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Modernist Aesthetic in the Case of Lord Alfred Douglas and Marie Carmichael Stopes
33 The Poetry That Dare Not Speak Its Name: Modernist Aesthetic in the Case of Lord Alfred Douglas and Marie Carmichael Stopes Christina Hauck Kansas State University An improbable friendship sprang up in 1938 when one “Mrs Carmi- chael,” representing herself as a young mother, wrote Lord Alfred Douglas to show him a sonnet and ask his advice about publishing it. Little realizing that he was entering into correspondence with the notorious birth control advocate, Marie Carmichael Stopes, the staunchly Catholic Douglas wrote back kindly, calling Mrs. Carmichael a “pleasant poet” and lamenting his own difficulties publishing (Hall 282). If Douglas didn’t understand quite whom he was writing to, Stopes herself, rabidly homophobic and anti-Catholic, must have: Douglas’s claim to fame lay less in his poetry, whose quality critics debated fiercely when they bothered to read it at all, but in his having been a central actor in the events leading up to Oscar Wilde’s trial and imprisonment.1 By the time the correspondence had be- gun, Douglas had long converted to Catholicism and was admitting only to limited homosexual activities over a limited period, with Wilde or any- one else; Stopes apparently believed him.2 After several months, Stopes revealed her “true” identity. Douglas, understandably, was nervous. In a letter to George Bernard Shaw, he writes: I am fated to make friends with my enemies. For the last three months I have been corresponding with a lady who wrote about my poetry and poetry in general. She expressed great admira- tion for me as a poet. -
An Ideal Husband Department of Theatre, Florida International University
Florida International University FIU Digital Commons Department of Theatre Production Programs Department of Theatre Fall 9-26-2014 An Ideal Husband Department of Theatre, Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/theatre_programs Part of the Theatre and Performance Studies Commons Recommended Citation Department of Theatre, Florida International University, "An Ideal Husband" (2014). Department of Theatre Production Programs. 77. https://digitalcommons.fiu.edu/theatre_programs/77 This work is brought to you for free and open access by the Department of Theatre at FIU Digital Commons. It has been accepted for inclusion in Department of Theatre Production Programs by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. Theatre u • lllul llFAR lllrt1 IUIU 1111 RH theatre.fiu.edu TO ALL OUR PATRONS An Ideal Husband Students, faculty, staff and community WELCOME TO THE 2014-2015 SEASON! By Oscar Wilde On behalf of the Department of Theatre at Florida International Cast (In order of appearance) University allow me to thank you for attending this performance. We truly appreciate your interest and continuing support. Viscount Goring- Allyn Anthony (BFA Performance) 2014 - 2015 is ,roised to be a crackerjack of a season! First up is Oscar Wilde's An Ideal Husband", and for those familiar with Sir Robert Chiltern - Danny Leonard (BFA Performance) Phillip M. Church his hilarious comedy , "The Importance of Being Earnest" there Lady Chiltern - Pia Isabell Vicioso-Vila (BA) Chairperson is an interesting surprise in store. In a move to disengage from Mrs. Cheveley - Chachi Colon (BFA Performance) the world of melodrama, Wilde developed "a new play about Vicomte De Nanjac - Lovanni Gomez (BFA Performance) modem life" in which he contrasted the worlds of social opinion Lady Markby - Madeleine Escarne (BFA Performance) against the dark interior of the human condition. -
CHAPTER I INTRODUCTION A. Background of the Study Man Is
CHAPTER I INTRODUCTION A. Background of the Study Man is born to be a social being who cannot live alone and need someone else to help them as well as they need partner to live their life. Marriage is one of the men’s efforts not to live alone. Man and woman who decide to make a commitment in a marriage bounding have a responsibility not only towards their selves but also their partner because they no longer two independent people but they become one who complete and dependent to each other. “Marriage is a bound of loyal vow between husband and wife in which there is a responsibility from the two” (Kertamuda, 2009: 13). Marriage has a good impact towards men’s health; it can make them live longer (Gottman, 2001: 5). It can be said so because there is someone who takes care of them and Campbell (in Duvall, 1984: 4) adds that marriage makes them to live positively. Long last marriage and harmonic family are all spouses dream and no one wants their marriage ends in divorce, but it is not easy to bring it into reality because husband and wife have the difference characteristics, point of view in viewing something, past experience, emotion level, and background which can arise some marital conflicts that will lead to the unhealthy marriage and the worst is it can be ended in divorce if it happens in a long time without any means to fix it up. That is why the spouses need value of marriage to avoid the marital problems because its functions are as the binding of marriage and strengthener when their marriage is weakening by the problems. -
