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Yann Tiersen La Valse D Amlie for Bassoon Sheet Music
Yann Tiersen La Valse D Amlie For Bassoon Sheet Music Download yann tiersen la valse d amlie for bassoon sheet music pdf now available in our library. We give you 1 pages partial preview of yann tiersen la valse d amlie for bassoon sheet music that you can try for free. This music notes has been read 4599 times and last read at 2021-09-24 14:20:17. In order to continue read the entire sheet music of yann tiersen la valse d amlie for bassoon you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Bassoon Solo Ensemble: Mixed Level: Early Intermediate [ READ SHEET MUSIC ] Other Sheet Music Yann Tiersen La Valse D Amlie For Cello Yann Tiersen La Valse D Amlie For Cello sheet music has been read 3070 times. Yann tiersen la valse d amlie for cello arrangement is for Early Intermediate level. The music notes has 1 preview and last read at 2021-09-26 16:23:58. [ Read More ] La Valse D Amlie For Bassoon And Piano Yann Tiersen La Valse D Amlie For Bassoon And Piano Yann Tiersen sheet music has been read 4522 times. La valse d amlie for bassoon and piano yann tiersen arrangement is for Early Intermediate level. The music notes has 4 preview and last read at 2021-09-24 18:13:53. [ Read More ] Yann Tiersen La Valse D Amlie For French Horn Yann Tiersen La Valse D Amlie For French Horn sheet music has been read 4225 times. Yann tiersen la valse d amlie for french horn arrangement is for Early Intermediate level. -
Boston Symphony Orchestra Concert Programs, Season 94, 1974-1975
Saturday Evening March 15, 1975 at 8:00 Carneqie Hall J 974 1975 SEASON \*J NEW YORK The Carnegie Hall Corporation presents the Boston Symphony Orchestra NINETY-FOURTH SEASON 1974-7 5 SEIJI OZAWA, Music Director and Conductor COLIN DAVIS, Principal Guest Conductor OLIVIER MESSIAEN Turangalila-Syntphonie for Piano, Ondes Martenot and Orchestra I. Introduction Modere, un peu vif II. Chant d ' amour 1 Modere, lourd III. Turangalila 1 Presque lent, reveur IV. Chant d'amour 2 Bien modere V. Joie du sang des etoiles Un peu vif, joyeux et passione INTERMISSION VI. Jardin du sommeil d' Amour Tres modere, tres tendre VII. Turangalila 2 Piano solo un peu vif; orchestre modere VIII. Developpement de 1 ' amour Bien modere IX. Turangalila 3 Modere X. Final Modere, avec une grande joie YVONNE LORIOD Piano JEANNE LORIOD Ondes Martenot The Boston Symphony Orchestra records exclusively for Deutsche Grammophon Baldwin Piano Deutsche Grammophon and RCA Records Turangalila-Symphonie for Piano, Ondes Martenot and Orchestra/Olivier Messiaen The Turangalila-Symphonie was commissioned from me by Serge Koussevitzky for the Boston Symphony Orchestra. I wrote and orches- trated it between 17th July, 1946, and 29th November, 1948. The world first performance was given on 2nd December, 1949, in Boston (U.S.A.) Symphony Hall by the Boston Symphony Orchestra, under the direction of Leonard Bernstein. The piano solo part was played by Yvonne Loriod, who has played it in nearly every performance of the work, whoever the conductor or wherever it was given. Turangalila (pronounced with an accent and prolongation of sound on the last two syllables) is a Sanscrit word. -
We Are Proud to Offer to You the Largest Catalog of Vocal Music in The
Dear Reader: We are proud to offer to you the largest catalog of vocal music in the world. It includes several thousand publications: classical,musical theatre, popular music, jazz,instructional publications, books,videos and DVDs. We feel sure that anyone who sings,no matter what the style of music, will find plenty of interesting and intriguing choices. Hal Leonard is distributor of several important publishers. The following have publications in the vocal catalog: Applause Books Associated Music Publishers Berklee Press Publications Leonard Bernstein Music Publishing Company Cherry Lane Music Company Creative Concepts DSCH Editions Durand E.B. Marks Music Editions Max Eschig Ricordi Editions Salabert G. Schirmer Sikorski Please take note on the contents