Årsberetning 2009 Annual Report 2009

Total Page:16

File Type:pdf, Size:1020Kb

Årsberetning 2009 Annual Report 2009 SKAVLAN / SIDE 38 Programudveksling / SIDE 50-53 TEMAKANALERNE i NORDEN / SIDE 62 et aF verdens største talkshows Fremgang For nordisk Programudveksling Fortsætter ens og meget Forskellige årsberetning 2009 annual report 2009 the magazine issue 2010 THE 1 MAGAZINE ISSUE 2010 HARRY OG CHARLES / SIDE 24 norsk kulturskat På nordiske hænder the magazine issue 2010 2 3 Nordvision årsberetning 2009 Udgivet af Nordvision Published by Nordvision Design / DR Design Forsidefoto Cover photo Harry og Charles, NRK (DR, RUV, SVT) Maria Bonnevie i rollen som Maud/Harry Foto: Ole Kaland, NRK Fredrik Skavlan Foto: Knut Koivisto Halal-TV Foto: Marianne Earthy, SVT Bokprogrammet: Ultima Thule Foto: NRK-foto Tryk: Rosendahls - Schultz Grafisk Redaktion: Ib Keld Jensen Cecilie Stranger-Thorsen Mikael Horvath Veera Sydänmäki Henrik Hartmann (ansvarshavende redaktør / chief editor) INDHOLD / CONTENT CONTENT / INDHOLD INDHOLD CONTENT sään armoilla (YLE) Pussel (YLE) mille, DR (NRK, SVT, YLE) nordvisions 50-årsJubilæum halal-tv (SVT) OLJe! (NRK) 330 skvadronen (NRK) bonderøven (DR) Packat och klart (SVT) ut i naturen (NRK) 4 06 Forord 46 UdviklingsProjekter P P 5 HOTO HOTO 07 Nordvision i tal 2009 46 Faktapitch, udvikling og inspiration : : m h 08 En Emmy til Livvagterne enrik Frydk arianne 09 Mobilpris til nordisk samarbejdsprojekt 50 ProgramuDveksling 10 Sverige vandt MGP Nordic 50 Power of sharing e 11 YLE Teema mest værdsatte tv-kanal i Finland — framgångarna för nordisk programutväxling fortsätter arthy, J 12 Nordisk tv-drama ”rejser” flot og godt ær / SVT h 14 Nordisk topmöte i Bryssel 54 jubilæumstema enrik Fryd / 14 Nyhedsudvekslingen i 2009 56 Enestående samarbejde fylder 50 år YLE 123 saker som (SVT), livet i Fagervik, SVT (NRK, YLE) / 14 Faktapitch 59 Idéen ”Teenageboss” vandt 100.000,- kr m ediacircus J — sæt kryds i kalenderen den 26. og 27. april 2010 61 Ny bog om NV-samarbejdets historie kær / Peter Wath, 15 Nye kontrakter for samproduktioner 15 Nyt arkiv på www.nordvision.org 62 temakanalerne i norDen TV 17 Konkurrence: 100.000 kroner 62 Ens og meget forskellige / Jyrki — til den bedste satsning for den unge målgruppe DR v 17 Nordvisionsfondsfristerne i 2010 66 insPiration fra NV-bolagene / alkama, o 66 Tre gange Emmy til Sven le Petter 18 ProgramsamarbejDe i 2009 70 Miljø og klima under kærlig behandling hos YLE barnmorskorna (SVT) SOS - Fanget aF Pirater, DR (SVT) 2020 (SVT) YLE 18 AF1-Børn ligeglade med voksenkvalitet 73 Verdens længste dokumentar / k SVT 24 Norsk kulturskat på nordiske hænder 76 Ett mästerligt svensk-norskt samarbete le 06 Foreword 46 DeveloPment Projects pp 07 Nordvision in figures 2009 26 Nordisk liv i renæssancen 80 Populær serie om det lykkelige liv / 46 Factual programme pitching, development and inspiration 30 Piratdokumentar sælger SVT 08 An International Emmy award for Livvagterne / 32 En uge som gæstearbejder 84 overblik a 09 Mobile award for joint Nordic project 50 Programme exchanges lex 10 Sweden wins MGP Nordic Jr. 50 The power of sharing 34 Tortur 84 Nordvisionsfonden i 2009 l — dræber individer og påvirker hele samfundet 86 Nøgletal 2009 indén / 11 YLE Teema the most appreciated TV-channel in Finland — Nordic programme exchanges continue to make advances 38 Skavlan en av världens största talshower 88 Kontakt 12 Nordic TV drama travels well t — tack vare nordiskt