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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
Yin-Yang, the Five Phases (Wu-Xing), and the Yijing 陰陽 / 五行 / 易經
Yin-yang, the Five Phases (wu-xing), and the Yijing 陰陽 / 五行 / 易經 In the Yijing, yang is represented by a solid line ( ) and yin by a broken line ( ); these are called the "Two Modes" (liang yi 兩義). The figure above depicts the yin-yang cycle mapped as a day. This can be divided into four stages, each corresponding to one of the "Four Images" (si xiang 四象) of the Yijing: 1. young yang (in this case midnight to 6 a.m.): unchanging yang 2. mature yang (6 a.m. to noon): changing yang 3. young yin (noon to 6 p.m.): unchanging yin 4. mature yin (6 p.m. to midnight): changing yin These four stages of changes in turn correspond to four of the Five Phases (wu xing), with the fifth one (earth) corresponding to the perfect balance of yin and yang: | yang | yin | | fire | water | Mature| |earth | | | wood | metal | Young | | | Combining the above two patterns yields the "generating cycle" (below left) of the Five Phases: Combining yin and yang in three-line diagrams yields the "Eight Trigrams" (ba gua 八卦) of the Yijing: Qian Dui Li Zhen Sun Kan Gen Kun (Heaven) (Lake) (Fire) (Thunder) (Wind) (Water) (Mountain) (Earth) 0 1 2 3 4 5 6 7 The Eight Trigrams can also be mapped against the yin-yang cycle, represented below as the famous Taiji (Supreme Polarity) Diagram (taijitu 太極圖): This also reflects a binary numbering system. If the solid (yang) line is assigned the value of 0 and the broken (yin) line is 1, the Eight Trigram can be arranged to represent the numbers 0 through 7. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
The Heritage of Non-Theistic Belief in China
The Heritage of Non-theistic Belief in China Joseph A. Adler Kenyon College Presented to the international conference, "Toward a Reasonable World: The Heritage of Western Humanism, Skepticism, and Freethought" (San Diego, September 2011) Naturalism and humanism have long histories in China, side-by-side with a long history of theistic belief. In this paper I will first sketch the early naturalistic and humanistic traditions in Chinese thought. I will then focus on the synthesis of these perspectives in Neo-Confucian religious thought. I will argue that these forms of non-theistic belief should be considered aspects of Chinese religion, not a separate realm of philosophy. Confucianism, in other words, is a fully religious humanism, not a "secular humanism." The religion of China has traditionally been characterized as having three major strands, the "three religions" (literally "three teachings" or san jiao) of Confucianism, Daoism, and Buddhism. Buddhism, of course, originated in India in the 5th century BCE and first began to take root in China in the 1st century CE, so in terms of early Chinese thought it is something of a latecomer. Confucianism and Daoism began to take shape between the 5th and 3rd centuries BCE. But these traditions developed in the context of Chinese "popular religion" (also called folk religion or local religion), which may be considered a fourth strand of Chinese religion. And until the early 20th century there was yet a fifth: state religion, or the "state cult," which had close relations very early with both Daoism and Confucianism, but after the 2nd century BCE became associated primarily (but loosely) with Confucianism. -
Indo-Europeans in the Ancient Yellow River Valley
SINO-PLATONIC PAPERS Number 311 April, 2021 Indo-Europeans in the Ancient Yellow River Valley by Shaun C. R. Ramsden Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino-Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out for peer review, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
