BAM Poets Inspires Spelman's Campus
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Brand New Cd & Dvd Releases 2006 6,400 Titles
BRAND NEW CD & DVD RELEASES 2006 6,400 TITLES COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced Please read this listing in conjunction with our “ CDs AT SPECIAL PRICES” feature as some of the more mainstream titles may be available at cheaper prices in that listing. Please note that all items listed on this 2006 6,400 titles listing are all of U.K. manufacture (apart from Imports which are denoted IM or IMP). Titles listed on our list of SPECIALS are a mix of U.K. and E.C. manufactured product. We will supply you with whichever item for the price/country of manufacture you choose to order. ************************************************************************************************************* (We Thank You For Using Stock Numbers Quoted On Left) 337 AFTER HOURS/G.DULLI ballads for little hyenas X5 11.60 239 ANATA conductor’s departure B5 12.00 327 AFTER THE FIRE a t f 2 B4 11.50 232 ANATHEMA a fine day to exit B4 11.50 ST Price Price 304 AG get dirty radio B5 12.00 272 ANDERSON, IAN collection Double X1 13.70 NO Code £. 215 AGAINST ALL AUTHOR restoration of chaos B5 12.00 347 ANDERSON, JON animatioin X2 12.80 92 ? & THE MYSTERIANS best of P8 8.30 305 AGALAH you already know B5 12.00 274 ANDERSON, JON tour of the universe DVD B7 13.00 -
CATCHING the LONG TAIL Labels Eye Profits from the Old & the Niche
DIGITAL BEATLES ?! Can A China Biz Go Legit? >P.6 SCH 3 907 #BXNCTCC * * * *' *" F'F " -___ -DIGIT IIIIIIIIIIIIIIIIIIIIIIIIII IIIIIIIIIIII I II11111 #BL2408043# APR06 REG A04 B0105 MONTY GREENLY 3740 ELM AVE # A LONG BEACH CA 90807 -3402 R MAR FOR MORE THAI 110 YEARS 4 2006 CATCHING THE LONG TAIL Labels Eye Profits From The Old & The Niche. But Is It Worth The Headache? >P.22 DIGITAL ALBOOM Jack Johnson's Record - Breaking Week >P.5 NE -YO'S RISE From Secret Songwriter To Top Star > P.39 TOURING BIZ BATTLES 99US 18.99 AN SECONDARY TIX 09> Why Let The Spoils Go To eBay? >P.24 1 11 0 74470 02552 8 www.billboard.com www.billboard.biz US $6.99, CAN $8.99, £ £5 ©PE 8.95, JAPAN V2,500 www.americanradiohistory.com UNFORGETTABLE MUSIC AND A NIGHT TO REMEMBER! Andy Lack, Tom Corso, Barry Weiss, Clive Davis, Fergie, Kelly Clarkson, Sheryl Crow, Sharon Stone, Dido Santana, Sa a Hayek, Joe Perry, Steven Tyler Jim Urie, Doug Morris, LA Reid Rolf Schmidt-Holtz , Charles Goldstuck, Richard Palmese Natalie Cole, Alicia Keys, Diana Ross, Lyor Cohen, Russell Simmons, Jay Z Clive Davis, Mary J. Blige, Jamie Foxx Terrence Howard, Babyface, Gabrielle Union Beyoncé, Ciara r Ouincy Jones, Ahmet Ertegun, Clive Davis, Pharrell Williams, Kanye West, Billy F. Gibbons of ZZ To , Brian Wilson, Burt Mica Ertegun Chad Hugo, Ludacris Bacharach, David Foster, Dusty Hill of ZZ Top w Pat O'Brien, Larry King, Julie Chen, Allen Grubman, Paul McGuinness, Kelly Curtis Cameron Crowe, Rob Thomas, Courtney Love, Jon Voight, Denise Rich, Barbara Davis, Wolfgang Puck Les Moonves, Neil P-tnow, Craig Ferguson and Benny Medina Brett Ratner, Dave Grohl Scott Weiland of Velvet Ivolver, The Dixie Chicks, Paul Stanley, Snoop Dogg, Gene Simmons, Fantasia, Carrie Underwood, Bo Bice Quincy Jones, Clive Davis, Ludacris and Charles Matt Jelvet Sorurn of Revolver Evander Holyfield Goldstuck join Hugh Panero, CEO of XM Satellite Radio ALL STAR PERFORMANCES THAT WILL NEVER BE FORGOTTEN! Charles Goldstuck thanks the right's LA Reid movingly introduces host MC for the night, Clive Davis. -
List by Song Title
