DOCSLIB.ORG

Gifts and Benefits Register

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Gifts and Benefits Register Gifts and Benefits Register: for the period from 1 Janaury 2021 to 31 March 2021 In the course of official duties, officials of the Australia Council received the following gifts and/or benefits where the value exceeded $A100 (excluding GST) Estimated value in $A (wholesale value in country Date recorded Gift received date Gift item/benefit Received by title Presented by (donor’s name, organisation/ country) Occasion of origin or current market value in Australia) 31/03/2021 27/02/2021 1 x ticket to A Midsummer Night's Dream CEO Adelaide Festival Opening Night $249.00 31/03/2021 3/03/2021 2 x tickets to Hamilton CEO Sydney Lyric Theatre Opening Night $590.91 26/03/2021 23/03/20214 x tickets to Lior Solo Head of Sector Development Castlemaine State Festival Performance $181.82 25/03/2021 24/03/20212 x tickets to opening night of Stop Girl Head of Theatre Belvoir Performance $145.45 25/03/2021 25/02/20212 x tickets to Playing Beatie Bow Head of Theatre Sydney Theatre Company Performance $174.55 25/03/2021 9/01/20212 x tickets to opening of Queen Fatima Head of Theatre National Theatre of Parramatta Performance $109.09 23/03/2021 26/03/20212 x tickets to La Traviata Director, Arts Investment Analysis Opera Australia Opening night $363.64 23/03/2021 1/03/20212 x tickets Melbourne Symphony Orchestra Concert Executive Director, Arts Investment Melbourne Symphony Orchestra Performance $181.82 23/03/2021 26/02/20212 x tickets to Handel's Rome concert Director, Arts Investment Analysis Australian Brandenburg Orchestra Opening night $227.27 23/03/2021 22/02/20212 x tickets to Tosca Director, Arts Investment Analysis Opera Australia Opening night $181.82 12/03/2021 13/02/20212 x tickets to The Pass International Market Adviser, North Asia Seymour Centre Mardi Gras $90.91 8/03/2021 19/03/20212 x tickets to Appropriate Director, Multi-Year Investment Sydney Theatre Company Performance $181.82 4/03/2021 26/03/20212 x tickets to La Traviata Director, Multi-Year Investment Opera Australia Performance $363.64 4/03/2021 26/02/20211 x ticket to Opera in the Park Board Member Western Australian Opera Opera in the Park $136.36 22/02/2021 19/02/20212 x tickets to Opening night of Appropriate Executive Director, Advocacy and Development Sydney Theatre Company Opening night $181.82 22/02/2021 19/02/20212 x tickets to Opening night of Appropriate Executive Director, Aboriginal Torres Strait Islander Arts Sydney Theatre Company Opening night $181.82 12/02/2021 1/03/20212 x tickets to Bluebeard's Castle Director, Multi-Year Investment Opera Australia Performance $181.82 12/02/2021 22/02/20212 x tickets to Tosca Director, Multi-Year Investment Opera Australia Performance $181.82 11/02/2021 25/02/20212 x tickets to Playing Beatie Bow Director, Multi-Year Investment Sydney Theatre Company Performance $174.55 11/02/2021 5/02/20212 x tickets to Summertime Ballet Executive Director, Arts Investment Australian Ballet Australian Summertime Ballet $318.18 9/02/2021 2/02/20212 x tickets to Ernani Executive Director, Arts Investment Opera Australia Sector Event $136.36 4/02/2021 2/02/20212 x tickets to Ernani Manager, Multi-Year Investment Opera Australia Opening Night $272.73 15/01/2021 2/02/20212 x tickets to Ernani Director, Multi-Year Investment Opera Australia Sector event $272.73.
