Tom Cruise: ‘Silence’ Is the Best Media Strategy
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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
CBS' 'Young Sheldon' Has Strongest Comedy Opening in Four Years
CBS' 'Young Sheldon' Has Strongest Comedy Opening in Four Years 09.26.2017 CBS' Young Sheldon, arguably the show most likely to succeed this season, came out of the gate with a big bang, debuting at a 3.7 rating among adults 18-49 and 16.6 million viewers. That's the most-watched premiere rating for a new comedy since 2 Broke Girls debuted in 2011 and the highest-rated since The Crazy Ones in 2013. That said, both of those shows have since been canceled, with 2 Broke Girls ending its run after last season and The Crazy Ones - which starred Sarah Michelle Gellar and the late, great Robin Williams as a daughter-father advertising team - failed to make it past season one. Young Sheldon debuted out of the show from which it's spun, The Big Bang Theory, and held almost all of its viewers. Big Bang, opening season 11, premiered at a 3.9 rating in the key demo and 17 million viewers. Young Sheldon was just teasing viewers with this early episode, however. It's not due to return until its official premiere on Nov. 2, after CBS completes its run of Thursday Night Football and the show can enter its regular time slot of Thursday at 8:30 p.m., behind The Big Bang Theory. Kevin Can Wait, starring Kevin James and featuring the arrival of Leah Remini among some viewer blowback, returned for season two at 9 p.m. with a 2.3 in the demo and 10.1 million viewers, while new sitcom Me Myself & I starring Bobby Moynihan and John Larroquette premiered at a 1.7 in the demo and 7.4 million viewers. -
Pulp Fiction © Jami Bernard the a List: the National Society of Film Critics’ 100 Essential Films, 2002
Pulp Fiction © Jami Bernard The A List: The National Society of Film Critics’ 100 Essential Films, 2002 When Quentin Tarantino traveled for the first time to Amsterdam and Paris, flush with the critical success of “Reservoir Dogs” and still piecing together the quilt of “Pulp Fiction,” he was tickled by the absence of any Quarter Pounders with Cheese on the European culinary scene, a casualty of the metric system. It was just the kind of thing that comes up among friends who are stoned or killing Harvey Keitel (left) and Quentin Tarantino attempt to resolve “The Bonnie Situation.” time. Later, when every nook and cranny Courtesy Library of Congress of “Pulp Fiction” had become quoted and quantified, this minor burger observation entered pop (something a new generation certainly related to through culture with a flourish as part of what fans call the video games, which are similarly structured). Travolta “Tarantinoverse.” gets to stare down Willis (whom he dismisses as “Punchy”), something that could only happen in a movie With its interlocking story structure, looping time frame, directed by an ardent fan of “Welcome Back Kotter.” In and electric jolts, “Pulp Fiction” uses the grammar of film each grouping, the alpha male is soon determined, and to explore the amusement park of the Tarantinoverse, a the scene involves appeasing him. (In the segment called stylized merging of the mundane with the unthinkable, “The Bonnie Situation,” for example, even the big crime all set in a 1970s time warp. Tarantino is the first of a boss is so inexplicably afraid of upsetting Bonnie, a night slacker generation to be idolized and deconstructed as nurse, that he sends in his top guy, played by Harvey Kei- much for his attitude, quirks, and knowledge of pop- tel, to keep from getting on her bad side.) culture arcana as for his output, which as of this writing has been Jack-Rabbit slim. -
Smörgåsbord: Award Show Scandals
Smörgåsbord: Award Show Scandals Every year, media award shows like the Grammys, Emmys, and Oscars recognize the hard work put into a wide array of diverse movies, TV shows, songs, and albums. However, no event is perfect, and the mass anticipation for each show ensures that every rare on-stage slip-up is bound to make headlines is made that much more memorable when it occurs. With the 2018 Academy Awards having just recently passed, here’s a quick highlight reel of some of the most famous fumbles forever enshrined in award show history. La La Land Smörgåsbord: Award Show Scandals graphic by Amanda Shi An Oscar is one of the highest honors possible for a work of media. And of course, the more serious the award, the more shocking the slip-up, and there can be no greater (and thus unforgettable) mistake in an Oscars