Song Title Artists 4 AM Goapele 73 Jennifer Hanson 1969 Keith Stegall 1985 Bowling For Soup 1999 Prince 3121 Prince 6-8-12 Brian McKnight #1 *** Nelly #1 Dee Jay Goody Goody #1 Fun Frankie J (Anesthesia) - Pulling Teeth Metallica (Another Song) All Over Again Justin Timberlake (At) The End (Of The Rainbow) Earl Grant (Baby) Hully Gully Olympics (The) (Da Le) Taleo Santana (Da Le) Yaleo Santana (Do The) Push And Pull, Part 1 Rufus Thomas (Don't Fear) The Reaper Blue Oyster Cult (Every Time I Turn Around) Back In Love Again L.T.D. (Everything I Do) I Do It For You Brandy (Get Your Kicks On) Route 66 Nat King Cole (Ghost) Riders In The Sky Johnny Cash (Goin') Wild For You Baby Bonnie Raitt (Hey Won't You Play) Another Somebody Done Somebody WrongB.J. Thomas Song (I Can't Get No) Satisfaction Otis Redding (I Don't Know Why) But I Do Clarence "Frogman" Henry (I Got) A Good 'Un John Lee Hooker (I Hate) Everything About You Three Days Grace (I Just Want It) To Be Over Keyshia Cole (I Just) Died In Your Arms Cutting Crew (The) (I Just) Died In Your Arms Cutting Crew (The) (I Know) I'm Losing You Temptations (The) (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons Nat King Cole (I Love You) For Sentimental Reasons ** Sam Cooke (If Only Life Could Be Like) Hollywood Killian Wells (If You're Not In It For Love) I'm Outta Here Shania Twain (If You're Not In It For Love) I'm Outta Here! ** Shania Twain (I'm A) Stand By My Woman Man Ronnie Milsap (I'm Not Your) Steppin' Stone Monkeys (The) (I'm Settin') Fancy Free Oak Ridge Boys (The) (It Must Have Been Ol') Santa Claus Harry Connick, Jr. -
Brand New Cd & Dvd Releases Announced Sept 20/2005
BRAND NEW CD & DVD RELEASES ANNOUNCED SEPT 20/2005 – JAN 23/2006 COB RECORDS, PORTHMADOG, GWYNEDD,WALES, U.K. LL49 9NA Tel. 01766 512170: Fax. 01766 513185: www. cobrecords.com // e-mail [email protected] CDs, DVDs Supplied World-Wide At Discount Prices – Exports Tax Free SYMBOLS USED - IMP = Imports. r/m = remastered. + = extra tracks. D/Dble = Double CD. *** = previously listed at a higher price, now reduced. (We Thank You For Using Stock Numbers Quoted On Left) 190 BEE GEES love songs P1 13.70 842 CARRACK, PAUL live in liverpool DVD F3 15.50 ST PRICE PRICE 229 BEGGARS OPERA waters of change B4 11.50 869 CARSON, LORI the finest thing X5 11.60 NO CODE £ 236 BELL & SEBASTIAN the life pursuit CD+ DVD lim X2 12.80 866 CARTER CASH, JUNE church of the wildwood B4 11.50 165 10,000 MANIACS blind man,s/in my../out of 3CD B9 14.00 201 BELL, MAGGIE queen of the night B4 11.50 865 CARTER CASH, JUNE ring of fire – best of B4 11.50 31 4 POOFS AND A PIANO screaming party anthems E4 13.50 204 BELL, MAGGIE suicide sal B4 11.50 849 CASH, J/J. CARTER duets A7 8.50 3 45 GRAVE only the good die young X7 8.50 235 BELLE & SEBASTIAN the life pursuit B4 11.50 875 CASH, JOHNNY i walk the line (sun years) B1 10.20 22 50 CENT music from get rich or die film P1 13.70 198 BENSON, GEORGE 20/20/give me /in your3CD B9 14.00 808 CASH, JOHNNY live from austin texas DVD F2 15.00 14 50 CENT refuse to die animation X1 13.70 181 BERLIN 4 play B7 13.00 835 CASH, JOHNNY ring of fire – legend of P1 13.70 ******************************************************* 186 BERRY, DAVE memphis – in the meantime B5 12.00 848 CASH, ROSANNE black cadillac E4 13.50 138 A FX hangable anto bulb A8 9.50 214 BERZERKER world of lie B5 12.00 853 CASH, ROSANNE interiors C8 8.50 115 A.R.E. -
JB DB by Artist
Song Title …. Artists Drop (Dirty) …. 216 Hey Hey …. 216 Baby Come On …. (+44) When Your Heart Stops Beating …. (+44) 96 Tears …. ? & The Mysterians Rubber Bullets …. 10cc The Things We Do For Love …. 10cc The Things We Do For Love …. 10cc Come See Me …. 112' Cupid …. 112' Damn …. 112' Dance With Me …. 112' God Knows …. 112' I'm Sorry (Interlude) …. 112' Intro …. 112' Just A Little While …. 112' Just A Little While …. 112' Last To Know …. 112' Let This Go …. 112' Let This Go …. 112' Love Me …. 112' My Mistakes …. 112' Nowhere …. 112' Only You …. 112' Peaches & Cream …. 112' Peaches & Cream (Clean) …. 112' Peaches & Cream (Dirty) …. 