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88-Page Mega Version 2016 2015 2014 2013 2012 2011 2010
The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! 88-PAGE MEGA VERSION 2017 2016 2015 2014 2013 2012 2011 2010 COMBINED jazz & blues report jazz-blues.com The Gift Guide YEAR-LONG, ALL OCCCASION GIFT IDEAS! INDEX 2017 Gift Guide •••••• 3 2016 Gift Guide •••••• 9 2015 Gift Guide •••••• 25 2014 Gift Guide •••••• 44 2013 Gift Guide •••••• 54 2012 Gift Guide •••••• 60 2011 Gift Guide •••••• 68 2010 Gift Guide •••••• 83 jazz &blues report jazz & blues report jazz-blues.com 2017 Gift Guide While our annual Gift Guide appears every year at this time, the gift ideas covered are in no way just to be thought of as holiday gifts only. Obviously, these items would be a good gift idea for any occasion year-round, as well as a gift for yourself! We do not include many, if any at all, single CDs in the guide. Most everything contained will be multiple CD sets, DVDs, CD/DVD sets, books and the like. Of course, you can always look though our back issues to see what came out in 2017 (and prior years), but none of us would want to attempt to decide which CDs would be a fitting ad- dition to this guide. As with 2016, the year 2017 was a bit on the lean side as far as reviews go of box sets, books and DVDs - it appears tht the days of mass quantities of boxed sets are over - but we do have some to check out. These are in no particular order in terms of importance or release dates. -
Midwest Folk Volume 3 Issue 12 • Spring 2005 M Ark Dvorak Never Did Claim to Be from the Same Blood Line As the Great Antonin Dvorak (1841-1904)
Mark Dvorak by Larry Penn Midwest Folk Volume 3 Issue 12 • Spring 2005 M ark Dvorak never did claim to be from the same blood line as the great Antonin Dvorak (1841-1904). When I asked him if he money to buy his first guitar, and take a motorcycle trip around the thought he was, he replied that, the name was common in country. He learned his first rudimentary chops in those long, hot Czechoslovakia. Still, I can’t help but believe that the Czech summer days, on a Harmony guitar with a biker friend, and anyone genius’ gene pool resides in Mark somehow. The DNA evidence is else who was willing to sit around and jam. After a trek of fourteen definitely there in Mark’s music. thousand miles, he went to work for Jewel Foods. By now, hopelessly hooked on guitar, he found himself signed up for a Over one hundred years ago, Antonin mined the Slavic folk spate of lessons at Chicago’s famous Old Town School of Folk traditions to create his compositions and cantatas. Today, Mark Music. His musical tastes were turning to Lead Belly, Woody finds himself immersed in the American folk tradition. So in some Guthrie, Big Bill Broonzy, the blues, and contemporary folk mystic way Mark is bringing the circle around, to repay Antonin’s artists like Pete Seeger, Peter, Paul and Mary and the everlasting debt to the music of the people. Besides, Mark’s great-grandfather Bob Dylan. If the advent of recorded music has given us the was born in Prague. -
“Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr
GREENE, KEVIN D., Ph.D. “Just a Dream”: Community, Identity, and the Blues of Big Bill Broonzy. (2011) Directed by Dr. Benjamin Filene. 332 pgs This dissertation investigates the development of African American identity and blues culture in the United States and Europe from the 1920s to the 1950s through an examination of the life of one of the blues’ greatest artists. Across his career, Big Bill Broonzy negotiated identities and formed communities through exchanges with and among his African American, white American, and European audiences. Each respective group held its own ideas about what the blues, its performers, and the communities they built meant to American and European culture. This study argues that Broonzy negotiated a successful and lengthy career by navigating each groups’ cultural expectations through a process that continually transformed his musical and professional identity. Chapter 1 traces Broonzy’s negotiation of black Chicago. It explores how he created his new identity and contributed to the flowering of Chicago’s blues community by navigating the emerging racial, social, and economic terrain of the city. Chapter 2 considers Broonzy’s music career from the early twentieth century to the early 1950s and argues that his evolution as a musician—his lifelong transition from country fiddler to solo male blues artist to black pop artist to American folk revivalist and European jazz hero—provides a fascinating lens through which to view how twentieth century African American artists faced opportunities—and pressures—to reshape their identities. Chapter 3 extends this examination of Broonzy’s career from 1951 until his death in 1957, a period in which he achieved newfound fame among folklorists in the United States and jazz and blues aficionados in Europe. -