Oscar Wilde's Elegant Republic
Oscar Wilde’s Elegant Republic Oscar Wilde’s Elegant Republic: Transformation, Dislocation and Fantasy in fin-de-siècle Paris By David Charles Rose Oscar Wilde’s Elegant Republic: Transformation, Dislocation and Fantasy in fin-de-siècle Paris By David Charles Rose This book first published 2015 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by David Charles Rose All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-8360-3 ISBN (13): 978-1-4438-8360-3 TABLE OF CONTENTS Acknowledgements .................................................................................... vii Preface ......................................................................................................... ix Chapter One .................................................................................................. 1 Paris Sighted Chapter Two ............................................................................................... 30 Paris Mutuels Chapter Three ............................................................................................. 47 Anglomania, Francophilia and Anglophobia Chapter Fouur .............................................................................................. -
Olive Custance (1874-1944)
OLIVE CUSTANCE (1874-1944) Olive Eleanor Custance was born on February 7, 1874, the eldest daughter of Colonel Frederic Hambledon Custance and Eleanor Constance Jolliffe. Her family were wealthy members of the landed gentry, descended from Sir Francis Bacon, and she grew up at their country seat, Weston Old Hall, Norfolk. Given her gender and social status, it is surprising that from an early age Custance began to write poetry and integrate herself into the decadent literary milieu. Her diaries show she identified with and avidly followed the careers of Walter Pater and Oscar Wilde, and she had a particular penchant for the Atelier G.C. Beresford. Olive Custance. poetry of Algernon Swinburne. In 1890, at the 1902. Photograph. Mark Samuels Lasner age of 16, Custance experienced a pivotal Collection, University of Delaware Library, Newark. encounter with the Decadent poet John Gray at a London party. She was evidently inspired by Gray’s beauty (rumoured to have been the inspiration for Wilde’s Dorian Gray) and wrote several poems addressed to a mysterious "Prince of Dreams" who bears a scarcely veiled resemblance to him. Although their encounter was brief, Custance and Gray continued to correspond and he offered her advice about her poetry. Custance also struck up a close friendship with Richard Le Gallienne, who reviewed and praised her work. Her early poetry was supported and encouraged by John Lane, who published her poem “Twilight” in Volume 3 of The Yellow Book (October 1894), followed by several more of her poems in later volumes of the magazine. 1 Custance’s first book of poetry, entitled Opals, was published in 1897 by Lane’s press The Bodley Head. -
De Profundis: Into the Depths of Oscar Wilde´S Thoughts
MASARYK UNIVERSITY FACULTY OF EDUCATION Department of English Language and Literature De Profundis: Into the Depths of Oscar Wilde´s thoughts Bachelor thesis Brno 2019 Supervisor: Author: Mgr. Lucie Podroužková, Ph.D. Jana Feigerlová Declaration I hereby declare that I wrote this bachelor thesis on my own, using only the sources listed in the bibliography. ……...…………..………. Acknowledgements I would like to express my gratitude to my supervisor Mgr. Lucie Podroužková, Ph.D. for her guidance, advice, and kind encouragement that she provided throughout my work on this thesis. Furthermore, I would also like to thank my family and boyfriend for their endless patience and support. Table of Contents 1 Introduction ............................................................................................................... 6 2 Historical background ............................................................................................... 7 2.1 Life with Lord Alfred Douglas .......................................................................... 8 2.2 Imprisonment ..................................................................................................... 9 3 The origin of De Profundis ..................................................................................... 14 3.1 Publishing process ............................................................................................ 15 3.2 Comparison of different versions ..................................................................... 17 3.3 Naming process ............................................................................................... -
An Ideal Husband and the Importance of Deputy Stage Manager Whitney Mcnamara Being Earnest Mocking and Delighting High Society Audiences