Load more

Recommended publications
  • BAM Presents the Sydney Theatre Company Production of Tennessee Williams’ a Streetcar Named Desire, Nov 27–Dec 20
    BAM presents the Sydney Theatre Company production of Tennessee Williams’ A Streetcar Named Desire, Nov 27–Dec 20 Production marks U.S. directorial debut of Liv Ullmann and features Cate Blanchett as Blanche DuBois, Joel Edgerton as Stanley, and Robin McLeavey as Stella The Wall Street Journal is the Presenting Sponsor of A Streetcar Named Desire A Streetcar Named Desire By Tennessee Williams Sydney Theatre Company Directed by Liv Ullmann Set design by Ralph Myers Costume design by Tess Schofield Lighting design by Nick Schlieper Sound design by Paul Charlier BAM Harvey Theater (651 Fulton St) Nov 27 and 28, Dec 1*, 2, 3**, 4, 5, 8–12, 15–19 at 7:30pm Nov 28, Dec 2, 5, 9, 12, 16, and 19 at 2pm Nov 29, Dec 6, 13, and 20 at 3pm Tickets: $30, 65, 95 (Tues–Thurs); $40, 80, 120 (Fri–Sun) 718.636.4100 or BAM.org *press opening **A Streetcar Named Desire: Belle Rêve Gala (performance begins at 8pm) Artist Talk with Liv Ullmann: Between Screen and Stage Moderated by Phillip Lopate, writer and professor at Columbia University. Dec 7 at 7pm BAM Harvey Theater Tickets: $15 ($7.50 for Friends of BAM) Artist Talk with cast members Moderated by Lynn Hirschberg, The New York Times Magazine editor-at-large Dec 8, post-show (free for same-day ticket holders) Brooklyn, N.Y./Oct 23, 2009—In a special winter presentation, Sydney Theatre Company returns to BAM with Tennessee Williams’ A Streetcar Named Desire, directed by renowned actor/director/writer Liv Ullmann and featuring Academy Award-winning actress/Sydney Theatre Company Co-Artistic Director Cate Blanchett as Blanche DuBois, Joel Edgerton at Stanley Kowalski, Robin McLeavey as Stella Kowalski, and Tim Richards as Mitch.
    [Show full text]
  • SYDNEY OPERA HOUSE TM Sydney, New South Wales, Australia
    SYDNEY OPERA HOUSE TM Sydney, New South Wales, Australia Booklet available in English on Heft in deutscher Sprache erhältlich auf Livret disponible en français sur Folleto disponible en español en Folheto disponível em português em A füzet magyarul ezen a honlapon olvasható: Architecture.LEGO.com www.sydneyoperahouse.com 21012_BI.indd 1 13/10/2011 12:08 PM SYDNEy OpERa HOUSE™ Sydney Opera House is a masterpiece of late The massive concrete sculptural shells that form modern architecture and an iconic building of the 20th the roof of Sydney Opera House appear like billowing century. It is admired internationally and proudly treasured sails filled by the sea winds with the sunlight and cloud by the people of Australia. It was created by a young shadows playing across their shining white surfaces. Danish architect, Jørn Utzon (1918-2008), who understood Utzon envisaged it as being like to a Gothic cathedral the potential provided by the site against the stunning that people would never tire of and never be finished with. backdrop of Sydney Harbour. Today Sydney Opera House does not operate solely as a venue for opera or symphony, but also hosts a wide range of performing arts and community activities. These include classical and contemporary music, ballet, opera, theatre, dance, cabaret, talks and large scale public programs. Since its opening in 1973 over 45 million people have attended more than 100 000 performances, and it is estimated that well over 100 million people have visited the site. It is one of Australia's most visited tourist attractions, being the most internationally recognized symbol of the nation.