page of some special features of the catalog: • Recent Vocal Publications – complete list of all titles released in 2001 and 2002, conveniently categorized for easy access • Index of Publications with Companion CDs – our ever expanding list of titles with recorded accompaniments • Copyright Guidelines for Music Teachers – get the facts about the laws in place that impact your life as a teacher and musician. We encourage you to visit our website: www.halleonard.com. From the main page,you can navigate to several other areas,including the Vocal page, which has updates about vocal publications. Searches for publications by title or composer are possible at the website. Complete table of contents can be found for many publications on the website. You may order any of the publications in this catalog from any music retailer. Our aim is always to serve the singers and teachers of the world in the very best way possible. -
Mother Goose
2017 2018 SEASON Stéphane Denève, conductor Friday, February 2, 2018 at 10:30AM Christina and Michelle Naughton, pianos Saturday, February 3, 2018 at 8:00PM RAVEL Ma mère l’oye (Mother Goose) Suite (1911) (1875–1937) Pavane de la Belle au bois dormant (Pavane of the Sleeping Beauty) Petit Poucet (Tom Thumb) Laideronnette, Impératrice des pagodes (Laideronnette, Empress of the Pagodas) Les Entretiens de la Belle et de la Bête (Conversations of Beauty and the Beast) Le Jardin féerique (The Enchanted Garden) POULENC Concerto in D minor for Two Pianos and Orchestra (1932) (1899–1963) Allegro ma non troppo Larghetto Finale: Allegro molto Christina and Michelle Naughton, pianos INTERMISSION GUILLAUME CONNESSON Flammenschrift (2012) (b. 1970) RAVEL Valses nobles et sentimentales (1911) Modéré – Assez lent – Modéré – Assez animé – Presque len – Assez vif – Moins vif – Épilogue: lent NO PAUSE RAVEL La Valse (1920) 23 ACKNOWLEDGMENTS The 2017/2018 Classical Series is presented by World Wide Technology, The Steward Family Foundation, and Centene Charitable Foundation. These concerts are presented by FleishmanHillard. These concerts are sponsored by Steinway Piano Gallery. Stéphane Denève is the Felix and Eleanor Slatkin Guest Conductor. Christina and Michelle Naughton are the Bruce Anderson Memorial Fund Guest Artists. The concert of Friday, February 2 is underwritten in part by a generous gift from Cynthia and Bill Durham. The concert of Saturday, February 3 is underwritten in part by a generous gift from Dr. Cora E. Musial. Pre-Concert Conversations are sponsored by Washington University Physicians. 24 GALLIC LIGHTNESS BY RENÉ SPENCER SALLER TIMELINKS “You will find sobriety and sadness in French music just as in German or Russian,” Francis Poulenc observed in 1950. -
11 7 Thseason
2016- 17 (117TH SEASON) Repertoire Bach Cantata No. 150, “Nach Dir, Herr, verlanget Feb. 23-25, 2017 mich”* Violin Concerto No. 1 Mar. 15-16, 2017 Bartók Bluebeard’s Castle Mar. 2-4, 2017 Bates Alternative Energy* Apr. 6-9, 2017 Beethoven Piano Concerto No. 4 Feb. 2-4, 2017 Selections from The Creatures of Prometheus Apr. 6-9, 2017 Symphony No. 2 Dec. 8-10, 2016 Symphony No. 3 (“Eroica”) Mar. 10-12, 2017 Symphony No. 6 (“Pastoral”) Nov. 25-27, 2016 Violin Concerto Nov. 3-5, 2016 Berg Violin Concerto Mar. 10-12, 2017 Berlioz Le Corsaire Overture Oct. 7-8, 2016 Harold in Italy Jan. 26-27, 2017 Symphonie fantastique Sep. 22-24, 2016; Oct. 7-8, 2016 Bernstein Prelude, Fugue, and Riffs Mar. 30-Apr. 1, 2017 Symphony No. 1 (“Jeremiah”) May 3-6, 2017 Brahms Symphony No. 1 Oct. 27-29, 2016 Symphony No. 2 Nov. 3-5, 2016 Symphony No. 3 Feb. 17-19, 2017 Symphony No. 4 Feb. 23-25, 2017 Brahms/transcr. Selections from Eleven Choral Preludes Feb. 23-25, 2017 Glanert (world premiere of transcriptions) Britten War Requiem Mar. 23-25, 2017 Canteloube Selections from Songs of the Auvergne Jan. 12-14, 2017 Chabrier Joyeuse Marche** Jan. 12-14, 2017 – more – January 2016—All programs and artists subject to change. PAGE 2 The Philadelphia Orchestra 2016-17 Season Repertoire Chopin Piano Concerto No. 1 Jan. 19-24, 2017 Piano Concerto No. 2 Sep. 22-24, 2016 Dutilleux Métaboles Oct. 27-29, 2016 Dvořák Symphony No. 8 Mar. 15-16, 2017 Symphony No. -
