Week 2 2016–17 Season Widmann Brahms
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Quartetto D'archi Edward Dusinberre Violin Harumi Rhodes Violin
Quartetto Takács - quartetto d'archi Edward Dusinberre violino Harumi Rhodes violino Richard O'Neill viola András Fejér violoncello Il Quartetto Takács, celebre a livello mondiale, sta entrando nella sua quarantasettesima stagione. Edward Dusinberre, Harumi Rhodes (violini), Richard O'Neill (viola) e András Fejér (violoncello) sono entusiasti di portare a compimento diversi progetti innovativi per la stagione 2021-22. Con il virtuoso di bandoneon/accordion Julien Labro, il gruppo eseguirà in tutti gli Stati Uniti nuovi lavori composti per loro da Clarice Assad e Bryce Dessner. Questa stagione segna anche la prima mondiale di un nuovo quartetto scritto per il Takács da Stephen Hough, Les Six Rencontres. Il Takács registrerà questo lavoro straordinario per Hyperion Records, in combinazione con quartetti di Ravel e Dutilleux. Durante lo scorso anno, il Takács ha accolto l'arrivo del violista vincitore del Grammy, Richard O'Neill, facendo due nuove registrazioni per Hyperion. I quartetti di Fanny Mendelssohn Hensel e Felix Mendelssohn saranno pubblicati nell'autunno del 2021, seguiti nel 2022 da un disco dedicato alle opere 42, 77 e 103 di Haydn. Il Quartetto Takács continua il suo ruolo di artista associato alla Wigmore Hall di Londra anche nella stagione 2021-22, eseguendo quattro concerti. Oltre a molti concerti nel Regno Unito, l'ensemble suonerà in prestigiose sedi europee, tra cui la Philharmonie di Parigi, la Konzerthaus di Berlino e il Teatro Della Pergola di Firenze. Il Takács si esibirà in tutto il Nord America, compresi concerti a New York, Boston, Washington DC, Princeton, Ann Arbor, Berkeley, San Francisco, Philadelphia, Vancouver, Los Angeles, Atlanta, Cleveland e Portland. -
Press Release THOMAS QUASTHOFF
Machreich Artists Management page | 1 Press Release THOMAS QUASTHOFF PRESS RELEASE German bass-baritone Thomas Quasthoff has decided to say farewell to the concert stage, putting an end to his outstanding career as a singer after nearly 40 years. Mr. Quasthoff says, “After almost 40 years, I have decided to retire from concert life. My health no longer allows me to live up to the high standard that I have always set for my art and myself. I owe a lot to this wonderful profession and leave without a trace of bitterness. On the contrary, I am looking forward to the new challenges that will now enter my life. I would like to thank all my fellow musicians and colleagues, with whom I stood together on stage, all the organizers, and my audience for their loyalty.” Mr. Quasthoff will continue to devote himself intensively to the next generation of singers by teaching, as before, at the Hanns Eisler Academy of Music in Berlin, as well as at international master classes. He has dedicated himself intensely to the Lied genre for years. This devotion inspired him to launch the “Das Lied” international song competition in 2009, over which he will continue to preside as artistic director. In addition, he will be seen on stage as a speaker, at readings, and in the new talk show series, “ Thomas Quasthoffs Nachtgespräche ” at the Konzerthaus Berlin. Trained by Charlotte Lehmann and Ernst Huber-Contwig in Hanover, Mr. Quasthoff launched his career with various competitive successes, including 1 st prize at the ARD Competition in 1988. -