samarbete! omas 14 Nordic summit in Brussels 54 anniversary theme 42 En snäll apa 14 News exchanges in 2009 56 A unique partnership celebrates its 50th birthday o — vetenskapligt exempel på fördelen med samarbete lsson, 14 Factual programme pitch 59 The idea for Teenage Boss wins 100 000 kroner 44 Jovist er vi forskellige — reserve 26 and 27 April 2010 now! 61 A new book on the history of the Nordvision partnership SVT 15 New contract templates for co-productions 15 New archive at www.nordvision.org 62 theme channels in the norDic countries 17 Contest: 100 000 kroner for the best idea for young viewers 62 The same but very different 17 Nordvision Fund deadlines 2010 66 insPiration from the norDvision broaDcasters 18 Programme cooPeration 2009 66 Three International Emmy Awards for Sven 18 AF1-Children don’t care about adult quality values 70 YLE does environment and climate 24 Norwegian cultural heritage in Nordic hands 73 The world’s longest documentary 26 Nordic life in the Renaissance 76 A masterpiece of Swedish-Norwegian collaboration 30 Pirate documentary sells 80 A popular series on living happily 32 A week as a “guest worker” 34 Torture kills individuals and affects society 84 overview 38 Skavlan is one of the biggest talk shows in the world 84 Nordvision Fund 2009 — thanks to Nordic cooperation! 86 Statistics 2009 42 A kind monkey 88 Contact — a scientific example of the benefits of cooperation 44 Sure we’re different KORT NYT / IN BRIEF IN BRIEF / KORT NYT fOrOrD fOrEWOrD veteranTV (UR) minimyror i kenya, SVT (DR, YLE) annika biørnstad henrik hartmann Faktor: birken i blinde (NRK) aF1 - alle For en, NRK (DR, SVT) Forbrydelsen II, DR (NRK, RUV, SVT, YLE) 6 Antallet af samproduktioner går tilbage, og antallet af udvekslings- The number of coproductions has dropped and the number of exchanges has risen. This P P 7 HOTO HOTO programmer går frem. Det er den tendens, vi har set både i 2008 og is the trend Nordvision experienced in 2008 and it was repeated in 2009. The finances : : NOrDvIsION I TaL 2009 / o r unar nu også i 2009 i Nordvisionssamarbejdet. NV bolagenes økonomier er of the Nordvision broadcasters are under pressure and they are concentrating their re- le k pressede, og man koncentrerer sine ressourcer omkring primetime og sources on primetime and own-productions. The Nordic broadcasters are not prepared aland, h egenproduktioner. Man ”risikerer” ikke så mange penge til sampro- to stake so much money on coproductions with other countries as in the past. enriksen Jørstad / NOrDvIsION IN fIgurEs 2009 duktioner over grænserne som tidligere. NRK On the other hand the need for public service content outside prime time and on narrow / h Til gengæld stiger behovet for public service-indhold uden for channels is growing. Nordif2 has made it easier for partners to exchange content. The enrik Frydk 1.340 Programmer genereret af samProDuktioner primetime og på nichekanaler. Her har Nordif2 gjort det lidt lettere factual programme screenings, children’s group and archives use Nordif2 for distribut- 1.340 Programmes generateD by co-ProDuctions at udveksle indhold mellem partnere. Faktascreenerne, børnegrup- ing programmes, and educational programmes are becoming available. Meanwhile it UR / m J pen og arkiverne bruger Nordif2 til distribution af programmer, og appears that the more we exploit digitisation the easier it will be to provide even more ær 2.049 Programmer genereret af ProgramuDveksling