he still moonlights from time to time creat- ing storms and battles for Chicago Shakespeare Doug Berman (executive producer) is the Th eater. Peabody Award-winning producer of NPR’s Car Talk and Wait Wait...Don’t Tell Me! For the We can only assume, when Emily Ecton (assis- last  years, he’s been on a one-man crusade to tant producer) was standing on the get NPR to lighten up. He was a news director lawn, dressed in a six-foot high Arthur (the PBS at NPR member stations WFCR in Amherst, Aardvark) costume helping Lynne Cheney pre- , and WBUR in Boston before side over the Easter Egg roll, she must have said giving up his legitimate career for this stuff . to herself, “Life can get no better than this.” But she was wrong! Soon after, she left the excit- Mike Danforth (producer) joined Wait Wait… ing world of PBS Media Relations and moved Don’t Tell Me! in November , after a dis- herself, her strangely squished-looking car and tinguished tenure at Prairie Home Companion in her dog, Binky, out to Chicago to join Wait his home state of . His fi rst week was Wait, where she serves as the Offi cial Reality spent weeding through numerous hanging chad Expert. jokes to fi nd the best ones. He also tutors the staff in Foley-like vocal sound eff ects. And does not look like Andy Dick. At all. The Panelists

Lorna White (NPR Chicago Bureau engi- Roy Blount Jr. is the author of  books, most neer) began working at NPR in . She en- recently, Feet on the Street: Rambles Around gineered most of the NPR network programs, New Orleans. He’s a columnist for Th e Oxford including All Th ings Considered, Performance American and the editor of Roy Blount’s Book of Today and Morning Edition, where she became Southern Humor. Reared in Decatur, Georgia, the fi rst technical director to yell at Rod Abid. he now lives in western Massachusetts. Being hopelessly Midwestern, she moved from Washington to NPR’s bureau in Chicago in Tom Bodett is an author and radio anomaly. He . A year later, a guy named David Greene left a promising career building houses to be- knocked on the door and in a matter of weeks, come a writer and subsequently a commentator Wait Wait…Don’t Tell Me! was on the air. Two on All Th ings Considered. Bodett lived in Alaska years later, David left to work on a public radio for  years, is the author of seven books and has show about cars. Th ankfully, Rod was willing written for Th e New York Times, Th e Los Angeles to work with her, and she hasn’t yelled at him Times, Redbook and, lately, the Dummerston since. When not working on Wait Wait…Don’t Views in Windham County, Vermont. His voice Tell Me!, Lorna’s day job includes managing au- has been heard on , National dio production at the NPR bureau. Geographic Explorer and Steven Spielberg’s Animaniacs, and can still be heard in some peo- After many years spent as an award-winning ple’s faulty dental work saying “We’ll leave the theatrical sound designer and audio theater pro- light on for you” about a  times a day. ducer, Robert Neuhaus (technical director) went in search of even larger egos than the theater can writes the syndicated advice contain and found them at Wait Wait…Don’t column “Ask Amy” for Th e ,

CAL PERFORMANCES 15 About the Artists following in the footsteps of the legendary Ann magazine. She devotes her time to tending an Landers. She has also written for Time, Esquire epileptic -lb. chocolate Lab, supporting a and O magazines. She has contributed radio sto- bad soy latte jones and downloading transgres- ries to NPR programs for the past  years, and sive ringtones onto her celly. She is aestheti- was an original “cast member” for the of cally but not morally opposed to the inside-out Wait Wait…Don’t Tell Me! in ; ultimately Reese’s peanut butter cup. she was off ered a job Roxanne Roberts’s radio stunt double. P. J. O’Rourke is a correspondent for Th e Weekly Standard. He has been a journalist for  Sue Ellicott divides her time between the years and has covered news events in more than and London, and would love  countries. O’Rourke is also a regular contrib- it during the next public radio if utor to Th e Atlantic Monthly. He is the author of an airline would agree to upgrade her on every  books, including Parliament of Whores, Eat fl ight. Sue is a freelance writer, radio journalist, the Rich and, most recently, Peace Kills. He was and contributor to ABC News, the BBC and editor-in-chief of National Lampoon from  other American and British media. She will con- to , and international aff airs correspondent sider working for food. But she’s picky. for Rolling Stone from  to .

Adam Felber writes and performs for screens Charlie Pierce is a staff writer for Th e Boston of all sizes and resolutions, and spends almost Globe Magazine and a contributing editor to every night on some stage or another. He com- Esquire. He is a regular on NPR and WBUR’s prises exactly one half of the Irwin Smalls Trio, a . His book, Ever to Play the Game: sketch comedy duo. His writing credits include Tom Brady and the Pursuit of Everything, will PBS’s Wishbone and MTV’s new Spy Groove. His be published next fall by Farrar, Straus and fi rst screenplay, Women Are From, is currently in Giroux. development at Paramount/ MTV Films. Felber has been improvising comedy all over the world Paula Poundstone, often appearing on stage for the past  years, but he can quit any time with a stool, a microphone and a can of Diet he wants to. Pepsi, is famous for her spontaneous wit and off -kilter humor. Th is year Crown will publish Aamer Haleem is a host on VH. Th e shows her fi rst book. Paula performs regularly across he has hosted include Bands Reunited, Top  the country. She has earned two Cable ACE Countdown and VH’s Grammy Awards red- Awards, an Emmy and the American Comedy carpet . He enjoys singing at the top of Award for Best Female Stand-Up. All that said, his lungs, placing orders in restaurants, hockey she spends the bulk of her time with her children and songs with a good bass line. in Santa Monica, California, where she denies junky snacks, tries desperately to remember the Kyrie O’Connor is deputy managing editor/ parts of speech and explains that life isn’t always features at the Chronicle and writer of fair, but that right now its Th omas E’s turn to blog MeMo on the Houston Chronicle use the pogo stick. She says things couldn’t website. Before becoming a Texan by choice in be better. She maintains a successful web site, , she was assistant managing editor/fea- paulapoundstone.com. tures at Th e in Connecticut. Her articles and book reviews have appeared Roxanne Roberts has a job we all envy. As in newspapers nationwide and in Commonweal the writer of the “Out and About” column in

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Th e Washington Post, she goes to fabulous par- (allthepresidentspets.com), blows the lid off the ties and writes about them. She’s Wait Wait’s White House’s deepest, darkest secrets. Washington insider and the show’s most prolifi c champion. Richard Roeper is co-host of the nationally syndicated Ebert & Roeper and a daily colum- Mo Rocca is a contributor to NBC’s Tonight nist for Th e Chicago Sun-Times and the New Show with . A former correspondent York Times Syndicate. Roeper regularly con- for Th e Daily Show with and host tributes to Esquire magazine, and his work has of Bravo’s Th ings I Hate About You, he appears appeared in , Spy, Chicago, Glamour and frequently on VH’s I Love… series, MSNBC’s . He also has appeared on Countdown with Keith Olbermann, CNN’s Larry Th e Tonight Show, Oprah, Late Night with Conan King Live and as a judge on Iron Chef America. O’Brien, Live with Regis & Kelly, and He’s the host of Animal Planet’s Whoa! Sunday. other national programs. He is the author of Recently, he wowed audiences in a small but two books on movies and two books on urban pivotal role in Telemundo’s hit telenovela, Amor legends. Roeper is a native of Chicago’s south Descarado. His book, All the Presidents’ Pets suburbs and lives in Chicago.

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