5

breaking through to new ideas. The pertaining to the education of the artist Members print she has created with collaborating and the democratization of art history.1f Rutgers master printer/ Eileen Foti/ has All proceeds from the Schapiro six color runs. The colors are brilliant/ print will go toward matching the Offered highly saturated ones/ that create $140,000 chalienge grant that CAA striking optical contrasts. By cutting the received from the National Endowment fan out and hinging it to a soft gray for the Arts for the Professional Devel­ Schapiro background, the print takes on the opment Program. The first five fellow­ object quality of an actual fan. The ships were awarded this spring. Each Print patterns in the fan are related to jazz recipient is funded for two years, the images. Male artists like Stuart Davis last year of graduate study and the first have staked out jazz motifs on their year of professional life. In the second own/ and we forget that women as well year, all recipients will be placed in full­ as men are integral to jazz. It's hard to time jobs in museums or academic think of a woman artist who has institutions. The participating institu­ claimed jazz motifs for her own as tions are partners in the program. iriam Schapiro and the Schapiro has done in this image/ which CAA president Larry Silver points Rutgers Center for Innovative is an homage to Mary Lou Williams/ out: "CAA members lucky enough to M Printmaking have donated one of the earliest women jazz compos­ purchase one of the Schapiro prints will their time to create a fine art limited ers. We're looking forward to also be ensuring the future of the edition print for the benefit of the Schapiro's convocation address in fellowship program.1f "Since the edition College Art Association Professional which she win examine futurist issues is small-Dnly 100-and there are 13,000

Development Fellowship Program. CONTINUED ON PAGE 2 Titled In the Land of Go-bla-dee: Homage to Mary Lou Williams, the print is a six­ color lithograph printed on white Rives, cut out and hinged onto Folio Gray. The size is 22 x 30 inches. CAA individual members may purchase the print at the special price of $750 until November 30, after which the price will be $1,500 (see order form, p. 15). A postcard-size color reproduction of the print is available upon request from the CAA office. As Judith K. Brodsky, CAA vice president, chair of the CAA Capital Campaign, and director of the Rutgers Center for Innovative Printmaking/ puts it/ "This is Schapiro year at CAA, not only because Schapiro has created the first of a series of CAA prints/ but also because Schapiro will be the convoca­ tion speaker at the New York confer­ ence in February." Brodsky continues: Miriam Schapiro, In the Land of Oo-bla-dee: "As usual/ Schapiro is involved in Homage to Mary Lou Williams, 1993, lithograph, 22" x 30" Roberts, curator of visual collections for ing campaign, "The Arts and Humani­ interesting events on specific dates that the Fine Arts Libraries of Harvard bontents Electronic From the Executive Director ties: There's Something in It for You" in you want to include in the National Arts University, has been reappointed for a the one hundred top media markets and Humanities Month celebration, Volume 18, Number 5 three-year term. Other members of the reaching 86 percent of the American please fax a brief description of the SeptemberiOctober1993 Bulletin Committee On Electronic Information public. The campaign will include event and the date to Robin Burnosky, are Marilyn Aronberg Lavin (chair), Advertising Council-sponsored public National Cultural Alliance, Washington, Judith Berg-Sabre, John Brett Buchanan, Members Offered Board service print and broadcast advertising D.C.; 202/371-1689. NCA is assembling John R. Clarke, James Cuno, Harrison disseminated nationally to the media, a preliminary list of possible opportuni­ 1 Schapiro Print Eiteljorg II, Marilyn Schmitt, and Susan Arts and featuring an 800 telephone number; ties throughout the nation for official Siegfried. callers will be sent a brochure pointing visits, as scheduling permits. Electronic Bulletin -Marilyn Aronberg Lavin and Susan them to arts and humanities events and We have an extraordinary and Board Siegfried Humanities 2 here are you? This is your resources in their state. In each state a unprecedented opportunity before us to electronic-mail person steering committee has been formed make our case before the nation. From the calling. By now you are the Month comprising the state arts agency, the Everything can be included; the point is Executive Director W to celebrate and promote the value of 3 only one who does not have a modem state humanities organization, the state installed in your pc or laptop; the only arts advocacy organization, the state­ the arts and humanities in all our lives, one, that is, not using e-mail. Modems Members Offered Schapiro Print wide assembly of local arts agencies, and all the time, Be creative. Participate and 4 Legal Update cost less than $100 now; better ones cost CONTINUED FROM PAGE 1 other leaders in the cultural community. encourage your colleagues to partici­ a little more, but you don't need more (In some instances, this is the first time pate. With your participation we can ctober has been declared Annual Conference Update than 2400 baud. Start by opening your CAA members," CAA executive director these agencies have participated in a change the environment for the arts and National Arts and Humani­ humanities. Our goal is to eliminate the 5 CAA in the News computer account at the university. Buy Susan Ball urges CAA members "to act joint project!) Each state's campaign will your modem and ask your computer fast." O ties Month by numerous be different, tailored to specific issues disparity the NCA poll revealed governors, mayors, and members of center staff to help you install it, and The fan shape of the image is an and concerns; all will be designed to between the intellectual recognition of Congress, in recognition of the central learn your university mail system. icon associated with Schapiro. She has boost the public's awareness of local the value of the arts and humanities and CAANews role of the arts and humanities through­ 6 The first Directory of Database Users, used the fan Over and over again cultural communities. The campaign the personal applicability of that out the nation. The White House has prepared by the CAA Committee on throughout her career. Her Barcelona Fan and Arts and Humanities Month will observation, so that when NCA mea­ provided support and guidance to the Electronic Information, lists members of has just been acquired by the Metropoli­ help create a highly visible and positive sures public perception of the arts and National Cultural Alliance in planning Solo Exhibitions by Artist Members CAA who make use of database tan Museum of Art in New York and is environment for local cultural activities humanities twenty-four months into the 8 activities for the month, and we are structures for some aspect of their work. currently on display in the Met's Lila in October and throughout the year; advertising campaign, a significant hopeful for the active involvement of People in the News Included are art historians, artists, Acheson Wallace Wing. provide a focus on the arts and humani­ change in attitude will be observed. President Bill Clinton, First Lady Hillary museum professionals, and visual Schapiro is one of the key artists ties through the media for the general In closing, let me cite a statement 10 Grants, Awards, & Honors Rodharn Clinton, Vice President Al resources personnel who responded to a who developed the ideas of the public; encourage the active involve­ that is relevant to this campaign today, Gore, and Tipper Gore, in activities questionnaire sent out in 1991. In women's movement in art of the 1970s. ment of arts and humanities organiza­ written in 1929 in CAA's journal during the month-long bash in Washing­ addition to names and addresses of She worked in an abstract, formalist tions across the country; and provide an Parnassus by distinguished art historian Conferences & Symposia ton and around the country, scheduling 12 people listed, their areas of interest in mode in the 1960s, but in the early 1970s opportunity for elected officials at the Charles Rufus Morey: "The value, then, official visits nationwide to celebrate arts databases is included when that carne to feel that the painting she was federal, state, and local levels to declare of art history ... is that it provides a and humanities. This celebration will information is available. The 16-page doing no longer had meaning for her in their support of the arts and humanities. swift and sure approach to the history of also kick off the arts and humanities 13 Opportunities brochure is available from the CAA the context of the gender discourse that Like its predecessor, National Arts the human point of view.... Art is a media campaign of the National office for $2.50 prepaid (nonmembers was emerging. At first she invested her Week, National Arts and Humanities function of civilization, nothing less, Cultural Alliance (NCA), the goal of Information Wanted $3.00). If you are interested in being abstract forms with new meanings that Month is designed to spark creative and the history of it thus understood is which is to broaden understanding, Classified Ads included in the next edition of the referred to her thoughts about women, public relations by colleges, universities, the hi~tory of civilization itself" ("Value 15 increase support and heightened Directory of Database Users, please and subsequently she moved to figura­ museums, arts agencies, and other arts of Art as an Academic Subject," awareness, and expand direct participa­ contact the Committee