    [Show full text]
  • ATE Media Information: Events in Sydney
    ATE MEDIA INFORMATION | EVENTS IN SYDNEY EVENTS IN SYDNEY Following the recent World Festival & Event City Award from The International Festivals & Events Association (IFEA) for New South Wales (NSW), the state has another spellbinding season of cultural, artistic and sporting spectacles planned for 2015 and beyond. The NSW events calendar, developed by Destination NSW, outlines an outstanding selection of world-class experiences guaranteed to keep Sydney front of mind for visitors. Near the top of the must- experience list is Vivid Sydney, owned and managed by Destination NSW, and now the southern hemisphere’s biggest annual celebration of light, music and ideas, staged over 18 nights each year in May and June. Vivid Sydney was awarded Australian Event of the Year and Best Tourism Event at the 2013 Australian Event Awards and is a major contributor to the NSW economy. In 2014, more than 1.4 million visitors attended, 20,000 of them travelling on Vivid packages, generating more than $20 million. NEW EVENTS COMING UP FOR SYDNEY IN 2015 AND 2016 Netball World Cup August 7-16, 2015: Held every four years since 1963, Netball World Cup is the pinnacle event for international netball. While the Australian Diamonds go into the event as reigning champions, they’ll face fierce competition from arch rivals, the Silver Ferns, as well as rising powers England, Jamaica, South Africa and Malawi. Matilda The Musical, 2015: The Royal Shakespeare Company’s stage musical adaptation of Roald Dahl’s book, Matilda, will make its Australian premiere at Sydney’s Lyric Theatre from July 28, 2015.
    [Show full text]
  • The Australian Theatre Family
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sydney eScholarship A Chance Gathering of Strays: the Australian theatre family C. Sobb Ah Kin MA (Research) University of Sydney 2010 Contents: Epigraph: 3 Prologue: 4 Introduction: 7 Revealing Family 7 Finding Ease 10 Being an Actor 10 Tribe 15 Defining Family 17 Accidental Culture 20 Chapter One: What makes Theatre Family? 22 Story One: Uncle Nick’s Vanya 24 Interview with actor Glenn Hazeldine 29 Interview with actor Vanessa Downing 31 Interview with actor Robert Alexander 33 Chapter Two: It’s Personal - Functioning Dysfunction 39 Story Two: “Happiness is having a large close-knit family. In another city!” 39 Interview with actor Kerry Walker 46 Interview with actor Christopher Stollery 49 Interview with actor Marco Chiappi 55 Chapter Three: Community −The Indigenous Family 61 Story Three: Who’s Your Auntie? 61 Interview with actor Noel Tovey 66 Interview with actor Kyas Sheriff 70 Interview with actor Ursula Yovich 73 Chapter Four: Director’s Perspectives 82 Interview with director Marion Potts 84 Interview with director Neil Armfield 86 Conclusion: A Temporary Unity 97 What Remains 97 Coming and Going 98 The Family Inheritance 100 Bibliography: 103 Special Thanks: 107 Appendix 1: Interview Information and Ethics Protocols: 108 Interview subjects and dates: 108 • Sample Participant Information Statement: 109 • Sample Participant Consent From: 111 • Sample Interview Questions 112 2 Epigraph: “Happy families are all alike; every unhappy family is unhappy in its own way. Everything was in confusion in the Oblonsky’s house. The wife had discovered that the husband was carrying on an intrigue with a French girl, who had been a governess in their family, and she had announced to her husband that she could not go on living in the same house with him.
    [Show full text]
  • Melbourne Suburb of Northcote
    ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers.