Alla Zingarese August 5 and 6
Concert Program V: Alla Zingarese August 5 and 6 Friday, August 5 F RANZ JOSEph HAYDN (1732–1809) 8:00 p.m., Stent Family Hall, Menlo School Rondo all’ongarese (Gypsy Rondo) from Piano Trio in G Major, Hob. XV: 25 (1795) S Jon Kimura Parker, piano; Elmar Oliveira, violin; David Finckel, cello Saturday, August 6 8:00 p.m., The Center for Performing Arts at Menlo-Atherton HErmaNN SchULENBURG (1886–1959) AM Puszta-Märchen (Gypsy Romance and Czardas) (1936) PROgram OVERVIEW CharlES ROBERT VALDEZ A lifelong fascination with popular music of all kinds—espe- Serenade du Tzigane (Gypsy Serenade) cially the Gypsy folk music that Hungarian refugees brought to Germany in the 1840s—resulted in some of Brahms’s most ANONYMOUS cap tivating works. The music Brahms composed alla zinga- The Canary rese—in the Gypsy style—constitutes a vital dimension of his Wu Han, piano; Paul Neubauer, viola creative identity. Concert Program V surrounds Brahms’s lusty Hungarian Dances with other examples of compos- JOHANNES BrahmS (1833–1897) PROGR ERT ers drawing from Eastern European folk idioms, including Selected Hungarian Dances, WoO 1, Book 1 (1868–1869) C Hungarian Dance no. 1 in g minor; Hungarian Dance no. 6 in D-flat Major; the famous rondo “in the Gypsy style” from Joseph Haydn’s Hungarian Dance no. 5 in f-sharp minor G Major Piano Trio; the Slavonic Dances of Brahms’s pro- Wu Han, Jon Kimura Parker, piano ON tégé Antonín Dvorˇák; and Maurice Ravel’s Tzigane, a paean C to the Hun garian violin virtuoso Jelly d’Arányi. -
Ravel Bolero / La Valse / Rapsodie E. Spagnole / Alborada Del Gracioso / Gaite Parisienne / Danse Macabre / the Sorcerer's Apprentice Mp3, Flac, Wma
Ravel Bolero / La Valse / Rapsodie E. Spagnole / Alborada Del Gracioso / Gaite Parisienne / Danse Macabre / The Sorcerer's Apprentice mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Bolero / La Valse / Rapsodie E. Spagnole / Alborada Del Gracioso / Gaite Parisienne / Danse Macabre / The Sorcerer's Apprentice Country: Netherlands Released: 1984 MP3 version RAR size: 1550 mb FLAC version RAR size: 1316 mb WMA version RAR size: 1985 mb Rating: 4.3 Votes: 555 Other Formats: WAV AIFF MIDI MP4 ADX MMF DXD Tracklist Hide Credits A1 Bolero 13:50 A2 La Valse 12:58 Rapsodie Espagnole (15:46) B1 I. Prelude A La Nuit B2 II. Malaguena B3 III. Habanera B4 IV. Feria B5 Alborada Del Gracioso 8:43 C1 Gaite Parisienne (Beginning) 24:00 Gaite Parisienne (Conclusion) D1 6:20 Arranged By – Rosenthal* D2 Danse Macabre 6:35 D3 The Sorcerer's Apprentice 11:34 Credits Composed By – Saint-Saëns* (tracks: D2), Offenbach* (tracks: C1, D1), Ravel* (tracks: A1 to B5), Kukas* (tracks: D3) Conductor – Lorin Maazel Orchestra – Orchestre National De France Barcode and Other Identifiers Label Code: LC0149 Related Music albums to Bolero / La Valse / Rapsodie E. Spagnole / Alborada Del Gracioso / Gaite Parisienne / Danse Macabre / The Sorcerer's Apprentice by Ravel Ravel, Leonard Bernstein, L'Orchestre National De France - Bolero / La Valse / Alborada Del Gracioso Ravel, Saint-Saëns, Dukas, Detroit Symphony Orchestra - Musical Rendezvous Presents Bolero/ La Valse/ Danse Macabre / The Sorcerer's Apprentice Ravel - The Cleveland Orchestra, Boulez - Daphnis -
SAN DIEGO SYMPHONY ORCHESTRA a JACOBS MASTERWORKS CONCERT Fabien Gabel, Conductor
SAN DIEGO SYMPHONY ORCHESTRA A JACOBS MASTERWORKS CONCERT Fabien Gabel, conductor May 4 and 6, 2018 LEONARD BERNSTEIN Three Dance Variations from Fancy Free Galop Waltz Danzon LEONARD BERNSTEIN Serenade (After Plato’s “Symposium”) Phaedrus—Pausanias: Lento – Allegro Aristophanes: Allegretto Erixymachus: Presto Agathon: Adagio Socrates—Alcibiades: Molto tenuto – Allegro molto Simone Lamsma, violin INTERMISSION RICHARD STRAUSS Suite from Der Rosenkavalier, Op. 59 JACQUES OFFENBACH Selections from Gaîté parisienne Arr. Manuel Rosenthal Ouverture No. 1: Allegro brillante No. 2: Polka No. 6: Allegro No. 8: Valse Lente No. 10: Valse Moderato No. 13: Allegro