undervisningsgruppen kommer på i skrivende stund. Samtidig ser det unique public service research and content in future, thus benefiting our viewers. attias 2.049 Programmes generateD by Programme exchange ud som om, at jo mere vi kan udnytte digitaliseringen i fremtiden, des b nemmere vil vi sammen kunne tilvejebringe endnu mere unik public Nordic TV drama has proven an exceptionally successful in the last few years, and arsk, 570 Programtimer genereret af samProDuktioner service-research og indhold til gavn for seerne. commissioner-driven factual programme pitches and factual programme exchange SVT 570 Programme hours generateD by co-ProDuctions / funds have increased the relevance of Nordic factual programme projects. In 2010 there o Nordisk tv-dramatik ”rejser” imponerende flot og godt i disse år, og de will again be additional Nordic funds available for factual programme development le 1.059 Programtimer genereret af ProgramuDveksling k bestillerstyrede faktapitch og fakta udviklingsmidlerne har bidraget development projects. aland, 1.059 Programme hours generateD by Programme exchange til en øget relevans af de nordiske fakta-projekter. I 2010 vil der igen NRK være ekstra penge til faktaudviklingsprojekter. Children’s cooperation shrunk in 2009 due to a generation change and reallocation of 1.069 tilbuDte uDvekslingsProgrammer / Børnesamarbejdet er gået lidt tilbage i volumen i 2009 som følge af et priorities. The educational group succeeded in maintaining a very high level of copro- t 1069 Programmes offereD for exchange ine generations-skifte og omprioriteringer. Undervisningsgruppen formår duction activity, and the investigative journalism group had many Nordic documenta- h at holde et meget højt samproduktionsniveau, og undersøgende jour- ries in prime time in 2009 despite the diminutive size of the group. Last but not least, arden, 90 nye samProDuktionsforslag nalistik gruppen har trods sit lille eksklusive samarbejde, haft mange factual programme screenings surpassed themselves yet again with ten per cent more 90 new co-ProDuction ProPosals DR nordiske dokumentarer i prime i 2009. Og sidst men ikke mindst har factual programmes offered for exchange than the previous year. faktascreenerne endnu engang overgået sig selv og tilbudt 10 procent 2009 was the year in which the Nordic television and media partnerhip enjoyed its 50th 163 igangværenDe samProDuktioner flere faktaprogrammer til udveksling i forhold til året før. anniversary. In early November we had a fantastic week of work and celebration in DR 163 co-ProDuctions in ProDuction Byen with more than 270 Nordic producers, commissioning editors, experts, executives 2009 var året, hvor det nordiske tv - og mediesamarbejde havde 50 and guests of honour. Thank you for joining us! 85 afslutteDe samProDuktionsProjekter års jubilæum. Vi havde i starten af november en fantastisk faglig og 85 comPleteD co-ProDuctions festlig uge i DR-Byen med over 270 nordiske producenter, bestillere, In 2010 the Nordvision partnership will be concentrating on the further stabilisation of eksperter, chefer og æresgæster. Mange tak for jeres deltagelse. the Nordif2 system and on getting larger numbers of users onto Nordif2; one case in 1.210 uDveksleDe nyheDsinDslag point is the news departments. 1.210 news items exchangeD I 2010 kommer vi bl.a.
Recommended publications
  • 4-Student-Notes-Media-Industries U2
    Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018.
