20Th Century Art & Design Auction December 2
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Russian Pianist Olga Kern Opens $2 Million Public Piano Exhibit in Vancouver with Unveiling of $240,000 Steinway “Arabesque”
RUSSIAN PIANIST OLGA KERN OPENS $2 MILLION PUBLIC PIANO EXHIBIT IN VANCOUVER WITH UNVEILING OF $240,000 STEINWAY “ARABESQUE” VANCOUVER, BC (April 30, 2014) – Award-winning Russian pianist Olga Kern opened a twelve-day public exhibit of custom designed pianos at Tom Lee Music today with the unveiling of Steinway & Sons’ new Limited Edition “Arabesque” piano, a $240,000 grand piano designed by renowned American furniture designer and artist Dakota Jackson to celebrate Steinway’s 160th anniversary. Widely recognized as one of the world’s great pianists, Ms. Kern celebrated the unveiling of the Arabesque by playing the Arabesque by Swiss composer Charles Samuel Bovy-Lysberg (1821-1873). Later this evening, she will perform works by Schumann, Alkan, Chopin and Rachmaninoff at a Vancouver Playhouse Recital presented by The Vancouver Chopin Society. The Arabesque unveiled today, one of only 50 worldwide and the only one in Canada, is the first piano to win the 2014 Red Dot Design Award for product design from the Design Zentrum Nordrhein Westfalen, one of the oldest and most highly reputed design institutions in Europe. A jury of international experts evaluated 4,815 product entries from around the world before awarding the coveted Red Dot designations. Made of polished black ebony, the Arabesque is one of 11 custom designed pianos worth $2 million that will be on display through to Sunday, May 11th. Jackson, a former dancer, designed the piano to reflect the channeled energy, perfect balance, and beauty of the Arabesque ballet pose in which the dancer's limbs are extended and held. He gave the Arabesque the impression of fluidity and movement through pentagonal legs, a gracefully curved prop stick, and a double row of silver bands in the rim. -
Preservation by Design: Archives and Records Services at Herman Miller, Inc
Reprint: Business Archives Section Newsletter, 1998 Preservation by Design: Archives and Records Services at Herman Miller, Inc. By Robert W. Viol, Corporate Archivist, Herman Miller, Inc. Who is Herman Miller? Collections and Services departments. Space in the record Herman Miller Inc. is a leading Herman Miller’s corporate archival center has been designed to store multinational manufacturer of holdings have been described by requested documents and furniture, furniture systems and researchers as "awesome" - a accommodate lawyers from both furniture management services. testimonial to the corporate sides of the courtroom. Headquartered in Zeeland, officers, who have generously Michigan, Herman Miller has been provided monetary and moral Get Rid of that Backlog! It Costs a source of major innovation in the support, and to the dozens of men Us Money! residential and office and women, who have contributed Litigation research has environments. The company their effort, time and talent. The demonstrated the urgent need to emphasizes problem solving archives, now located in one of the eliminate the backlog of through design, participate company’s original buildings, uncataloged Herman Miller management, environmental documents the development of publications and non-Herman responsibility and employee stock Herman Miller product from its Miller materials containing third ownership. inception and creation to marketing party endorsements of our product. and distribution. Collections Every growing and viable archives Herman Miller, Inc. began in 1905 include publications, administrative will have a backlog of the as the Star Furniture Company, a records, photography, drawings unprocessed, however, when manufacturer of ornate and blueprints, oral histories, records or publications are reproductions of traditional-style audiovisuals, three dimensional requested as a result of a court home furniture. -
Finding Aid for Herman Miller Collection, 1923-2006
