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SKAVLAN / SIDE 38 Programudveksling / SIDE 50-53 TEMAKANALERNE i NORDEN / SIDE 62 et aF verdens største talkshows Fremgang For nordisk Programudveksling Fortsætter ens og meget Forskellige årsberetning 2009 annual report 2009 the magazine issue 2010 THE 1 MAGAZINE ISSUE 2010 HARRY OG CHARLES / SIDE 24 norsk kulturskat På nordiske hænder the magazine issue 2010 2 3 Nordvision årsberetning 2009 Udgivet af Nordvision Published by Nordvision Design / DR Design Forsidefoto Cover photo Harry og Charles, NRK (DR, RUV, SVT) Maria Bonnevie i rollen som Maud/Harry Foto: Ole Kaland, NRK Fredrik Skavlan Foto: Knut Koivisto Halal-TV Foto: Marianne Earthy, SVT Bokprogrammet: Ultima Thule Foto: NRK-foto Tryk: Rosendahls - Schultz Grafisk Redaktion: Ib Keld Jensen Cecilie Stranger-Thorsen Mikael Horvath Veera Sydänmäki Henrik Hartmann (ansvarshavende redaktør / chief editor) INDHOLD / CONTENT CONTENT / INDHOLD INDHOLD CONTENT sään armoilla (YLE) Pussel (YLE) mille, DR (NRK, SVT, YLE) nordvisions 50-årsJubilæum halal-tv (SVT) OLJe! (NRK) 330 skvadronen (NRK) bonderøven (DR) Packat och klart (SVT) ut i naturen (NRK) 4 06 Forord 46 UdviklingsProjekter P P 5 HOTO HOTO 07 Nordvision i tal 2009 46 Faktapitch, udvikling og inspiration : : m h 08 En Emmy til Livvagterne enrik Frydk arianne 09 Mobilpris til nordisk samarbejdsprojekt 50 ProgramuDveksling 10 Sverige vandt MGP Nordic 50 Power of sharing e 11 YLE Teema mest værdsatte tv-kanal i Finland — framgångarna för nordisk programutväxling fortsätter arthy, J 12 Nordisk tv-drama ”rejser” flot og godt ær / SVT h 14 Nordisk topmöte i Bryssel 54 jubilæumstema enrik Fryd / 14 Nyhedsudvekslingen i 2009 56 Enestående samarbejde fylder 50 år YLE 123 saker som (SVT), livet i Fagervik, SVT (NRK, YLE) / 14 Faktapitch 59 Idéen ”Teenageboss” vandt 100.000,- kr m ediacircus J — sæt kryds i kalenderen den 26. og 27. april 2010 61 Ny bog om NV-samarbejdets historie kær / Peter Wath, 15 Nye kontrakter for samproduktioner 15 Nyt arkiv på www.nordvision.org 62 temakanalerne i norDen TV 17 Konkurrence: 100.000 kroner 62 Ens og meget forskellige / Jyrki — til den bedste satsning for den unge målgruppe DR v 17 Nordvisionsfondsfristerne i 2010 66 insPiration fra NV-bolagene / alkama, o 66 Tre gange Emmy til Sven le Petter 18 ProgramsamarbejDe i 2009 70 Miljø og klima under kærlig behandling hos YLE barnmorskorna (SVT) SOS - Fanget aF Pirater, DR (SVT) 2020 (SVT) YLE 18 AF1-Børn ligeglade med voksenkvalitet 73 Verdens længste dokumentar / k SVT 24 Norsk kulturskat på nordiske hænder 76 Ett mästerligt svensk-norskt samarbete le 06 Foreword 46 DeveloPment Projects pp 07 Nordvision in figures 2009 26 Nordisk liv i renæssancen 80 Populær serie om det lykkelige liv / 46 Factual programme pitching, development and inspiration 30 Piratdokumentar sælger SVT 08 An International Emmy award for Livvagterne / 32 En uge som gæstearbejder 84 overblik a 09 Mobile award for joint Nordic project 50 Programme exchanges lex 10 Sweden wins MGP Nordic Jr. 50 The power of sharing 34 Tortur 84 Nordvisionsfonden i 2009 l — dræber individer og påvirker hele samfundet 86 Nøgletal 2009 indén / 11 YLE Teema the most appreciated TV-channel in Finland — Nordic programme exchanges continue to make advances 38 Skavlan en av världens största talshower 88 Kontakt 12 Nordic TV drama travels well t — tack vare nordiskt samarbete! omas 14 Nordic summit in Brussels 54 anniversary theme 42 En snäll apa 14 News exchanges in 2009 56 A unique partnership celebrates its 50th birthday o — vetenskapligt exempel på fördelen med samarbete lsson, 14 Factual programme pitch 59 The idea for Teenage Boss wins 100 000 kroner 44 Jovist er vi forskellige — reserve 26 and 27 April 2010 now! 61 A new book on the history of the Nordvision partnership SVT 15 New contract templates for co-productions 15 New archive at www.nordvision.org 62 theme channels in the norDic countries 17 Contest: 100 000 kroner for the best idea for young viewers 62 The same but very different 17 