on Electronic tion and to pattern and decoration. and humanities organizations across the Parnassus, Feb. 15, 1929, p. 7). tion in the arts and humanities. Information at the CAA office. Schapiro also wanted to change the very country, demonstrating the breadth of -Susan Ball Datebook We aU already know the importance 16 The Committee on Electronic nature of the painting process as well as creativity and support of humanities of the arts and humanities in general Information welcomes three new her images. She incorporated the use of and the arts in local communities. We and in our daily lives. We are the members: Anne Carley, a lawyer based fabric onto the painted surface, a urge an of you to encourage your CAA News, a publication of the "converted," and in the minority as in New York with experience in the technique she named femmage. Her national and local elected public officials College Art Association, is published indicated by a distressing statistic that management of the visual arts and the influence on art since the 1970s has been as wen as your local institutions and arts six times a year. Material for has emerged from a public-opinion inclusion should be addressed to: role of computer technology in the arts; enormous. She created the Feminist Art agencies to participate in the celebration. survey commissioned by NCA, con­ Kathleen Cohen, professor of art history, Program at the California Institute of the Possibilities for participation include: Editor ducted by Research and Forecasts, and head of the School of Art and Design, Arts in collaboration with Judy Chicago. • A proclamation from your mayor, CAANews funded by the Getty Grant Program: San Jose University, and associate Schapiro continues to be a mentor. She governor, and/ or other elected officials. 275 Seventh Avenue Although 81 percent of adult Americans say director of the Computers in Art, is in demand as a lecturer across the • Dedicating and highlighting an New York, New York 10001 that they believe the arts and humanities are Telephone: 212/691-1051 Design, Research, and Education country. event, exhibition, performance, lecture essential to a healthy society, 57 percent say Fax: 212/627-2381 (CADRE) Institute; and Harold Olejarz, Schapiro was a member of the series, or all activities in October to the arts and humanities play only a minor a performance artist living in Tenafly, board of CAA from 1974 to 1978, a National Arts and Humanities Month. Edifor-in-Chief Susan Ball role in their own lives. Hence the focus of N.r, who is interested in the potential of member of the 1993 Nominating • Submitting articles and opinion Managing Editor Virginia Wageman the campaign. new technologies for the visually literate Committee, and has appeared as a editorials to local media about the value Editor Renee Ramirez In October the National Cultural and in establishing a national computer panelist on a regular basis at CAA of the arts and humanities, giving Alliance, of which CAA is a member, © 1993 College Art Association, Inc. network for CAA members. Helene conferences. specific examples in your community. will launch its eagerly awaited advertis- If you already know of particularly

2 CAA NEWS SEPTEMBER/OCTOBER 1993 CAA NEWS SEPTEMBER/OCTOBER 1993 3 a hostile environment claim is that of charges, the resolution of the issue at ment. The appellate courts' decision in chairs; and work with the CAA Legal Update the reasonable woman, and recognized Vanderbilt is nevertheless troublesome. Acuff-Rose was cited with approval in a Annual conference coordinator to produce that a women's perspective may differ Evans agreed to warn students both in second Koons case, this time involving conference publications and ensure substantially from a man's." the course catalogue and in a class Koons's use of United Features the smooth running of sessions The outcome of debate between handout that materials covered in his Syndicate'S "Odie" character. Conference during the conference. This position Difficult freedom of speech in the workplace and class might be offensive. Judge Pierre Leval of the Second offers the opportunity to draw sexual harassment has implications for While it is important that universi­ Circuit in a March 1990 law review together a variety of methodologies artists and for academic freedom, as ties provide faculty, staff, and students article develops the standard of Update and topics to provide a stimulating Line several recent incidents have indicated. with an environment free from implicit "transformative use" as the more venue for discussion. These have involved the removal of coercive sexual behavior, it is important appropriate place to draw the line Requirements include: CAA artwork from walls or exhibitions and that the definition of sexual harassment between the First Amendment and membership; practicing artist/ art Drawing censorship of classroom teachers' not be so broad so as to cast a pall of copyright in the fair use context. Leval Sessions Added to 1994 historian with academic or museum materials, based on complaints from orthodoxy over the classroom (Keyshian argues that the answer to the question Conference Program affiliation; wide knowledge of the students and employees who felt that vs. Board of Regents, 1967). A delicate line of justification turns primarily on field and practitioners, as well as The session "Christo, Serra, Noguchi, the work constituted a form of sexual must be drawn that balances the sensitivity to needs and interests of whether, and to what extent, the Calder, and Past Company: The Artistic harassment. commitment of the university to the free challenged use is transformative: "If the CAA's diverse, 13,OOO-strong Project Gone Awry" (chair: Annabelle Reproductions of paintings by and open exchange of ideas with an quoted matter is used as raw material, membership; strong written and Simon Cahn, California State University, he United States Supreme Goya, Raphael. Bronzino, Perugino, and atmosphere free of sexual harassment. A transformed in the creation of new verbal communication skills; Bakersfield), which was withdrawn Court will consider next term Ruisdael were removed from a class­ standard of mere "offensiveness" is not information, new aesthetics, new attention to detail; and dedication. from the 1993 program, will be pre­ two cases that have potential room at the Pennsylvania State Univer­ adequate. If there is anything that is well insights and understandings-this is Chairs must live and work in the T sented as a joint art history/studio art direct implications for CAA members sity-Schuykill Campus, where they had established in our First Amendment the very type of activity that the fair use northeastern United States. Duties session in 1994. and artistic freedom. hung for more than ten years. Their jurisprudence, it is the principle that may be divided between co-chairs, doctrine intends to protect for the "The Female Grotesque" (chair: In the case of Harris VS, Forklift removal was prompted by a professor's speech cannot be suppressed merely enrichment of society. Transformative but at least one chair for art history Therese Lichtenstein, State University of Systems, Inc., the Court will review a complaint that Goya's Naked Maja because someone finds it offensive or uses may include criticizing the quoted and one for studio art must be from New York at Old Westbury, State decision of a federal appeals court in inspired lewd comments from male critical. work, exposing the character of the the area and be employed at a University of New York at Stony Brook) Tennessee that dismissed a sexual students. After the original complaint, a The second case of interest to CAA original author, proving a fact, parody, college, university, art school, or has been added to the art history harassment claim because the employee campus committee and the university's members is Acuff-Rose Music, Inc., VS. symbolism, aesthetics, and innumer­ museum. Institution approval and program. was only offended, not psychologically affirmative action office found that the Campbell, in which the Supreme Court able other uses." It would be unfortu­ support in the form of release time, injured, by her employer's vulgar group of paintings stereotyped women, will review whether 2 Live Crew's nate for artistic expression if the telephone, photocopying, and comments and sexual jokes. presenting images that were not "what commercial parody of Roy Orbison's question of whether a use is deemed Ushers and postage are customary. The term is In 1984 the EEOC (Equal Employ­ the university wants women students to "Pretty Woman" is "fair use" within the "transformative" and thus fair use Projectionists Sought February 1994-February 1996. ment Opportunity .commission), in its incorporate into their lives." In addi­ meaning of section 107 of the copyright depends presumptively on whether the Applications are being accepted for Appointments will be made fall Guidelines on Discrimination, defined tion, university lawyers claimed that law. A federal appellate court found that use is commercial, or whether the judge ushers and projectionists for the 1994 1993. Deadline for nominations: sexual harassment as "a form of because a classroom is a workplace for although 2 Live Crew's use is a parody, is offended by the quality of the artist's annual conference. They will be paid September 30,1993. unlawful sex-based discrimination." teachers and students, sexually explicit the commercial purpose presumptively work, or the judge's perception of the $8/hour and will receive complimentary According to the 1984 EEOC policy materials were not appropriate, and the denied it a fair use defense. The court's artist's character. conference registration. They are re­ statement, "unwelcome sexual ad­ paintings might create an atmosphere