Education Mini-Pack Cast Sir Robert Chiltern Simon Gleeson 16 JULY – 18 AUGUST Lord Goring Brent Hill Nanjac / Butler / James Joseph Lai Arts Centre Melbourne, Playhouse Mrs Marchmont Jem Lai Miss Mabel Chiltern Michelle Lim Davidson The Earl of Caversham William McInnes About the Play Lady Chiltern Zindzi Okenyo Successful politician Sir Robert Chiltern has it all – money, Mason / Mr Montford / Phipps Josh Price power and the love of his adoring wife. But when a mysterious Lady Markby Gina Riley character threatens to expose a dark secret from his past, Lady Basildon Greta Sherriff he becomes hopelessly embroiled in a world of insider Mrs Cheveley Christie Whelan Browne trading, blackmail and deception. Production About the Playwright Director Dean Bryant Born in in Dublin, Wilde was the son of an ear surgeon Set & Costume Designer Dale Ferguson and a poet. Wilde sailed for America in on a successful Lighting Designer Matt Scott lecture tour celebrating art for art’s sake. He married Composer & Sound Designer Mathew Frank Constance Lloyd in , and the couple raised two sons Voice & Dialect Coach Leith McPherson in London. Wilde wrote widely, including journalism, critical essays and short stories. Wilde’s only novel, The Picture Assistant Director Ellen Simpson of Dorian Gray, was first published in . The following Assistant Costume Designer Sophie Woodward decade saw Wilde’s maturity and success as a playwright, Directorial Secondment Angelica Clunes with productions of Lady Windermere’s Fan, A Woman of Stage Manager Christine Bennett No Importance, An Ideal Husband and The Importance of Deputy Stage Manager Whitney McNamara Being Earnest mocking and delighting high society audiences. -
Interdisciplinary Journal of Decadence Studies
INTERDISCIPLINARY JOURNAL OF DECADENCE STUDIES Volume 2, Issue 1 Spring 2019 Olive Custance, Nostalgia, and Decadent Conservatism Sarah Parker ISSN: 2515-0073 Date of Acceptance: 30 May 2019 Date of Publication: 21 June 2019 Citation: Sarah Parker, ‘Olive Custance, Nostalgia, and Decadent Conservatism’, Volupté: Interdisciplinary Journal of Decadence Studies, 2.1 (2019), 57-81. volupte.gold.ac.uk This work is licensed under a Creative Commons Attribution- ShareAlike 4.0 International License. Olive Custance, Nostalgia, and Decadent Conservatism Sarah Parker Loughborough University Olive Custance was one of the most prolific women poets published in The Yellow Book, with poems appearing in eight of its thirteen volumes.1 She is also mentioned in several studies of the fin de siècle; as her 1972 bibliographer Nancy J. Hawkey states: ‘her name is invariably included in contemporary lists of representative poets’ of the 1890s.2 For example, in 1925, Richard Le Gallienne fondly recalled her ‘flower-like girlish loveliness’ at John Lane’s teas and includes her in a list of prominent ‘minor poets’ of the period.3 In The Eighteen Nineties (1913), Holbrook Jackson groups her among ‘those poets who give expression to moods more attuned to end-of- the-century emotions’.4 This fosters the impression that Custance did not continue writing beyond the fin de siècle. Modern critics perpetuate this notion, observing her apparent poetic silence following her final volume, The Inn of Dreams (1911), which itself consisted largely of reprints from The Blue Bird (1905).5 However, Custance in fact continued publishing long after 1911, producing work throughout the 1920s, 30s and 40s, until her death in 1944. -
A Hermeneutic Reading of Natalie Barney and Renee Vivien
Anthós (1990-1996) Volume 1 Number 5 Article 7 1996 A Hermeneutic Reading of Natalie Barney and Renee Vivien Antoinette Sherman Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/anthos_archives Part of the Philosophy Commons Let us know how access to this document benefits ou.y Recommended Citation Sherman, Antoinette (1996) "A Hermeneutic Reading of Natalie Barney and Renee Vivien," Anthós (1990-1996): Vol. 1 : No. 5 , Article 7. Available at: https://pdxscholar.library.pdx.edu/anthos_archives/vol1/iss5/7 This open access Article is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. A Hermeneutic Reading of Natalie Barney and Renee Vivien Antoinette Sherman "The word 'hermeneutics' points back, as we know, to the task of the interpreter, which is that of interpreting and communicating something which is unintelligible because it is spoken in a foreign language-even if it is the language of the signs and symbols of the Gods." -Gadamer, Truth and Method My intention in focusing upon the works of Renee Vivien and Natalie Barney is to make more widely known two fine writ ers whose neglect can in part be attributed to their sex and unconventional lifestyles and to examine how and why these women emerged as rare exceptions at the turn of the century. This work is not motivated by a desire to resurrect two forgotten women writers or create a new canon of women's literature; rather, it is done under the belief that the consideration of women writer's (or any other minority) can be beneficial to expanding and altering attitudes, prejudices and ideologies. -
Introduction
