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Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
Area Studies
DOCUMENT RESUME ED 091 303 SO 007 520 AUTHOR Stone, Frank A. TITLE Armenian Studies for Secondary Students, A Curriculum Guide. INSTITUTION Connecticut Univ., Storrs. World Education Project. PUB DATE 74 NOTE 55p. EDRS PRICE MF-$0.75 HC-$3 15 PLUS POSTAGE DESCRIPTORS Annotated Bibographies; *Area Studies; Cultural Pluralism; *Culture; *Ethnic Studies; Evaluation; *Humanities; Immigrants; Instructional Materials; Interdisciplinary Approach; *Middle Eastern Studies; Minority Groups; Questioning Techniques; Resource Materials; Secondary Education; Teaching Methods IDENTIFIERS Armenians; *World Education Project ABSTRACT The guide outlines a two to six week course of study on Armenian history and culture for secondary level students. The unit will help students develop an understanding of the following: culture of the American citizens of Armenian origin; key events and major trends in Armenian history; Armenian architecture, folklore, literature and music as vehicles of culture; and characteristics of Armenian educational, political and religious institutions. Teaching strategies suggested include the use of print and non-print materials, questioning techniques, classroom discussion, art activities, field traps, and classroom visits by Armenian-Americans. The guide consists c)i the following seven units:(1) The Armenians in North America; (2) sk.,,tches of Armenian History;(3) Armenian Mythology; (4) lic)ices of Fiction and Poetry;(5) Armenian Christianity; (e) Armenian Fine Arts; and (7)Armenian Political Aims. InstrLF-ional and resource materials, background sources, teaching s...7atc,c !s, and questions to stimulate classroom discussion are prove.': :'fc,r each unit. (Author/RM) U S DEPARTMENT OF HEALTH. EDUCATION & WELFARE NATIONAL INSTITUTE OF EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGIN ATING IT POINTS OF VIEW OR OPINIONS STATED DO NO1 NECESSARILY REPRE SENT OFF ICIAL NATIONAL INSTITUTE OF EDUCATION POSITION OR POLICY ARMENIAN STUDIES FOR SECONDARY STUDENTS P% A Curriculum Guide Prepared by Frank A. -
English Translations of the Armenian National Epic “David of Sassoun”
Вестник Северо-Восточного федерального университета имени М. К. Аммосова: Серия Эпосоведение, № 2 (06) 2017 УДК 398.22=111=03.19 H. A. Hambardzumyan Ереванский государственный университет SOME FEATURES OF TRANSLATION OF THE EPIC: ENGLISH TRANSLATIONS OF THE ARMENIAN NATIONAL EPIC “DAVID OF SASSOUN” Abstract. Translation of folklore and in particular the epic, is related with some challenges such as translation of words that incorporate and convey the outline and national identity of epic narrative. So, how do we translate an epic narrative from one language to another? Beyond the translation of words, the interpreter needs to transmit the cultural and social-historical realities of a particular culture to another. Often translators resort to footnotes, however the extensive usage of footnotes can be exhaustive and make the text difficult to read. On the other hand, if all the words are translated via the literal layer of the vocabulary, the epic becomes stripped off its national identity, thus becoming a mere retelling of well-known mythological and epic motives. These problems on different scales are seen in Russian and English translations of the epic “David of Sassoun”. The Armenian national epic has several English translations – “David of Sassoun”: The Armenian Epic in Four Cycles” by Artin Shalian (1964), “Daredevils of Sassoun” by Leon Surmelian (1964) and “The Saga of Sassoun” by Mischa Kudian (1970) etc. Each translation addresses and solves the question of translation of epic in comparative ways. This article focuses primarily on Artin Shalyan’s and Leon Surmelian’s translations, while dealing with other translations in deriving argument and analysis. -
Armenian Affairs: a Journal on Armenian Studies
ARMEN AFFAIRS ARMENIAN AFFAIRS A JOURNAL ON ARMENIAN STUDIES Editor Charles A. Vertanes Board of. Editorial Advisers Harootiun Asdourian Bishop Sion Manoogian History Current History Cordoba, Argentina Bishop Tiran Nersoyan Henry A. Atkinson Church History Current Affairs Abraham A. Neuman A. A. Bedikian Near East History History and Literature Dropsie College for Hebrew and Zabelle G. Boyajian Cognate Learning Art and Literature Reinhold Niebuhr London, England Religion and International Affairs Lawson p. Chambers Union Theological Seminary Philosophy Washington University Peniamin Noorigian H. M. Dadourian Literature Science and Current Affairs Ernest Partridge Trinity College Education and Missions KoREN Der Harootian A. Safrastian Sculpture Archeology and History Sirarpie Der Nersessian London, England Archeology Art and Joseph B. Schechtman Harvard University Current History and the Near East Frederick L. Fagley Robert Searle Current Affairs W. Arsen Goergizian Social and Political Affairs Church History and Current Affairs Moushegh Seropian Vahan Hagopian History, Literature and Current Affairs Architecture Nicosia, Cyprus Vahe Haig K. Sitae Literature Poetry Archbishop Karekin Mihrtad Tiryakian Literature and E^cclesiastical History Philology, Literature and History Buenos Aires, Argentina Carl Hermann Voss Emil Lengyel Religion and International Affairs Turkey and the Near East Jane S. Wingate New York University Folk Literature Editorial Associates Armine Dikijian Harry Haroutunian Correspondents Ed^vard V. Gulbenkian Noubar Maxoudian Great Britain Cyprus Caro a. Martin Vartan Melkonian India, Pakistan, and the Far East Iraq Hrant S. Rshduni Hungary Armenian Affairs, a quarterly, published by the Armenian National Council of America, 144 E. 24th Street, New York 10, N. Y. Subscription, $5.00 per year; single issues, $1.50 per copy. -