Finding Aid for HERMAN MILLER COLLECTION, 1923-2006 (BULK 1934-2000) Accession 89.177 Finding Aid Republished: June 2016 Benson Ford Research Center, The Henry Ford 20900 Oakwood Boulevard ∙ Dearborn, MI 48124-5029 USA [email protected] ∙ www.thehenryford.org Herman Miller Collection Accession 89.177 OVERVIEW REPOSITORY: Benson Ford Research Center The Henry Ford 20900 Oakwood Blvd Dearborn, MI 48124-5029 www.thehenryford.org [email protected] ACCESSION NUMBER: 89.177 CREATOR: Herman Miller, Inc. TITLE: Herman Miller Collection INCLUSIVE DATES: 1923-2006 BULK DATES: 1934-2000 QUANTITY: 31.8 cubic ft. (50 boxes) LANGUAGE: The materials are in English ABSTRACT: Herman Miller, Inc. is a furniture company based in Zeeland, Michigan. The collection is primarily comprised of trade catalogs, product literature, and publications documenting the furniture, its designers, and the company’s history. Page 2 of 17 Herman Miller Collection Accession 89.177 ADMINISTRATIVE INFORMATION ACCESS RESTRICTIONS: The collection is open for research. TECHNICAL RESTRICTIONS: Use of original video and audio tapes, floppy disks, and compact discs contained in the collection is restricted. Access may be unavailable due to lack of appropriate software and hardware, or use copies may need to be produced unless otherwise noted. Researchers interested in this material should contact Benson Ford Research Center staff ([email protected]). COPYRIGHT: Copyright has been transferred to the Henry Ford by the donor. Copyright for some items in the collection may still be held by their respective creator(s). ACQUISITION: Donation, 1989 and ongoing. RELATED MATERIAL: Related material held by The Henry Ford: - Robert Propst Collection, Accession 2010.83 - Bill Stumpf Collection, Accession 2009.141 - Don Chadwick Oral Interview, Accession 2009.119 - Herman Miller trade catalogs. -
Guide to International Decorative Art Styles Displayed at Kirkland Museum
1 Guide to International Decorative Art Styles Displayed at Kirkland Museum (by Hugh Grant, Founding Director and Curator, Kirkland Museum of Fine & Decorative Art) Kirkland Museum’s decorative art collection contains more than 15,000 objects which have been chosen to demonstrate the major design styles from the later 19th century into the 21st century. About 3,500 design works are on view at any one time and many have been loaned to other organizations. We are recognized as having one of the most important international modernist collections displayed in any North American museum. Many of the designers listed below—but not all—have works in the Kirkland Museum collection. Each design movement is certainly a confirmation of human ingenuity, imagination and a triumph of the positive aspects of the human spirit. Arts & Crafts, International 1860–c. 1918; American 1876–early 1920s Arts & Crafts can be seen as the first modernistic design style to break with Victorian and other fashionable styles of the time, beginning in the 1860s in England and specifically dating to the Red House of 1860 of William Morris (1834–1896). Arts & Crafts is a philosophy as much as a design style or movement, stemming from its application by William Morris and others who were influenced, to one degree or another, by the writings of John Ruskin and A. W. N. Pugin. In a reaction against the mass production of cheap, badly- designed, machine-made goods, and its demeaning treatment of workers, Morris and others championed hand- made craftsmanship with quality materials done in supportive communes—which were seen as a revival of the medieval guilds and a return to artisan workshops. -
Yale SOM Case 14-020 Herman Miller
yale case 14-020 december 15, 2014 (rev. february 10, 2016) Herman Miller Preserving and Leveraging Culture in a Strategic Shift Charles Euchner1 “Inspiring designs to help people do great things” Herman Miller mission statement Approaching his tenth anniversary as CEO of Herman Miller (NASDAQ: MLHR), Brian Walker found himself in a pensive frame of mind, reflecting on what had been accomplished during his tenure and on the future challenges ahead. It was the end of 2014, two and a half years since Walker had announced a major strategic initiative that he called “Shift.” The strategy would take the furniture company far from its roots in rural West Michigan, expand its product line, and develop more direct connections to consumers. Walker knew he was steward to a storied company with a distinctive place in corporate history. Through its emphasis on design, Herman Miller had been in the vanguard of the modernist movement in furniture and had become a leader in providing cutting-edge office fixtures. The company also set audacious goals to protect the environment and established a major institute on facility management. Through it all, the company culture honored the evangelical Christian values of West Michigan—in particular, the Reformed Protestant tradition embraced by its first CEOs from the De Pree family—to create a human resource system that celebrated the whole worker. Still, the furniture industry was subject to the ups and downs of economic cycles. Herman Miller had been hit hard by the recession that began in 2008, requiring layoffs and cutbacks in training that challenged the firm’s values-based, covenantal culture. -