    [Show full text]
  • Important Announcement
    April Newsletter 2017.qxp_A4 Version 28/3/17 12:56 Page 1 April Newsletter 2017.qxp_A4 Version 28/3/17 12:56 Page 1 CURRENT EVENT STATUS CURRENT EVENT STATUS St Bartholomews' & (FB) = FULLY BOOKED (C) = CANCELLED St Bartholomews' & (FB) = FULLY BOOKED (C) = CANCELLED Museum of Sydney KINKY BOOTS Museum of Sydney KINKY BOOTS www.facebook.com/ToursBMBC www.facebook.com/ToursBMBC Experiment Farm & The Mint WEDNESDAY 10TH MAY 2017 (FB) ExBlupe eMrouinmtaiensn Ttra nFsiat Trramvel Club & The Mint WEDNESDAY 10TH MAY 2017 (FB) Blue Mountains Transit Travel Club Monday 1st May 2017 Thursday 20th April 2017 KINKY BOOTS Monday P1Ost MBOaXy 82109187 Thursday 20th April 2017 KINKY BOOTS PO BOX 8198 WEDNESDAY 24TH MAY 2017 (FB) WEDNESDAY 24TH MAY 2017 (FB) WERRINGTON COUNTY NSW 2747 WERRINGTON COUNTY NSW 2747 THE BODYGUARD - SYDNEY LYRIC THEATRE THE BODYGUARD - SYDNEY LYRIC THEATRE SATURDAY 3RD JUNE 2017 (C) Enquiries: 02 8602 4700 SATURDAY 3RD JUNE 2017 (C) Enquiries: 02 8602 4700 BALMORAL BEACH, CHOWDER BAY & HIGH TEA Website: www.cdcbus.com.au BALMORAL BEACH, CHOWDER BAY & HIGH TEA Website: www.cAdcPbuRs.cIoLm .2au017 APRIL 2017 WEDNESDAY 7TH JUNE 2017 (FB) Email: [email protected] WEDNESDAY 7TH JUNE 2017 (FB) Email: [email protected] VIVID FESTIVAL CRUISE VIVID FESTIVAL CRUISE FRIDAY 16TH JUNE 2017 (FB) TOUR PAYMENTS FRIDAY 16TH JUNE 2017 (FB) TOUR PAYMENTS All day tours require non-refundable deposit on All day tours require non-refundable deposit on CHRISTMAS IN JULY AT THE WATERVIEW RESTAURANT booking and full payment 4weeks prior to CHRISTMAS IN JULY AT THE WATERVIEW RESTAURANT booking and full payment 4weeks prior to WEDNESDAY 5TH JULY 2017 (FB) WEDNESDAY 5TH JULY 2017 (FB) This morning we board the coach and travel locally to This modrenpinagr twuree.
    [Show full text]
  • Sydney Theatre Company
    EXHIBITION OF STATE SIGNIFICANT DEVELOPMENT MODIFICATION APPLICATION Sydney Theatre Company - Wharf Theatre Refurbishment Mod 3 Application No SSD 7561 Mod 3 Location Hickson Road, Walsh Bay, New South Wales, Australia 2000 Applicant Sydney Theatre Company Ltd Council Area City of Sydney Consent Authority Minister for Planning and Public Spaces Description of the development consent Demolition and internal fitout and refurbishment work of Wharf 4/5 and part of Shore Sheds 4/5, Hickson Road, Walsh Bay, including: general demolition of internal areas and demolition of box offices, access ramp and stairs and partial demolition of roof refurbishment of Wharf Theatre 1, Theatre Bar and Wharf Theatre 2 new box office/ticketing area increased capacity of Wharf Theatres 1 and 2 new administration areas and offices new function room upgrades to services and infrastructure. Description of proposed modification A 4.55(2) modification application to permit special functions to occur from 7 am to 3 am, seven-days-per week. Exhibition Details The modification application and accompanying documents will be exhibited from Friday 13 November 2020 until Thursday 26 November 2020, and are accessible electronically on the Department’s website (www.planningportal.nsw.gov.au/major-projects/projects/on-exhibition). At the time of publishing this advertisement, the Minister for Planning and Public Spaces has not directed that a public hearing should be held. Have your say Anyone can make a written submission about the modification application during the exhibition period. If the application is approved, there is no right of appeal to the NSW Land and Environment Court (the Court) by an objector.
