An Analysis of Metaphor in Emily Dickinson's
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Genesis and Development of Stylistic Devices Classifications
Philology Matters Volume 2020 Issue 3 Article 6 9-20-2020 GENESIS AND DEVELOPMENT OF STYLISTIC DEVICES CLASSIFICATIONS Feruza Khajieva Associate professor (PhD), Department of English Literature Bukhara State University, Bukhara, Uzbekistan Follow this and additional works at: https://uzjournals.edu.uz/philolm Part of the English Language and Literature Commons, Language Interpretation and Translation Commons, Linguistics Commons, Other Languages, Societies, and Cultures Commons, and the Reading and Language Commons Recommended Citation Khajieva, Feruza Associate professor (PhD), Department of English Literature (2020) "GENESIS AND DEVELOPMENT OF STYLISTIC DEVICES CLASSIFICATIONS," Philology Matters: Vol. 2020 : Iss. 3 , Article 6. DOI: 10. 36078/987654447 Available at: https://uzjournals.edu.uz/philolm/vol2020/iss3/6 This Article is brought to you for free and open access by 2030 Uzbekistan Research Online. It has been accepted for inclusion in Philology Matters by an authorized editor of 2030 Uzbekistan Research Online. For more information, please contact [email protected]. Khajieva: GENESIS AND DEVELOPMENT OF STYLISTIC DEVICES CLASSIFICATIONS Philology Matters / ISSN: 1994-4233 2020 Vol. 33 No. 3 LINGUISTICS ФМ Uzbek State World Languages University DOI: 10. 36078/987654447 Feruza Khajieva Феруза Ҳожиева Associate professor (PhD), Department of English Бухоро давлат университети, Инглиз адабиёти Literature, Bukhara State University кафедраси доценти, филология фанлари бўйича фалсафа доктори GENESIS AND DEVELOPMENT OF STYLISTIC DEVICES СТИЛИСТИК ВОСИТАЛАР ТАСНИФ- CLASSIFICATIONS ЛАРИ ГЕНЕЗИСИ ВА ТАДРИЖИ ANNOTATION АННОТАЦИЯ Тhe article discusses the problem of a stylistic Мақолада стилистик воситалар муаммо- device, its innate features and the literary, си, жумладан, уларнинг табиати ҳамда ва ба- aesthetic, imagery functions, the example to диий-эстетик, образлилик вазифалари таҳлил stylistic convergence is also given. -
Waking up from «Conjecture» As Well As from «Dream»
DOSSIER WAKING UP FROM «CONJECTURE» AS WELL AS FROM «DREAM» A presentation of AIME Text: Bruno Latour GAD Distinguished Lecture, American Anthropology Association meeting, Chicago 21st of November 2013 1 Abstract As every ethnographer knows, in addition to the many blunders every one of us commits in the course of our feldwork, there exist also graver mistakes when we sense a mistaken regime of reality granted to an entity. It is at those moments, usually the most revealing in the course of our inquiries, when we try to repair broken relations by some innovative move to defne the status of the contrasting realities that have been open to misinterpretation. During the last quarter century I have attempted, quite systematically, to increase the number of templates by which the so-called Moderns account for themselves; not, to be sure, in their ofcial representation (they remain staunch adepts of the Object-Subject Operating System and will swear that they are obedient naturalists), but by looking for the many occasions where they express dissatisfaction with such an ofcial view of themselves. What I think I have documented are the protestations by many diferent people that a skewed template is being used to account for the mode of existence of the agencies that are most attached to them. Keywords: method; ontology; modernism; inquiry; physical anthropology; diplomacy «Thus there would be two natures, (the world is made of objects and subjects, period) with the one is the conJecture bewildering number of entities they have never ceased to and the other is the dream» encounter or to generate along their path. -
Mastering the Metaphor
Mastering the Metaphor ACBS World Conference IX Colleen Ehrnstrom, Ph.D. Boulder, Colorado, USA www.actskillsgroup.com Many thanks to Chad Emrick and Carl Baccellieri and the Boulder ACT consultation group for their advice and feedback regarding this workshop. We utter about one metaphor for every 10 to 25 words, or about six metaphors a minute (Geary, 2011). Metaphors are represented in this presentation in both written and visual form. Metaphor: Picture is worth a 1000 words (embedded in computer metaphor) 1. Learn where metaphors fit into the infrastructure of the ACT model 2. Understand the basic science of metaphors 3. Know and apply the guidelines for using metaphors in therapy 4. Watch therapists use metaphors in the therapeutic context 5. Practice using some ACT metaphors in the therapeutic context Mechanistic versus Contextual Metaphor: Bank of a stream– Where does the bank end and the water begin? Functional Contextualism – given the context, what is the function? Metaphor: Google maps v floorplan – do you want to drive there or live there? Suffering is related to language Metaphor: Your words slice through me like knives RFT is the science behind ACT Metaphor: Driving a car without knowing the mechanics of it Pliance (“plys”) – compliance with verbal rules that are socially supported. Plys are typically our first introduction to rules. Examples: Eat 5 servings of fruits and vegetables to stay healthy Wear a coat – it is cold outside Metaphor: Go the extra mile What are your plys about doing ACT in the therapy room?? Plys are more prevalent because they do not require direct experience. -