    [Show full text]
  • Italy Record Biggest Opening Win of European Championships After Own Goal, Immobile and Insigne Down Sloppy Turks
    SATURDAY • 12th JUNE 2021 Italy’s forward Lorenzo Insigne (top) and teammates celebrate an own goal by Turkey defender Merih Demiral during today’s EURO 2020 Group A match at the Olympic Stadium in Rome. – AFPPIX Statement of intent Italy record biggest opening win of European Championships after own goal, Immobile and Insigne down sloppy Turks ‘Devils are WAG OF THE DAY Wales hope Euro 2020 fixtures, great even Jessica Melena to emulate results and whiout boys of 2016 standings De Bruyne page 3 page 4 page 7 page 8 2 SATURDAY 12th JUNE 2021 LET THE GAMES BEGIN … A fireworks display is triggered over the Olympic stadium today in Rome as part of the Euro 2020 opening ceremony, prior to the Turkey vs Italy match. – AFPPIX Impressive Azzurri Hosts sends out statement across Europe in tournament’s first game “We played a good match, even in the first and Immobile nodded a cross wide as the hosts TALY kicked off the European half without being able to score. A great team. stretched the Turkish defence. Championship with a convincing 3-0 There was a lot of help from the crowd.” Insigne curled a shot straight at Cakir from victory over Turkey in Group A at Rome’s Goalscorer Insigne added: “Our strength is the edge of the box and Immobile fired into the Stadio Olimpico this morning with Ciro the group; the coach has created a great group keeper’s arms as Italy headed in at the break IImmobile and Lorenzo Insigne on target. in which there are no starters and bench players with 14 attempts to none from Turkey.
    [Show full text]
  • Verksamhetsberättelse If Elfsborgs Mission Att Underhålla Och Skapa Engagemang Och Stolthet Hos Alla I Sjuhärad
    VI TILLSAMMANS VERKSAMHETSBERÄTTELSE IF ELFSBORGS MISSION ATT UNDERHÅLLA OCH SKAPA ENGAGEMANG OCH STOLTHET HOS ALLA I SJUHÄRAD IF ELFSBORGS VISION ATT VINNA ÄNNU FLER TITLAR IMORGON IF ELFSBORGS KÄRNVÄRDEN UTMANARE – UNDERHÅLLANDE – PROFFSIGT ORDFÖRANDEN HAR ORDET TILLSAMMANS I SMÄRTA OCH FRAMGÅNG 2014 var ett smärtsamt år för IF Elfsborg. Vår manager och gode vän Klas Ingesson förde en ojämn kamp mot cancern och han lämnade oss i stor sorg och saknad den 29 oktober. Det var för oss i IF Elfsborg en väldigt stor förmån att få jobba med Klas under ett antal år. Hans fighting spirit, energi och starka vilja var egenskaper som aldrig ens sjukdomen rådde på. Vi kommer att bära med oss Klas insatser och personlighet i IF Elfsborg under många år framöver. Sportsligt blev året ett bra år med cupsegern som kronan på verket. Vi lyckades också förbättra vårt resultat i allsvenskan där vi slutade på en fjärde plats, vilket innebar ännu en medalj och samtidigt en hygglig chans till Europaspel 2015. Att klara av att nå en topplace- ring och en cupseger samtidigt som vi genomförde en stor omställ- ning av våra kostnader visste vi skulle bli en utmaning när vi gick in i 2014. Att vi lyckades med det känner jag stor stolthet och ödmjukhet inför. Att klara av att bromsa kostnader och samtidigt flytta fram positionerna när det gäller prestation är ett bevis på den starka kul- tur som finns i IF Elfsborg och är ett mycket gott betyg till samtliga medarbetare, spelare och ideellt arbetande. Att ha en sund ekonomi är fundamentalt viktigt i en elitidrottsför- ening och det är det som gör det möjligt för oss att fortsätta satsa.