almost exclusive reliance on the I will keep you posted in future quired to work a minimum of 3 session vances, requests for sexual favors and of harassment (People for the American commercial nature of the use has columns on the results of these two time slots (Wednesday-Saturday), and other verbal or physical conduct of a Way, ArtSave Project). generated widespread criticism as well important cases before the Supreme must attend a training session early sexual nature constitutes sexual At Vanderbilt University, a student as a number of friend of the court briefs Court. Wednesday afternoon, February 16. harassment when ... such conduct has filed sexual harassment charges against in support of 2 Live Crew. The Harvard -Barbara Hoffman, Esq., CAA Counsel Projectionists must be able to operate a the purpose or effect of unreasonably tenured professor Donald H. Evans, Lampoon filed the first friend of the court 35-mm slide projector; familiarity with interfering with an individual's work or who has taught studio art there since brief in its history, arguing that the term video projectors is helpful. If interested, CAAin academic performance or creating an 1969. The basis of the student's com­ "commercial" is so vague and overly contact CAA A-V coordinator Elaine intimidating, hostile, or offensive plaint was that class presentations for broad that the sixth circuit decision will Pike, Art Dept., Box 22, Vassar College, working or academic environment." Fine Arts 109, Photographic Design, have a chilling effect on all parodies. Poughkeepsie, NY 12601; 914/437-5229; the News Since the 1984 ruling, the problem included a review by Evans of his Questions of artistic freedom have often TELNET in%"[email protected]". of determining such conduct and such photography with a nude photograph included social and political commen­ an environment has remained. "Hostile of himself and his wife, accompanied by tary and parody, and many well-known Search for 1996 environment harassment" includes a statement to the effect that every artist visual artists have been masters of Program Chairs Continues offensive sexual flirtations, advances, has a fetish and that his was the female parody. Manet's Olympia parodied Nominations and self-nominations are "Don't count Sheldon Hackney out propositions, verbal abuse of a sexual breast; the work of Robert Mapple­ Titian's Venus, while Manet's work itself sought for CAA annual conference yet, says a Democratic Senate staffer. nature, graphic verbal comments about thorpe; and the work of Evans and a was the subject of a parody by Larry program chairs-art history and studio ... He says Mr. Hackney'S nomina­ an individual's body, sexually degrad­ former student, which he was reported Rivers-"I like Olympia in black face." art-to organize and coordinate the tion will emerge unscathed from the ing words used to describe an indi­ to have referred to as "home porn." Duchamp, Warhol, and Rauschenberg program for the 1996 conference, to be Senate Committee on Labor and vidual, and the display in the workplace CAA member and a colleague of Evans are all masters of parody. In prior held in Boston. Human Resources .... Meanwhile, of sexually suggestive objects or in Vanderbilt's art department, Michael columns, I have discussed Jeff Koons's The program chairs will formulate, the conservative Family Research pictures. In 1991 a federal appeals court Aurbach, together with the Freedom parody defense. Readers will recall that develop, and produce the 1996 annual Council and the Christian Coalition in California ruled that in judging what Forum First Amendment Center at the Supreme Court declined review of conference program in consultation with have announced their opposition to remarks and/ or behaviors constitute Vanderbilt, organized a campus forum the appellate decision that found the Annual Conference Program the nomination. The College Art sexual harassment in the workplace, to discuss the conflict. Although the Koons's appropriation of Art Rogers's Committee and the CAA Board of Association, the Popular Culture "the appropriate perspective for judging university ultimately dismissed the photographs to be copyright infringe- Directors; select and oversee session Association, and the Sixteenth

4 CAANEWS SEPTEMBER/OCTOBER 1993 CAA NEWS SEPTEMBER/OCTOBER 1993 5 Century Studies Conference have said more that address more traditional the position, and at least one letter of The application deadline for the next ethnic background, gender, and they are backing Mr. Hackney."­ scholarly subjects." -Susan Ball, letter CAA recommendation. In making appoint­ round of awards is December 31,1993. geographic location. The members of Chronicle of Higher Education, June 23, to the editor, Wall Street Journal, April ments, the Art Bulletin editorial board, Program brochures I application forms the Nominating Committee are: Margaret R. Lazzari (chair), Linda 1993 14,1993 the Publications Committee, and the are available in all M.A., Ph.D., and News president of CAA will consider the need M.F.A. departments in the United States, Ferber, Rupert Garcia, Leslie King­ "The National Endowment for the Arts "One [CAA conference] participant for scholarly experience and breadth or from the CAA office. Hammond, Joan Marter, and Miriam has announced 60 recipients of 1993 reported half empty rooms in sessions relevant to the editorial practice and Schapiro. challenge grants totaling $14.5 million. dealing with the 'new art history' of policies of a learned journal, and also for -Margaret R. Lazzari, chair, 1993 ... [A] notable award went to the semiotics, gender, and dialogue, and reflecting the broad diversity of CANs Nominating Committee Nominating Committee College Art Association [$140,000] to unexpected demand for more tradi­ membership. Nominations and the Announces Slate fund new fellowships for 'multicultural tional object-related sessions."-Jason necessary supplementary materials of Board Nominees Art Bulletin should be sent to: Art Bulletin Editorial artists.' "-Art in America, July 1993 Edward Kaufman, Art Newspaper, The Nominating Committee for the Journal Editorial Board Board Nominations, CAA, 275 Seventh March 1993 CAA Board of Directors has developed Distribution Program Ave., New York, NY 10001. Deadline: "'Althe MLA, ilit's not glued down Call for Nominations the following slate of candidates for the In an effort to assist developing December 15, 1993. they take it,' says an employee of "Try as he might, Richard Brllliant is Nominations and self-nominations from members' vote: Diane Burko, Jonathan countries, CAA is now distributing 50 Random House... , This is the stuff of still having a hard time getting the mix the CAA membership are sought for Fineberg, Carole Fisher, Michi Itami, copies of each issue of the Art Bulletin exhibitors' banter and lore------which of articles he'd like in the journal he vacancies on the Art Bulletin editorial Nancy Macko, Victor Margolin, Rita and Art Journal to libraries in Eastern kinds of academics steal the most books. edits, the Art Bulletin. The august board. The board consists of thirteen CAAAwarded Robillard, Nanette Salomon, and Carlos Europe, the Baltic Republics, Ukraine, ... The confabs where most exhibitors quarterly ... is the primary journal of members: the editor-in-chief of the Art Luce Foundation Grant Villa. and Russia. The distribution program is think they can relax their vigilance? The the College Art Association. It is a Bulletin; the last editor-in-chief (or the The Henry Luce Foundation has In formulating the slate of candi­ under the auspices of the Sabre Founda­ American Historical Association's, the prestigious place in which to get pub­ editor-in-chief designate) of the Art awarded College Art Association a grant dates for the Board of Directors, the tion, which selects participating College Art Association's, and ... the lished, yet it is perceived by many in the Bulletin; the book reviews editor of the in the amount of $110,000 over three Nominating Committee was guided by institutions and coordinates warehous­ American Anthropological Associ­ field as a bastion of traditionalism. Art Bulletin; the editor of the Mono­ years to support the CAA Professional the following principles: ing and overseas shipments. ation's."-Lingua Franca, Marchi A pri! "In an editorial in the latest issue, graph series; the chairperson of the Art Development Fellowship Program­ 1. We looked for candidates with The Sabre Foundation Program 1993 Mr. Brilliant calls ... for articles on non­ Historian's Committee of the CAA Fellowships in American Art. This balanced vitae, including professional complements the Sub-Saharan African Western art, which is underrepresented Board; three persons selected by the program is designed to promote an accomplishment and a record of service. Journals Project, sponsored by the "It's not only English departments that in the pages of the journal. ... current editorial board of the Art ongoing commitment to research and 2. We carefully read candidates' American Association for the Advance­ have become politicized .... Scholars "In previous editorials, Mr. Brilliant Bulletin, normally from among past scholarship in the field of American art. statements to find people who represent ment of Science and the American from across the disciplinary spectrum called on people in the field to pay more editors of the Art Bulletin or the Mono­ Eligibility will be limited to doctoral or serve a community, in addition to Council of Learned Societies, through have followed the trail toward an respect to independent scholars, as well graph series; five persons from the CAA students in art history whose focus of pursuing excellence in their own work. which copies of the Art Bulletin and Art activist curriculum. Few have done so as to be