Cheshire's Radio Stations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
RAJAR DATA RELEASE Quarter 1, 2020 – May 14 Th 2020
RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 COMPARATIVE CHARTS 1. National Stations 2. Scottish Stations 3. London Stations 4. Breakfast Shows – National and London stations "Please note that the information contained within this quarterly data release has yet to be announced or otherwise made public and as such could constitute relevant information for the purposes of section 118 of FSMA and non-public price sensitive information for the purposes of the Criminal Justice Act 1993. Failure to comply with this embargo could result in prosecution’’. Source RAJAR / Ipsos MORI / RSMB RAJAR DATA RELEASE Quarter 1, 2020 – May 14 th 2020 NATIONAL STATIONS STATIONS SURVEY REACH REACH REACH % CHANGE % CHANGE SHARE SHARE SHARE PERIOD '000 '000 '000 REACH Y/Y REACH Q/Q % % % Q1 19 Q4 19 Q1 20 Q1 20 vs. Q1 19 Q1 20 vs. Q4 19 Q1 19 Q4 19 Q1 20 ALL RADIO Q 48945 48136 48894 -0.1% 1.6% 100.0 100.0 100.0 ALL BBC Q 34436 33584 33535 -2.6% -0.1% 51.4 51.0 49.7 15-44 Q 13295 13048 13180 -0.9% 1.0% 35.2 35.5 34.4 45+ Q 21142 20535 20355 -3.7% -0.9% 60.2 59.4 57.9 ALL BBC NETWORK RADIO Q 31846 31081 30835 -3.2% -0.8% 44.8 45.0 43.4 BBC RADIO 1 Q 9303 8790 8915 -4.2% 1.4% 5.7 5.6 5.6 BBC RADIO 2 Q 15356 14438 14362 -6.5% -0.5% 17.4 17.0 16.3 BBC RADIO 3 Q 2040 2126 1980 -2.9% -6.9% 1.2 1.4 1.3 BBC RADIO 4 (INCLUDING 4 EXTRA) Q 11459 11416 11105 -3.1% -2.7% 13.1 13.4 12.9 BBC RADIO 4 Q 11010 10977 10754 -2.3% -2.0% 11.9 12.0 11.7 BBC RADIO 4 EXTRA Q 2238 2271 1983 -11.4% -12.7% 1.3 1.4 1.2 BBC RADIO 5 LIVE (INC. -
The Regulation of Commercial Radio Broadcasting in the United Kingdom
NORTH CAROLINA JOURNAL OF INTERNATIONAL LAW Volume 14 Number 2 Article 5 Spring 1989 The Regulation of Commercial Radio Broadcasting in the United Kingdom Timothy H. Jones Follow this and additional works at: https://scholarship.law.unc.edu/ncilj Part of the Commercial Law Commons, and the International Law Commons Recommended Citation Timothy H. Jones, The Regulation of Commercial Radio Broadcasting in the United Kingdom, 14 N.C. J. INT'L L. 255 (1989). Available at: https://scholarship.law.unc.edu/ncilj/vol14/iss2/5 This Article is brought to you for free and open access by Carolina Law Scholarship Repository. It has been accepted for inclusion in North Carolina Journal of International Law by an authorized editor of Carolina Law Scholarship Repository. For more information, please contact [email protected]. The Regulation of Commercial Radio Broadcasting in the United Kingdom Timothy H. Jones* The regulation of commercial radio broadcasting in the United Kingdom is about to enter a period of rapid change. The Govern- ment is committed to increasing the number of commercial radio sta- tions and to a measure of deregulation. Legislation to effect these changes is expected in the near future. Up to the present time, an independent agency, the Independent Broadcasting Authority (IBA or Authority), has strictly regulated commercial radio broadcasting.' Commercial radio services have been restricted to those of a "local" character.2 This regulation of Independent Local Radio (ILR) is generally regarded to have been a failure, and the IBA's effectiveness as a regulatory agency has been called into question on numerous occasions. -
Reality, Realism and Fantasy: a Study of Ray's Children's Fiction Hirak
Reality, Realism and Fantasy: A Study of Ray’s Children’s fiction Hirak Rajar Deshe Arpita Sarker Research Scholar (M.Phil.) University of Delhi India Abstract In my paper I intend to first explain different form of realism by discussing Ian Watt‟s definition of realism, in The Rise of The Novel comparing and contrasting it with Brecht and Luckas‟s idea of realism as explained in Bertolt Brecht: Against George Luckas. Secondly I will discuss in brief the difference between reality and realism in a work of fiction. Thirdly, I will talk about the portrayal of reality and realism in children‟s literature, using socialist realism and Brecht‟s view on it. In order to discuss third part of my paper I will analyze film maker Satyajit Ray and his socialist- realist- fantasy film Hirak Rajar Deshe. The movie is adapted from Ray‟s father‟s