Compact Discs by 20Th Century Composers Recent Releases - Spring 2020
Compact Discs by 20th Century Composers Recent Releases - Spring 2020 Compact Discs Adams, John Luther, 1953- Become Desert. 1 CDs 1 DVDs $19.98 Brooklyn, NY: Cantaloupe ©2019 CA 21148 2 713746314828 Ludovic Morlot conducts the Seattle Symphony. Includes one CD, and one video disc with a 5.1 surround sound mix. http://www.tfront.com/p-476866-become-desert.aspx Canticles of The Holy Wind. $16.98 Brooklyn, NY: Cantaloupe ©2017 CA 21131 2 713746313128 http://www.tfront.com/p-472325-canticles-of-the-holy-wind.aspx Adams, John, 1947- John Adams Album / Kent Nagano. $13.98 New York: Decca Records ©2019 DCA B003108502 2 028948349388 Contents: Common Tones in Simple Time -- 1. First Movement -- 2. the Anfortas Wound -- 3. Meister Eckhardt and Quackie -- Short Ride in a Fast Machine. Nagano conducts the Orchestre Symphonique de Montreal. http://www.tfront.com/p-482024-john-adams-album-kent-nagano.aspx Ades, Thomas, 1971- Colette [Original Motion Picture Soundtrack]. $14.98 Lake Shore Records ©2019 LKSO 35352 2 780163535228 Music from the film starring Keira Knightley. http://www.tfront.com/p-476302-colette-[original-motion-picture-soundtrack].aspx Agnew, Roy, 1891-1944. Piano Music / Stephanie McCallum, Piano. $18.98 London: Toccata Classics ©2019 TOCC 0496 5060113444967 Piano music by the early 20th century Australian composer. http://www.tfront.com/p-481657-piano-music-stephanie-mccallum-piano.aspx Aharonian, Coriun, 1940-2017. Carta. $18.98 Wien: Wergo Records ©2019 WER 7374 2 4010228737424 The music of the late Uruguayan composer is performed by Ensemble Aventure and SWF-Sinfonieorchester Baden-Baden. http://www.tfront.com/p-483640-carta.aspx Ahmas, Harri, 1957- Organ Music / Jan Lehtola, Organ. -
PDF 139.88KB Rps Abo Salomon Prize 2013
Press Release For release: Friday 10 January 2014 ‘Unsung heroine’ of the City of Birmingham Symphony Orchestra, violinist Catherine Arlidge, a “true advocate of the modern orchestral musician” awarded prestigious RPS/ABO Salomon Prize for orchestral musicians. Catherine Arlidge of the City of Birmingham Symphony Orchestra becomes the first violinist – and only the third ever recipient – of the RPS/ABO Salomon Prize, a prestigious award celebrating the outstanding contribution of orchestral players to the UK’s musical life. The UK boasts many of the world’s finest orchestras, many of which have trophy cabinets bursting with awards in testimony to their brilliance on the concert platform and in the recording studio. Yet, the contribution of individual musicians within an orchestra often goes unnoticed. The Salomon Prize* was created by the Royal Philharmonic Society and Association of British Orchestras in 2011 to celebrate the ‘unsung heroes’ of orchestral life; the orchestral players that make our orchestras great. The award is named after Johann Peter Salomon, violinist and founding member of the Philharmonic Society in 1813. Each year, players in all orchestras across the UK are asked to nominate a colleague who has been ‘an inspiration to their fellow players, fostered greater spirit of teamwork and shown commitment and dedication above and beyond the call of duty’. Catherine Arlidge, Sub Principal of the second violins, who has played with the CBSO for over 20 years, was nominated by her fellow musicians and the CBSO’s management for her creativity, energy and “great skill for motivating and inspiring colleagues and for engaging with her audience”. -
