Boston Symphony Orchestra Concert Programs, Season 108, 1988-1989
9fi Natl ess *£ IH f iMMHHl BOSTON SYMPHONY CHAMBER PLAYERS Sunday, February 5, 1989, at 3:00 p.m. at Jordan Hall BOSTON SYMPHONY CHAMBER PLAYERS Malcolm Lowe, violin Harold Wright, clarinet i j Burton Fine, viola Sherman Walt, bassoon Jules Eskin, cello Charles Kavalovski, horn M Edwin Barker, double bass Charles Schlueter, trumpet SH gK£*!S Doriot Anthony Dwyer, flute Ronald Barron, trombone m Wm Alfred Genovese, oboe Everett Firth, percussion with guest artists GILBERT KALISH, piano LAWRENCE ISAACSON, trombone clarinet PRESS, percussion PETER HADCOCK, ARTHUR ^flilHH lH mi* '^.v.' RICHARD PLASTER, bassoon FRANK EPSTEIN, percussion Ml . TIMOTHY MORRISON, trumpet ROSEN, celesta JEROME JH H Hi BSS LEON KIRCHNER, conductor Hi PISTON Quintet for Wind Instruments aflMnCc HH H #Bt«3P'j Hi HI Animato Con tenerezza Scherzando Allegro comodo Ms. DWYER, Mr. GENOVESE, Mr. HADCOCK, Mr. WALT, and Mr. KAVALOVSKI KIRCHNER Concerto for Violin, Cello, Ten Winds, and Percussion (in two movements) Messrs. LOWE and ESKIN; Ms. DWYER; Messrs. GENOVESE, HADCOCK, WALT, PLASTER, KAVALOVSKI, SCHLUETER, MORRISON, BARRON, ISAACSON, FIRTH, PRESS, EPSTEIN, and ROSEN LEON KIRCHNER, conductor HI Hi^HB OTH INTERMISSION HHHH FAURE Quartet No. 1 in C minor for piano and strings, Opus 15 WtmHHSSm Allegro molto moderato Scherzo: Allegro vivo Adagio Allegro molto I Messrs. KALISH, LOWE, FINE, and ESKIN -BHHHflntflElflfli • <&& Baldwin piano Nonesuch, DG, RCA, and New World records tSHHIS WHliHill The Boston Symphony Orchestra gratefully acknowledges the support of the National Endow- &<- ment for the Arts, and of the Massachusetts Council on the Arts and Humanities, a state agency. Walter Piston Quintet for Wind Instruments Early in his career, Walter Piston began a woodwind quintet that he left unfinished in frustration at the inherent technical problems of the medium—the recalcitrant indi- viduality of the five voices, with their different techniques and their very different sonorities, which could never quite be made to blend.
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