collection of work for children name Goopy Gayen and Bagha Bayen. Keywords: Fantasy, Reality, Realism, Socialism, Brecht. www.ijellh.com 50 Children‟s literature is a genre that is vastly dependent on fantastic elements that make it appealing to children and adults. The fantastic elements, on the surface, act as a model for psychologically cushioning that protects the child from the harsh realities of life and bestow moral messages to the masses. But the fantastical element alone cannot reveal the social, political, or moral message the fiction intends to spread. The fantasy element is hence paradoxical complicated by the presence of realism in Children‟s Literature. The use of realism, in the façade of fantasy, and larger than life characters, has helped writers to adhere to the real intention of children‟s literature. -
Review of BBC Local Radio Report Prepared for BBC Management
Review of BBC Local Radio Report prepared for BBC Management John Myers February, 2012 Myers review of BBC Local Radio - January 2012 Preface In November 2011, I was asked by BBC management to review the operations of BBC Local Radio. The brief was to examine the working practices of the local radio network, to investigate areas of possible savings without impacting the on-air performance and review the current levels of management and back office staff. This work was conducted over a short period of time and therefore my findings can only be considered to be an overview. Furthermore, this is my personal opinion based on what I have learned and is certainly not meant to be a detailed cost analysis of each station or the network as a whole which would require extensive and detailed work to be carried out over a longer period of time. In addition, the savings are approximate totals and are not meant to be precise. While my task was not to review content specifically, I did so if I felt it impacted on the cost of running local radio or where it provides context, colour or background to a particular point. Where practical, I have offered a solution to any issues uncovered if it is not contained within my main findings and recommendations. The review was carried out between the 11th November and the 9th December respectively and nine stations were visited within the network portfolio. These were Cumbria, Essex, Merseyside, Shropshire, Nottingham, Tees, Manchester, Oxford and BBC Sussex and Surrey. I was assisted in this task by the BBC‟s Policy and Strategy team. -
Appendix A: Non-Executive Directors of Channel 4 1981–92
Appendix A: Non-Executive Directors of Channel 4 1981–92 The Rt. Hon. Edmund Dell (Chairman 1981–87) Sir Richard Attenborough (Deputy Chairman 1981–86) (Director 1987) (Chairman 1988–91) George Russell (Deputy Chairman 1 Jan 1987–88) Sir Brian Bailey (1 July 1985–89) (Deputy Chairman 1990) Sir Michael Bishop CBE (Deputy Chairman 1991) (Chairman 1992–) David Plowright (Deputy Chairman 1992–) Lord Blake (1 Sept 1983–87) William Brown (1981–85) Carmen Callil (1 July 1985–90) Jennifer d’Abo (1 April 1986–87) Richard Dunn (1 Jan 1989–90) Greg Dyke (11 April 1988–90) Paul Fox (1 July 1985–87) James Gatward (1 July 1984–89) John Gau (1 July 1984–88) Roger Graef (1981–85) Bert Hardy (1992–) Dr Glyn Tegai Hughes (1983–86) Eleri Wynne Jones (22 Jan 1987–90) Anne Lapping (1 Jan 1989–) Mary McAleese (1992–) David McCall (1981–85) John McGrath (1990–) The Hon. Mrs Sara Morrison (1983–85) Sir David Nicholas CBE (1992–) Anthony Pragnell (1 July 1983–88) Usha Prashar (1991–) Peter Rogers (1982–91) Michael Scott (1 July 1984–87) Anthony Smith (1981–84) Anne Sofer (1981–84) Brian Tesler (1981–85) Professor David Vines (1 Jan 1987–91) Joy Whitby (1981–84) 435 Appendix B: Channel 4 Major Programme Awards 1983–92 British Academy of Film and Television Arts (BAFTA) 1983: The Snowman – Best Children’s Programme – Drama 1984: Another Audience With Dame Edna – Best Light Entertainment 1987: Channel 4 News – Best News or Outside Broadcast Coverage 1987: The Lowest of the Low – Special Award for Foreign Documentary 1987: Network 7 – Special Award for Originality -
Service Review