wary of the increasing depen­ membership at large. This call is to fill study is some topic in the history of the 3. We considered energy, convic­ Journal are regularly distributed to with more dogged determination than dence on computerized data bases in "at large" positions for service from July visual arts of the United States, and to tion, life experience, and past evidence libraries and institutions in Africa. art historians. The annual meetings of art-historical scholarship. The latest 1,1994, through June 30,1997. Appoint­ terminal M.A. students enrolled in one of CAA activity in making our choices the College Art Association ... have editorial also urges scholars to experi­ ments may be renewed for a second of the following programs: conservation, for nominees for the Board. Thanks to Individual three-year term. become the sites of academic antics that ment with exploratory essay writing, criticism, art theory, museum studies, 4. We sought to develop a ballot Patron Member rival those observable at any session of not just pieces of strict technical The board regularly reviews the arts administration, and art history. Art that would help balance the artist and Beginning with the 1993 membership year, policies and conduct of the Art Bulletin the MLA. Last month's CAA conference scholarship, so as to reach a broader history master's thesis projects should art historian representation on the CAA individual members wishing to make a in Seattle was typical. It featured audience.... and the Monograph series, provides be in some area of American art. Board, as artists are now under­ monetary contribution to the association as part scholarly papers such as 'Their Bodies! "His recently announced successor advice, guidance, and assistance in their The Professional Development represented. Thus, this ballot includes of their annual dues were offered a new, higher Our Thoughts? Problematizing Western agrees. Nancy J. Troy ... says she will go administration, and recommends Fellowship in American Art is a two­ six artists and three art historians, level of membership, in addition to sustaining and sponsoring membership levels. Patron Understandings of Mesoamerican Body the next step and commission essays to appoinbnents to the editorships, to the part program with both a monetary ensuring the election of at least some membership for 1993 is $500. CAA would like Fragmentation.' ... The 1993 conference diversify the journal. Ms. Troy is an board itself, and to its committees. The grant and a residency I employment artists. The Nominating Committee work of the board is conducted by to give special recognition to its first patron met the standard CAA has set in recent atypical selection. She is the second component. Each recipient will be received nonbinding advice from the member, Ronald R. Atkins of Greenwich, Conn. years for making radical interests woman to edit the journal and the first telephone and by letter, and at its two funded for at least two years, with an current CAA Board to develop such a He is also an annual patron-level contributor to central to its program." -Lynne A. scholar with an expertise in 2Oth­ annual meetings, one in New York in option for a third. In the first year, CAA ballot, and also knew that some CAA the Art Bulletin and has been a member of the Munson, Op-Ed piece, Wall Street century painting."-Chronicle of Higher the fall, and one during the annual CAA will make direct grants to recipients for members objected to this ad vice. The College Art Association since 1987. Our thanks Journal, March 24, 1993 Education, May 12, 1993 conference. All members are expected to the final year of the professional degree members of the Nominating Committee to Ronald Atkins for his endorsement of CAA attend both meetings. CAA provides program (M.A. or Ph.D.). In the second and his ongoing commitment to strengthening considered all points, and then decided the work of the association. "I am writing on behalf of the more than "The board of the Corporation for financial assistance if needed to cover and third years, fellows will be placed in upon this course of action. 13,000 members of the College Art Public Broadcasting modified their costs of travel and lodging for the Ne~ a professional position at institutions Biographies and statements for the Association. Miss Munson chose to earlier proposal to address balance and York meeting, but not for the conference that have established a partnership in candidates, with the voting ballot, will Thanks to Individual refer to only a selection of the varied objectivity after a coalition of organiza­ meeting. the program-colleges, universities, be mailed with membership renewal Sponsoring Members topics that make up the College Art tions, including NCFE [National All members of the College Art museums, or art centers with collections letters, rather than appearing in CAA Sponsoring membership is a voluntary category Association annual conference. CAA is Campaign for Freedom of Expression], Association are urged to nominate or or programs in American art. Work News, as in past years. We are hopeful for individuals who wish to contribute to CAA a membership organization and, as submitted Joint Comments to CPB self-nominate candidates for the vacant projects will be developed around issues that this will result in more members in addition to scaled dues. Individual sponsor­ such, has a responsibility to produce a providing a detailed summary (pre­ positions. Candidates must be members or collections addressing American art. voting this year than last year, when ing membership for 1993 is $250. For their generous contributions, our thanks go to: Basil program that encompasses the broad pared by People for the American Way) of CAA. Nominators should contact Placement positions will have a pre­ only 12 percent returned ballots. We spectrum of topics that interest its mem­ of the coalition's concerns.... Other their nominees to ascertain willingness Alkazzi; Pamela Askew; Judith K. Brodsky; ferred term of two years. encourage everyone to vote and to vote Kevin E. Consey; Hester Diamond; Elizabeth to serve. All nominations must be bership. As a result, there are sessions organizations signing the joint state­ Like all CAA awards, criteria for responsibly, electing to the Board MeG. Enders; Everett Fahy; Anne Hollander; focusing on current issues such as those ment included College Art Associ­ accompanied or followed by a c.v., a the Professional Development Fellow­ persons who will represent the CAA Katharine C. Lee; Karen N. McGuinn; Dewey F. she mentions, and there are as many or ation. ..."-NCFE Bulletin, Spring 1993 statement by the nominee of interest in ships will be based primarily on need. membership in terms of discipline, Mosby; David Rosand; Stephen K. Scher; Mark

CAANEWS SEPTEMBER/OCTOBER 1993 6 CAA NEWS SEPTEMBER/OCTOBER 1993 7 -fll

Woody Holliman. Artemisia Gallery, Chicago, Holly Lane. Sclunidt Bingham Gallery, New WEST! Weil; Ruth Weisberg; Michael Baxandall; Jules Gayle R Kurtz; Barbara G. Lane; Richard S. July 2-31, 1993. Acme Art Company, Columbus, York; September 8-October 9,1993. Les Barta. Exit Gallery, University of Nevada, Prown; John Walsh, Jr. Lanier; Gerrit L. Lansing; Irving and Marilyn Solo Ohio, November 6-27, 1993. "On Certainty." Reno, September 23-0ctober 22, 1993; New Lavin; Patricia J. Lefor; Cathie Lemon; Madeline Ellen K. Levy. Korn Gallery, Madison, N.]., Lennon; Samella S. Lewis; Virginia E. Lewis; Urban Institute for Contemporary Arts, Grand September 21-October 15, 1993; Galerie Wild, Media Gallery, Ventura College, Ventura, Calif., Rapids, Mich., February ll-Aprill, 1994. Walter A Liedtke; Edward Lighthart; Rose­ Frankfurt, Germany, December 3, 1993- November 2-19,1993. Photographic construc­ Thanks to Individual Carol Washton Long; John Lottes; Anne Exhibitions "Object Lessons." February 8, 1994; AAAS Art of Science and tions. Sustaining Members Lowenthal; Beatus T. Lucey; Hans A. Luthy; Holly Hughes. Dorry Gates Gallery, Kansas Technology Program, Washington, D.C., Marcia Cary. Pence Gallery, Davis, Calif., Patricia Mainardi; Michael Mallory; Janet City, Mo., April 23-June 5,1993. "Small December 2, 1993-March 5, 1994. Recent October 1-30, 1993. Paintings. Sustaining membership is a voluntary category Marqusee; James Marrow; Joan M. Marter; Jean by Artist Worlds," paintings. paintings and drawings. Julia Couzens. DOMa Beam Fine Art Gallery, for individuals who wish to contribute to CAA M. Massengale; Paul Master-Kamik; Marla K. Karen E. Kitchel. Joyce Petter Gallery, Douglas, Jacqueline R. Lipsky. New Space Gallery, University of Nevada, Las Vegas, June 25-July in addition to scaled dues. Individual sustaining Mayerson; J. Philip McAleer; Diane F. Mich., June 22-July 22,1993. New paintings. Manchester Community College, Conn., October 30,1993. "Ab avo (From the Begirming): membership for 1993 is $125. For their generous McGregor; Sarah Blake McHam; Bannon Members 8-29,1993. "Very Much Today," mixed-media Drawings." contributions, our thanks go to: Margaret E. McHenry; James W. McManus; Constance C. Ellen E. Moore. Isaac Lincoln Gallery, Northern constructions. Abbott-Trboyevic; George S. Abrams; Morton C. McPhee; Jerry D. Meyer; Martina Milla; EUy State University, Aberdeen, S. Dak, August 25- Donise English. Southern Utah State University, Abramson and Joan L. Nissman; Jeffery H. Abt; Miller; Henry A. and Judith R Millon; Barbara J. Only artists who are CAA members are included Odober 1, 1993. Prints and collages. Ann Meredith. Brooklyn Museum, New York, Cedar City, April 1-30, 1993. "Architecture: Maryan W. Ainsworth; Jonathan J. G. Mitnick; Cathy Montenegro; James and Anne in this listing. When submitting information, Lorraine Peltz. Sazama Gallery, Chicago, November 12, 1993-February 20,1994. "The