Begräbnistexte Im Sozialen Wandel Der Han-Zeit: Eine Typologische Untersuchung Der Jenseitsvorstellung, Heidelberg: Crossasia-Ebooks, 2021
Literaturverzeichnis Akizuki 1987: Akizuki Kan’ei 秋月觀暎, Hrsg. Dokyō to shūkyō bunka 道教と宗教文化 [Taoism and Religious Culture]. Tokyo: Hirakawa Shuppansha 平河出版社, 1987. Allan & Xing 2004: Allan, Sarah 艾蘭, und Xing Wen 邢文. Xinchu jianbo yanjiu 新出簡帛研究. Beijing: Wenwu chubanshe 文物出版社, 2004. An Jinhuai et al 1993: An Jinhuai 安金槐, Wang Yugang 王與剛, Xu Shunzhan 許順湛, Liu Jianz- hou 劉建洲 et al, und Henan sheng wenwu yanjiusuo 河南省文物研究所. Mixian dahuting hanmu 密縣打虎亭漢墓. Beijing: Wenwu chubanshe 文物出版社, 1993. An Zhimin 1973: An Zhimin 安志敏. „Changsha xin faxian de xihan bohua shitan 長沙新發現的西 漢帛畫試探“. Kaogu 考古, Nr. 1 (1973): 43-53. An Zhongyi 2012: An Zhongyi 安忠義. „Qinhan jiandu zhong de zhishu yu zhiji kaobian 秦漢簡牘 中的“致書”與“致籍”考辨“. Jianghan kaogu 江漢考古, Nr. 1 (2012): 111-16. Ao Chenglong 1959: Ao Chenglong 敖承隆, und Hebei sheng wenhuaju wenwu gongzuodui 河北 省文化局文物工作隊. Wangdu erhao hanmu 望都二號漢墓. Beijing: Wenwu chubanshe 文 物出版社, 1959. Ao Chenglong 1964: Ao Chenglong 敖承隆, und Hebei sheng wenhuaju wenwu gongzuodui 河北 省文化局文物工作隊. „Hebei dingxian beizhuang hanmu fajue baogao 河北定縣北莊漢墓 發掘報告“. Kaogu xuebao 考古學報, Nr. 2 (1964): 127-194/243-254. Assmann & Hölscher 1988: Assmann, Jan, und Tonio Hölscher. Kultur und Gedächtnis. Frankfurt am Main: Suhrkamp, 1988. Assmann 1992: Assmann, Jan. Das kulturelle Gedächtnis: Schrift, Erinnerung und politische Identität in frühen Hochkulturen. München: Beck, 1992. Bai Qianshen 2006: Bai Qianshen 白謙慎. Übersetzt von Sun Jingru 孫靜如, und Zhang Jiajie 張 佳傑. Fu Shan de shijie: shiqi shiji zhongguo shufa de shanbian 傅山的世界: 十七世紀中國 書法的嬗變 [Fu Shan‘s World: the Transformation of Chinese Calligraphy in the Seventeenth Century]. Beijing: Sanlian shudian 三聯书店, 2006. -
Handbook of Chinese Mythology TITLES in ABC-CLIO’S Handbooks of World Mythology
Handbook of Chinese Mythology TITLES IN ABC-CLIO’s Handbooks of World Mythology Handbook of Arab Mythology, Hasan El-Shamy Handbook of Celtic Mythology, Joseph Falaky Nagy Handbook of Classical Mythology, William Hansen Handbook of Egyptian Mythology, Geraldine Pinch Handbook of Hindu Mythology, George Williams Handbook of Inca Mythology, Catherine Allen Handbook of Japanese Mythology, Michael Ashkenazi Handbook of Native American Mythology, Dawn Bastian and Judy Mitchell Handbook of Norse Mythology, John Lindow Handbook of Polynesian Mythology, Robert D. Craig HANDBOOKS OF WORLD MYTHOLOGY Handbook of Chinese Mythology Lihui Yang and Deming An, with Jessica Anderson Turner Santa Barbara, California • Denver, Colorado • Oxford, England Copyright © 2005 by Lihui Yang and Deming An All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, except for the inclusion of brief quotations in a review, without prior permission in writing from the publishers. Library of Congress Cataloging-in-Publication Data Yang, Lihui. Handbook of Chinese mythology / Lihui Yang and Deming An, with Jessica Anderson Turner. p. cm. — (World mythology) Includes bibliographical references and index. ISBN 1-57607-806-X (hardcover : alk. paper) — ISBN 1-57607-807-8 (eBook) 1. Mythology, Chinese—Handbooks, Manuals, etc. I. An, Deming. II. Title. III. Series. BL1825.Y355 2005 299.5’1113—dc22 2005013851 This book is also available on the World Wide Web as an eBook. Visit abc-clio.com for details. ABC-CLIO, Inc. 130 Cremona Drive, P.O. Box 1911 Santa Barbara, California 93116–1911 This book is printed on acid-free paper. -
The Metaphysical Symbolism of the Chinese Tortoise