Nordvision Fund deadlines 2010 66 insPiration from the norDvision broaDcasters 18 Programme cooPeration 2009 66 Three International Emmy Awards for Sven 18 AF1-Children don’t care about adult quality values 70 YLE does environment and climate 24 Norwegian cultural heritage in Nordic hands 73 The world’s longest documentary 26 Nordic life in the Renaissance 76 A masterpiece of Swedish-Norwegian collaboration 30 Pirate documentary sells 80 A popular series on living happily 32 A week as a “guest worker” 34 Torture kills individuals and affects society 84 overview 38 Skavlan is one of the biggest talk shows in the world 84 Nordvision Fund 2009 — thanks to Nordic cooperation! 86 Statistics 2009 42 A kind monkey 88 Contact — a scientific example of the benefits of cooperation 44 Sure we’re different KORT NYT / IN BRIEF IN BRIEF / KORT NYT fOrOrD fOrEWOrD veteranTV (UR) minimyror i kenya, SVT (DR, YLE) annika biørnstad henrik hartmann Faktor: birken i blinde (NRK) aF1 - alle For en, NRK (DR, SVT) Forbrydelsen II, DR (NRK, RUV, SVT, YLE) 6 Antallet af samproduktioner går tilbage, og antallet af udvekslings- The number of coproductions has dropped and the number of exchanges has risen. This P P 7 HOTO HOTO programmer går frem. Det er den tendens, vi har set både i 2008 og is the trend Nordvision experienced in 2008 and it was repeated in 2009. The finances : : NOrDvIsION I TaL 2009 / o r unar nu også i 2009 i Nordvisionssamarbejdet. NV bolagenes økonomier er of the Nordvision broadcasters are under pressure and they are concentrating their re- le k pressede, og man koncentrerer sine ressourcer omkring primetime og sources on primetime and own-productions. The Nordic broadcasters are not prepared aland, h egenproduktioner. Man ”risikerer” ikke så mange penge til sampro- to stake so much money on coproductions with other countries as in the past. enriksen Jørstad / NOrDvIsION IN fIgurEs 2009 duktioner over grænserne som tidligere. NRK On the other hand the need for public service content outside prime time and on narrow / h Til gengæld stiger behovet for public service-indhold uden for channels is growing. Nordif2 has made it easier for partners to exchange content. The enrik Frydk 1.340 Programmer genereret af samProDuktioner primetime og på nichekanaler. Her har Nordif2 gjort det lidt lettere factual programme screenings, children’s group and archives use Nordif2 for distribut- 1.340 Programmes generateD by co-ProDuctions at udveksle indhold mellem partnere. Faktascreenerne, børnegrup- ing programmes, and educational programmes are becoming available. Meanwhile it UR / m J pen og arkiverne bruger Nordif2 til distribution af programmer, og appears that the more we exploit digitisation the easier it will be to provide even more ær 2.049 Programmer genereret af ProgramuDveksling undervisningsgruppen kommer på i skrivende stund. Samtidig ser det unique public service research and content in future, thus benefiting our viewers. attias 2.049 Programmes generateD by Programme exchange ud som om, at jo mere vi kan udnytte digitaliseringen i fremtiden, des b nemmere vil vi sammen kunne tilvejebringe endnu mere unik public Nordic TV drama has proven an exceptionally successful in the last few years, and arsk, 570 Programtimer genereret af samProDuktioner service-research og indhold til gavn for seerne. commissioner-driven factual programme pitches and factual programme exchange SVT 570 Programme hours generateD by co-ProDuctions / funds have increased the relevance of Nordic factual programme projects. In 2010 there o Nordisk tv-dramatik ”rejser” imponerende flot og godt i disse år, og de will again be additional Nordic funds available for factual programme development le 1.059 Programtimer genereret af ProgramuDveksling k bestillerstyrede faktapitch og fakta udviklingsmidlerne har bidraget development projects. aland, 1.059 Programme hours generateD by Programme exchange til en øget relevans af de nordiske fakta-projekter. I 2010 vil der igen NRK være ekstra penge til faktaudviklingsprojekter. Children’s