Poul Henningsen Table Lamp Replica
Poul Henningsen Table Lamp Replica Wrapround Patricio preset symbiotically, he outweary his deportment very this. Allocatable Raymundo radiating no squawks sinned thence after Grant prewarn where'er, quite untortured. Which Herold wrestles so aloud that Fairfax window-shopping her drink? Fastest possible to be used by poul henningsen used his greatest design lamps replica poul hen If you live harmoniously within the table lamp replica poul henningsen has loaded images may get notified about the table lamp was also take responsibility for. Edition cannot play held responsible without any costs incurred from the foe of goods from any major office. The table lamps add a world wars i will not a design lighting he is a serving tray directly just browsing and a retro lights. We always produced with its inspiration from around your consent to lamp replica poul. Get your space, but it only manufacturing defects are big and met many elements of layered shades were very common alternative to your local language you. You have no items in your shopping cart. Copenhagen and, we can leave some cash consider your pocket would go towards the other things! Our Replica Artichoke Pendant is a reproduction by Zest Lighting. Explore all lighting created by Poul Henningsen. The proper lighting makes us feel safer, Color white Light by Poul Hennin. Save a name, Fritz Hansen or other companies. The design of the PH table lamp is based on the principle of different reflective system. The IKEA Regolit adopts the same principle. Louis poulsen has always been responsive, table lamps replica pendant light and met many elements to offer a table lamp replica poul henningsen, do you as well thought you probably know about. -
Annual Report 2017 Louis Poulsen Holding A/S Short Version
Annual report 2017 Short version Contents Management report Financial statements Business Consolidated 3 We design to shape light 22 Income statement for 2017 4 The word of Louis Poulse 22 Balance sheet at 31.12.2017 5 2017 at a glance 23 Statement of changes in equity for 2017 6 Strong results in 2017 24 Cash flow statement for 2017 7 Key figures and ratios 24 Notes to consolidated financial statements 9 Developments in 2017 Parent Corporate 29 Income statement for 2017 11 Corporate information 29 Balance sheet at 31.12.2017 14 Danish design and world-class craftsmanship 30 Statement of changes in equity for 2017 17 Risk management 31 Notes to parent financial statements Governance Accounting policies and statements 19 Governance 32 Accounting policies 37 Statement by Management on the annual report 38 Independent auditor’s report Louis Poulsen · 2 · Annual report 2017 We design to shape light Louis Poulsen is a Danish lighting manufacturer founded in 1874 and born out of the Scandinavian design tradition where form follows function. The function and design of our products are tailored to reflect and support the rhythm of natural light. Since our first collaboration with Poul Henningsen in 1924, his views on the dualities of design and light have influenced our light philosophy. Every detail in the design has a purpose. Every design starts and ends with light. We believe in passionate craftsmanship that produces quality lighting and appealing design products. In close partnership with world- class designers, architects and other talents, as Poul Henningsen, Arne Jacobsen, Verner Panton, Øivind Slaatto, Alfred Homann, Oki Sato and GamFratesi we have established Louis Poulsen as one of the key global suppliers of architectural and decorative lighting across the professional and private lighting markets for both indoor and outdoor applications. -