Delivering Quality First in Northern Ireland DELIVERING QUALITY FIRST IN NORTHERN IRELAND EXECUTIVE SUMMARY The BBC in Northern Ireland aims to bring the highest quality, most distinctive programmes and services to local audiences, reflecting the diversity of its cultures, communities and languages, and informing, educating and entertaining all its citizens. Our ambition is to deliver content driven by the unique needs of our local audiences, fulfilling the BBC’s public purposes within the context of political, economic and social change in Northern Ireland. The capacity to evaluate and reflect a Northern Ireland society during this period of significant transformation is at the heart of our proposition. Northern Ireland-specific output such as BBC Radio Ulster/Foyle is extremely popular and highly distinctive. On television, BBC Newsline and the current affairs programme Spotlight combine with live sports coverage and a wide range of non-news programming such as The Estate, Belfast Blitz and House of the Year to deliver significant value to local audiences. In the first quarter of 2011, ten of BBC One Northern Ireland’s top twenty programmes were locally made Northern Ireland programmes. Within a very competitive television news market, the BBC’s television news specifically for Northern Ireland audiences (BBC Newsline) is highly trusted and valued by our audience. When the BBC’s programmes for Northern Ireland audiences opt into the BBC One and BBC Two network schedules, they consistently add to the overall channel performance. BBC Radio Ulster/Foyle reaches on average almost 38% of the Northern Ireland adult population each week – amongst the highest reach of all of the BBC’s national and local radio services. -
ECCB 2018 Program
Presenters Bath, Alistair 583 Carvalho, Filipe 195 Batáry, Péter 588 Carvalho, Silvia 727 Aakala, TUOMAS 404 Bautista, Carlos 347 Ceausu, Silvia 766 Aavik, TSIPE 127 Baynham-Herd, Zachary 377 Cebrian, Merben 326 Abdullah, Md. Rishad 28 Baynham-Herd, Zachary 222 Cerri, Jacopo 8 Abrahams, Mark 503 Beja, Pedro 173 Chamorro, Darío 198 Abrego, Nerea 162 Belinskij, Antti 204 Chatterjee, Anindita Bidisha 336 Acil, Nezha 197 Berggren, Åsa 200 Chatterjee, Nilanjan 319 Aggrey, Siya 15 Bergman, Eva 231 Chaudhary, Abhishek 484 Ahmad, Riyaz 380 Bermudez-Urdaneta, Martin 381 Chen, Ron 158 Ahmad, Irfan 642 Bernardo-Madrid, Rubén 177 Clough, YANN 572 Ahti, Pauliina A. 60 Bernes, Claes 607 Colleony, Agathe 524 Ahti, Pauliina A. 348 Berry, Pam 486 Comor, VINCENT 165 Aimé, Emilie 411 Bertolino, Sandro 729 Conenna, Irene 734 Ajder, VITALIE 62 Bertram, Michael 617 Consorte-McCrea, Adriana 575 Akeredolu, Excellence 736 Bhattacharyya, Debjyoti 427 Consorte-McCrea, Adriana 552 Akonwi Nebasifu, AYONGHE 540 Biancolini, Dino 316 Consorte-McCrea, Adriana 590 Alagador, Diogo 613 Biber-FreudenberGER, Lisa 201 Constable, Amy Louise 472 Albrecht, Matthias 577 Bladon, Andrew 315 Coppes, Joy 156 Alexander, Meghan 728 Boissier, Olivier 476 Correa, Diego F. 258 Alimba, Chibuisi 655 Bombieri, Giulia 478 Correia, Ricardo 489 Aljes, Maria 42 Borderon-Carrez, Séverine 495 Cortés Capano, Gonzalo 205 Allen, Andrew 234 Bosco, Laura 300 Cortés Capano, Gonzalo 21 Andersson, Anastasia 679 Bouarakia, Oussama 172 Cotton, Sam 278 Andrew, Carrie 599 Boyer, Stéphane 410 Crawley, Jennie -
What the RAJAR Midas Audio Survey Tells Us About Listening in the Digital Age Contents
Audio Time What the RAJAR Midas Audio survey tells us about listening in the digital age Contents Surround Sound .........................................3 Soundbites ..............................................4 Share of Audio by listening type.........................5 Share of Radio by device ................................8 On-demand music services ........................... 10 Podcasts .............................................. 12 Listening Location ..................................... 13 RAJAR Midas Audio – How we do it ................... 14 About RAJAR ......................................... 14 Articles: Audio Innovation - Matt Deegan ........................8 Stream Powered - Richard Marks ..................... 10 In Pod We Trust – Alison Winter........................ 