award show than presenting the wrong winner. In an absolutely unprecedented, history-making moment at the 89th Academy Awards, La La Land Smörgåsbord: Award Show Scandals was mistakenly called as winner of Best Picture. An envelope mix-up was to blame for starting the misunderstanding; the Best Actress in a Leading Role envelope had somehow been swapped with the Best Picture envelope. Warren Beatty had known something was wrong when he opened the card and read ‘Emma Stone, La La Land’, but he hadn’t known how to respond to such an unexpected scenario. In his confusion, he attempted to stall for time by pausing in between words, but both the audience and his co-presenter Faye Dunaway interpreted it as him deliberately building suspense. -
ACRONYM IX Tiebreakers
ACRONYM IX Tiebreakers In G.I. Joe: The Rise of Cobra, this nation is home to the title group’s hightech base The Pit. In a busy marketplace in this nation, a swordswinging man is shot to death in Raiders of the Lost Ark by Indiana Jones. An action film set in this nation depicts Rachel Weisz’s [“vices”] Evie Carnahan using an ancient book to awaken the title monster. Chadwick Boseman stars in an early 2016 film as one of this nation’s title “Gods,” Thoth. For 10 points, name this setting of The Mummy and Cleopatra. ANSWER: Egypt Narconon is a drug rehab program affiliated with this organization, which sought to purge its own negative publicity in Operation Snow White. This organization operates Gold Base, which is home to its leader, David Miscavige. Former King of Queens star Leah Remini was labeled a “suppressive person” by this organization after leaving it in 2013, though its remaining members include Beck and John Travolta. The HBO documentary Going Clear exposed secrets of, for 10 points, what “church” founded by L. Ron Hubbard? ANSWER: Church of Scientology The creators of this creature dubiously called it “quirky, albeit endearing” and it was the most seen creature in a series that also included a Doritoscraving fetus. It first appears after a man claims he “might just chill tonight” and later leads that man out of his apartment. This creature is also seen licking a man’s face, presumably with a pug’s tongue. An ad for Mountain Dew Kickstart is the origin of, for 10 points, what god awful hybrid of three creatures first seen in a 2016 Super Bowl ad? ANSWER: puppy monkey baby This singer sang during Prince William and Kate’s first dance after their wedding and maintains a “Music To Run To” playlist on Spotify, which includes her song “Keep on Dancin’.” Despite allegedly just liking the subject’s tattoos, this singer’s “heart can’t understand” an apparent infatuation in a song from her 2015 album Delirium. -
The Dangerous Discourse of Dianetics: Linguistic Manifestations of Violence Toward Queerness in the Canonical Religious Philosophy of Scientology
Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies Volume 2 Issue 2 Article 4 5-5-2017 The Dangerous Discourse of Dianetics: Linguistic Manifestations of Violence Toward Queerness in the Canonical Religious Philosophy of Scientology Francesca Retana University of Puget Sound, [email protected] Follow this and additional works at: https://soundideas.pugetsound.edu/relics Recommended Citation Retana, Francesca (2017) "The Dangerous Discourse of Dianetics: Linguistic Manifestations of Violence Toward Queerness in the Canonical Religious Philosophy of Scientology," Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies: Vol. 2 : Iss. 2 , Article 4. Available at: https://soundideas.pugetsound.edu/relics/vol2/iss2/4 This Article is brought to you for free and open access by the Student Publications at Sound Ideas. It has been accepted for inclusion in Relics, Remnants, and Religion: An Undergraduate Journal in Religious Studies by an authorized editor of Sound Ideas. For more information, please contact [email protected]. Retana: The Dangerous Discourse of Dianetics: Linguistic Manifestations Page 1 of 45 The Dangerous Discourse of Dianetics: Linguistic Manifestations of Violence Toward Queerness in the Canonical Religious Philosophy of Scientology I. Uncovering the Anti-Queer Sentiment in the Dianetic Perspective At present, there is a groundswell of public sensational interest in the subject of Scientology; and, in fact, in the time since I began this research paper, a nine-episode documentary series has premiered and reached finale on A&E titled “Scientology and the Aftermath”— a personal project hosted by sitcom celebrity, ex-Scientologist, and author of Troublemaker: Surviving Hollywood and Scientology, Leah Remini.1 I could not begin to enumerate the myriad exposés/memoirs of ex-Scientologists that have been published in recent years nor could I emphasize enough the rampant conspiracy theories that are at the disposal of any curious mind on what many have termed “the cult” of Scientology. -