112' Peaches & Cream (Inst) …. 112' That's How Close We Are …. 112' U Already Know …. 112' U Already Know …. 112' We Goin' Be Alright …. 112' What If …. 112' What The H**l Do You Want …. 112' Why Can't We Get Along …. 112' You Already Know (Clean) …. 112' Dance Wit Me (Remix) …. 112' (w Beanie Segal) It's Over (Remix) …. 112' (w G.Dep & Prodigy) The Way …. 112' (w Jermaine Dupri) Hot & Wet (Dirty) …. 112' (w Ludacris) Love Me …. 112' (w Mase) Only You …. 112' (w Notorious B.I.G.) Anywhere (Remix) …. 112' (w Shyne) If I Can Hit …. 112' (w T.I.) If I Hit …. 112' (w T.I.) Closing The Club …. 112' (w Three 6 Mafia) Dunkie Butt …. 12 Gauge Lie To Me …. 12 Stones 1, 2, 3 Red Light …. 1910 Fruitgum Co. Goody Goody Gumdrops …. 1910 Fruitgum Co. Indian Giver …. 1910 Fruitgum Co. Simple Simon Says …. 1910 Fruitgum Co. Simple Simon Says …. -
GOAPELE Sat, Feb 10, 2018 | the Theatre at Ace Hotel East Side, West Side, All Around LA Welcome to the Center for the Art of Performance
CAP UCLA presents GOAPELE Sat, Feb 10, 2018 | The Theatre at Ace Hotel East Side, West Side, All Around LA Welcome to the Center for the Art of Performance The Center for the Art of Performance is not a place. It’s more of a state of mind that embraces experimentation, encourages a culture of the curious, champions disruptors and dreamers and supports the commitment and courage of artists. We promote Center for the Art of Performance presents rigor, craft and excellence in all facets of the performing arts. GOAPELE 2017–18 SEASON VENUES Royce Hall, UCLA Freud Playhouse, UCLA Sat, Feb 10 at 8pm | The Theatre at Ace Hotel The Theatre at Ace Hotel Little Theater, UCLA Running time: Approx. 90 mins. | No intermission Will Rogers State Historic Park Theo Rodrigues - Management / Creative Director UCLA’s Center for the Art of Performance (CAP UCLA) is dedicated to the advancement Ashley Raymond - Management of the contemporary performing arts in all disciplines—dance, music, spoken word Steven Baiocchi - Tour Manager and theater—as well as emerging digital, collaborative and cross-platforms utilized by Mike Aaberg - Musical Director today’s leading artists. Part of UCLA’s School of the Arts and Architecture, CAP UCLA Errol Cooney - Guitar curates and facilitates direct exposure to contemporary performance from around the James Richard - Bass globe, supporting artists who are creating extraordinary works of art and fostering a Corey Baugh - Drummer vibrant learning community both on and off the UCLA campus. The organization invests Toni Scruggs - Background Vocalist in the creative process by providing artists with financial backing and time to experiment DJ R-Tistic - DJ and expand their practices through strategic partnerships, residencies and collaborations. -
Legal Writing, the Remix: Plagiarism and Hip Hop Ethics, 63 Mercer L
UIC School of Law UIC Law Open Access Repository UIC Law Open Access Faculty Scholarship 2012 Legal Writing, the Remix: Plagiarism and Hip Hop Ethics, 63 Mercer L. Rev. 597 (2012) Kim D. Chanbonpin John Marshall Law School, [email protected] Follow this and additional works at: https://repository.law.uic.edu/facpubs Part of the Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Legal Education Commons, Legal Ethics and Professional Responsibility Commons, and the Legal Writing and Research Commons Recommended Citation Kim D. Chanbonpin, Legal Writing, the Remix: Plagiarism and Hip Hop Ethics, 63 Mercer L. Rev. 597 (2012). https://repository.law.uic.edu/facpubs/4 This Article is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Open Access Faculty Scholarship by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. Legal Writing, the Remix: Plagiarism and Hip Hop Ethics by Kim D. Chanbonpin I. PRELUDE I begin this Article with a necessary caveat. Although I place hip hop music and culture at the center of my discussion about plagiarism and legal writing pedagogy, and my aim here is to uncover ways in which hip hop can be used as a teaching tool, I cannot claim to be a hip hop head.' A hip hop "head" is a devotee of the music, an acolyte of its discourse, and, oftentimes, an evangelist spreading the messages contained therein.2 One head, the MC' (or emcee) KRS-One,4 uses religious * Assistant Professor of Law, The John Marshall Law School (Chicago). -
