Ancient Glass from the Silk Road
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The Silk Roads: an ICOMOS Thematic Study
The Silk Roads: an ICOMOS Thematic Study by Tim Williams on behalf of ICOMOS 2014 The Silk Roads An ICOMOS Thematic Study by Tim Williams on behalf of ICOMOS 2014 International Council of Monuments and Sites 11 rue du Séminaire de Conflans 94220 Charenton-le-Pont FRANCE ISBN 978-2-918086-12-3 © ICOMOS All rights reserved Contents STATES PARTIES COVERED BY THIS STUDY ......................................................................... X ACKNOWLEDGEMENTS ..................................................................................................... XI 1 CONTEXT FOR THIS THEMATIC STUDY ........................................................................ 1 1.1 The purpose of the study ......................................................................................................... 1 1.2 Background to this study ......................................................................................................... 2 1.2.1 Global Strategy ................................................................................................................................ 2 1.2.2 Cultural routes ................................................................................................................................. 2 1.2.3 Serial transnational World Heritage nominations of the Silk Roads .................................................. 3 1.2.4 Ittingen expert meeting 2010 ........................................................................................................... 3 2 THE SILK ROADS: BACKGROUND, DEFINITIONS -
Eastward Spread of Wheat Into China – New Data and New Issues
Zhao Zhijun Eastward Spread of Wheat into China – New Data and New Issues Zhao Zhijun* Key words: Wheat–Diffusion Agriculture–History Eurasia Steppe Flotation Northern Frontier Zone From the beginning of the 21st century, flotation tech- Introduction nique has been widely applied by Chinese archaeology It is well known that wheat was originated in the West as means of obtaining ancient plant remains during rou- Asia. It was introduced into China, and eventually be- tine archaeological excavations. Up to the present, flo- came the dominant crop in the dry-land agriculture of tation work has been practiced at more than one hun- Northern China after replacing the major native crops dred archaeological sites of diverse time periods, and of foxtail millet and broomcorn millet. Yet, neither the large amounts of plant remains of high research poten- time when it arrived in China nor the routes through tial have been found, including wheat remains. These which it was introduced are made clear. Therefore, these new discoveries provide significant archaeological evi- are the major problems we are now dealing with. dence for a better understanding of the spread of wheat It has been widely agreed that the introduction of into China, the route and the temporal-spatial background wheat into China should have occurred before the his- in which the introduction events took place. The present torical time, because the script “来”for “wheat”has paper is aimed at synthesizing these new data, referring been identified from records on oracle bones of the Shang to those data of early wheat remains reported in last Dynasty. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
Yin-Yang, the Five Phases (Wu-Xing), and the Yijing 陰陽 / 五行 / 易經
Yin-yang, the Five Phases (wu-xing), and the Yijing 陰陽 / 五行 / 易經 In the Yijing, yang is represented by a solid line ( ) and yin by a broken line ( ); these are called the "Two Modes" (liang yi 兩義). The figure above depicts the yin-yang cycle mapped as a day. This can be divided into four stages, each corresponding to one of the "Four Images" (si xiang 四象) of the Yijing: 1. young yang (in this case midnight to 6 a.m.): unchanging yang 2. mature yang (6 a.m. to noon): changing yang 3. young yin (noon to 6 p.m.): unchanging yin 4. mature yin (6 p.m. to midnight): changing yin These four stages of changes in turn correspond to four of the Five Phases (wu xing), with the fifth one (earth) corresponding to the perfect balance of yin and yang: | yang | yin | | fire | water | Mature| |earth | | | wood | metal | Young | | | Combining the above two patterns yields the "generating cycle" (below left) of the Five Phases: Combining yin and yang in three-line diagrams yields the "Eight Trigrams" (ba gua 八卦) of the Yijing: Qian Dui Li Zhen Sun Kan Gen Kun (Heaven) (Lake) (Fire) (Thunder) (Wind) (Water) (Mountain) (Earth) 0 1 2 3 4 5 6 7 The Eight Trigrams can also be mapped against the yin-yang cycle, represented below as the famous Taiji (Supreme Polarity) Diagram (taijitu 太極圖): This also reflects a binary numbering system. If the solid (yang) line is assigned the value of 0 and the broken (yin) line is 1, the Eight Trigram can be arranged to represent the numbers 0 through 7. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
The Heritage of Non-Theistic Belief in China