2019 / 20 Sinfonie Konzerte Wilhelmshaven
2019 / 20 SINFONIE 01 KONZERTE WILHELMSHAVEN DA STECKT MUSIK DRIN 2019 / 20 02 03 HERZLICH INHALT 03WILLKOMMEN UNSERE25 ANGEBOTE WILLKOMMEN KONZERTÜBERSICHT04 UNSER26 SERVICE Sehr verehrte Musikfreunde, Namen der anreisenden Solisten wie die Sopranistinnen Elizabeth Watts, Orchester, Dirigenten und Solisten von Julia Doyle und Adina Aaron, die Weltklasseformat zu Gast in der Tastenvirtuosen Piotr Anderszewski Stadthalle – das ist das Markenzeichen und Olga Scheps, der Violinist Dmitry der Sinfoniekonzerte Wilhelmshaven! Sinkovsky oder das berühmte Klavier- Auch in der Saison 2019/20 verspricht duo Katia und Marielle Labèque. die Reihe erlesene Darbietungen Lassen Sie sich von ihren spannend zu- KONZERTE06 1 – 8 IM DETAIL FÜR28 ABONNENTEN höchster Qualität, deren Spektrum vom sammengestellten Programmen verfüh- Barock über die Wiener Klassik und die ren, die Ihnen inspirierende und lange Romantik bis zu Kompositionen des nachhallende Konzerterlebnisse besche- 20. Jahrhunderts und zeitgenössischen ren mögen! Unser abschließender Dank Klängen reicht. Damit unterstreichen geht an die Sparkasse Wilhelmshaven, die Sinfoniekonzerte Wilhelmshaven die mit ihrem Engagement zu diesem einmal mehr ihren Rang als zentraler vielfältigen Programmangebot beiträgt. und kräftig strahlender Leuchtturm im 22SAALPLAN KONZERTGESELLSCHAFT30 kulturellen Angebot der Jadestadt. International renommierte Pult-Größen Michael Diers wie Andrew Manze, Sir Roger Norrington Geschäftsführer oder der aus Wilhelmshaven stammende Wilhelmshaven Touristik & Freizeit GmbH Thomas -
View List (.Pdf)
Symphony Society of New York Stadium Concert United States Premieres New York Philharmonic Commission as of November 30, 2020 NY PHIL Biennial Members of / musicians from the New York Philharmonic Click to jump to decade 1842-49 | 1850-59 | 1860-69 | 1870-79 | 1880-89 | 1890-99 | 1900-09 | 1910-19 | 1920-29 | 1930-39 1940-49 | 1950-59 | 1960-69 | 1970-79 | 1980-89 | 1990-99 | 2000-09 | 2010-19 | 2020 Composer Work Date Conductor 1842 – 1849 Beethoven Symphony No. 3, Sinfonia Eroica 18-Feb 1843 Hill Beethoven Symphony No. 7 18-Nov 1843 Hill Vieuxtemps Fantasia pour le Violon sur la quatrième corde 18-May 1844 Alpers Lindpaintner War Jubilee Overture 16-Nov 1844 Loder Mendelssohn The Hebrides Overture (Fingal's Cave) 16-Nov 1844 Loder Beethoven Symphony No. 8 16-Nov 1844 Loder Bennett Die Najaden (The Naiades) 1-Mar 1845 Wiegers Mendelssohn Symphony No. 3, Scottish 22-Nov 1845 Loder Mendelssohn Piano Concerto No. 1 17-Jan 1846 Hill Kalliwoda Symphony No. 1 7-Mar 1846 Boucher Furstenau Flute Concerto No. 5 7-Mar 1846 Boucher Donizetti "Tutto or Morte" from Faliero 20-May 1846 Hill Beethoven Symphony No. 9, Choral 20-May 1846 Loder Gade Grand Symphony 2-Dec 1848 Loder Mendelssohn Violin Concerto in E minor 24-Nov 1849 Eisfeld Beethoven Symphony No. 4 24-Nov 1849 Eisfeld 1850 – 1859 Schubert Symphony in C major, Great 11-Jan 1851 Eisfeld R. Schumann Introduction and Allegro appassionato for Piano and 25-Apr 1857 Eisfeld Orchestra Litolff Chant des belges 25-Apr 1857 Eisfeld R. Schumann Overture to the Incidental Music to Byron's Dramatic 21-Nov 1857 Eisfeld Poem, Manfred 1860 - 1869 Brahms Serenade No. -
2017–18 Season Week 21 Mozart Widmann Strauss