Tributaries on the Name of the Journal: “Alabama’S Waterways Intersect Its Folk- Ways at Every Level
Tributaries On the name of the journal: “Alabama’s waterways intersect its folk- ways at every level. Early settlement and cultural diffusion conformed to drainage patterns. The Coastal Plain, the Black Belt, the Foothills, and the Tennessee Valley re- main distinct traditional as well as economic regions today. The state’s cultural landscape, like its physical one, features a network of “tributaries” rather than a single dominant mainstream.” —Jim Carnes, from the Premiere Issue JournalTributaries of the Alabama Folklife Association Joey Brackner Editor 2002 Copyright 2002 by the Alabama Folklife Association. All Rights Reserved. Issue No. 5 in this Series. ISBN 0-9672672-4-2 Published for the Alabama Folklife Association by NewSouth Books, Montgomery, Alabama, with support from the Folklife Program of the Alabama State Council on the Arts. The Alabama Folklife Association c/o The Alabama Center for Traditional Culture 410 N. Hull Street Montgomery, AL 36104 Kern Jackson Al Thomas President Treasurer Joyce Cauthen Executive Director Contents Editor’s Note ................................................................................... 7 The Life and Death of Pioneer Bluesman Butler “String Beans” May: “Been Here, Made His Quick Duck, And Got Away” .......... Doug Seroff and Lynn Abbott 9 Butler County Blues ................................................... Kevin Nutt 49 Tracking Down a Legend: The “Jaybird” Coleman Story ................James Patrick Cather 62 A Life of the Blues .............................................. Willie Earl King 69 Livingston, Alabama, Blues:The Significance of Vera Ward Hall ................................. Jerrilyn McGregory 72 A Blues Photo Essay ................................................. Axel Küstner Insert A Vera Hall Discography ...... Steve Grauberger and Kevin Nutt 82 Chasing John Henry in Alabama and Mississippi: A Personal Memoir of Work in Progress .................John Garst 92 Recording Review ........................................................ -
Who Never Thought They Could!
who never thought they could! Learned Quickly at Home Plays on Radio Wouldn't Take $1000 for Course I didn't dream I could actually Jearn to play I am happy to tell you that for four weeks I The lessons al'e so simple that anyone can under without a teacher. Now when I play for people harc been on the air over our local radio station. st!lnd them. I ha.\·e learned to play by note In U1Cy hardly believe that I learned to play so SO thanks to your institution for s\lch a won a little more than a month. I wouldn·t take a well In so short a time. derful course. thousand dollars for my course. °H. C. So, Call!. ·W. H. S" Alabama. ·S. E. A., Kansas City. lI.'1o. You, too, can play any instrument By this EASY A·B·e Method OU think it's difficult to learn music? That's lovers are enjoying the thrilling satisfaction of Ywhat thousands of others have thought! Just creating their own music. They have found the like you, they longed to play some instrument key to good times, popularity and profit. the piano, violin. guilar, saxophone or other favor Only a Few Cents a Day ites. But they denied themselves the pleasure And that's what YOU can do, right now. because they thought it took months and years of Get the proof that you, too, can learn to play tedious study and practice to learn. your favorite instrument- quickly, easily, in spare Learn in Spare Time at Home time at home. -
DOCUMENT RESUME SO 005 429 TITLE a Teacher's Guide To
DOCUMENT RESUME ED 073 036 SO 005 429 TITLE A Teacher's Guide to Folksinging. A Curriculum Guide for a High School Elective in Music Education. INSTITUTION New York State Education Dept., Albany. Bureau of Secondary Curriculum Development. PUB DATE 172] NOTE 33p. EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Cultural Awareness; Folk Culture; *Music; Musical Instruments; *Music Appreciation; *Music Education; Resource Guides; Secondary Grades; Singing; Teaching Guides IDENTIFIERS *Folksinging ABSTRACT The material in this teacher's guide fora high school elective course may be used in a variety of curriculum designs--from a mini elective to a full year course. The rationale section explains that folksinging can be a valuable activity in the classroom by: 1) presenting a mirror for the student's personality and by being a useful tool for individual development; 2) allowing students to "act out" their impressions insong and thus allowing them to gain important insights and an empathy with people and situations that might never be gained through direct experience; 3) making it possible for students to transverse history, feel the pain of social injustice, lessen inhibitions, fulfill emotional needs, test creative talent, be given an outlet to their idealisticenergy, and find infinite pleasure in performing good music. Sections included in the guide are: Introduction: Philosophy and Rationale, InstructionAl Guidelines, Comments Concerning Equipment (folk instruments), and, A Representative Sampling of Multimedia Resource Materials (which includes books and periodicals, films, records, filmstrips and record sets, and record collections).Another document in this series is Teaching Guitar (SO 005 614). (Author/OPH) FD 07303t'; 1. -