12 2 Surround sound The audio landscape has been undergoing continual Broadcast On-demand change at the hands of new technology since the early days of recorded music and the very first radio services. The speed and extent of change has been accelerating of late as a consequence of digital technology. The combination of new devices and delivery systems have liberated audio, presenting audiences with an unprecedented range of content and services that can now be accessed in more places at more times and in more ways to fit conveniently into our lives. Every part of the audio spectrum is evolving and adapting. Radio now lives well beyond the radio set, its unique audience proposition has been transformed with new brands and services, distributed through analogue, online and DAB. The additional utility of Apps and media players such as Radioplayer and BBC iPlayer Radio have made accessing radio content more flexible and easy. Further technological advances combining both DAB and IP will continue this journey into an exciting hybrid future. Music can now be acquired and accessed more easily. On-demand music services are transforming the music industry, whilst audio sharing platforms are making audio content more searchable and social. -
Radio Evolution: Conference Proceedings September, 14-16, 2011, Braga, University of Minho: Communication and Society Research Centre ISBN 978-989-97244-9-5
Oliveira, M.; Portela, P. & Santos, L.A. (eds.) (2012) Radio Evolution: Conference Proceedings September, 14-16, 2011, Braga, University of Minho: Communication and Society Research Centre ISBN 978-989-97244-9-5 Live and local no more? Listening communities and globalising trends in the ownership and production of local radio 1 GUY STARKEY University of Sunderland [email protected] Abstract: This paper considers the trend in the United Kingdom and elsewhere in the world for locally- owned, locally-originated and locally-accountable commercial radio stations to fall into the hands of national and even international media groups that disadvantage the communities from which they seek to profit, by removing from them a means of cultural expression. In essence, localness in local radio is an endangered species, even though it is a relatively recent phenomenon. Lighter- touch regulation also means increasing automation, so live presentation is under threat, too. By tracing the early development of local radio through ideologically-charged debates around public-service broadcasting and the fitness of the private sector to exploit scarce resources, to present-day digital environments in which traditional rationales for regulation on ownership and content have become increasingly challenged, the paper also speculates on future developments in local radio. The paper situates developments in the radio industry within wider contexts in the rapidly-evolving, post-McLuhan mediatised world of the twenty-first century. It draws on research carried out between July 2009 and January 2011for the new book, Local Radio, Going Global, published in December 2011 by Palgrave Macmillan. Keywords: radio, local, public service broadcasting, community radio Introduction: distinctiveness and homogenisation This paper is mainly concerned with the rise and fall of localness in local radio in a single country, the United Kingdom. -
Radiocentre's Response to the BBC Trust Review of the BBC's National Radio Stations in Northern Ireland, Scotland and Wales
RadioCentre’s response to the BBC Trust review of the BBC’s national radio stations in Northern Ireland, Scotland and Wales 1. Executive summary 1.1. We welcome the fact that a significant degree of scrutiny is being applied to the BBC Nations services, via the BBC Trust’s ongoing service licence review process. The Nations services were largely overlooked during the 2010 BBC Strategy Review process – we considered this to be unfortunate given the relatively high level of licence fee funding invested in them, their potential market impact, and - most importantly - their disproportionate political and social importance. 1.2. The BBC’s radio services in the Nations – BBC Radio Ulster/Foyle (Northern Ireland), BBC Radio Scotland and BBC Radio nan Gàidheal (Scotland), BBC Radio Wales and BBC Radio Cymru (Wales) – should embody the ideals of public service broadcasting: that is, providing distinctive, high quality, informative speech content that adds significant value to the body politic. 