2017–18 season andris nelsons music director week 21 mozart widmann strauss Season Sponsors seiji ozawa music director laureate bernard haitink conductor emeritus supporting sponsorlead sponsor supporting sponsorlead thomas adès artistic partner Better Health, Brighter Future There is more that we can do to help improve people’s lives. Driven by passion to realize this goal, Takeda has been providing society with innovative medicines since our foundation in 1781. Today, we tackle diverse healthcare issues around the world, from prevention to care and cure, but our ambition remains the same: to find new solutions that make a positive difference, and deliver better medicines that help as many people as we can, as soon as we can. With our breadth of expertise and our collective wisdom and experience, Takeda will always be committed to improving the Takeda Pharmaceutical Company Limited future of healthcare. www.takeda.com Takeda is proud to support the Boston Symphony Orchestra Table of Contents | Week 21 7 bso news 1 5 on display in symphony hall 16 bso music director andris nelsons 18 the boston symphony orchestra 22 this week’s program Notes on the Program 24 The Program in Brief… 25 Wolfgang Amadè Mozart 31 Jörg Widmann 39 Richard Strauss 53 To Read and Hear More… Guest Artists 59 Yo-Yo Ma 61 Steven Ansell 64 sponsors and donors 88 future programs 90 symphony hall exit plan 9 1 symphony hall information the friday preview on march 30 is given by bso associate director of program publications robert kirzinger. program copyright ©2018 Boston Symphony Orchestra, Inc. -
Human Requiem (U.S
Sunday, October 16, 2016, at 7:30 pm Tuesday–Wednesday, October 18–19, 2016, at 7:30 pm Post-performance discussion on Tuesday, October 18 with Simon Halsey, Jochen Sandig, and Patrick Castillo human requiem (U.S. premiere) Rundfunkchor Berlin Simon Halsey , Conductor Marlis Petersen , Soprano Konrad Jarnot , Baritone Angela Gassenhuber , Piano Philip Mayers , Piano Nicolas Fink , Co-Conductor Jochen Sandig , Concept and Scenic Realization Brad Hwang , Spatial Concept Jörg Bittner , Lighting BRAHMS Ein deutsches Requiem for soloists, chorus, and piano four hands (1868/2004) Arranged by Phillip Moll from the original transcription by Brahms Selig sind, die da Leid tragen Denn alles Fleisch, es ist wie Gras Herr, lehre doch mich Wie lieblich sind deine Wohnungen Ihr habt nun Traurigkeit Denn wir haben hie keine bleibende Statt Selig sind die Toten This performance is approximately 70 minutes long without intermission. Please join the artists for a White Light Lounge immediately following the performance. These performances are made possible in part by the Josie Robertson Fund for Lincoln Center. Steinway Piano Please make certain all your electronic devices Synod House, are switched off. Cathedral of St. John the Divine WhiteLightFestival.org MetLife is the National Sponsor of Lincoln Center. UPCOMING WHITE LIGHT FESTIVAL EVENTS: Artist Catering provided by Zabar’s and Zabars.com Friday, October 21 at 7:30 pm in the Church of St. Mary the Virgin American Airlines is the Official Airline of Lincoln Immortal Bach Center Rundfunkchor Berlin -
Michael Pelzel Gravity’S Rainbow 2