Notes Introduction 1. Jeffrey Weeks, Sex, Politics and Society: The Regulation of Sexuality since 1800, 2nd edn (London: Longman, 1989), p. 10. 2. Michel Foucault, An Introduction: Volume 1 of The History of Sexuality (New York: Vintage-Random House, 1978), p. 37. 3. Richard Kaye provides an excellent overview of sexuality-based Wilde schol- arship up to 2004, including the controversy over Christopher Craft’s ‘Alias Bunberry’, which represents The Importance of Being Earnestt as a coded gay text; see Richard Kaye, ‘Gay Studies/Queer Theory and Oscar Wilde’, Palgrave Advances in Oscar Wilde Studies, ed. Frederick S. Roden (Basingstoke: Palgrave Macmillan, 2004), pp. 189–223, and Christopher Craft, Another Kind of Love: Male Homosocial Desire in English Discourse, 1850–1920 (Berkeley: University of California Press, 1994), pp. 106–39. The identification of Wilde as unprob- lematically ‘gay’ or ‘homosexual’ continues, especially in texts that are not centrally engaged with questions of sexuality. Heather Marcovitch, The Art of the Pose: Oscar Wilde’s Performance Theoryy (Bern: Peter Lang, 2010), p. 10, for instance, identifies Wilde as ‘a gay man’, and Paul L. Fortunato, Modernist Aesthetics and Consumer Culture in the Writings of Oscar Wilde (New York: Routledge, 2007) consistently uses ‘gay’ throughout his book on the con- sumerist Wilde. 4. Richard Ellmann, Oscar Wilde (New York: Vintage-Random House, 1988), p. 277. 5. For intriguing interpretations in the context of Wilde’s subversive politics of precisely the texts I push to the background see Sos Eltis, Revising Wilde: Society and Subversion in the Plays of Oscar Wilde (Oxford: Clarendon-Oxford University Press, 1996). -
1. Dissertation 081202 V3
Copyright by Moira M. Di Mauro-Jackson, B.A.; M.A. 2008 The Dissertation Committee for Moira M. Di Mauro-Jackson certifies that this is the approved version of the following dissertation: Decadence as a Social Critique in Huysmans, D'Annunzio, and Wilde Committee: Katherine Arens, Co-Supervisor Daniela Bini, Co-Supervisor Elizabeth Richmond-Garza Janet Swaffar Antonio Gragera Decadence as a Social Critique in Huysmans, D'Annunzio, and Wilde by Moira M. Di Mauro-Jackson, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2008 To Larry and Logan Acknowledgements I want to thank my committee supervisors Daniela Bini and Katie Arens for their patience in evaluating and re-evaluating, editing, advising and supporting my work during all the years that this project took to complete. I am grateful for their support and patient coaching. My thanks also to all the other members of my dissertation committee: Antonio Gragera, Elizabeth Richmond-Garza and Janet Swaffar. All of you have been at once time mentors, friends and colleagues and a true example for me to follow. In particular, thanks to Antonio Gragera who endured the first edit of all my chapters and graciously guided me through all the toils and pangs of writing. My gratitude to Dolora Chapelle Wojciehowski and Elizabeth Richmond-Garza who encouraged me to come back and finish my dissertation, long postponed, and to the faculty at Texas State University who never lost faith in me, and whose emotional support have made this project possible: Ann Marie Ellis, dean of Liberal Arts, Robert Fischer, chairman of the department of Modern Languages, Blake Locklin, Carole Martin, and Michael Farris. -
“I Will Take Your Answer One Way Or Another” the Oscar Wilde Trial Transcripts As Literary Artefacts
Ruprecht-Karls-Universität Heidelberg Anglistisches Seminar Prof. Dr. Peter Paul Schnierer Magisterarbeit “I Will Take Your Answer One Way or Another” The Oscar Wilde Trial Transcripts as Literary Artefacts Benjamin Merkler Boxbergring 12 69126 Heidelberg 06221-7350416 0179-4788849 [email protected] Magisterstudium: Anglistik Nebenfächer: Philosophie, Öffentliches Recht Abgabetermin: 02. Januar 2010 Content 1 Introduction 3 1.1 Problems of Transcription 5 1.2 New Historicism and Paratexts 8 2 The Background of the Oscar Wilde Trials 10 2.1 The Legal Sphere – Homosexuality and Law 11 2.2 The Public Sphere – Homosexuality and Society 13 2.3 Dandyism, Aestheticism and Decadence 16 2.4 Oscar Wilde Performing Oscar Wilde 18 2.5 The Relationship of Oscar Wilde and Bosie Douglas 20 2.6 Loved Friend, Unloved Son - Lord Alfred Douglas 23 2.7 Beyond Boxing Rules - Lord Queensberry 25 3 The Trial within the Work of Oscar Wilde 29 3.1 Short summary of an almost dramatic trial 29 3.1.1 Prologue – Magistrates’ Court Proceedings 29 3.1.2 Act One – The Libel Trial 33 3.1.3 Act Two – The First Criminal Trial 36 3.1.4 Act Three – The Second Criminal Trial 39 3.2 The Trial Transcripts as Literary Artefacts 44 3.2.1 Staging a trial 44 3.2.2 Fiction but Facts - The Literary Evidence 48 3.2.2.1 The Priest and the Acolyte 49 3.2.2.2 Phrases and Philosophies 52 3.2.2.3 Dorian Gray 55 3.2.2.4 The Letters 60 3.2.2.5 Two Loves 62 3.2.3 Facts but Fiction – The Real Evidence 67 3.2.4 Review of a Performance – De Profundis 70 3.3 Placing the Transcripts in his Work 75 4 Conclusion 77 5 Appendix: Quotation from Dorian Gray 79 6 Bibliography 81 2 1 Introduction Wilde is still the Crown Prince of Bohemia.