Armenian Literature Classes in Public High Schools: Understanding the Preference For
Armenian Literature Classes in Public High Schools: Understanding the Preference for Canonical Literature By Arusyak Gharagyozyan Presented to the Department of English & Communications in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts American University of Armenia Yerevan, Armenia May 15, 2020 2 Table of Contents Abstract 3 Introduction 4 Literature Review 6 Research Questions 10 Methodology 11 Research Findings and Analysis 14 Conclusion 33 References 35 Appendices 37 3 Abstract Literature is one of the most important fields that carries and encompasses history and art. It’s a constantly changing sphere that is influenced by time, meaning while times are changing the literature should also evolve along with us. But is it the case for Armenian literature? This research aims to analyze the representation of Armenian literature through high school textbooks. The preference for the authors and literary works included in the textbooks, the omissions and misinterpretations are of primary concern. Armenian literature is one of the mandatory subjects taught at schools. It has an impact in shaping the worldview and mentality of the younger generation and as such in our times it is essential to have diverse, inclusive and non- stereotypical representation of literature. 4 Introduction One of the primary subjects taught at schools and colleges in Armenia is the Armenian literature class. Throughout the years, despite economical difficulties and political agitation as well as oppressed intellectual freedom during the Soviet Union era, Armenian literature remained a valuable cultural heritage. It’s not surprising that literature became one of the fundamental subjects to educate younger generations and nurture the sense of pride and belonging of Armenian culture. -
A Concise History of the Armenian People a CONCISE HISTORY of the ARMENIAN PEOPLE Other Books by George Boumoutian
A Concise History of the Armenian People A CONCISE HISTORY OF THE ARMENIAN PEOPLE Other Books by George Boumoutian Eastern Armenia in the Last Decades of Persian Rule: 1807-1828 (out of print) The Khanate o f Erevan under Qajar Rule, 1795-1828 A History of Qarabagh (out of print) A History o f the Armenian People, I: From Prehistory to 1500 AD (out of print) A History o f the Armenian People II: From 1500 to the Present (out of print) Armenians and Russia, 1626-1796 Russia and the Armenians o f Transcaucasia, 1797-1889 The Chronicle o f Abraham o f Crete Abraham of Erevan: History of the Wars, 1721-1738 The Journal o f Zak'aria o f Agulis The Chronicle of Zak'aria ofK ‘anak‘er Two Chronicles on the History o f Karabagh The History o f Arak'el o f Tabriz (2 vols.) The Travel Notes o f Simeon o f Poland (forthcoming) A Concise History of the Armenian People (From Ancient Times to the Present) Fifth Edition Completely Revised George A. Boumoutian Mazda Publishers, Inc. Costa Mesa California 2006 The publication of this volume was made possible by a generous grant from Harry and Suzanne Toufayan in memory of their parents Haroutiun and Siranoush Toufayan Mazda Publishers, Inc. Academic Publishers since 1980 P. O. Box 2603 Costa Mesa, California 92628 U.S.A. www. mazdapub .com Copyright© 2006 George A. Boumoutian All rights reserved under International and Pan-American Copyright Conventions. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system, without written permission from the publisher. -
Chapter 1 Cinema, State, and Nation
THE UNIVERSITY OF READING Cinema Regarding Nations Re-imagining Armenian, Kurdish, and Palestinian national identity in film Thesis awarded the degree of Doctor of Philosophy, 2007 Department of Film, Theatre & Television Copyright © 2007, 2008 Tim Kennedy Declaration of original authorship Declaration I confirm that this is my own work and the use of all material from other sources has been properly and fully acknowledged T C S Kennedy ii Abstract This thesis examines how film contributes to the collection of visual images and narratives that enable a community to imagine itself as a nation. It focuses on three such communities, the Armenians, the Kurds, and the Palestinians, who have been, or remain, stateless. It argues that, in the face of external threats, stateless nations and their diasporas require repeated re-imagining to ensure their continued existence. A starting point for the study is that cinema is an important site for this re- imagining in the way that it continually highlights concerns with national identity. Using a diverse collection of film in each case, the analysis identifies national themes, key symbols, and formal structures employed by film-makers to depict these nations. The films are categorised by means of the concept of “cinema regarding nations”, that is they are specifically about the respective nations. Through this categorisation, the thesis contributes to national cinema studies by facilitating the critical examination of a body of work which otherwise is fragmented. The study is comparative and uses a combination of textual and contextual analysis that enables the films from each case to be related to their political and social circumstances.