This document is downloaded from DR‑NTU (https://dr.ntu.edu.sg) Nanyang Technological University, Singapore. The metaphysical symbolism of the chinese tortoise Chong, Alan Wei Lun 2018 Chong, A. W. L. (2018). The metaphysical symbolism of the chinese tortoise. Master's thesis, Nanyang Technological University, Singapore. http://hdl.handle.net/10356/73204 https://doi.org/10.32657/10356/73204 Downloaded on 10 Oct 2021 09:40:57 SGT THE METAPHYSICAL SYMBOLISM OF THE CHINESE TORTOISE THE METAPHYSICAL SYMBOLISM THE METAPHYSICAL OF THE CHINESE TORTOISE CHONG WEI LUN ALAN CHONG WEI LUN, ALAN CHONG WEI LUN, SCHOOL OF ART, DESIGN AND MEDIA 2018 A thesis submitted to the Nanyang Technological University in partial fulfilment of the requirement for the degree of Master of Arts (Research) Acknowledgements Foremost, I would like to express my gratitude to Nanyang Technological University, School of Art, Design and Media for believing in me and granting me the scholarship for my Masters research. I would like to thank my thesis supervisor Dr. Nanci Takeyama of the School of Art, Design and Media, College of Humanities, Arts, & Social Sciences at Nanyang Technological University. The door to Prof. Takeyama office was always open whenever I ran into a trouble spot or had a question about my research or writing. Her valuable advice and exceeding patience has steered me in the right the direction whenever she thought I needed it. I would like to acknowledge Dr. Sujatha Meegama of the School of Art, Design and Media, Nanyang Technological University for advising in my report, and I am gratefully indebted to her for her valuable input for my research process. -
Time in Daoist Practice
Time in Daoist Practice Cultivation and Calculation edited by Livia Kohn Three Pines Press www.threepinespress.com © 2021 by Three Pines Press All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. 9 8 7 6 5 4 3 2 1 Printed in the United States of America This edition is printed on acid-free paper that meets the American National Standard Institute Z39.48 Standard. Distributed in the United States by Three Pines Press. Cover Art: “Measuring Flow: Clock over Yin-Yang.” Design by Breant Cochran. ----------------------------------------------------------------------------------------------- Library of Congress Cataloging-in-Publication Data Names: Kohn, Livia, 1956- editor. Title: Time in Daoist practice : cultivation and calculation / edited by Livia Kohn. Description: St Petersburg : Three Pines Press, [2021] | Includes bibliographical references and index. Identifiers: LCCN 2021011151 | ISBN 9781931483490 (acid-free paper) Subjects: LCSH: Time--Religious aspects--Taoism. Classification: LCC BL1942.85.T56 T56 2021 | DDC 299.5/142--dc23 LC record available at https://lccn.loc.gov/2021011151 Contents Introduction Livia Kohn Daoist Practice and the Importance of Time 1 Setting the Theme Hervé Louchouarn Dao Defines Time and Health 17 Part One: Planetary Time Nataša Vampelj Suhadolnik Defining Time: The Codes of Yin-Yang in Han Murals 39 Bede Benjamin -
In the Government's Service: a Study of the Role and Practice of Early China's Officials Based on Caex Vated Manuscripts
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 In the Government's Service: A Study of the Role and Practice of Early China's Officials Based on caEx vated Manuscripts Daniel Sungbin Sou University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, and the Asian Studies Commons Recommended Citation Sou, Daniel Sungbin, "In the Government's Service: A Study of the Role and Practice of Early China's Officials Based on caEx vated Manuscripts" (2013). Publicly Accessible Penn Dissertations. 