    [Show full text]
  • The Geopolitics of Nordic Television Drama
    NORDICOM REVIEW Introduction Dark Screens: The geopolitics of Nordic television drama Pei-Sze Chow,I Robert A. Saunders,II & Anne Marit WaadeI I Media & Journalism, School of Communication and Culture, Aarhus University, Denmark II Department of History, Politics and Geography, Farmingdale State College (SUNY), USA This special collection of articles emerged from a two-day workshop on the topic “Nor- dic Noir, Geopolitics, and the North” held at Aarhus University, Denmark, 4–5 October 2018. Recognising the unabating popularity of the Nordic Noir genre, the workshop sought to extend current media-cultural discussions of Nordic crime television drama to critically assess how topical geopolitical developments both influence and are inter- rogated within these fictional narratives. The genesis of this workshop arose from the intersections between the research interests of this special issue’s three editors, building on Anne Marit Waade’s work on the production, aesthetics, and distribution of Nordic Noir television drama, Pei-Sze Chow’s research on the audiovisual representations of transnational regions in Scandinavia, and Robert A. Saunders’s scholarship on the popu- lar culture-world politics continuum, and more specifically his typology of geopolitical television. Over two days of presentations and discussions, participants worked to bridge the gap between diverse but cognate disciplines such as Scandinavian studies, film and television, literature, geography, and international relations (IR). Generously supported by the pan-Nordic research consortium ReNEW (Reimagin- ing Norden in an Evolving World), which is funded by NordForsk through the Nordic University Hubs initiative, our workshop brought together 21 researchers from across Finland, Sweden, Norway, Denmark, Belgium, Poland, the US, and the UK.
    [Show full text]
  • What Do Soccer and Poker Have in Common?
    THE KAMA INSIGHT WHAT DO SERIES SOCCER AND POKER HAVE IN COMMON? KamaGames 2017 No matter where you are from prospective players’ behaviour and interests or whether you call it football or and so looking into the correlation between football fans and poker players seemed an soccer, this weekend sees one of the obvious choice to dive into. We decided to highlights of the European sporting analyse what impact one would have on calendar and the most watched the other such as differences between the sporting event in the world, the final numbers of our players playing games on a of the UEFA Champions League. day without football vs a day with football. Watched by an estimated 200 million Using Pokerist historical data, what we found was very interesting and provided much more fans around the world (twice as of an insight than expected. many as the number of viewers that watched the last super bowl), Real Madrid will take on Juventus at the Principality stadium in Wales. There have long been links between professional soccer players and real money poker with a number the world’s soccer legends such as Cristiano Ronaldo, Teddy Sheringham, Tomas Brolin, Jan Van Soreson, Neymar Jr, and Tony Cascarino developing a love for poker and it’s extreme mental challenge, a world apart from the extreme physical challenge of professional soccer. One of the more notable links from soccer to poker came when a former professional soccer player won the Dusk Till Dawn tournament. Anthony Gardener, a former player for such clubs as Port Vale, Tottenham Hotspur, Hull City, Crystal Palace and Sheffield Wednesday was the last man standing and walked away with £20,550, which is his largest live tournament score by far! KamaGames have always been interested KamaGames 2017 in further understanding our current and WORLDWIDE TRAFFIC DURING KEY MATCHES 1st Half Break 2nd Half THE NUMBER OF PLAYERS a foregone conclusion they still continue to watch it but also engage with their friends in ONLINE game at the same time.
    [Show full text]
  • Eva Poster Færdig.Indd
    TELEVISION PRODUCTION in a Small Nation Screen Idea System EVA NOVRUP REDVALL Based on the notion that new Screen Ideas are shaped in the particular systems in which they emerge, my research has studied where makers of new television series come from and what they have been taught before moving into the industry, focusing on aspects around their talent, training and track record. I have analysed how new ideas relate to tastes, trends and traditions in the domain for television drama, and how the mandate, money and particular managerial ideas of broadcasters and production companies creating new content naturally infl uence and shape new series. DOMAIN Tastes Trends Traditions Selects Transmit novelty information Production Mandate Novelty Talent Management Training Money Stimulaties Track record Novelty FIELD INDIVIDUALS For many years, Danish television drama was primarily produced by the Danish Broadcasting Corporation (DR) based on specifi c ideas of what characterises good public service storytelling. I have previously analysed the particular production framework of DR in the book Writing and Producing Television Drama in Denmark: From The Kingdom to The Killing. The What Makes Danish Television Drama Series Travel? research project was an opportunity to also investigate how the recent interest in Danish television drama led to a number of other broadcasters now also focusing on producing television drama and the strategies behind these productions. My research has thus explored recent developments in Danish television drama through production studies of series such as Arvingerne/The Legacy, Borgen, Bron/The Bridge, Herrens veje/Ride Upon the Storm, The Team and the somewhat curious case of the ‘comfy crime’ series Midsomer Murders shooting its centennial episode, entitled “The Killings in Copenhagen”, in Denmark.