cooperation shrunk in 2009 due to a generation change and reallocation of 1.069 tilbuDte uDvekslingsProgrammer / Børnesamarbejdet er gået lidt tilbage i volumen i 2009 som følge af et priorities. The educational group succeeded in maintaining a very high level of copro- t 1069 Programmes offereD for exchange ine generations-skifte og omprioriteringer. Undervisningsgruppen formår duction activity, and the investigative journalism group had many Nordic documenta- h at holde et meget højt samproduktionsniveau, og undersøgende jour- ries in prime time in 2009 despite the diminutive size of the group. Last but not least, arden, 90 nye samProDuktionsforslag nalistik gruppen har trods sit lille eksklusive samarbejde, haft mange factual programme screenings surpassed themselves yet again with ten per cent more 90 new co-ProDuction ProPosals DR nordiske dokumentarer i prime i 2009. Og sidst men ikke mindst har factual programmes offered for exchange than the previous year. faktascreenerne endnu engang overgået sig selv og tilbudt 10 procent 2009 was the year in which the Nordic television and media partnerhip enjoyed its 50th 163 igangværenDe samProDuktioner flere faktaprogrammer til udveksling i forhold til året før. anniversary. In early November we had a fantastic week of work and celebration in DR 163 co-ProDuctions in ProDuction Byen with more than 270 Nordic producers, commissioning editors, experts, executives 2009 var året, hvor det nordiske tv - og mediesamarbejde havde 50 and guests of honour. Thank you for joining us! 85 afslutteDe samProDuktionsProjekter års jubilæum. Vi havde i starten af november en fantastisk faglig og 85 comPleteD co-ProDuctions festlig uge i DR-Byen med over 270 nordiske producenter, bestillere, In 2010 the Nordvision partnership will be concentrating on the further stabilisation of eksperter, chefer og æresgæster. Mange tak for jeres deltagelse. the Nordif2 system and on getting larger numbers of users onto Nordif2; one case in 1.210 uDveksleDe nyheDsinDslag point is the news departments. 1.210 news items exchangeD I 2010 kommer vi bl.a.
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  • A Case Study of How Danish TV Drama Series Captured Television Viewers in the UK

    A Case Study of How Danish TV Drama Series Captured Television Viewers in the UK

    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Roehampton University Research Repository CST 12 : 4 : ESSER : 1 Form, Platform and the Formation of Transnational Audiences: A case study of how Danish TV drama series captured television viewers in the UK Andrea Esser, University of Roehampton, UK Abstract This article combines analysis of form, platform and audiences for a holistic understanding of how Danish series entered the global trade in TV fiction. Building on existing research on form and production values it adds a wide-ranging empirical case study, exploring the specific local conditions that led to the introduction of Danish series in the UK in 2011 and subsequent growth in UK audiences for Danish and other subtitled TV series. It reveals the multiplicity of factors contributing to the success of the early Danish serial imports, the interdependence of form, platform and audiences, and the imperative to rethink dominant theories of international programme flows. Key words Nordic noir; Danish TV drama series; UK television market; subtitled drama; transnational TV audiences; TV programme flows Introduction For the past five years, television scholars have been intrigued by the seemingly sudden and unexpected success of Danish TV drama series selling around the world, most notably to 159 countries in the case of Forbydelsen/The Killing (2007-12) or 67 in the case of political drama Borgen (2010-13) (Bondebjerg and Redvall, 2015). Unexpected because, as Pia Majbritt Jensen rightly notes, until the 2010s Denmark was seen as ‘at the periphery of the global TV market’ (2016), its exports limited to the Nordic region and, in the case of crime fiction also Germany.