804. https://repository.upenn.edu/edissertations/804 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/804 For more information, please contact [email protected]. In the Government's Service: A Study of the Role and Practice of Early China's Officials Based on caEx vated Manuscripts Abstract The aim of this dissertation is to examine the practices of local officials serving in the Chu and Qin centralized governments during the late Warring States period, with particular interest in relevant excavated texts. The recent discoveries of Warring States slips have provided scholars with new information about how local offices operated and functioned as a crucial organ of the centralized state. Among the many excavated texts, I mainly focus on those found in Baoshan, Shuihudi, Fangmatan, Liye, and the one held by the Yuelu Academy. Much attention is given to the function of districts and their officials in the Chu and Qin vgo ernments as they supervised and operated as a base unit: deciding judicial matters, managing governmental materials and products, and controlling the population, who were the source of military and labor service. -
A Comparison of the Guodian and Mawangdui Laozi Texts/ Dan Murphy University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2006 A comparison of the Guodian and Mawangdui Laozi texts/ Dan Murphy University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Murphy, Dan, "A comparison of the Guodian and Mawangdui Laozi texts/" (2006). Masters Theses 1911 - February 2014. 1265. Retrieved from https://scholarworks.umass.edu/theses/1265 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. A COMPARISON OF THE GUODIAN AND MAWANGDUI LAOZI TEXTS A Thesis Presented by DANIEL ANTHONY MURPHY Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2006 CHINESE Copyright Daniel A. Murphy 2006 All Rights Reserved — A COMPARISON OF THE GUODIAN AND MAWANGDUI LAOZI TEXTS A Thesis Presented by DANIEL ANTHONY MURPHY Approved as to style and content by: Alvin P. Cohen, Cnair E. Bruce Brooks, Member Shaodan Luo, Member ^Jj>^JS^-p Dons^G. Bargen, Director^/ Asian Languages and Ligatures Department of Languages, Literatures and Cultures ACKNOWLEDGMENTS I would like to thank Professor Alvin P. Cohen for his continuous support over my two years at University of Massachusetts Amherst. Professor Cohen's dedication to his students is remarkable. I have received far more from him than I can ever return. Professor E. Bruce Brooks has provided consistent and reliable guidance on all matters pertaining to the examination of classical Chinese texts. -
An Analysis on Chinese and Greek Mythologies
AN ANALYSIS ON CHINESE AND GREEK MYTHOLOGIES ... PROMETHEUS, NÜWA AND GUN Yan Qiuxia Chinese and Greek mythologies, as many other mythologies in the world, are mixtures of history, legends, and myths. Although they both have been passed down in oral or written form and have developed over the ages, Greek mythology is much more organized because of The Theogony and The Works and Days by Hesiod1, while Chinese mythology is not so systematic and dispersed in a few books2, among which Shan Hai Jing3, Shui Jing Zhu4, and Huai Nan Zi5 are the important ones.6 Hei An Zhuan is also very important because it is the only collection of legends in epic form but it is not widely known because its value is not recognized until 1980s.7 So many Chinese myths exist in different versions, and often conflicting. Take the creation of the first human beings as an example. It is variously ascribed to Tiandi, Nüwa, Pangu, and Yuhuang in different stories. What I am discussing here is based on a common version which is widely spread in North China. So don’t be surprised if you come across or have come across a different version. I would compare first Prometheus and Nüwa and then Prometheus and Gun and analyze the culture reflected by their stories. Prometheus and Nüwa both are the creators of the human beings in their respective mythology. Prometheus was permitted by Zeus, who wants to express gratitude to Prometheus for helping him in the fight with the Titans, to populate the earth with humans and animals, together with his brother Epimetheus.