The Use of Metaphor in Poetry
THE USE OF METAPHOR IN POETRY structure 3.0 - Aims and Objectives 3.1 Introduction 3.2 Traditional definition of metaphor 3.3 Distinction between simile and metaphor 3.3.1 Changein the trditidndunof metaphor 3.3.2 Difference between traditional and modern uses of metaphor 3.4 Simile and metaphor in a chain 3.4.1 Comptex metaphors 3.4.2 Symbd and conceit 3.5 Varieties of metaphor 3.5.1 Contemporary concept ofmetaphor 3.5.2 USe of me!apbor in modern poetry 3.6 imageas metaphor 3.7 Analogical and contextual notions of metaphor 3.8 Summing up 3.9 Activities: aids to answers 3.10 Glossary 3.0 AIMS ANI) OBJECTIVES This Unit discusses the use of metaphor in poetry. After going through it, you wiU learn that metaphor, like simite, is based on comparison between two dissimjlar the; the language we use being metaphoric in origin, some of our expressions have lost their original metaphoric character and have become dead metaphors; the traditional definition of metaphor as shortened simile has become modified in that metaphors.are not &&ed tidm simple logical comparisons; 0 dilethe traditional use ofwetaphor is for bringing out the points of similarity between two things, the mderh use of it is to make it serve as a ceqtral concept of the poem; in many poems the simik and the metaphor are indeed combined as in a chain. This suggests that though a siml is at the root of every metaphor, it is metaphor that - makes the poem vivid and symbolical; if the suggestecf-resemblane of the things compared is far-fetched or arbitrary, the metaphor acquires the character of a symbol or a conceit; * poets no longer consider a wtaphor as a distinct rhetorical element but associate it with other stylistic elements as 'metaphors'; * metaphor has become a condition of poetry and a means for the evocathn of connota~imand assoeiationscentral to the poem; in mdmpoetry,metaphar implies a transaction between contexts and kelps the overt meanings of images toacquire metaphoric significance; and . -
Lexical Stylistic Devices and Literary Terms of Figurative Language
International Journal of Recent Technology and Engineering (IJRTE) ISSN: 2277-3878, Volume-8, Issue-3S, October 2019 Lexical Stylistic Devices and Literary Terms of Figurative Language Saidova Mukhayyo Umedilloevna Abstract: The degree of study and significance of lexical II. MATERIALS AND METHODS literary devices are carried out in the given article. The essential aspects of lexical devices and information about numerous The scientific and practical studies about linguistic terms methods of investigating and studying them are discussed. are based on ideas of Akhmanova (1966, 1990), Vasileva Terms belonged to the lexical level of the language and the (1998), Gwishiani (1986, 1990), Golovin (1976), Kulikova analyses of lexical devices given by several dictionaries of (2002), Petrosyants (2004), Podolskaya (1988), Slyusarova literary terms and sources are explained in the article. In this (1983, 2000), Shelov (1998) and others. In recent years, article we would like to refer to different approaches on study of studies on linguistic terms have been published and we can literary terms of figurative language, more preciously on lexical see these studies on Roman language terminology in works of stylistic devices. There are many types of figurative language, including literary devices such Nikulina (1990), Utkina (2001), Emelyanova (2000), as simile, metaphor, personification and many others. The Vermeer (1971), Zakharenkova (1999), German (1990), definition of figurative language is opposite to that of literal Golovkina (1996) [6, 11-41]. language, which involves only the “proper” or dictionary If we pay close attention to the aforesaid studies, we can definitions of words. Figurative language usually requires the see that literary terms which is the object of our research reader or listener to understand some extra nuances, context and project has been studied relatively rarely in Slovenian, allusions in order to understand the second meaning. -
A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 The piE stemic Power of Metaphor: A Rhetorical Model for Homiletics. Rodney Kennedy Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kennedy, Rodney, "The pE istemic Power of Metaphor: A Rhetorical Model for Homiletics." (1990). LSU Historical Dissertations and Theses. 5063. https://digitalcommons.lsu.edu/gradschool_disstheses/5063 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
Download Article (PDF)