Artists' Interpretations," sculpture. Alexander; Kahren J. Arbihnan; Ralph M. Morganstern; Susan G. Moulton; Weston J. Naef; include name of artist, gallery or museum name, Odober 22-November 30,1993. Recent Global Face of AIDS: Photographs of Women." Arnold; Frederick and Catherine Asher; Nancy Nanci Erskine. Francine Seders Gallery, Seattle, Otto Naumann; John Hallmark Neff; Stewart city, dates of exhibition, medium. Please indicate paintings. Catherine Chokola Nenart. Digital Equipment Wash., September 10-0ctober 3, 1993. Paintings. A. Austin; Jacquelyrm Baas; Matthew Baigell; Nelson and Krisa Goldman; Roy R. Neuberger; CAA membership. Cotporation, Marlborough, Mass., March 5-May Ellen T. Baird; Georgette F. Ballance; William L. Juliet Rago. ARC. Gallery, Chicago, June 1-26, Geraldine Fiskus. Arrott Art Gallery, New Victoria Newhouse; Linda Nochlin; Andrea S. Photographs are welcome but will be used only if 14,1993. "Garden Series," computer-generated Barcham and Catherine R. Puglisi; Richard 1993. Paintings. Mexico Highlands University, Las Vegas, N. Norris; Edward J. Nygren; John S. O'Brien; Lynn space allows. Photographs cannot be returned. prints. Barnhart; Robert W. Berger; Jo-Anne Bernstein; M. O'Leary-Archer; Clifton c. OIds; Steven N. Rebecca Silberman and Brian Kelly. Silver Mex., September 19-October 14, 1993. "Alterna­ Mel Pekarsky. Museum at Stony Brook, Stony tive Icons: Tableau Project," oil paintings. Nancy Bialler; Marlene O. Bilsky; Elizabeth H. Orso; Myra D. Orth; Osmund Overby; Russell Paper Gallery, Milwaukee, Wis., September 3- Boone; Jean Luc Bordeaux; Ruth Bowman; Brook, N.Y., June 27-September 19, 1993. Panczenko; George Pappas; E. C. Parry; Melvin Odober 9, 1993. "Spring Forward, Fall Back," Wolf Gowin. Orange County Center for Kathleen Weil-Garris Brandt; Richard BretteII; '1ntimate Spaces: Small Works from the 60s- Pekarsky; Carol A Perich; Ruth R. Philbrick; photographs and photographically derived Contemporary Art, Santa Ana, Calif., September Richard Brilliant; Louise S. Bross; Beverly Louise John Pinto; Cynthia Polsky; Margaret R Polson; works on paper. 90s," paintings, drawings, reliefs. 18-October 15, 1993. Sculpture. Brown; Jack Perry Brown; Jonathan M. Brown; John Pope-Hennessey; Archie and Maria Rand; Milton W. and Blanche R. Brown; Ladislas Rebecca Silberman. Blatz Gallery, Milwaukee, Steven Gross. St. Mark's Coffeehouse, Denver, Peter S. Reed; Charles S. Rhyne; Danielle Rice; ABROAD/ Wis., October 1-31, 1993. "Not Coming Home • Colo., June 1-July 4,1993. "War and Weddings Bugner; James Cahill; Walter and AMabelle Joseph and Anne d'Harnoncourt Rishel; David Simon Cahn; Nonna-Jean Calderwood; Richard David Harton. College of Fine Arts Gallery, Tonight." I II," photographs. M. Robb, Jr., and Frances O. Robb; E. Bruce Won-Kwang University, I-Ri City, Chun-Bok, Camber; William A. Camfield; Malcolm and Anthony Wellnitz. Center Gallery, California Robertson; Marcel Roethlisberger; Peter D. Roos; Korea. July 1993. Seoul, Korea. August 1993. Joan Campbell; Dean Carter; Yvonne P. Carter; State University, Fullerton, September 20- Charles M. Rosenberg; Robert H. Rosenblum; "Ceramic Objects." NORTHEAST! Madeline H. Caviness; Peter Chapin; Judith A. Sheila M. Ross; William S. Rubin; Howard October 8,1993. Prints. Chester; Edward Colker; Judith Colton; M. Ivona Dalia Kazlauskas-Jepsen. Vartai Gallery, Edna Andrade. Pennsylvania Academy of the Saalman; Emily J. Sano; Margo Pollins Schab; Fine Arts, Philadelphia, September 17, 1993- Karen Wesler. 595 Market Street, San Francisco, Cothren and S. Lowry; Janet Cox-Rearick; Karen Vilnius, Lithuania, July 27-August 14, 1993. Carl N. Schmalz, Jr.; Alfred R Schmidt; John M. January 31,1994. Paintings. Locks Gallery, March 1-27, 1993. "Edifice Complex," architec­ C. C. Dalton; Robert Dance; Alan P. Darr; "Returning." Schnorrenberg; Frederick C. Schroeder; Linda Philadelphia, November 19-December 31,1993. tural works on paper. Bernice F. Davidson; Sol Alfred Davidson; John Seidel; Rivka T. Sevy; Richard Shaffer; Daniel Anna Strickland. Centrum Gallery, Bratislava, T. Daxland; Karen Day; Kosme M. De Baranano; Paintings and works on paper. Shapiro; George B. Shaw; Pamela K. Sheingorn; Slovakia, June 8-30, 1993. "Impressions of an Philippe de Montebello; Barbara K. Debs; Peter Tom Sherman; Alan Shestack; Hsio-Yen Shih; Enduring Culture." Anita Belew. Broadway Windows, New York University, New York, June 5-July 18, 1993. L. Donhauser; Karin Dornemann; John P. Yoshiaki Shimizu; Larry A Silver; Marianna S. Driscoll; Suzanne Duca; Martha L. Dunkelman; Simpson; Lowery S. Sims; Roy Slade; Jacqueline "Unusual Weather." Elsbeth B. Dusenbery; Paul E. Eickmann; Marvin A. Smalley; Thomas Sokolowski; Katherine MID-ATLANTIC/ Paulette Bensignor. Hanson Galleries, New Mel Pekarsky, Mean Spirits. Eisenberg; Robert Enggass; Richard A. Etlin; Solender; Susan G. Solomon; AM Sperry; Allen Lisa Austin. School 33 Art Center, Baltimore, York, May 2D--June 14, 1993. Paintings. 1992, oil on canvas, 9" x 12" Beatrice Farwell; Linda S. Ferber; Alan M. Fern; Md., September 4-October 1, 1993. "Terra Staley; Theodore E. Stebbins, Jr.; Roger B. Stein; Gregory Botts. Rosenwald-Wolf Gallery, Ruth E. Fine and Larry Day; Jerry V. Finrow; Firma." Montpelier Cultural Art Center, Laurel, Joan K. Stemmler; Damie and Diane B. Stillman; University of the Arts, Philadelphia, March 19- Evan R. Firestone; Jack D. Flam; Eleanor Julien M. Stock; Alan N. Stone; David Summers; Md., July 15-September 20,1993. "Loss of Flomenhaft; Ilene H. Forsyth; Ella M. Foshay; April 30, 1993. Ellen Rothenberg. Maurine and Robert George Szabo; Charles Talbot; Richard G. and Memory." Charles County College Gallery, La Rothschild Gallery, Radcliffe College, Cam­ Jacqueline A. Frank; Phyllis J. Freeman; Anthony Plata, Md., June 5-September 15, 1993. "My Cathy Boyd. 80 Washington Square East Luraine Tansey; D. E. Tebow and E. Lang; Jane bridge, Mass., June 11-July 23, 1993. "Anne Geber; Deborah S. Gibbons; Mary W. Gibbons; M. Timken; A Richard Turner; Horst Uhr; J. Maryland." Galleries, New York, June 16-July 19, 1993. Elizabeth Glassman; Mildred L. Glimcher; Rona Frank Project." Kirk T. Varnedoe; Magda Vasillov; Anthony Painting, mixed-media. Goffen; Nancy S. Goldberg; Joel Goldblatt; Nicole Fall. Arnold and Porter, Washington, Sara Stites. Sarah Doyle Gallery, Brown Vidler; Leonard E. Walcott, Jr.; Larry M. Walker; Prilla Smith Brackett. DeCordova Museum and George Gorse and Naomi Sawelson-Gorse; Oleg D.C., April-May 1993. Sculpture. University, Providence, R.I., November 15- Bruce Wall; Bret Waller; Allen Wardwell; Jack Sculpture Park, Lincoln, Mass., June 1991-92. Grabar; Terence Grieder; Dagmar Grimm; December 10, 1993. Oil and wax on canvas. Wasserman; Paul F. Watson; Kathy Watt; Judith "Marking a Year," drawings. Nonnan B. Gulamerian; Elizabeth F. Harris; Wechsler; H. Barbara Weinberg; Rochelle MIDWEST! Paul Suttman. Paris-New York-Kent Gallery, Marjorie L. Harth; Reiner Haussherr; Christine Benigna Chilla. Berkshire Museum, Pittsfield, Weinstein; Gabriel P. Weisberg; Richard V. Chris Berti. Kirkland Fine Arts Center, Millikin Kent, Conn., June 26-July 25, 1993. Sculpture. M. Havelock; Egbert Haverkamp-Begemann; Mass., July 24--0ctober 31,1993. Recent works. West· Ron and Renate Wiedenhoeft; Anne-Marie University, Decatur, Ill., October 4-29, 1993. Andree M. Hayum; Jane Hayward; Louis J. Wiedter-Sunmer; David G. Wilkins; Reba White Sculpture. Peggy Cyphers. Frankel Nathanson Gallery, Hector; Jean 1. Heilbrunn; Kathryn M. Heleniak; Williams; John Wilmerding; Gertrude Wilmers; Maplewood, N.J., September 11-October 16, SOUTH! Dawoud Bey. Museum of Contemporary Reinhold Heller; Mathew and Patricia Herban Jean c. Wilson; Enid S. Winslow; Fronia 1993. "Botanicals," monotypes. Michael Aurbach. Gallery, Southern Methodist Photography, Chicago, Part I: September 11- III; Robert L. Herbert; Joel and Judith Wissman and Marc Simpson; Joyce Zemans; University, Dallas, Tx., November 7-December November 6, 1993; Part II: November 20, 1993- Ward Davenny. Mary Ryan Gallery, New York, Herschmann; Richard A Hertz; Barbara H. Henri and C. W. Zerner; Jerrold Ziff; Judith K. 12,1993. Sculpture. Hess; Charles Hess; Sharon L. Hirsh; Margaret January 12, 1994. "Polaroid Portraits." June 16-July 16, 1993. Drawings and prints. Zilczer. Elizabeth Haskin. Greenleaf Gallery, Nags H. Hobler; Frank R. Horlbeck; Raymond J. .------Adrienne C. Day. I A 0 Gallery, Oklahoma Timothy Feresten. O. K. Harris Gallery, New Head, N.C., September l-October 15, 1993. Wolf Gowin, The Discovery of Horowitz; Dan F. Howard; John and Catherine City, September 3-October 1, 1993. Drawings York, October 16-November 6, 1993. Photo­ "New Paintings," pastel on paper and canvas. North America, rusted and Howett; Judith S. Hull; Susan and Jolm and paintings. graphs. Huntington; Nancy R. Huntsinger; Irma B. Jaffe; Clarence Morgan. Sandler Hudson Gallery, lacquered steel, 58" x 53" x 74" Steven Dunning. Kent State University Shtdent Hee Sook Kim. Dana Room Gallery, Franklin Diane C. James; Wolf Kalm and Emily Mason; and Marshall College, Lancaster, Pa., October 1- Atlanta, Ga., June ll-July 17, 1993. Paintings. Madlyn Kahr; Natalie B. Kampen; Joseph L. Center Gallery, Kent, Ohio, September 13-24, 31, 1993. "Meditation," paintings. Howardena Pindell. Georgia State University Kannel; Sandra C. Kasper; Ruth Kaufmann; 1993. "Flaming Senses." Art Gallery, Atlanta, Ga., July 14-August 13, Diana Shaio Keevan; Margaret M. Kelly; Dale Penny Kronengold. First Street Gallery, New Mark Gordon. Kreft Gallery, Concordia 1993. "A Retrospective 1972-1992." Kinney; Marjorie S. and Douglas Kinsey; Henry College, June 4-July 2, 1993. Sculpture. York, October 19-November 6, 1993. Paintings, F. Klein; Mark A Kline; Richard Krautheimer; works on paper, sculpture.