1.3. We believe that the BBC’s Nations services do largely fulfil this role. However, aspects of these services fail to meet such high standards, in the following areas: ‐ Music/speech output. The service licences of the English language Nations services state that they should be ‘speech-led’, yet they all broadcast a significant amount of music during daytime. We believe that the service licences of all English language BBC Nations services should be amended, to require them to broadcast 100% speech during daytime. ‐ Audience profile. The English language Nations services currently lack a target age demographic. We believe that all BBC Radio service licences should contain a specific target age range, in order to ensure maximisation of public value and avoid duplication with the commercial sector. -
Bauer Media Group Phase 1 Decision
Completed acquisitions by Bauer Media Group of certain businesses of Celador Entertainment Limited, Lincs FM Group Limited and Wireless Group Limited, as well as the entire business of UKRD Group Limited Decision on relevant merger situation and substantial lessening of competition ME/6809/19; ME/6810/19; ME/6811/19; and ME/6812/19 The CMA’s decision on reference under section 22(1) of the Enterprise Act 2002 given on 24 July 2019. Full text of the decision published on 30 August 2019. Please note that [] indicates figures or text which have been deleted or replaced in ranges at the request of the parties or third parties for reasons of commercial confidentiality. SUMMARY 1. Between 31 January 2019 and 31 March 2019 Heinrich Bauer Verlag KG (trading as Bauer Media Group (Bauer)), through subsidiaries, bought: (a) From Celador Entertainment Limited (Celador), 16 local radio stations and associated local FM radio licences (the Celador Acquisition); (b) From Lincs FM Group Limited (Lincs), nine local radio stations and associated local FM radio licences, a [] interest in an additional local radio station and associated licences, and interests in the Lincolnshire [] and Suffolk [] digital multiplexes (the Lincs Acquisition); (c) From The Wireless Group Limited (Wireless), 12 local radio stations and associated local FM radio licences, as well as digital multiplexes in Stoke, Swansea and Bradford (the Wireless Acquisition); and (d) The entire issued share capital of UKRD Group Limited (UKRD) and all of UKRD’s assets, namely ten local radio stations and the associated local 1 FM radio licences, interests in local multiplexes, and UKRD’s 50% interest in First Radio Sales (FRS) (the UKRD Acquisition). -
A Short Report Into Community Radio in Wales
National Assembly for Wales Culture, Welsh Language and Communications Committee A short report into community radio in Wales November 2019 Recommendations Recommendation 1. The Welsh Government should fund a community radio body for Wales. The body would offer practical support to stations, perform a representative role and co-ordinate cross station co-operation and knowledge sharing. Practical support might include performing common tasks for stations like HR, marketing or grant writing. The body should also help forge links between community stations and other interested bodies like commercial and BBC radio. Recommendation 2. The Welsh Government should place more government advertising, particularly public information campaigns, with Community Radio stations and provide guidance to other public sector bodies in Wales to draw their attention to the possibilities of using the sector more. Recommendation 3. The BBC should actively engage with community radio to give access to the output and promote the use of their Local Democracy Reporting Service. Recommendation 4. The BBC and commercial radio should work with community radio to develop a pathway for community radio volunteers to gain experience at their radio stations as a means of developing talent across Wales. www.assembly.wales A short report into community radio in Wales Recommendation 5. The BBC should offer community radio stations preferential rates and first refusal when selling off radio equipment they no longer use. Recommendation 6. Radio Joint Audience Research (RAJAR) should develop a less complex and cheaper audience survey that community radio could use. Stations that chose to use this new service should then be able to access the advertisers that place adverts using RAJAR ratings.