    [Show full text]
  • Danish Documentaries Danish Film Institute Special Idfa Amsterdam Issue
    DANISH DOCUMENTARIES DANISH FILM INSTITUTE SPECIAL IDFA AMSTERDAM ISSUE l1l FILM IS PUBLISHED BY#12 THE DANISH FILM INSTITUTE / NOVEMBER 2000 From Jesper Jargil’s film The Exhibited. Frame grabs PAGE 2 / FILM#12 / SPECIAL IDFA ISSUE DANISH FILM INSTITUTE (DFI) l1l FESTIVAL STAFF NOVEMBER 2000 #12 International focus on Danish Films is by no means limited to PUBLISHED BY: Danish Film Institute DANISH DOCUMENTARIES DANISH FILM INSTITUTE EDITORS: Agnete Dorph feature films. Every year more than SPECIAL IDFA AMSTERDAM ISSUE Susanna Neimann 150 childrens films, short films EDITORIAL TEAM: Lars Fiil-Jensen and documentaries are screened at Vicki Synnott EDITORIAL film festivals all over the world – l1l FILM IS PUBLISHED BY#12 THE DANISH FILM INSTITUTE / NOVEMBER 2000 CONSULTANTS: Kim Foss in competition and in retrospective Rumle Hammerich Loke Havn series. The festival staff are Tue Steen Müller continually developing new TRANSLATIONS: Jonathan Sydenham SUBSCRIPTIONS: Nina Caroc initiatives to strengthen the DESIGN: e–Types presence of Danish short films Photo: Kenneth Rim LAYOUT: Anne Hemp TYPE: Millton (e©) Reg.+Bold and documentaries abroad. Karolina Lidin Cendia (e©) Manager / Distribution – Shorts & Documentaries Underton (e©) DFI +45 3374 3526 PAPER: Munken Lynx 100 gr. Mobile +45 2332 1193 PRINTED BY: Holbæk Center–Tryk A/S [email protected] CIRCULATION: 8,500 ISSN: 1399–2813 COVER: The Exhibited (Frame grabs) FILM is published by the Danish Film Institute. The Danish Film Institute is the national agency There are 8 issues per year. On the occasion of responsible for supporting and encouraging film the IDFA Amsterdam International Film Festival and cinema culture and for conserving these in 2000 the DFI have produced #12 in English.