CAA NEWS SEPTEMBER/OCTOBER 1993 8 CAA NEWS SEPTEMBER/OCTOBER 1993 9 Michael Willis is Asian art specialist at the State art. She will use it for her work on the 19th­ Susan Gamble is a recipient of a UNESCO Prize fellowship to complete a study titled Sublime University of New York at New Paltz. century French cult of "La Juive" and etlmic for the Promotion of the Arts, for her work using Truth and the Senses; Titian's Late Mythologies. People in stereotypes. holography. Steven S. Waterman has won a 1993 Mid East Carolina University School of Art has Dawoud Bey, Yale University, has received a Bonnie L. Grad, associate professor of art Atlantic/NEA Regional Visual Arts Fellowship the News announced the following appointments for fellowship to be artist-in-residence at the history, Clark University, has been appointed in crafts. 1993-94: Roxanne Reep, graduate coordinator Museum of Contemporary Photography, Seymour N. Logan Faculty Fellow at Clark, and painting; and Leland Wallin, painting. Columbia College, Chicago. through 1994. This will support her develop­ Anthony Wellnitz has won the 1993 Art ment of a course and symposium on Georgia Acquisition Competition at the University Barbara Winston Blackmon, professor of art O'Keeffe. Center, California State University, Fullerton, for Museums and Galleries history at San Diego Mesa College, has received his work TIle Dream, to be installed July 1993. In Memoriam an Advanced Area Studies Award from the Frank Hyder has won a 1993 Mid Atlantic/NEA Africa Program of the Social Science Research Roberl P. Bergman is director of the Cleveland Regional Visual Arts Fellowship in crafts. Michael Wenyon is a recipient of a UNESCO Vivian E. Browne, professor of art at Rutgers Museum of Art. Council, for collection and archival research in Prize for the Promotion of the Arts, for his work University and a painter whose work linked Europe during 1993. Carol Jowdy has been awarded a 1993 Artist using holography. abstraction to nature, died July 23,1993, at the Resource Fund Grant from the Pinellas County age of 64. She was an active member of CAA. Susan Danly, formerly curator at the Pennsylva­ Joseph Richards Bliss, Ph.D. candidate in the Arts Council in Clearwater, Fla. J. Barry Zeiger has been accepted to the ARAD Browne joined the Rutgers faculty at Newark in nia Academy of Fine Arts, is now curator of joint program at Case Western Reserve Arts Project in Arad, Israel, for a six months 1970 as an instructor in the art and design American art at the Mead Art Museum, Amherst University and the Cleveland Museum of Art, Hee Soak Kim has received a 1993-94 Pollock­ residency in illustration, beginning October department. She headed the deparhnent from College, Amherst, Mass. has been appointed the Samuel H Kress Fellow Krasner Foundation Grant for painting. 1993. 1975 to 1978, becoming a full professor in 1985. in the research department at the Victoria and She taught contemporary black and Hispanic Albert Museum, London. Karen Kitchel, independent artist, received a The American Council of Learned Societies has art, painting, and other courses. She was a David Dearinger has been appointed associate 1993-94 Individual Artist Fellowship from the awarded fellowships/grants-in-aid for founder of SoHo 20, a Broome Street gallery, curator of paintings and sculpture and archivist William "Buddy" Bunting has received a Montana Arts Council. postdoctoral research in the humanities and established in 1973, that was one of the first at the National Academy of Design, New York. Maryland State Arts Council Individual Artist related social sciences. The following CAA Grant in the two-dimensional category for his members have been thus honored: Robert W. women's art cooperatives in Manhattan. There Paul Suttman, 1933-1993 Susan Kriegman, Ph.D. candidate, Columbia she had several solo exhibitions, most recently in recent drawings. TIle grant will be used for University, has received a Geraldine R. Dodge Baldwin, Connecticut College; Carol G. Organizations materials and studio costs. Foundation Artist-Educator Award for artistic Duncan, Ramapo College of New Jersey; Carol 1989. Her paintings are in private, corporate, ------and public collections. Browne received the Italy from 1962 to 1975, was awarded a Prix de excellence and excellence in teaching. She plans S. Ivory, Washington State University; Sally M. A. D. Coleman has been named guest scholar CAA Distinguished Teaching of Art Award in Rome three times in the mid 1960s. His work is Susan Ball, CAA executive director, has been to use the grant to investigate the use of color on Promey, University of Maryland, College Park; for fa111993 by the J. Paul Getty Museum in 1989. represented in several public collections, elected to the board of directors of ArtTabk a metal. Eloise Quinones Keber, City University of New Santa Monica, Calif. He has also been appointed York, Baruch College. including those of the Museum of Modern Art, national organization of professional women in to the position of Fulbright Senior Scholar at the the Morgan Library, and the Hirshhorn the visual arts. Linda KroH, assistant professor of art, The American Council of Learned Societies has Sheldon Keck, art conservator, died June 12, Museum and Sculpture Garden. University of Gothenberg, Sweden, spring 1994. University of North Carolina, Charlotte, has announced the results of its second competition 1993, at the age of 83. After graduating from been awarded a 1993 Southern Arts Federation/ for the Henry Luce Foundation/ ACLS Harvard in 1932 and serving an apprenticeship Anita Moscowitz has been elected vice­ Isabel Cooper, Rye Brook, N. Y., has received NEA Regional Visual Arts Fellowship in Dissertation Fellowship Program in American at the Fogg Art Museum at Harvard, he was Academe president of the Italian Art Society. the Editor's Choice Award, National Library of photography. Art, and the following CAA members have been appointed conservator at the Brooklyn Museum. Poetry, for "Outstanding Achievement in chosen: Christine A. Belt Northwestern From 1934 to 1961 Keck established and ran one Poetry." Wendy Lane has received a 1993 Career University; Jane M. Blocker, University of George R. Bent has been appointed to the of the first museum laboratories in the nation Barbara Stafford is the president-elect for the Opportunity Grant from the Minnesota State North Carolina; Rebecca A. Butterfield, faculty of Washington and Lee University as specializing in the scientific examination and American Society for Eighteenth-Century Blane De St. Croix has been awarded a Mid­ Arts Board in support of a residency at University of Pennsylvania; David A. Cole, assistant professor of art history. treatment of works of art. In 1961 he left the Shldies for 1995-96. America Arts Alliance National Endowment for Yellowstone National Park. University of Texas, Austin; Stephen J. Brooklyn Museum to assume the directorship of the Arts award in sculpture. Eskilson, Brown University; Wendy J. Katz, the Conservation Center of the Institute of Fine University of California, Los Angeles; Karl E. Stephen Campbell is visiting assistant Kathy Levine has been selected artist-in­ Arts at New York University, the first American Margaret Holben Ellis, Chair, Conservation Kusserow, Yale University; Susan Annette professor in art history and art for the 1993-94 residence in the 1993 Summer Program at graduate-training program of its kind. From Center, Institute of Fine Arts, New York Newberry, Cornell University. academic year at Case Western Reserve Yellowstone National Park, where she will be 1969 to 1981 he and his wife operated the University, has been awarded an American University. Grants, creating cast paper sculptures that relate to the Cooperstown Conservation training program Academy in Rome/National Endowment for the natural environment of Yellowstone. She will The Metropolitan Museum of Art has awarded under the auspices of the State University Arts Fellowship in Conservation and Historic also be presenting a series of workshops and fellowships for art history research to the College at Oneonta, N.Y., and the New York Holly Hughes is assistant professor of painting Preservation. slide programs during the residency period. following CAA members: Chester Dale State Historical Association. Awards, & Fellowships-Lisa Farber, the German painter at the Rhode Island School of Design. Jesus Escobar, Princeton University, has Laura E. Migliorino received a grant from the Jerg Ratgeb; Mary Howard, Institute of Fine received a Fulbright research grant to go to Minnesota State Arts Board, with which she Arts, New York University, career of Filippo Phyllis Ridderhof Martin, artist, educator, and Garry C. Kaulitz is assistant professor of art in Honors Spain, where he will continue work on his recently completed an installation at Artists' Parodi; Richard Meyer, University of California, philanthropist, died April 29, 1993. She was 87. printmaking at the University of Alaska at dissertation, an architectural and urban study of Space in New York titled The Language of AIDS. Berkeley, urbanist painting and public She worked under the name Phyllis Ridderhof Anchorage. the Plaza Mayor of Madrid, 1560-1630. In December 1992 she received a Jerome amusement in 1930s New York; Karl Schuler, and was a highly regarded colorist and figural Foundation Travel Study gran~ to work on a Institute of Fine Arts, New York University, painter. Publication policy: Only grants, awards, or honors received by individual CAA members are listed. The Nicole Fall, instructor, Carver Center for Arts book in Italy. Sigena murals; Andrew Shelton, Institute of Leatrice Mendelsohn is Renaissance art and Technology, has received an Individual Fine Arts, New York University, lngres. J. grant/award/honor amount is not included. Please specialist at the State University of New York at Artist's grant from the Maryland State Arts Clawson Mills Fellowship-James Saslow, Paul Suthnan, sculptor best known for his note the following format: cite name, institutional Julia K. Murray, associate professor of art New Paltz. Council. Columbia University, book on 1589 marriage of impressionistic works in bronze, died in May affiliatioll, and title of the grant, award, or 11onor, history, University of Wisconsin at Madison, Grand Duke Ferdinando I of Tuscany