Michael Pelzel Gravity’s Rainbow 2 Michael Pelzel 3 Michael Pelzel: Gravity’s Rainbow 4 1. Mysterious Anjuna Bell (2016) 18:47 für Ensemble und Kammerorchester Ensemble ascolta und Stuttgarter Kammerorchester, Peter Rundel (Leitung) 2. Carnaticaphobia (2017) 16:18 für Perkussion, Klavier und Violoncello ensemble recherche 3. Gravity’s Rainbow (2016) 21:00 für CLEX (Kontrabassklarinette extended) und Orchester Ernesto Molinari (CLEX), Basel Sinfonietta, Peter Rundel (Leitung) 4. „Alf“-Sonata (2014) 08:25 5 für Violine und Horn Jetpack Bellerive: Noëlle-Anne Darbellay (Violine) und Samuel Stoll (Horn) Danse diabolique (2016) für Bläser, Harfe, Orgel, Klavier und Schlagzeug WDR Sinfonieorchester, Bas Wiegers (Leitung) 5. I. Introduction 03:28 6. II. Danse diabolique 08:25 Gesamtspieldauer 76:26 Im Sog des Klangstroms 6 Ein Klang, so überwältigend reich und vielfältig, dass er das Ensemble, das ihn hervorbringt, geradezu transzendiert. Eine Fülle an Farben, die ans Maß- lose grenzt. Ein Gewimmel von Gestalten, das die Ohren überfordert. Ein Ganzes, das weit mehr ist als seine Teile, doch ohne diese zu verschlucken. Solcherart mögen die ersten Eindrücke sein, die man von der Musik Michael Pelzels empfängt. Viel (und vieles zugleich) geschieht in ihr, und wer sie unbefangen hört, wird sich von ihr geradezu aufgesogen fühlen, hinein- gestoßen ins Klanggeschehen und zunächst einmal aller refl exiven Distanz beraubt. Tatsächlich hat diese Musik in der Üppigkeit ihrer Mittel etwas Dionysisches, Anarchisch-Ungebundenes – was freilich keineswegs einen Verzicht auf planvolle Strukturierung und kompositorisches Kalkül bedeutet. Ganz im Gegenteil: Die erste Lektion allen Kunstmachens, dass der ästhe- tische Schein von Freiheit gerade nicht aus einer völligen Freiheit des Ge- staltens resultiert, ist selbstverständlich auch Michael Pelzel geläufi g. -
0761. 28 94 42 Khatia Buniatishvili Anne-Sophie Mutter Leonidas
Spielzeit 2021/22 GESAMTPROGRAMM Anne-Sophie Mutter AUS INNERSTER ÜBERZEUGUNG ABONNEMENTS & TICKETS: WWW.ALBERT-KONZERTE.DE 0761. 28 94 42 Leonidas Kavakos, Myung-Whun Chung & Wiener Symphoniker BERÜCKENDE KLANGSINNLICHKEIT Khatia Buniatishvili SCHWELGERISCHE ROMANTIK muenchrath.de Für anspruchsvolle Immobilien Telefon 0761 211679-0 | www.stauss-immobilien.de SI AZ Albert Konzerte 205x297 4c.indd 1 19.02.18 12:39 Inhalt Grußwort SPIELZEIT 2021/22 HERZLICH WILLKOMMEN! ALBERT KONZERTE GRUSSWORT & INHALT Seite 3 ein Unternehmen der Rombach Gruppe Heinrich SPIELZEIT IM ÜBERBLICK Seite 4 Rombach KG Konzerthaus-Zyklus 4 FÖRDERER DER ALBERT KONZERTE Kammermusik-Zyklus 5 Balthasar-Neumann-Zyklus 6 Heinrich Dr. Leander Hotaki | Foto: © Thomas Langer Thomas © Hotaki | Foto: Leander Dr. Rombach KG Sonderkonzerte 7–8 KONZERTE & KÜNSTLER Seite 9 Sehr geehrte Damen und Herren, Konzerthaus-Zyklus 9–14 liebe Musikfreunde, Albrecht Mayer – Interview 12 Kammermusik-Zyklus 15–18 Balthasar-Neumann-Zyklus 19 wir freuen uns, Ihnen die neue Spielzeit 2021/22 der Albert Konzerte vorzustellen! Sonderkonzerte 20–27 Es erwartet Sie eine abwechslungsreiche Konzertsaison, die ein Fest bewegender, gro- TICKETS & SERVICE Seite 28 ßer Musik und weithin gerühmter Orchester, Interpreten und Ensembles zu wer- den verspricht. Der Bogen spannt sich von Anne-Sophie Mutter zu Khatia Buniatishvili, Kartenbüro & Kontakt 28 von den Wiener Symphonikern zum Royal Philharmonic Orchestra, von Grigory Sokolov Abonnements & Einzelkarten 28 zu Sol Gabetta. Über unsere Vorfreude auf den Genuss mitreißender und bewegender Vorverkaufsstellen 29 Interpretationen hinaus leben wir darauf hin, mit Ihnen gemeinsam ein neues „Glück Allgemeines 29 des Miteinander“ feiern zu dürfen nach in jeder Hinsicht entbehrungsreichen Zeiten Gutscheine 29 für uns alle. Anfahrt 29 Neben den Konzerten im nunmehr 26. -