Advances in Social Science, Education and Humanities Research, volume 447 Proceedings of the International Scientific Conference on Philosophy of Education, Law and Science in the Era of Globalization (PELSEG 2020) Stylistic Devices of Creating a Portrait of the Character Artistic Image (Based on the Work of Thomas Mayne Reid) V. Vishnevetskaya 1Novorossiysk Polytechnic Institute (branch) of Kuban State Technological University 20, ul. Karl Marx, Novorossiysk, 353900, Russia. E-mail: [email protected] Abstract —The article considers the stylistic devices used for II. MATERIALS AND METHODS the portrait description of the character of the artwork. It is necessary to emphasize that stylistic devices play quite an In our work, we use the methods of comparing and important role in creating the artistic image of the character. At contrasting which help the author to create special portrait of a the same time, stylistic devices mainly emphasize not only the character. Stylistic devices are important line elements of the specific features of the exterior, but also various aspects of the portrait description. The process of creating a character visual impression, while bringing to the forefront the features of portrait image uses all the existing stylistic devices that are the drawing image that seem important to the author for one used in the English language system. The most used stylistic reason or another. And, here, the emotional characteristic of the devices are metaphor, epithet, comparison, metonymy and portrait described is becoming significant, and the impression others. that the image formed by the author can make. Stylistic devices are an important line element of the portrait description. -
Translation of Stylistic Devices in Contemporary Young Adult Fiction
ISSN 1648-8776 JAUNŲJŲ MOKSLININKŲ DARBAI. Nr. 2 (46). 2016 Doi: 10.21277/jmd.v2i46.60 TRANSLATION OF STYLISTIC DEVICES IN CONTEMPORARY YOUNG ADULT FICTION Roberta Strikauskaitė Šiauliai University Introduction Translation of fiction Due to the increasing teenage interest in Translation as such first and foremost is an books, scripture becomes a source of language, in activity for social purposes the aim of which is a sense that youngsters learn new words, phrases, communication. As a process it consists of a number of allusions or metaphors and incorporate them in their stages, each of them being equally important in order everyday language. K. Urba (2013) describes the to convey the idea of the source text in the highest situation of teen literature in Lithuania as relatively quality. Navickienė (2005, p. 30) has determined four bad compared to that in other countries. Therefore, steps and defined them as: 1) analysis of the original demand for popular reads requires a quick reaction text; 2) search for equivalents; 3) synthesis of the when translating such books. However, translating original features and equivalents; 4) analysis of the young adult fiction is a challenging task due to the use translated text. of slang and other colloquial vocabulary or stylistic Analysis of the original helps to determine the devices. type of the text and thus distinguishes the purpose of The stylistic side of translation (and writing translation. Search for equivalents results in choosing to some extent) plays one of the biggest roles in a translation technique, scanning for culture-specific providing readership with a proper equivalent of terms and their counterparts relevant to the speakers fiction. -
The Stylistic Features of the Nature Descriptions in the English Literary Novels
Science and Education a New Dimension. Philology, IV(27), Issue: 107, 2016 www.seanewdim.com The stylistic features of the nature descriptions in the English literary novels M. H. Shemuda SHEE “Pereyaslav-Khmelnytskyi State Pedagogical University named after Hryhoriy Skovoroda”, Pereyaslav-Khmelnytskyi, Ukraine Corresponding author. E-mail: [email protected] Paper received 26.10.16; Revised 01.11.16; Accepted for publication 05.11.16. Abstract. The article is devoted to the problem of the nature descriptions’ role in the English literary novels. The stylistic features of the nature descriptions in the English literary novels are found out and analyzed. The author emphasises that the identified stylistic devices help create the pervading atmosphere of the novels, transmit the characters’ feelings, give the amazing similies, endow the nature with the human traits. It is defined that the main themes and ideas of the novels are sent through the nature descriptions. Keywords: nature descriptions, English literary novels, stylistic features, stylistic devices. Introduction. One of the main problems linguostylistics summer weather as a good sign of the future events: “One deals with is the study of the stylistic devices and fine summer morning – it was the beginning of harvest” expressive means of the language, appropriate and [2, p. 56]. That fateful day when Catherine and Heathcliff contextually driven use of which allows to give a deeper escaped the house, forcing maid Nellie worry, a and clearer presentation of the content of art and depict monotonous sound of the rain only enhances the alarm: the artistic images. The study of the literature is “I, too, anxious to lie down, opened my lattice and put my impossible without nature studying because the literary head out to hearken, though it rained” [2, p.64]. -
Stylistic Analysis of the Selected Short Stories by Mary Flannery O'connor and William Sydney Porter