    [Show full text]
  • UD World Cup 94
    soccercardindex.com Upper Deck World Cup USA 1994 (1994 Contenders English/German) USA Brazil Norway 1 Tony Meola 49 Taffarel 93 Erik Thorstvedt 2 Des Armstrong 50 Jorginho 94 Gøran Sørloth 3 Marcelo Balboa 51 Branco 95 Rune Bratseth 4 Fernando Clavijo 52 RIcardo Rocha 96 Jan Åge Fjørtoft 5 John Doyle 53 Ricardo Gomes 97 Kjetil Rekdal 6 Alexi Lalas 54 Dunga 98 Erik Mykland 7 Thomas Dooley 55 Mauro Silva 99 Lars Bohinen 8 John Harkes 56 Rai 100 Øyvind Leonhardsen 9 Tab Ramos 57 Zinho 10 Hugo Pérez 58 Bebeto Switzerland 11 Cobi Jones 59 Romario 101 Adrian Knup 12 Chris Henderson 60 Muller 102 Stephane Chapuisat 13 Roy Wegerle 61 Palhina 103 Dominique Herr 14 Eric Wynalda 62 Cafu 104 Marc Hottiger 15 Cle Kooiman 63 Marcio Santos 105 Alain Sutter 16 Brad Friedel 64 Valdo 106 Georges Bregy 17 Ernie Stewart 107 Alain Geiger Sweden 108 Marco Pascolo Mexico 65 Thomas Ravelli 109 Regis Rothenbüler 18 Jorge Campos 66 Patrick Andersson 19 Claudio Suarez 67 Jan Eriksson Greece 20 Ramirez Perales 68 Klas Ingesson 110 Antonis Minou 21 Ignacio Ambriz 69 Anders Limpar 111 Stelios Manolsa 22 Ramon Ramirez 70 Stefan Schwarz 112 Anastasios Mitropoulos 23 Miguel Herrera 71 Jonas Thern 113 Yiotis Tsaloudhidis 24 David Patino 72 Tomas Brolin 114 Nikolaos Tsiantakis 25 Alberto Garcia Aspe 73 Martin Dahlin 115 Athanasios Kolitsidakis 26 Miguel España 74 Ronald Nilsson 116 Efstratios Apostolakis 27 Alex Garcia 75 Roger Ljung 117 Nikos Nobilas 28 Luis García 76 Stefan Rehn 118 Spiridon Maragos 29 Hugo Sánchez 77 Johnny Ekström Italy 30 Luis Miguel Salvador 78
    [Show full text]
  • NETHERLANDS - ITALY MATCH PRESS KIT Stade De Suisse, Berne Monday 9 June 2008 - 20.45CET (20.45 Local Time) Group C - Matchday 3
    NETHERLANDS - ITALY MATCH PRESS KIT Stade de Suisse, Berne Monday 9 June 2008 - 20.45CET (20.45 local time) Group C - Matchday 3 Contents 1 - Match preview 7 - Competition facts 2 - Match facts 8 - Team facts 3 - Squad list 9 - UEFA information 4 - Head coach 10 - Competition information 5 - Match officials 11 - Legend 6 - Match-by-match lineups Match background The Netherlands will look to end a 30-year wait for a win against Italy when they take on the world champions in their opening UEFA EURO 2008™ match in Berne. • Not since the 1978 FIFA World Cup have the Oranje got the better of Italy but Marco van Basten's men will be desperate to put recent history – to be specific, eight games without beating the Azzurri – behind them in the sides' first test in a tough-looking Group C that also includes France and Romania. • It was in Buenos Aires on 21 June 1978 that the Dutch last beat Italy, winning 2-1 in the teams' final game of the second group stage to secure a place in the World Cup final. Italy had taken the lead through an Ernie Brandts own goal but Brandts himself restored parity before Arie Haan struck the Netherlands' winner. • Italy have held the upper hand over the ensuing three decades, during which they have recorded two draws and six wins against the Oranje, including a penalty shoot-out triumph following a goalless semi-final at UEFA EURO 2000™. • Despite playing against ten men from the 34th minute when Gianluca Zambrotta was sent off, the tournament co-hosts paid the price for two missed penalties during normal time.
    [Show full text]
  • Global Media Journal German Edition
    Global Media Journal German Edition Vol. 5, No.1, Spring/Summer 2015 URN:nbn:de:gbv:547-201500291 Local Colour in German and Danish Television Drama: Tatort and Bron//Broen1 Susanne Eichner & Anne Marit Waade Abstract: The impact of place and locality in narrative media can be regarded as seminal for the medium’s function of communicating culture and negotiating societal discourses. As a result of the growing attention in globalisation theory and transnational considerations, space and place have become key issues to understanding the circulation of cultural commodities within an increasingly global and supra-national context. Taking the case of two popular contemporary European crime series, the German series Tatort and the Danish/Swedish series Bron//Broen, our aim is to focus on and carve out local colour as an aesthetic textual strategy, as well as relate it to a production context and to a broader discussion of the region/nation and the transnational/global. We argue that local colour can be located at three different levels: Firstly, on the level of representation as part of an overall narrative and aesthetic strategy that produces structures of appeal for the audiences. Secondly, within the frame of production, public broadcasting service, and policy that stage the general preconditions of cultural products. Thirdly, we regard locality as commodity and cultural consumption (e.g. branding, tourism, investments). Local colour and the representation of places evoke different concepts of imagined communities related to the regional and the national, but also the global and transnational. Keywords: Television drama, crime series, local colour, places, public broadcasting, regionalism, transnational, global Introduction The impact of place and locality in narrative media can be regarded as seminal for the medium’s function of communicating culture and negotiating societal discourses.