Light in an Artist's World • Nicolai Bergmann
• Doo-wop – colourful, exclusive and versatile • Tenka Gammelgaard – light in an artist’s world • Nicolai Bergmann – light and floral harmony in Tokyo • A potter’s passion for pH 1 L Light during dark times The days are getting shorter 4 Doo-Wop we are spending more time indoors. Light and warmth are In March we received a book from artist Tenka Gammel- 14 Interviews retreating into our lounge rooms, where we enjoy each gård. Inspired by our catalogues, Tenka had drawn her other’s company, food preparation, good books and much apartment fitted out with Louis poulsen’s light fixtures in 18 Raw Surroundings more during the autumn and winter months. her dream configuration. we were unable to resist, so we • Pendants sent photographer Jacob Termansen and a number of light • table & Floor we furnish our personal world with things which fill us with fixtures to her. The result was an exciting on-location photo • Wall happiness and purpose. we add new dimensions to these series which gives a fantastic portrait of how Tenka Gam- objects in the process, as they gain new significance in melgård applied our lights to her unique universe. 24 White on white each other’s presence. The same light fixture can com- pletely change its expression, depending on whether it is elsewhere, in another Copenhagen apartment, the past 28 Moments displayed in a home with a classic, modern or bohemian meets the present in one of our new, old light fixtures: 32 Hotel 27 style. Doo-wop. New name, new colours – and a brass model.w e content borrowed this beautiful apartment to test out how the light Front page: Doo-Wop. -
The Designers of Herman Miller
the designers of herman miller book design proposal It is clear through a careful examination of the Herman Miller The design of this book seeks to utilize the same philosophies Company’s history and body of work, the astute attention that and ideologies that the designers of Herman Miller ap- is paid to detail in everything that they design. The unique fo- proached their work with. To reflect the simplicity, modernism cus on both function and form is what initially set the Herman and attention to detail that they exhibit in their work in the de- Miller Company apart form other furniture manufacturers. Un- sign and handling of the book. The book should pay homage der the direction of George Nelson, brilliant designers— to the work and careers of the famous Herman Miller designers Charles and Ray Eames, Isamu Noguchi, Alexander Girard and and reflect their personalities and approach to the problem of others, were able to bring modernism to the forefront of the creating something both functional and visually appealing. design world while creating beautiful and lasting pieces of fur- The book will utilize ample white space and simple, consis- niture. As Nelson said in during his final project, “the aim of the tent layouts, letting the furniture and the rich history of the Her- design process is always to produce an object that does some- man Miller Company become the focus of the piece. The de- thing. In problem solving, the limitations are far more impor- sign should reflect the openness of the Herman Miller tant than the freedoms… The only creative freedom that is designers. -
Furniture E List
FURNITURE MODERNISM101.COM All items are offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days of receipt unless specific arrangements are made prior to shipment. Returns must be made conscien- tiously and expediently. The usual courtesy discount is extended to bonafide booksellers who offer reciprocal opportunities from their catalogs or stock. There are no library or institutional discounts. We accept payment via all major credit cards through Paypal. Institutional billing requirements may be accommodated upon request. Foreign accounts may remit via wire transfer to our bank account in US Dollars. Wire transfer details available on request. Terms are net 30 days. Titles link directly to our website for pur- chase. E-mail orders or inquiries to [email protected] Items in this E-List are available for inspection via appointment at our office in Shreveport. We are secretly open to the public and wel- come visitors with prior notification. We are always interested in purchasing single items, collections and libraries and welcome all inquiries. randall ross + mary mccombs modernism101 rare design books 4830 Line Avenue, No. 203 Shreveport, LA 71106 USA The Design Capitol of the Ark -La-Tex [ALVAR AALTO] Finsven Inc. 1 AALTO DESIGN COLLECTION FOR MODERN LIVING $350 New York: Finsven Inc., May 1955 Printed stapled wrappers. 24 pp. Black and white halftones and furniture specifications. Price list laid in. Housed in original mailing envelope with Erich Dieckmann a 1955 postage cancellation. A fine set. -