and 1993 at age 59. Suttman earned his Bachelor of and (optional) use or purpose of grant. Please indicate was awarded research grants by the Chiang Diane G. Fane, curator, African, Oceanic, and Christine of Lorraine. Andrew Mellon Fellow­ Fine Arts degree from the University of New Anita Moskowitz has been promoted to full that you are a CAA member. Ching-kuo Foundation for International New World art, Brooklyn Museum, has been ship-Dennis Weller, University of Maryland, Mexico in 1956 and his master's degree from the professor in the Department of Art at the State Scholarly Exchange and by the Asian Cultural named a 1993-94 Getty Center for the History of College Park, genre paintings by Frans Hals. Cranbrook Academy of Art in 1958. He had his University of New York at Stony Brook. Council, for research on illustrated accounts of Frances Barth has been awarded an Adolph Art and the Humanities scholar. Theodore Rousseau Fellowship-David first exhibition with the Donald Morris Gallery the life of Confucius. Gottlieb individual support grant in painting for O'Brien, University of Michigan, Ann Arbor, in Detroit in 1959 and from 1962 to 1973 1993. Geraldine Fiskus has been accepted to the military painting and the French artistic exhibited regularly at the Terry Dintenfass Julia K. Murray was promoted from assistant Elizabeth Stephens has won a 1993 Mid ARAD Arts Project in Arad, Israel, for a six tradition. Hagop Kevorkian Curatorial Gallery in New York. In 1991 his exhibition liThe to associate professor of art history at the Atlantic/NEA Regional Visual Arts Fellowship Janis Bergman-Carton of Southern Methodist months residency in painting, beginning Fellowship-Cheri Coffin, Institute of Fine Arts, Master-Pieces" appeared at the Philippe Staib University of Wisconsin. in sculpture. University has been awarded a 1993-94 J. Paul October 1993. New York University, Goldsmith sealing of the Gallery in New York. Suttman, who lived in Getty postdoctoral fellowship in the history of Marie Tanner, has been awarded anNEH Early Dynastic Period III B. Jane and Morgan Whitney fellowships-Sussan Babaie, Institute

10 CAA NEWS SEPTEMBER/OCTOBER 1993 CAA NEWS SEPTEMBER/OCTOBER 1993 11 of Fine Arts, New York University, history of Victorian Interiors is the topic of the next of early private collections of art, decorative M. Sackler Gallery, Smithsonian Institution, 1994 Pacific States Biennial National Print Firdausi's Shah-nameh; Elizabeth Boone, conference of the Northeast Victorian Studies arts, and ephemera in America; identify the Washington, DC 20560; 202/357-4880 x 233. Exhibition, to be held March-April 1994, is Association, April 22-24, 1994, New York Graduate Center, City University of New York, impact of these collections on popular and Opportunities seeking enbies. It is open to all artists 18 years or American views of art and life in Spain, 1860- University. Papers exploring domestic, national, scholarly perceptions of art and artifact; and Aesthetics and Its Others is the 51st arulUal older residing in the United States and territories 1900; Anne D'Alleva, Columbia University, arts psychOlOgical, metaphorical, and narrative explore the roles museums assume in preserv­ meeting of the American Society for Aesthetics, who work in any prinhnaking media, including in central Polynesia, 1797-1842; Sigrid Goldiner, aspects of the subject are invited. For informa­ ing, presenting, and interpreting such collec­ to be held at the University of California, Santa monoprints (no photographs). 2 entries, $20. For Columbia University, Notre-Dame-le-Grande at tion: Renee Overholser, Ph.D. Program in tions for the public. For information: Patricia D. Barbara, October 27-30, 1993. Among the themes prospectus send SASE to: 1994 PSBN Print Poitiers; Ellen Handy, Princeton University, P. English, Box 510, Graduate Center CUNY, 33 W. Elliott, Thirty-fourth Annual Winterthur to be discussed are censorship, eroticism, Lacan, Exhibition, Wayne Miyamoto, Art Dept., Univ. H. Emerson; Sarah McPhee, Columbia 42 St., New York, NY 10036-8099; 212/642-2210; Conference, Winterthur Museum, Garden, and multiculturalism, public art, and taste. For of Hawaii at Hilo, Hila, HI 96720-4091. Deadline: University, construction of Bernini's belltower fax 212/642-2205. Deadline: October IS, 1993. Library, Winterthur, DE 19735. Deadline: information: American Society for Aesthetics, November 30, 1993. and the Italian architect Filippo Juvarra; Rebecca December 31, 1993. 4108 Humanities Center, Univ. of Alberta, Rabinow, Instihtte of Fine Arts, New York The South East College Art Conference will be Edmonton, Alberta, Canada T6G 2E5; fax 403/ Calls for Entries University, Teriade's "livres d'artists"; Mary held in New Orleans, October 27-30, 1994. InQueery/InTheorylInDeed is the title of the 492-9160; e-mail: [email protected]. Sessions devoted to major periods and issues in Print Club Center for Prints and Photographs' Grants and Fellowships Vaccaro, Columbia University, Pannigiano's 6th North American Conference on Lesbian, ---- drawings; and Stefanie Walker, Instihtte of Fine art history are planned as well as numerous Gay, and Bisexual Shtdies, November 17-20, FISEA '93 is the 4th international symposium on 68th armual competition is open to all working The Fellowship Program of the American Arts, New York University, Pierre-Etienne studio sessions, workshops, and panels. Submit 1994, in Iowa City. Papers on any topic are electronic art, November 3-7,1993, in Minneapo­ in still photography, digital imaging, books, and Council of Learned Societies supports Monnot and his sculptures for the Fifth Earl of proposals for art history sessions to: Carolyn invited. For information: 1994 Lesbian, Gay, and lis. This year's theme is "the art factor." three-dimensional work. Over $2,500 in postdoctoral research in all diSciplines of the Exeter. Kolb, Dept. of Fine Arts, University of New Bisexual Shtdies Conference Steering Commit­ Participants will include artists, musicians, purchase prizes. For entry form send SASE to: humanities and the humanities-related social Orleans, New Orleans, LA 70148-2700; fax 504/ tee, c/o WRAC, 130 N. Madison St., University scientists, art critics, curators, educators, and Print Club Center for Prints and Photographs, sciences. Grants are available for summer 1994 The Center for Advanced Study in the Visual 286-6468. Submit proposals for studio sessions of Iowa, Iowa City, IA 52242. others interested in the use of electronics in the 1614 Latimer St., Philadelphia, PA 19103; 215/ (max. stipend $5,000) or 6-12 months to be Arts has announced 1993--94 fellows. to: Richard Johnson, same address. Deadline: arts. For infonnation: FISEA '93, Minneapolis 735-6090. Slide deadline: September 25, 1993. initiated between July I, 1994, and February I, Predoctoral fellows are: Roann Barris, November 1,1993. College of Art and DeSign, 2501 Stevens Ave. S, 1995 (max. stipend $20,000). For application University of Illinois; Leah Ann Dickerman, Minneapolis, MN 55404; 612/874-3754; fax 612/ The 6th Annual National Art Competition To Attend information: Office of Fellowships and Grants, Columbia University; Jodi Ann Hauptman, Yale Indiana University Art History Association is 874-3732; e-mail: [email protected]. sponsored by Northeast Missouri State Univer­ currently accepting proposals for its 5th armual sity, February 9-March 3,1994, is open to all ACLS, 228 E. 45 St., New York, NY 10017-3398. University; Kenneth D. S. Lapatin, University of Women in the Arts: Pioneers and Activists of graduate symposium, March 5, 1994. Proposals Trade, Power, and Cultural Exchange: Hyksos artists working in all mediums. For prospectus Deadline for application request: September 27, 1993; California, Berkeley; Lyle Massey, University of Yesterday and Today is the title of a sympo­ that expand or challenge the current discourse in Egypt and the Eastern Mediterranean World, send SASE to: National Art Competition, Fine for completed application: September 3D, 1993. California, Los Angeles; Donald Alexander sium to be held October 8-9, 1993, at the McColl, University of Virginia; Kathryn Ann art history, criticism, or theory and that cross 1800-1500 S.c. is an interculhtral symposium Arts Division, Northeast Missouri State Montgomery Museum of Fine Arts. For Ansel Adams Research Fellowships are Smith, Instihtte of Fine Arts, New York academic boundaries are encouraged. For sponsored by the Metropolitan Museum of Art, University, Kirksville, MO 63501. Deadline: information: Angie Dodson, Montgomery available to scholars, museum professionals, University; Lydia Dupont Thompson, Instihtte infonnation: Todd Smith/Elizabeth November 3,1993. Free with museum ad­ October I, 1993. Museum of Fine Arts, PO Box 230819, candidates for advanced degrees, and indepen­ of Fine Arts, New York University; T. Barton Umbanhower, Indiana University, History of Art mission; no tickets or reservations required. For Montgomery, AL 36123-0819; 205/244-5700. dent researchers to carryon research in the Thurber, Harvard University; and Martine H. Office, Henry Radford Hope School of Fine Arts, infonnation: Education, Metropolitan Museum American Drawing Biennial IV is a juried Rm. 132, Bloomington, IN 47405; 812/855-9556. of Art, 1000 Fifth Ave., New York, NY 10028; exhibition sponsored by the Muscarelle Museum archives, photograph collection, and/or library Westerman, Instihtte of Fine Arts, New York The Age of Rubens is a symposium to be held Deadline: November IS, 1993. 