    [Show full text]
  • MINERVA THEATRE Feasibility Study – Executive Summary
    MINERVA THEATRE Feasibility Study – Executive Summary MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Create NSW City of Sydney Minerva Theatre Feasibility Study – Executive Summary December 2020 Hawkridge Entertainment Services Tim Long Managing Director Nick Tobin Managing Director, Networked Urban Solutions Disclaimer This report (Study) has been produced independently by Hawkridge Entertainment Services (HES) on the request of Create NSW and the City of Sydney. The information, statements, statistics and commentary (together the ‘Information’) contained in this study have been prepared by HES from publicly available material and from discussions held with stakeholders. HES does not express an opinion as to the accuracy or completeness of the information provided, the assumptions made by the parties that provided the information or any conclusions reached by those parties. HES have based this Report on information received or obtained, on the basis that such information is accurate and, where it is represented to HES as such, complete. The Information contained in this Report has not been subject to an audit. Hawkridge Entertainment Services Specialist consultants in the entertainment, sports, arts and venue industries Sydney | Melbourne | Perth | Singapore Page | 2 MINERVA THEATRE – FEASIBILITY STUDY EXECUTIVE SUMMARY Executive Summary The Minerva Theatre Feasibility Study was jointly commissioned by the City of Sydney Council and Create NSW, with the principal aim of investigating whether: 1. a refurbished Minerva Theatre would be a viable performance space in the Sydney market; and 2. there is market interest in reinstating the Minerva as a theatre. The study indicates that reinstatement of the Minerva as a commercially operated theatre is a viable proposition.
    [Show full text]
  • Sydney Welcomes Another Icon - Hamilton
    Sydney Welcomes Another Icon - Hamilton Mar 17, 2021 SYDNEY, March 17, 2021 /PRNewswire/ -- Hamilton is one of the most critically acclaimed and successful musicals of our time. Since debuting in 2015, the Tony®, Grammy®, Olivier and Pulitzer Prize winning musical has sold over 2.6 million tickets, playing at iconic theatres from New York's Broadway to London's West End. And as of March 2021, this global phenomenon will only be playing in one location – Sydney's Lyric Theatre. Sydney is the vibrant capital of New South Wales, Australia. Home to the iconic Sydney Opera House and Sydney Harbour Bridge, the incredible Harbour City is renowned for its natural beauty, world-class dining, vibrant nightlife, multicultural heritage and rich and exciting arts and events scene, making it a sought-after tourism destination the world over. It is only fitting that the global city is now setting the stage to host an icon of the musical theatre world – Hamilton. Commenting on Sydney as the host city of the Australian premiere, original Hamilton producer Jeffrey Seller said: "Sydney is our bright light and our rising sun. Sydney represents what I hope will be the rebirth of theatre, and Hamilton across the entire world. It is thanks to Sydney that we can open Hamilton on schedule, as we have been planning for the past 3-plus years with the Michael Cassel Group." Hamilton will open this March at the Australian family owned and operated, 2,000 seat Sydney Lyric Theatre. Owned by the Found family of Foundation Theatres, Sydney Lyric Theatre is a staple of the NSW musical theatre scene.
    [Show full text]
  • This Document Has Been Prepared to Assist with the Approval Process for the State Significant Development Application for Sydney
    This document has been prepared to assist with the approval process for the State Significant Development Application for Sydney Theatre Company’s STC50 Project, located at Wharf 4/5 Walsh Bay. This architectural report describes the proposed works and coordination items to comprehensively refurbish STC’s tenancy, to maintain and enhance a world class theatre asset for the next 50 years and beyond. HASSELL © 2016 02 Context SYDNEY THEATRE COMPANY Sydney Theatre Company was founded in December ‘Sydney Theatre Company exists 1978, and has recently celebrated 30 years at The _Stakeholder Consultation Report February 2015 Wharf. The heritage significance of the Wharf and the (HASSELL) to provide first class theatrical adaptive reuse Sulman Award winning architectural _STC50 Masterplan Report February 2013 (HASSELL) entertainment for the people of design by Vivian Fraser are inherently linked to the identity of STC. _Walsh Bay Precinct CMP (Clive Lucas and Partners, Sydney... theatre that is grand, December 1998) When STC moved into the Wharf in 1984 it presented _Wharf 4/5 Walsh Bay Conservation Management vulgar, intelligent, challenging 6 plays a year across two venues: the Drama Theatre Plan (Graham Brooks and Associates, March 2007) and fun’ at Sydney Opera House and the Wharf 1 Theatre. It now sells over 260,000 seats each year, presents up [Masterplanning Reports] to 16 productions across 4 venues, and tours regionally and internationally. All of this theatre is _ Better Theatre Report (Charcoalblue) Richard Wherrett, 1980 made out of the same workshop and production _ Sydney Theatre Company STC50 Master plan facilities as it was 30 years ago, and which are now at Building Services Compliance the end of their life and no longer fit for purpose.