molto No. 15: Allegro No. 16: Cancan No. 22: Vivo Three Dance Variations from Fancy Free LEONARD BERNSTEIN Born August 25, 1918, Lawrence, MA Died October 14, 1990, New York City Some musical geography is necessary here, because the situation can be confusing. In the fall of 1943, the 25-year-old Leonard Bernstein became an overnight sensation when he replaced an ailing Bruno Walter and led a nationally-broadcast concert by the New York Philharmonic. At exactly the same moment, choreographer Jerome Robbins approached Bernstein and proposed that he write a ballet about three sailors on leave in New York City. This became Fancy Free, Bernstein’s first ballet, and it was premiered at the Metropolitan Opera on April 18, 1944. That summer, Bernstein’s friend, the lyricist Adolph Green, suggested to the young composer that the situation of the ballet – three sailors on leave in New York City – could be made into a musical. Bernstein quickly composed the music, and On the Town opened on Broadway in December 1944 and ran for 463 performances. -
Discoveries from the Fleisher Collection Listen to WRTI 90.1 FM Philadelphia Or Online at Wrti.Org
Next on Discoveries from the Fleisher Collection Listen to WRTI 90.1 FM Philadelphia or online at wrti.org. Encore presentations of the entire Discoveries series every Wednesday at 7:00 p.m. on WRTI-HD2 Saturday, August 4th, 2012, 5:00-6:00 p.m. Claude Debussy (1862-1918). Danse (Tarantelle styrienne) (1891, 1903). David Allen Wehr, piano. Connoiseur Soc 4219, Tr 4, 5:21 Debussy. Danse, orch. Ravel (1923). Philharmonia Orchestra, Geoffrey Simon. Cala 1024, Tr 9, 5:01 Maurice Ravel (1875-1937). Shéhérazade (1903). Anne Sofie von Otter, mezzo-soprano, Cleveland Orchestra, Pierre Boulez. DG 2121, Tr 1-3, 17:16 Ravel. Introduction and Allegro (1905). Rachel Masters, harp, Christopher King, clarinet, Ulster Orchestra, Yan Pascal Tortelier. Chandos 8972, Tr 7, 11:12 Debussy. Sarabande, from Pour le piano (1901). Larissa Dedova, piano. Centaur 3094, Disk 4, Tr 6, 4:21 Debussy. Sarabande, orch. Ravel (1923). Ulster Orchestra, Yan Pascal Tortelier. Chandos 9129, Tr 2, 4:29 This time, he’d show them. The Paris Conservatoire accepted Ravel as a piano student at age 16, and even though he won a piano competition, more than anything he wanted to compose. But the Conservatory was a hard place. He never won the fugue prize, never won the composition prize, never won anything for writing music and they sent him packing. Twice. He studied with the great Gabriel Fauré, in school and out, but he just couldn’t make any headway with the ruling musical authorities. If it wasn’t clunky parallelisms in his counterpoint, it was unresolved chords in his harmony, but whatever the reason, four times he tried for the ultimate prize in composition, the Prix de Rome, and four times he was refused. -
A Study of Ravel's Le Tombeau De Couperin
SYNTHESIS OF TRADITION AND INNOVATION: A STUDY OF RAVEL’S LE TOMBEAU DE COUPERIN BY CHIH-YI CHEN Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University MAY, 2013 Accepted by the faculty of the Jacobs School of Music, Indiana University, in partial fulfillment of the requirements for the degree Doctor of Music ______________________________________________ Luba-Edlina Dubinsky, Research Director and Chair ____________________________________________ Jean-Louis Haguenauer ____________________________________________ Karen Shaw ii ACKNOWLEDGEMENTS I would like to express my tremendous gratitude to several individuals without whose support I would not have been able to complete this essay and conclude my long pursuit of the Doctor of Music degree. Firstly, I would like to thank my committee chair, Professor Luba Edlina-Dubinsky, for her musical inspirations, artistry, and devotion in teaching. Her passion for music and her belief in me are what motivated me to begin this journey. I would like to thank my committee members, Professor Jean-Louis Haguenauer and Dr. Karen Shaw, for their continuous supervision and never-ending encouragement that helped me along the way. I also would like to thank Professor Evelyne Brancart, who was on my committee in the earlier part of my study, for her unceasing support and wisdom. I have learned so much from each one of you. Additionally, I would like to thank Professor Mimi Zweig and the entire Indiana University String Academy, for their unconditional friendship and love. They have become my family and home away from home, and without them I would not have been where I am today. -