    [Show full text]
  • Journalism Journalism
    CULTURAL JOURNALISM CULTURAL In an era when culture itself has become central to political debates, when boundaries between hard news and soft news, facts and opinion are dissolving, cultural journalism contributes to democratic discourse on vital issues of our time. Cultural journalism is furthermore indicative of journalistic autonomy and specialisation within media organisations, and of the intertwined relationship between the cultural and political public spheres. Nordic cultural journalism in Countries in the Nordic the mainstream media covers more subjects today than ever before, from fine arts to gam- ing, media industries, and lifestyle issues. At the same time, it harbours debates and reflec- tion on freedom of expression, ethnicity and national identity. This book contributes to an emerging international research agenda on cultural journalism at a time when digitalisation, convergence and globalisation are influencing the character of journalism in multiple ways. | “Cultural journalism matters, and it matters differently by location. This nuanced and (eds.) & Kristina Riegert Kristensen Nørgaard Nete CULTURAL thoughtful portrayal of cultural journalism in the Nordic countries performs a double elevation CULTURAL of what has been missing for too long from journalism’s discussion: its stylistic and geographic variety. This book offers a strong set of studies that highlight what cultural journalism in the JOURNALISMJOURNALISM Nordic countries forces us to consider about all journalism everywhere.” BARBIE ZELIZER Raymond Williams Professor of Communication, inin thethe NordicNordic CountriesCountries Annenberg School for Communication, University of Pennsylvania NORDICOM University of Gothenburg Box 713, SE 405 30 Göteborg, Sweden Telephone +46 31 786 00 00 • Fax + 46 31 786 46 55 Nete Nørgaard Kristensen 4 7 E-mail [email protected] & Kristina Riegert (eds.) NORDICOM 5 7 5 www.nordicom.gu.se 9 7 Nørgaard Kristensen, Nete & Riegert, Kristina (2017).
    [Show full text]
  • A Case Study of How Danish TV Drama Series Captured Television Viewers in the UK
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Roehampton University Research Repository CST 12 : 4 : ESSER : 1 Form, Platform and the Formation of Transnational Audiences: A case study of how Danish TV drama series captured television viewers in the UK Andrea Esser, University of Roehampton, UK Abstract This article combines analysis of form, platform and audiences for a holistic understanding of how Danish series entered the global trade in TV fiction. Building on existing research on form and production values it adds a wide-ranging empirical case study, exploring the specific local conditions that led to the introduction of Danish series in the UK in 2011 and subsequent growth in UK audiences for Danish and other subtitled TV series. It reveals the multiplicity of factors contributing to the success of the early Danish serial imports, the interdependence of form, platform and audiences, and the imperative to rethink dominant theories of international programme flows. Key words Nordic noir; Danish TV drama series; UK television market; subtitled drama; transnational TV audiences; TV programme flows Introduction For the past five years, television scholars have been intrigued by the seemingly sudden and unexpected success of Danish TV drama series selling around the world, most notably to 159 countries in the case of Forbydelsen/The Killing (2007-12) or 67 in the case of political drama Borgen (2010-13) (Bondebjerg and Redvall, 2015). Unexpected because, as Pia Majbritt Jensen rightly notes, until the 2010s Denmark was seen as ‘at the periphery of the global TV market’ (2016), its exports limited to the Nordic region and, in the case of crime fiction also Germany.
    [Show full text]