My Fifty Years with Wagner
MY FIFTY YEARS WITH RICHARD WAGNER I don't for a moment profess to be an expert on the subject of the German composer Wilhelm Richard Wagner and have not made detailed comments on performances, leaving opinions to those far more enlightened than I. However having listened to Wagnerian works on radio and record from the late 1960s, and after a chance experience in 1973, I have been fascinated by the world and works of Wagner ever since. I have been fortunate to enjoy three separate cycles of Der Ring des Nibelungen, in Bayreuth 2008, San Francisco in 2011 and Melbourne in 2013 and will see a fourth, being the world's first fully digitally staged Ring cycle in Brisbane in 2020 under the auspices of Opera Australia. I also completed three years of the degree course in Architecture at the University of Quensland from 1962 and have always been interested in the monumental buildings of Europe, old and new, including the opera houses I have visited for performance of Wagner's works. It all started in earnest on September 29, 1973 when I was 28 yrs old, when, with friend and music mentor Harold King of ABC radio fame, together we attended the inaugural orchestral concert given at the Sydney Opera House, in which the legendary Swedish soprano Birgit Nilsson opened the world renowned building singing an all Wagner programme including the Immolation scene from Götterdämmerung, accompanied by the Sydney Symphony Orchestra conducted by a young Charles Mackerras. This event fully opened my eyes to the Ring Cycle - and I have managed to keep the historic souvenir programme. -
03-10-2018 Semiramide Mat.Indd
GIOACHINO ROSSINI semiramide conductor Opera in two acts Maurizio Benini Libretto by Gaetano Rossi, based on production John Copley the play Sémiramis by Voltaire set designer Saturday, March 10, 2018 John Conklin 1:00–4:40 PM costume designer Michael Stennett lighting designer John Froelich revival stage director The production of Semiramide was Roy Rallo made possible by a generous gift from the Lila Acheson and DeWitt Wallace Fund for Lincoln Center, established by the founders of The Reader’s Digest Association, Inc. The revival of this production is made possible by a gift from Ekkehart Hassels-Weiler general manager Peter Gelb music director designate Yannick Nézet-Séguin 2017–18 SEASON The 34th Metropolitan Opera performance of GIOACHINO ROSSINI’S This performance semiramide is being broadcast live over The Toll Brothers– Metropolitan Opera conductor International Radio Maurizio Benini Network, sponsored in order of vocal appearance by Toll Brothers, America’s luxury oroe, high priest of the magi ® homebuilder , with Ryan Speedo Green* generous long-term support from idreno, an indian prince The Annenberg Javier Camarena Foundation, The Neubauer Family assur, a prince Foundation, the Ildar Abdrazakov Vincent A. Stabile Endowment for semir amide, queen of babylon Broadcast Media, Angela Meade and contributions from listeners arsace, commander of the assyrian army worldwide. Elizabeth DeShong There is no Toll Brothers– a zema, a princess Metropolitan Sarah Shafer Opera Quiz in List Hall today. mitr ane, captain of the guard Kang Wang** This performance is also being broadcast ghost of king nino live on Metropolitan Jeremy Galyon Opera Radio on SiriusXM channel 75.