Rain Couldn't Wash Away Fall Fest
OCTOBER 2015 Rain couldn’t wash away Fall Fest fun See p. 12-13 INSIDE THIS MONTH’S MESSENGER L5P gets additional Arts abound security patrol in CP Why is this pumpkin PAGE 6 PAGE 8 afl ame? PAGE 7 Folk school opens Meet Katrell Christie, at Epworth author and tea purveyor PAGE 9 PAGE 10 CUSTOMNOW NEWOFFERING HOMES! Ask About Our Holiday Incentives Green House Renovation Atlanta ◆ ADDITIONS ◆ BASEMENTS ◆ GARAGES ◆ KITCHENS ◆ FULL REMODELS ◆ GENERAL IMPROVEMENTS & REPAIRS ◆ INSURANCE CLAIMS ® atlanta home MPROVEMENT SMART HOME IMPROVEMENT STARTS HERE “Best of 2015” Tom Colquitt Winner BEST REMODELER: Green building specialist CALL BASEMENT Green House Renovation Atlanta, LLC greenhouserenovation.com 770-527-7148 Licensed and Insured Specializing in LOW IMPACT TREE REMOVAL ➸ Dangerous Tree Removal ➸ Crane Services ➸ Trimming ➸ Shaping ➸ Stump Grinding ➸ Deadwooding ➸ Storm Damage Cleanup $100 OFF any job of $500 or more Must present coupon at time of sale. Not valid with other offers. Offer Expires 12/31/15 EMERGENCY 24-HOUR SERVICE 404-496-5405 WWW.AKATREEREMOVAL.COM Licensed & Insured FREE ESTIMATES Carries Workman’s Compensation Like that — but blue skies next time The mission of the Candler Park By Ken Edelstein Neighborhood Organization is to promote the common good and Damn you, sky king! You put a damper Presidential Briefing general welfare in the neighborhood on our festival. But we had a great time known as Candler Park in the anyway. I know I’m going to leave deserving city of Atlanta. As a first-time Fall Fest chair (and people out but we also have to thank outgoing CPNO president), I had a blast some unsung heroes. -
White Boots Marchin' in a Yellow Land
# THE NATIONAL TOPICAL SONG MAGAZmE MARCH 1966 PRICE - G50~ I N THIS ISSUE PHIL OCHS' White Boots Marchin' In A Yellow Land ALSO:NEW SONGS BY LEN CHANDLER BOBBY EVANS PETE SEEGER MALVINA REYNOLDS FRED WARDENBURG ERIC ANDERSEN WIN STRACKE HELEN DUNLOP Excerpts From A Letter From Eric Andersen ART Ie LES: "THIS IS THE FOLK SHown By Judith Adda.ms STORM OVER MANHATTAN By Gordon Friesen ****i!-******-ll- FOLKLORE BROADSIDE HOOTENANNY Jesus Was March 20 at The VILLAGE GATE,N.Y.C. See Page 15 for further details A Teenager Too -- 2 Excerpts From a letter From ERIC ANDERSEN (Ed. Note: Eric Andersen, now 23, reached New York by the deluding measures of hope or non-hope, love or non City two years ago via the vlest Coast - he was love, belief or non-belief, trust or non-trust. They are born in a suburb of Buffalo,N.Y. Many of the songs words that the newspll.pers have dropped from their vocabu he has written have been recorded by other artists, laries years ago. Such words just don't stop the bombs, and his own 2nd album -- II I bout changes & things", the boredom, the frustration, the silliness of it all. For Vanguard vas 9206 -- was recently released. He will there is only life and there is death. We must make a de give his first major solo concert April 9 at Town cision. Which will it be? And if life on this planet could Hall in N.Y.C.) get over its self-pity traditions and turn to self-sympathy and self-understanding ••• if we could care ••• it could be Dear Gordon & Sis: we may not die. -
America's News English
America's News English Do-it-yourselfers show their class - Back-to-school time not just for book learning Chicago Sun-Times - Friday, September 6, 1996 Author: Mary Houlihan-Skilton An old Chinese proverb proclaims, "Learning is a treasure which accompanies its owner everywhere." It's a state of mind instilled at an early age, and it doesn't stop the day we get out of school. But there comes a time when we are free to follow our more playful interests. And that means no more algebra, history or chemistry. Take mandolin lessons. Throw a pot or two. Design a quilt. Let the funnyman out via an improv class. Make a movie. The possibilities for adult education are endless, especially in a city the size of Chicago. "Always try to learn one new thing each day," was an inspirational rule followed by my immigrant grandfather. He drew a picture of the brain as just a "big old muscle," claiming it had to be exercised and you'd better get to it. Looks like he was onto something. Today scientists are finding evidence that challenging the mind is one way of fighting the aging process and staying vital well into later life. But we don't need scientific proof in favor of learning. Here are some inspiring and energetic suggestions. MAKING MUSIC The Old Town School of Folk Music was founded in the mid-'50s by Frank Hamilton, Dawn Greening and Win Stracke, three music lovers who had a vision. Old Town continues to embody Hamilton's teaching philosophy: Everyone can learn, play and enjoy music in a supportive environment, regardless of skill or ambition. -