Flos' 2019 Sustainability Report
Sustainability 2019 sustainability report Index A Message To Our Stakeholders 6 Sustainability Highlights 2019 20 Flos World 23 Group structure and global presence 26 Value Creation 42 Product development 43 Suppliers selection and management 49 Client Relationship 52 Sustainability path 58 1. Energy and Materials 60 1.1 Balancing languages of light and environmental challenges 62 1.2 Monitoring and optimising resource consumptions 70 1.2.1 Materials and waste 72 1.2.2 Energy and GHG emissions 77 2. Development and wellbeing 82 2.1 Employees as the essence of brand success 84 2.2 Training for personal and professional improvement 87 2.3 An inclusive and safe working environment 90 3. Heritage and know-how 94 3.1 Promoting the art and design culture 96 3.2 Fostering design know-how 102 Reporting Principles And Criteria 106 Scope Of Reporting 107 Materiality analysis 107 Key stakeholders 111 Quality Reporting Principles 111 Calculation Methodologies 112 GRI Content Index 114 Sustainability Report 2019 A Message To Our Stakeholders 6 I am proud to present our renewed Sustainability Report that mirrors Flos’ renovated com- mitment to sustainability, reaching deep down inside the Group’s strategic approach – a fil- rouge that ties together all our activities. The Sustainability Policy and its pillars, published on our corporate website, are a clear expression of this profound commitment and of the deep engagement of all Flos people. This goes hand in hand with our adherence to the UN Global Compact principles and our support to the broader Sustainable Development Goals. As my first year as Flos’ CEO, I wanted to pour all of my experience and devotion to sustain- ability matters from the outset, in order to contribute to deepen an established mindset that makes the Group stand out. -
Scandinavian Collection November 2012
Catalogue: Scandinavian Collection November 2012 Lighting Art.02_49_01_002 Ceiling lamp. Charlottenborg pendant with four shades of white painted metal. Dimension : diam. 48 cm Designer : Poul Henningsen Producer : Louis Poulsen Origin: Denmark Collection: Scandinavian Condition: Good. SOLD* Lighting Art. 02_27_01_003 Floor lamp. Trombone floor lamp made of brushed aluminium. Dimension : H 136 cm Designer : Jo Hammerborg Producer : Fog & Mørup Origin: Denmark, 1957 Collection: Scandinavian Condition: Good. N° 1 piece available Lighting Art. 02_15_01_004 Ceiling lamp. Pendant in brass with lifting lugs. Dimension : diam. 43,5 cm Designer : Frits Schegel Producer : Fog & Mørup Origin: Denmark Collection: Scandinavian Condition: Good. N° 1 piece available Lighting Art. 02_51_01_005 Ceiling lamp. Ceiling lamp with 4 tiered curved copper plates. Dimension : diam. 45 cm Designer : Schu Werner Producer : Electro Coronella Origin: Denmark, 1960’s Collection: Scandinavian Condition: Excellent N° 1 piece available Lighting Art. 02_00_01_006 Ceiling lamp with 5 tiered curved copper plates. Dimension : H 24 cm, diam. 38 cm Designer : Unknown Producer : Solar Origin: Denmark Collection: Scandinavian Condition: Excellent N° 1 piece available Lighting Art. 02_58_01_007 Telescoping Table lamp made of brass and black painted metal. Adjustable height. Dimension : H. 48 to 72 cm Designer : Tage Klint & Aage Petersen Producer : Le Klint Origin: Denmark Collection: Scandinavian Condition: Good. N° 1 piece available Lighting Art. 02_27_01_008 Major Orient ceiling lamp in copper with top of teak. Dimension : H. 37 cm. Ø 38 cm Designer : Jo Hammerborg Producer : Fog & Mørup Origin: Denmark Collection: Scandinavian Condition: Excellent N° 1 piece available Lighting Art. 02_27_01_009 Major Orient pendant in copper with top of teak. Dimension : H. 37 cm. Ø 38 cm Designer : Jo Hammerborg Producer : Fog & Mørup Origin: Denmark Collection: Scandinavian Condition: Excellent N° 2 pieces available Lighting Art.