Stylistic Analysis of the Selected Short Stories by Mary Flannery O'Connor and William Sydney Porter تحليل اﻻسلوبية في القصص القصيرة المختارة لدى المؤلفين ماري فﻻنرى او كونر ووليم سيدني بورتر Prepared by Zainab Ali Abed Supervised by Dr. Mohammed Mahameed A Thesis Submitted in Partial Fulfillment of the Requirement for the Degree of Master in English Literature Faculty of Arts and Sciences Department of English and Literature Middle East University May, 2019 II Authorization III Thesis Committee Decision IV Acknowledgement First and foremost, my thanks go to the Almighty God for providing me with everything I needed for this research. I would like to thank my supervisor Dr. Mohammed Mahameed for his guidance and support to get this thesis. My gratitude goes to the faculty members for their kindness, encouragement and understanding. My love and respect go to all those who offered me help and for their brotherly assistance, I say thank you. The Researcher V Dedication This thesis is dedicated to my beloved sister Dr. Kawthar who always supported me and encouraged me to achieve my goals. To my beloved brother who stood by my side whenever I needed him. To my family and to all those who supported me in one way or another with their cooperation and courtesy. The Researcher VI Table of Contents Subject Page Title ……………………………………………………………………………. I Authorization ………………………………………………………………….. II Committee Decision …………………………………………………………... III Acknowledgement …………………………………………………………….. IV Dedication ……………………………………………………………………... V Table of Contents ……………………………………………………………… VI English abstract ………………………………………………………………... IX Arabic abstract ………………………………………………………………… X Chapter One 1.1 Introduction …………………………………………………………... 1 1.2 Biography of the authors ……………………………………………... 4 1.3 Statement of the problem …………………………………………….. -
Workers in the Vineyard
Workers in the Vineyard This parable (Mt 20:1-16) is about several workers who are hired by a land owner, over different periods of time. In the evening, the workers who are hired first expect to be paid more than those hired later. But the owner pays all of the workers equally. Land Owner: Most of the productive land was held by large-scale elite owners. From the First Temple period through the Second, a pronounced shift in the patterns of land tenure took place, shifting from smallholders producing the Mediterranean triad of grain, grapes and olives for subsistence to large estates orientated to large-scale production and export crops. The owner in this parable is one of the wealthy sub-elites who owned large estates and converted the land to viticulture dedicated to the production of export crops. Laborers: The social order consisted of a patron-and-client society of unequal relationships with the estate owners assuming the role of patrons and those who have lost the land becoming their clients. In such a relationship the client’s wellbeing is determined by the closeness of rapport he maintains with the patron. The landless laborers in the parable did not belong to the ambit of such a relationship. They were outside of any assured protection and regular work opportunity and, hence, more vulnerable to be deprived of their basic wages even on rare occasions when they found a work to do. Early workers: The working hours of the Israelites were 12 and was counted from 6:00 A.M. -
Detecting Novel Metaphor Using Selectional Preference Information
Detecting novel metaphor using selectional preference information Hessel Haagsma and Johannes Bjerva University of Groningen The Netherlands Abstract costs an arm and a leg.’ and the Dutch ‘Dit lesboek kost een rib uit het lijf.’ (lit. ‘This textbook costs a Recent work on metaphor processing often rib from the body.’) to be mapped to the same mean- employs selectional preference information. ing representation, which should not include refer- We present a comparison of different ap- ences to any of the body parts used in the idiomatic proaches to the modelling of selectional pref- erences, based on various ways of generaliz- expressions. ing over corpus frequencies. We evaluate on In this paper, we focus on one area of figurative the VU Amsterdam Metaphor corpus, a broad language processing, namely the detection of novel corpus of metaphor. We find that using only metaphor, and especially the utility of selectional selectional preference information is enough preference features for this task. By doing this, we to outperform an all-metaphor baseline clas- hope to answer a two-fold question: can selectional sification, but that generalization through pre- preference information be used to successfully de- diction or clustering is not beneficial. A pos- tect novel metaphor? And how do generalization sible explanation for this lies in the nature of the evaluation data, and lack of power of se- methods influence the effectiveness of selectional lectional preference information on its own preference information? for non-novel metaphor detection. To bet- ter investigate the role of metaphor type in 2 Background metaphor detection, we suggest a resource with annotation of novel metaphor should be 2.1 Types of metaphor in language created.