Gonzo Weekly #185
Subscribe to Gonzo Weekly http://eepurl.com/r-VTD Subscribe to Gonzo Daily http://eepurl.com/OvPez Gonzo Facebook Group https://www.facebook.com/groups/287744711294595/ Gonzo Weekly on Twitter https://twitter.com/gonzoweekly Gonzo Multimedia (UK) http://www.gonzomultimedia.co.uk/ Gonzo Multimedia (USA) http://www.gonzomultimedia.com/ 3 read a lot of these, but - after a while - they all followed the same path, and the first few exceptions became smug and self-congratulatory. My favourite was The Word, like most of them founded and edited by Mark Ellen, but I personally would have found having been in a university pop group with Tony Blair something to be ashamed of, rather than an excuse to interview the egregious little turd burglar just before a general election. Pah! But I digress. A few weeks ago I was holding forth in this column on the subject of truth, more specifically, the subject of television adaptations of real events. I didn't plan it like this, but this week’s editorial is almost a companion piece. Many years ago I was the reviews editor for a UFO magazine called Beyond. It was my first experience of the syndrome of getting a load of free stuff in return for writing about it. I enjoyed myself massively. And Dear friends, after a while, I no longer even needed to phone up for things; companies started to send me stuff Welcome to another edition of this peculiar little unprompted. One of these companies was a spin-off magazine, that I started some years ago, from DC Comics, and one fine day in 1997, they sent approximately 20 minutes after I got bored with me a comic book called Proud Americans. -
Gendered Conceptions of the American Dream in Country Music from 1994 to 2018: How the Belief in the Myth Maintains the Status Quo
Vassar College Digital Window @ Vassar Senior Capstone Projects 2019 Gendered conceptions of the American dream in country music from 1994 to 2018: how the belief in the myth maintains the status quo Hailey Marchand-Nazzaro Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Marchand-Nazzaro, Hailey, "Gendered conceptions of the American dream in country music from 1994 to 2018: how the belief in the myth maintains the status quo" (2019). Senior Capstone Projects. 959. https://digitalwindow.vassar.edu/senior_capstone/959 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Vassar College Gendered Conceptions of the American Dream in Country Music from 1994 to 2018: How the Belief in the Myth Maintains the Status Quo A thesis submitted in partial satisfaction of the requirements for the degree Bachelor of Arts in Sociology by Hailey Marchand-Nazzaro Thesis Advisors: Professor Leonard Nevarez Professor Justin Patch April 2019 Gendered Conceptions of the American Dream in Country Music from 1994 to 2018: How the Belief in the Myth Maintains the Status Quo Music both influences and is reflective of the values and perceptions of those who produce and listen to it. People who belong to groups which experience oppression have different perspectives than people who belong to dominant identities. This reality is reflected in the narratives that these groups present in their music. Those narratives which are promoted, and thus more influential on the public imaginary, are those which maintain the status quo.