TV NATIONAL HONOREES 60 Minutes: the Chibok Girls (60
TV NATIONAL HONOREES 60 Minutes: The Chibok Girls (60 Minutes) Clarissa Ward (CNN International) CBS News CNN International News Magazine Reporter/Correspondent Abby McEnany (Work in Progress) Danai Gurira (The Walking Dead) SHOWTIME AMC Actress in a Breakthrough Role Actress in a Leading Role - Drama Alex Duda (The Kelly Clarkson Show) Fiona Shaw (Killing Eve) NBCUniversal BBC AMERICA Showrunner – Talk Show Actress in a Supporting Role - Drama Am I Next? Trans and Targeted Francesca Gregorini (Killing Eve) ABC NEWS Nightline BBC AMERICA Hard News Feature Director - Scripted Angela Kang (The Walking Dead) Gender Discrimination in the FBI AMC NBC News Investigative Unit Showrunner- Scripted Interview Feature Better Things Grey's Anatomy FX Networks ABC Studios Comedy Drama- Grand Award BookTube Izzie Pick Ibarra (THE MASKED SINGER) YouTube Originals FOX Broadcasting Company Non-Fiction Entertainment Showrunner - Unscripted Caroline Waterlow (Qualified) Michelle Williams (Fosse/Verdon) ESPN Films FX Networks Producer- Documentary /Unscripted / Non- Actress in a Leading Role - Made for TV Movie Fiction or Limited Series Catherine Reitman (Workin' Moms) Mission Unstoppable Wolf + Rabbit Entertainment (CBC/Netflix) Produced by Litton Entertainment Actress in a Leading Role - Comedy or Musical Family Series Catherine Reitman (Workin' Moms) MSNBC 2019 Democratic Debate (Atlanta) Wolf + Rabbit Entertainment (CBC/Netflix) MSNBC Director - Comedy Special or Variety - Breakthrough Naomi Watts (The Loudest Voice) Sharyn Alfonsi (60 Minutes) SHOWTIME -
Leah Remini: Scientology and the Aftermath
MEDIA RELEASE: Thursday, January 19, 2017 LEAH REMINI: SCIENTOLOGY AND THE AFTERMATH Australian premiere nine-part series Starts Wednesday, February 8 at 9.30pm AEDT Only on Foxtel’s crime + investigation network Click here for a sneak-peek An explosive new documentary series Leah Remini: Scientology and the Aftermath, which explores the experiences of American actress/producer Leah Remini and other former members of the Church of Scientology, will premiere exclusively in Australia on Foxtel’s crime + investigation network on Wednesday, February 8 at 9.30pm AEDT. The astonishing 9 x 60 minute series, produced for A&E Network in the US and presented by Remini, finally gives a voice to long-standing victims of the Church of Scientology in America, despite public attempts by the Church to discredit them. Each episode features shocking stories of abuse, heartbreak and harassment from former members whose lives have been affected by the Church’s harmful practices, even well after they left the organisation. Throughout the series, Remini, along with high-level former Scientology executives and Church members, delve deeply in to individual accounts from ex-Church members and their families, through intimate interviews with Remini herself. Along with a team of former high-ranking Scientology insiders who understand the inner workings and policies of the organization, Remini gives the victims a chance to be heard, in this eye-opening series. In episode one, Leah begins her journey with a trip to Seattle to visit former Scientology executive Amy Scobee. After hearing Amy’s tragic story of being disconnected from her mother, Leah is determined to reveal the truth of what’s really going on in her former Church. -
20170102-Gary-Soter-To-Nancy-Dubic-R.Pdf
Law Offices of GARY S. SOTER Ms. Nancy Dubuc January 2, 2017 Page 2 • On December 25, the Washington Post wrote: “In a statement released on Christmas Eve, an A&E spokesman said the network learned that the show’s producers - from a third-party production company - made cash payments to “facilitate access” to participants, which violates A&E policy... Though some reality TV producers do pay their subjects, the network emphasized that it is against this practice for documentaries.” (emphasis added) • On December 28, Variety wrote: “A&E declined to comment to Variety on whether participants in ‘Leah Remini: Scientology and the Aftermath’ were paid - other than Remini, who is an executive producer on the docuseries. But, an insider close to the network tells Variety that even if participants were paid, financial payments would be common practice