    [Show full text]
  • Sydney Theatre Company Annual Report 2011 Annual Report | Chairman’S Report 2011 Annual Report | Chairman’S Report
    2011 SYDNEY THEATRE COMPANY ANNUAL REPORT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2011 ANNUAL REPORT | CHAIRMAn’s RepoRT 2 3 2011 ANNUAL REPORT 2011 ANNUAL REPORT “I consider the three hours I spent on Saturday night … among the happiest of my theatregoing life.” Ben Brantley, The New York Times, on STC’s Uncle Vanya “I had never seen live theatre until I saw a production at STC. At first I was engrossed in the medium. but the more plays I saw, the more I understood their power. They started to shape the way I saw the world, the way I analysed social situations, the way I understood myself.” 2011 Youth Advisory Panel member “Every time I set foot on The Wharf at STC, I feel I’m HOME, and I’ve loved this company and this venue ever since Richard Wherrett showed me round the place when it was just a deserted, crumbling, rat-infested industrial pier sometime late 1970’s and a wonderful dream waiting to happen.” Jacki Weaver 4 5 2011 ANNUAL REPORT | THROUGH NUMBERS 2011 ANNUAL REPORT | THROUGH NUMBERS THROUGH NUMBERS 10 8 1 writers under commission new Australian works and adaptations sold out season of Uncle Vanya at the presented across the Company in 2011 Kennedy Center in Washington DC A snapshot of the activity undertaken by STC in 2011 1,310 193 100,000 5 374 hours of theatre actors employed across the year litre rainwater tank installed under national and regional tours presented hours mentoring teachers in our School The Wharf Drama program 1,516 450,000 6 4 200 weeks of employment to actors in 2011 The number of people STC and ST resident actors home theatres people on the payroll each week attracted into the Walsh Bay precinct, driving tourism to NSW and Australia 6 7 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT 2011 ANNUAL REPORT | ARTISTIC DIRECTORs’ RepoRT Andrew Upton & Cate Blanchett time in German art and regular with STC – had a window of availability Resident Artists’ program again to embrace our culture.
    [Show full text]
  • Oedipus Schmoedipus
    Presented by Arts House, Belvoir and post post Oedipus Schmoedipus Arts House, Warning: Violence, blood, death and suicide scenes, loud noises, strobe lighting and coarse language. North Melbourne Town Hall Suitable for ages 16+ Oedipus Schmoedipus has been supported by the Australian Wed 6 – Sun 10 May 2015 Government through the Australia Council for the Arts, its arts funding and advisory body; Belvoir; Performing Lines; and the 1hr 10min, no interval City of Melbourne through Arts House. Post-Show Q&A Thu 7, 8.50pm artshouse.com.au postpresentspost.com Creative Team post Written by post Zoë Coombs Marr, post‘s work often deals with the political; Mish Grigor & Natalie Rose it attempts to engage with issues of control, after Aeschylus, Anon, Barrie, Behn, gender, identity and politics in ways that Boucicault, Büchner, Chekhov, Euripides, are funny, engaging and accessible (but not Gogol, Goldsmith, Gorky, Hugo, Ibsen, always). post are concerned with the moment Jonson, Marlowe, Mayakovsky, Molière, of theatre, live connection and the truly Pirandello, Plautus, Racine, Seneca, absurd, drag, imposters, impressions, bad Shakespeare, Sophocles, Strindberg, Voltaire, acting, boy genii, The Biggest Loser, birth, Wedekind, Wilde et al death, auditions, shamans, epitaphs, avatars, and those nightmares where you have to give Directors Zoë Coombs Marr & Mish Grigor a speech, but haven’t got any pants on. Set & Costume Designer Robert Cousins Lighting Designer Matthew Marshall post’s works include Oedipus Schmoedipus Lighting Realiser/Head Electrician
    [Show full text]