The Heritage of Non-theistic Belief in China Joseph A. Adler Kenyon College Presented to the international conference, "Toward a Reasonable World: The Heritage of Western Humanism, Skepticism, and Freethought" (San Diego, September 2011) Naturalism and humanism have long histories in China, side-by-side with a long history of theistic belief. In this paper I will first sketch the early naturalistic and humanistic traditions in Chinese thought. I will then focus on the synthesis of these perspectives in Neo-Confucian religious thought. I will argue that these forms of non-theistic belief should be considered aspects of Chinese religion, not a separate realm of philosophy. Confucianism, in other words, is a fully religious humanism, not a "secular humanism." The religion of China has traditionally been characterized as having three major strands, the "three religions" (literally "three teachings" or san jiao) of Confucianism, Daoism, and Buddhism. Buddhism, of course, originated in India in the 5th century BCE and first began to take root in China in the 1st century CE, so in terms of early Chinese thought it is something of a latecomer. Confucianism and Daoism began to take shape between the 5th and 3rd centuries BCE. But these traditions developed in the context of Chinese "popular religion" (also called folk religion or local religion), which may be considered a fourth strand of Chinese religion. And until the early 20th century there was yet a fifth: state religion, or the "state cult," which had close relations very early with both Daoism and Confucianism, but after the 2nd century BCE became associated primarily (but loosely) with Confucianism. -
Terms and Expressions
1 TERMS AND EXPRESSIONS an (at peace, security, settled) 安 an (case, record, table) 案 ba chungua 八純卦 bagong 八宮 bagong gua 八宮卦 bagua 八卦 Bagua fangwei tu 八卦方位圖 bagua xiangzuo zhi yong 八卦相錯之用 Bagua zhang 八卦掌 bagua zhi gong 八卦之宮 banxiang 半象 bao gua (aka baoti) 包卦 baoti 包體 bazi 八字 bei (back) 背 bei (north) 北 ben 本 bengua 本卦 benwen 本文 bi 比 bian 變 bianben jiali 變本加厲 biangua 變卦 bianhua (change) 變化 bianhua zhi dao 變化之道 bianli 變例 bianyao 變爻 bianyi (change) 變易 bianyi (distinguishing the doubtful) 辨疑 bieji 別集 bigua 辟卦 (aka jungua) biji 筆記 bili 比例 bingzhan 兵占 Bo (Earl) 伯 boza 駁雜 bu (divine) 卜 bu dangwei 不當位 buli 不利 2 bu qie shi 不切事 bu zhu yi shuo 不主一說 buce 不測 bujing 卜經 buling 不靈 busheng 不生 bushi 卜筮 bushi qi zheng 不失其正 bushi zhi shu 卜筮之數 bushou 部首 butan 不談 buyi 不易 buzhen 不真 cai (talent) 才 cai (material) 材 caizi jiaren 才子佳人 cangwang 藏往 Canlong 蒼龍 ce (fathomings) 測 ce (pained) 惻 cezi 測字 cha (discrepancies) 差 cha (examine) 察 chaizi 拆字 chalai 察來 Chan (Buddhism) 禪 chan (meditation) 禪 chang 場 changyan (usual talk) 常言 chanwei (see chenwei) chen (zodiacal space) 辰 cheng (sincerity) 誠 chengfang 乘方 chenwei 讖緯 chenwei zhi shuo 讖緯之説 chenyao 讖謠 chi 尺 chu 出 chuan (tradition) 傳 chuilian tingzheng 垂簾聽政 chulei 觸纇 3 chun (pure) 純 (also 醇 and 淳) chun (spring) 春 chun shi 醇實 chun shi buzhi 淳實不支 chungua 純卦 chunzheng 醇正 ci 辭 cili 辭例 cun (inch) 寸 cunmu 存目 cunwang 存亡 cuogua 錯卦 cuozong 錯綜 cuozong qi shu 錯綜其數 dacheng 大成 dafu (grand masters) 大夫 Dahe 大和 dangwei 當位 danjue 丹訣 dantian 丹田 Dao 道 Daojia lei 道家纇 Daoqi 道器 Daozang 道藏 daren 大人 dashi 達識 datong 大通 Daxian xu Yi 大賢需易 daxiang -
Indo-Europeans in the Ancient Yellow River Valley
SINO-PLATONIC PAPERS Number 311 April, 2021 Indo-Europeans in the Ancient Yellow River Valley by Shaun C. R. Ramsden Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out for peer review, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
Geopolitics of Silk Road
Journal of Politics and International Studies Vol. 2, No. 2, July–December 2016, pp.106– 112 Geopolitics of Silk Road Khushboo Ejaz Assistant Professor, Political Science Department, Kinnaird College for Women, Lahore Nabia Nauman MPhil Scholar, Political Science Department, Kinnaird College for Women, Lahore ABSTRACT This paper will investigate the history of Silk Road in changing patterns of Geopolitics. Historically, it remained only a road or a route but a fragment of history that connects East and West. It consists of network of routes, trails and trading posts starting from China, scattered across Central Asia, penetrating South Asia and reaching across Europe. The term Silk Road was used for this route as Silk, which was before 7th century exclusively produced in China was the main product being exported to European lands. Empires like Persian, Roman as well as regions of Middle East, Central Asia, and Subcontinent and as far as Russia were involved in the exchange which reveals an earlier version of globalization. Knowledge, inventions and religions were the commodities which travelled through this route. In the contemporary world i.e 21st century China is treading through similar paths to ensure its sustainability and development. “One Belt, One Road” (OBOR) Initiative announced in 2013, is the name of a plan to revive and better the spirit of the old silk road and a step towards realizing the prediction of the Asian century. The OBOR consists of various mega-projects, but the main two programs are “the Maritime Silk Road” (MSR) and the “Silk Road Economic Belt” (SREB). Keywords: Geopolitics, Silk Road Introduction Silk Road is not only a road or a route but a fragment of history that connects East and West. -