for participants in a television docuseries.” (emphasis added). Tellingly, A&E has declined to comment on whether anyone other than Ms. Remini is being paid. That silence speak volumes, raising questions if, like the KKK show, the sources in Ms. Remini’s series were paid. (Church officials have confirmed that Mike Rinder, the interview subject of the entire second segment and an interview subject in subsequent segments, was indeed paid.) Slauson Productions unambiguously described both Ms. Remini and Mr. Rinder as subjects for their series. In his letter of August 3, 2016, Alex Weresow declined to meet with Church representatives unless the meeting were to: “involve our key subjects, including but not limited to Leah Remini and Mike Rinder.” The same letter, describes Mike Rinder as a “victim, witness, or both.” Both are being paid for their participation. -
Church of Scientology Statement Andrew Morton’S Unauthorized Biography of Tom Cruise
CHURCH OF SCIENTOLOGY INTERNATIONAL 14 January 2008 For further information contact: Karin Pouw, Public Affairs Director (323) 960-3500 CHURCH OF SCIENTOLOGY STATEMENT ANDREW MORTON’S UNAUTHORIZED BIOGRAPHY OF TOM CRUISE For the last two years, the Church of Scientology requested to be interviewed or be presented with any allegations so we could respond. Morton refused despite our insistence in offering our cooperation. At no time did he request interviews nor did he attempt to get any information from us. Accuracy and truth were not on Morton’s agenda. While making all sorts of bizarre and false allegations about Mr. Miscavige, the Church’s ecclesiastical leader, Morton at no time ever attempted to contact, speak to or interview him. As a result his book is a bigoted, defamatory assault replete with lies. Morton comes from a tabloid background and his book reads like British tabloid journalism at its worst. British publishers rejected the book because of Morton’s inability to prove the truth of his allegations, something the laws of the UK require and of which Morton is well aware. Notwithstanding his US publisher’s knowledge that his British publishing house refused publication of Morton’s diatribe due to his inability to substantiate his claims, they still steadfastly refused to present any of the allegations for either refutations or response. Furthermore, scandalous falsehoods attributed to Morton appeared in the UK press 2 months ago. The Church demanded he correct these falsehoods which he and his publisher refused to do. However, the newspaper that published Morton’s lies did take responsibility—printing a full retraction when presented with the facts by the Church. -
Base SAS® Tips, Tricks and Techniques
Paper Number 2754 DATA Step versus PROC SQL Programming Techniques Kirk Paul Lafler, Software Intelligence Corporation ABSTRACT Are you considering whether to use a DATA step or PROC SQL step in your next project? This presentation explores the similarities and differences between DATA step and PROC SQL programming techniques. Topics include IF- THEN-ELSE, SELECT-WHEN, and PROC SQL CASE expressions conditional logic concepts and constructs; and the techniques for constructing effective merges and joins. Attendees explore examples that contrast DATA step versus PROC SQL programming techniques to conduct conditional logic scenarios, one-to-one match-merges and match-joins, and an assortment of inner and outer join programming constructs. INTRODUCTION This paper illustrates the similarities and differences between the Base-SAS software DATA step and SQL procedure. We’ll examine two “key” topics that most users are confronted with when working with their tables of data, conditional logic scenarios and merges/joins. This paper introduces brief explanations, guidelines and “simple” techniques for users to consider when confronted with conditional logic scenarios and merges/joins. You are encouraged to explore these and other techniques to make your SAS experience an exciting one. EXAMPLE TABLES The data used in all the examples in this paper consist of a selection of movies that I’ve viewed over the years. The Movies table contains four character columns: title, category, studio, and rating, and two numeric columns: length and year. The data stored in the Movies table is shown below. MOVIES Table The data stored in the ACTORS table consists of three columns: title, actor_leading, and actor_supporting, all of which are defined as character columns. -
CLASSIFIEDS - Published Every Saturday Deadline: Thursday 10 A.M
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