THE BALDWIN PIANO COMPANY * Singing Boys of Norway Springfield (Mo.) Civic Symphony Orchestra St
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org Each artist has his own reason for choosing Baldwin as the piano which most nearly approaches the ever-elusive goal of perfection. As new names appear on the musical horizon, an ever-increasing number of them are joining their distinguished colleagues in their use of the Baldwin. Kurt Adler Cloe Elmo Robert Lawrence Joseph Rosenstock Albuquerque Civic Symphony Orchestra Victor Alessandro Daniel Ericourt Theodore Lettvin Aaron Rosand Atlanta Symphony Orchestra Ernest Ansermet Arthur Fiedler Ray Lev Manuel Rosenthal Baton Rouge Symphony Orchestra Claudio Arrau Kirsten Flagstad Rosina Lhevinne Jesus Maria Sanroma Beaumont Symphony Orchestra Wilhelm Bachaus Lukas Foss Arthur Bennett Lipkin Maxim Schapiro Berkshire Music Center and Festival Vladimir Bakaleinikoff Pierre Fournier Joan Lloyd George Schick Birmingham Civic Symphony Stefan Bardas Zino Francescatti Luboshutz and Nemenoff Hans Schwieger Boston "Pops" Orchestra Joseph Battista Samson Francois Ruby Mercer Rafael Sebastia Boston Symphony Orchestra Sir Thomas Beecham Walter Gieseking Oian Marsh Leonard Seeber Brevard Music Foundation Patricia Benkman Boris Goldovsky Nino Martini Harry Shub Burbank Symphony Orchestra Erna Berger Robert Goldsand Edwin McArthur Leo Sirota Central Florida Symphony Orchestra Mervin Berger Eugene Goossens Josefina Megret Leonard Shure Chicago Symphony Orchestra Ralph Berkowitz William Haaker Darius Milhaud David Smith Pierre Bernac Cincinnati May Festival Theodor Haig -
Michael Davison, Trumpet, and Russell Wilson, Piano Department of Music, University of Richmond
University of Richmond UR Scholarship Repository Music Department Concert Programs Music 2-21-1988 Michael Davison, trumpet, and Russell Wilson, piano Department of Music, University of Richmond Follow this and additional works at: https://scholarship.richmond.edu/all-music-programs Part of the Music Performance Commons Recommended Citation Department of Music, University of Richmond, "Michael Davison, trumpet, and Russell Wilson, piano" (1988). Music Department Concert Programs. 800. https://scholarship.richmond.edu/all-music-programs/800 This Program is brought to you for free and open access by the Music at UR Scholarship Repository. It has been accepted for inclusion in Music Department Concert Programs by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND Department of Music Michael Davison, trumpet Russell Wilson, piano February 21, 1988 North Court Recital Hall 3:00PM Next: Richard Becker, Plano March 13, 1988, 3:00 PM North Court Recital Hall Concerto for Trumpet and Piano Henri Tomasi (1901-1971) Allegro et Cadence Nocturne: Andantino Final: Giocoso allegro Menuet Antique, for Piano Maurice Ravel (1875-1937) Solus for Unaccompanied Trumpet Stan Friedman (b. 1951) ***Intermission*** Jazzberries, for Trumpet, Piano, and Cello William Schmidt (b. 1926) Raspberry Riffs Blackberry Blues Boysenberry Boogie Strawberry Jam with: Charlotte Lucy, cello God Bless The Child Billie Holiday (1915-1959) and Arthur Herzog Leap Frog Michael A. Davison (b. 1957) Ain't Misbehavin' Thomas Waller (1904-1943) and Harry Brooks (1895-1970) arranged by Paul Severson Additional Personnel for God Bless The Child and Leapfrog: Al Waters, tenor saxophone David Boggs, bass Skip Urrnson, drums for Ain't Misbehavin': Al Waters, clarinet Tom Anderson, trombone David Boggs, bass Skip Urrnson, drums ********** Reception Immediately following the recital In the lounge on the first floor of the Modlin Fine Arts Building.