Terkel Interview 11-22-99.Pm7
‘Steve provided everybody with a comfort zone’ [In honor of Studs Terkel, who died Oct. 31, 2008, at age 96, here is an edited You two seemed to have great rapport. transcript of an interview I conducted with Studs on Nov. 22, 1999, in Chicago.] I felt comfort, is the word. Steve provided everybody with a comfort zone. He was a one-man comfort zone, and when you were with him, you felt comfortable. Let’s start by describing Steve Goodman. He was just there, and there wasn’t any nastiness or anything. He’d never put He was a natural, in that what you saw is what he down anybody, even colleagues who were highly successful. I think he got a kick was. There was no dissemblance. Steve was a out of everybody. generous-hearted kid, as simple as that, who I don’t mean to make this a Boy Scout story, but he just was one of these guys happened to be generously gifted. And not only was who was pretty sure of himself. I don’t think he had that insecurity of being short he generously gifted, it’s the generous heart of him and all of that stuff. It didn’t matter. I think he just didn’t have those worries that he put forth others as much as he put forth because he felt secure in himself. How old was he when he died? himself. When Kris Kristofferson came to town, he was Thirty-six. established, and he liked Steve very much. Steve See, there’s the harshness, stupidity of life and fate. -
Growing Diversity: Urban Renewal, Community Activism, and the Politics of Cultural Diversity in Uptown Chicago, 1940-1970
Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 2015 Growing Diversity: Urban Renewal, Community Activism, and the Politics of Cultural Diversity in Uptown Chicago, 1940-1970 Devin Hunter Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the History Commons Recommended Citation Hunter, Devin, "Growing Diversity: Urban Renewal, Community Activism, and the Politics of Cultural Diversity in Uptown Chicago, 1940-1970" (2015). Dissertations. 1640. https://ecommons.luc.edu/luc_diss/1640 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 2015 Devin Hunter LOYOLA UNIVERSITY CHICAGO GROWING DIVERSITY: URBAN RENEWAL, COMMUNITY ACTIVISM, AND THE POLITICS OF CULTURAL DIVERSITY IN UPTOWN CHICAGO, 1940-1970 A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY PROGRAM IN HISTORY BY DEVIN VELOSCO HUNTER CHICAGO, IL AUGUST 2015 Copyright by Devin Velosco Hunter, 2015 All rights reserved. ACKNOWLEDGMENTS Much of the credit for any value of this dissertation is due to Timothy Gilfoyle. As an adviser, he provided insight and direction from the earliest stages of this project, often suggesting themes that I had yet to consider. Tim is a comprehensive editor, and I am in debt to his tireless attention to the art and skill of crafting a compelling narrative. -
Bibliography
Selected Bibliography In researching this book, I have consulted many periodicals, as well as liner notes to LPs and CDs. The following publications were particularly useful: Blues & Rhythm, Blues Unlimited, Bulletin du Hot Club de France, Come for to Sing, Jazz Journal, Jazz Monthly, Jazz Record, Juke Blues, La Revue du Jazz, Living Blues, Melody Maker, Musical Express (later New Musical Express), 78 Quarterly, and Sing Out! Also helpful were the following newspapers: Ames (Iowa) Daily Tribune, Chicago Defender, Chicago Maroon, and Iowa State Daily. Where I have cited specific articles or liner notes, the reference appears in the endnotes. Aldin, Mary Katherine. A Musical Journey: The Films of Pete, Toshi, and Dan Seeger. Vestapol VHS 13042. Asbell, Bernie. ―The Whisper of Big Bill Broonzy.‖ Melody Maker, February 8, 1958, 13. Asman, James. ―Frankly, I Am Disgusted!‖ Musical Express, September 28, 1951. Baldwin, James. Nobody Knows My Name: More Notes of a Native Son. New York: Vintage, 1993. ———. Notes of a Native Son. New York: Bantam, 1979. Balliett, Whitney. ―The Best Medicine.‖ In Collected Works: A Journal of Jazz, 1954–2000. London: Granta, 2000. Barbeau, Arthur E., and Florette Henri. The Unknown Soldiers: Black American Troops in World War One. Philadelphia: Temple University Press, 1974. Barretta, Scott. ―The International Jazz Archive, Eisenach, Germany.‖ Living Blues, no. 173 (July/August 2004): 84–85. Bastin, Bruce. Red River Blues: The Blues Tradition in the Southeast. 1986. Reprint, Urbana: University of Illinois, 1995. Bell, Graeme. Graeme Bell, Australian Jazzman: His Autobiography. Frenchs Forest, New South Wales: Childs & Associates, 1988. ———. ―They Like Non-Commercial Jazz.‖ Musical Express, October 12, 1951.