Handbook of Chinese Mythology TITLES in ABC-CLIO’S Handbooks of World Mythology
Handbook of Chinese Mythology TITLES IN ABC-CLIO’s Handbooks of World Mythology Handbook of Arab Mythology, Hasan El-Shamy Handbook of Celtic Mythology, Joseph Falaky Nagy Handbook of Classical Mythology, William Hansen Handbook of Egyptian Mythology, Geraldine Pinch Handbook of Hindu Mythology, George Williams Handbook of Inca Mythology, Catherine Allen Handbook of Japanese Mythology, Michael Ashkenazi Handbook of Native American Mythology, Dawn Bastian and Judy Mitchell Handbook of Norse Mythology, John Lindow Handbook of Polynesian Mythology, Robert D. Craig HANDBOOKS OF WORLD MYTHOLOGY Handbook of Chinese Mythology Lihui Yang and Deming An, with Jessica Anderson Turner Santa Barbara, California • Denver, Colorado • Oxford, England Copyright © 2005 by Lihui Yang and Deming An All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Yang, Lihui. Handbook of Chinese mythology / Lihui Yang and Deming An, with Jessica Anderson Turner. p. cm. — (World mythology) Includes bibliographical references and index. ISBN 1-57607-806-X (hardcover : alk. paper) — ISBN 1-57607-807-8 (eBook) 1. Mythology, Chinese—Handbooks, Manuals, etc. I. An, Deming. II. Title. III. Series. BL1825.Y355 2005 299.5’1113—dc22 2005013851 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116–1911 This book is printed on acid-free paper. -
The Metaphysical Symbolism of the Chinese Tortoise
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. The metaphysical symbolism of the chinese tortoise Chong, Alan Wei Lun 2018 Chong, A. W. L. (2018). The metaphysical symbolism of the chinese tortoise. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/73204 https://doi.org/10.32657/10356/73204 Downloaded on 10 Oct 2021 09:40:57 SGT THE METAPHYSICAL SYMBOLISM OF THE CHINESE TORTOISE THE METAPHYSICAL SYMBOLISM THE METAPHYSICAL OF THE CHINESE TORTOISE CHONG WEI LUN ALAN CHONG WEI LUN, ALAN CHONG WEI LUN, SCHOOL OF ART, DESIGN AND MEDIA 2018 A thesis submitted to the Nanyang Technological University in partial fulfilment of the requirement for the degree of Master of Arts (Research) Acknowledgements Foremost, I would like to express my gratitude to Nanyang Technological University, School of Art, Design and Media for believing in me and granting me the scholarship for my Masters research. I would like to thank my thesis supervisor Dr. Nanci Takeyama of the School of Art, Design and Media, College of Humanities, Arts, & Social Sciences at Nanyang Technological University. The door to Prof. Takeyama office was always open whenever I ran into a trouble spot or had a question about my research or writing. Her valuable advice and exceeding patience has steered me in the right the direction whenever she thought I needed it. I would like to acknowledge Dr. Sujatha Meegama of the School of Art, Design and Media, Nanyang Technological University for advising in my report, and I am gratefully indebted to her for her valuable input for my research process. -
Temperate Regions
UNIT – III: Warm temperate Regions – Mediterranean, China and Steppe - Situation, Extent, Climate, Natural vegetation, Flora and fauna, Natural resources, Human life and Economic development. TEMPERATE REGIONS 1. WARM TEMPERATE REGIONS (A) WARM TEMPERATE WEST MARGINAL REGION OR MEDITERRANEAN TYPE OR DRY SUMMER SUBTROPICS Situation and Extent This region is situated between the latitudes 30° and 40° both to the north and south of the equator and includes only the lands lying on the westerns margins of the continents. Most of the countries having this type of climate are situated around the Mediterranean Sea. Hence the name ‘Mediterranean Type, of climate. Dry Summer Subtropics and the term Mediterranean are used interchangeably. This region includes Mediterranean lands comprising Spain, Portugal, Southern France, Italy, Greece, Yugoslavia, Albania, the Islands of Sicily and Cyprus in Southern Europe ; Western Turkey in Asia ; and Morocco, Algeria and Tunisia in North Africa, and Cape Province in South Africa; the Pacific Seaboard of North and South America, viz., Southern California in North America and Central Chile in South America ; south-western and southern coast of Australia ; Victoria and the Northern island of New Zealand. 1 Climate The Warm Temperate West Marginal Region or the Dry Summer Subtropics are transitional areas between arid and humid climates ; the equatorward margins of the regions are covered by deserts and the pole-ward sides have humid lands. Winter is season of rain; aridity or dryness prevails during summer. The following are the main climatic characteristics of Mediterranean regions : (1) The region is associated with winter rainfall and drought in summer, this is so because the winds of this region are wet westerlies from the ocean in winter and dry trade winds from the land in summer.