212/570-3710. of Art, January IS-March 6, 1994. Museum of the Center for Creative Photography. A $5,000 University. Paul Mellon Senior fellow is: at the Museum of Fine Arts, Boston, October 16, purchase prize and cash awards totaling $3,000. fellowship will be available annually for Elizabeth Hill Boone, Dumbarton Oaks. Ailsa 1993, in conjtmction with the first major Visual Narrative! (Re)Presenting Time is the What Does Latin American Art Mean? is the For prospechts send #10 envelope to; Muscarelle residencies of 4 weeks For information: Research Mellon Bruce Senior fellow is: Sally May exhibition of Flemish Baroque paintings ever title of the next annual UCLA Art History title of a series of programs to be given at the Museum of Art, College of William and Mary, FellOWShip, Center for Creative Photography, Promey, University of Maryland, College Park. held in the U.S. For information: Gilian Symposium. Send two-page abstracts dealing New School for Social Research in New York on PO Box 8795, Williamsburg, VA 23187-8795. University of Arizona, Tucson, AZ 85721. Samuel H Kress Postdoctoral Curatorial fellows Wohlauer, Dept. of Education, Museum of Fine with the subject of visual narrative and its November 4, 11, and 18. Topics of discussion Slide deadline: October 15, 1993. Deadline: October 15, 1993. are: Patricia Bochi, University of Pennsylvania; Arts, 465 Huntington Ave., Boston, MA 02115. and Pauline Maguire, Columbia University. implications to: UCLA Art History Symposium will include: South American art as distinguish­ The Getty Grant Program offers the following Samuel H. Kress Senior fellow is: David Ross Committee, University of California Los able from that of other Latin American counbies, Gallery 84 is sponsoring a national juried Hidden Wisdom: The Jewish Contribution to nonresidential research fellowships for 1994-95: Smith, University of New Hampshire. Paul Angeles, Dept. of Art History, 405 Hilgard Ave., and the Latin American art marketplace. Series: exhibition, open to all artists working in two Renaissance Art is the topic of a lecture to be ]. Paul Getty Postdoctoral Fellowships in the Mellon Visiting Senior fellow is: Joanna Woods­ Los Angeles, CA 90024-1417. Deadline: November $20; single admission: $10. Registration and dimensions, for a show December 14, 1993-­ given at the Jewish Museum, October 19, 1993, History of Art and the Humanities provide Marsden, University of California, Los Angeles. 15,1993, ticket information: 212/229-5690. January 1, 1994. For prospechts send #10 by Moshe Barasch, founder of the art history envelope to: Gallery 84 (Dept. C), 50 W. 57 St., scholars at early stages of their careers with the department at the Hebrew University of 9th Biennial New College Conference on Museums in Society: Addressing Social New York, NY 10019. Slide deadline: October 3D, opportunity to conduct a full year of original Jerusalem. $10 to general public; $8 students/ Medieval-Renaissance Studies, to be held in Concerns is a seminar sponsored by the 1993. research free from other professional responsi­ over 65; $6 Jewish Museum members. Sarasota, Fla., March 10-12, 1994, seeks papers American Association of Museums, November bilities. Senior Research Grants allow mid-career on all aspects of Europe and the Mediterranean 8-9,1993, in Baltimore, Md. Through panel Lill Street Gallery seeks slides from artists and senior scholars beyond the postdoctoral The Hirshhorn Museum and Sculpture Garden before 1630, in any discipline. Send one-page discussions, debates, case studies, and working in clay for its 1993-94 exhibition season. level to pursue interpretive research. 1994-95 is sponsoring two programs in conjunction with abstracts to: Lee Snyder, Medieval-Renaissance rotmdtable discussions, seminar participants will Submit resume, 20 labeled slides in slide sheet, applications will be accepted only from teams of Conferences its exhibition "Willem de Kooning from the Studies, New College of USF, 5700 N. Taiami examine the changing role of museums, the and SASE to: Julia Morrisroe, Lill Street Gallery, scholars working collaboratively on a single Hirshhorn Museum Collection." "A Conversa­ Trail, Sarasota, FL 34243-2197. Deadline: December consequences of these changes, and what 1021 W. Lill St., Chicago, IL 60614. Deadline: project. Fellowships for Scholars from Central/ tion with Bill," October 21, 1993, will be a 1, 1993. happens when culhtralleadership and October 31, 1993. Eastern Europe and the Former U.s.S.R. are for & Symposia roundtable discussion portraying the painter scholaI'S from the region who are at either responsiveness to community come into conflict. through reminiscence and anecdote. "Willem de The Textile Society of America will hold its 4th $250 for AAM member registrations received American Fertility Society is sponsoring a postdoctoral or senior levels in art history and Kooning Reconsidered," November 5,1993, will armual symposium September 22-24, 1994, at the before October 8, 1993; $300 afterward. For competition for an outdoor sculphtre to be related fields who would benefit from research bring together scholars to explore such topics as Fowler Museum of Cultural History, UCLA, Los information: Karen Lee Davis, 202/289-9113. sihtated near the entrance of its Birmingham, outside of their country of residence. For de Kooning's pre-1926 production in the Angeles. The theme "Contact, Crossover, Alabama, headquarters. Open to any media information: Fellowships, Getty Grant Program, Netherlands and the critical response to his Calls for Papers Continuity" encompasses all textiles that have suitable to an exterior location. For information: 401 Wilshire Blvd., Ste. 1000, Santa Monica, CA "Woman" series in the 1950s. Both programs are been SUbjected to external influence and exist AFS Sculphtre Competition, Attn: MorriX; 90401-1455; 310/393-4244; fax 310/395-8642. free. For infonnation: Curatorial Dept., Figures of Speech: The Body in Medieval Art, subsequently in an altered fonn. For informa­ Boston Architectural Center, 320 Newbury St., Deadline: November I, 1992. Hirshhorn Museum and Sculphtre Garden, Literature, and History is the theme of the lIth tion: Louise W. Mackie, Textile Dept., Royal Boston, MA 02115. Deadline: November 1, 1993. Washington, DC, 20560; 202/357-3230. annual meeting of the Illinois Medieval Ontario Museum, 100 Queen's Park, Toronto, NEH Younger Scholar Awards are available to ASSOciation, February 18-19, 1994, at the Lake Onto MSS 2C6, Canada; 416/586-8055; fax 416/ The 4th Annual National Juried Visual Art and college students below the level of senior who International Symposium on Chinese Shore Campus of Loyola University Chicago. 586-5863. Deadline for abstracts: December I, 1993. Poetry Competition, sponsored by the Peconic wish to conduct research and writing projects in Porcelain to be held October 22-23, 1993, in Abstracts on all aspects of medieval culhtre are Gallery, will address the theme of "Passion." the humanities during the summer of 1994. conjtmction with the exhibition Joined Colors: welcome. Send one-page abstracts to: Allen J. Perceptions of a Past: Private Collections; Artists may submit up to 4 works. $15 fee. For Awards are $2,500, which includes $500 for the Decoration and Meaning in Chinese Porcelain at the Frantzen, Dept. of English, Loyola University Public Collections is the theme of the 34th prospechts: Dan Gilhooley, Peconic Gallery, project advisor. For information: Younger Arthur M. Sackler Gallery. $15 (students $10) fee Chicago, 6525 N. Sheridan Rd., Chicago, IL annual Winterthur conference, October 6-8, Suffolk Community College, Speonk-Riverhead Scholars Guidelines, Rm. 316, Division of and advance registration required. Send name 60626. Deadline: Odober I, 1993. 1994. This conference will examine the fonnation Road, Riverhead, NY 11901; 516/548-2577. FellOWShips and Seminars, National Endowment and address to: Porcelain Symposium, Arthur Deadline: November 15, 1993. for the Humanities, 1100 Pennsylvania Ave.,

12 eAA NEWS SEPTEMBER/OCTOBER 1993 CAA NEWS SEPTEMBER/OCTOBER 1993 13 NW, Washington, DC 20506; 202/606-8463, Winterthur Library will award residential commercial art worlds, the journal will address artists expressing the devastation of AIDS in Deadline: November 1,1993, fellowships to encourage research in America's the decorative arts as documents of material their work. Other topics might address art that Information Classified Ads artistic, cultural, intellectual, and social history. culture and from the viewpoint of connoisseur­ explores the personal, social, and ethical The Henry Luce Foundation/ACLS Disserta­ Scholars pursuing advanced research are eligible ship studies. It will contain book and exhibition questions raised by the Genome Project. For Wanted The CAA newsletter accepts classified ads of a tion Fellowship Program in American Art is to apply for NEH fellOWShips with stipends of reviews, discussion of conservation and example, new biological techniques have professional or semiprofessional nature. $1.25/word resulted in the manipulation of nahrre, which ($2/word nonmembers); $15 minimum. meant to assist graduate students in any stage of up to $30,000 for 6-12 months work Short-term restoration, and scholars' queries. Subscriptions Max Thalmann (1890-1944), 20th-century can now be modified to meet consumer and Ph,D, dissertation research or writing, Fellow­ fellowships are available to academic, museum, are $30/year in the U.S.; $35 in Canada and German graphic artist, who worked with Eugen industrial demands. We invite proposals by ships are for a one-year nonrenewable term and independent scholars, and to support Mexico; and $37 for all other countries. Send Diederichs, publisher of Jena, ca. 1918-40, is the artists and interdisciplinarians that reflect Artists, Produce Your Own Exhibit: NYC SoHo beginning in the sununer of 1994 for the 1994-95 dissertation research. For information: Director, orders to: Editor, Studies in the Decorative Arts, subject of a forthcoming traveling retrospective contemporary art's deep involvement with gallery 18 x 30 feet for rent by the month $650 or academic year, Fellowship amount is $15,000, Winterthur Research Fellowship Program, Bard Graduate Center, 18 W. 86 St., New York, exhibition. Infonnation regarding primary or genetics and its cultural consequences. Send week $250. Includes gallery guide listing. 212/ For application infonnation: Office of Fellow­ Winterthur Library, Winterthur, DE 19735; 302/ NY 10024. secondary documents, artworks, or books proposals to Ellen K. Levy, 40 E. 19 St., #3R, 285-0959. ships and Grants, ACLS, 228 K 45 St, New York, 888-4649. Deadline: December 1, 1993. designed by Thalmann is sought. Sara Dunning, New York, NY 10003. Deadline: December 15 NY 10017-3398, Deadline,' November 15, 1993, National Endowment for the Humanities 27th Loyola Marymount University, Laband Art 1993. ' Attention museum c.urators and art historians: Annual Report is now available. It contains Gallery, Loyola Blvd. at W. 80 St., Los Angeles, team of arts professionals dedicated to bringing The Veronika Gervers Research Fellowship in Internships brief descriptions of Endowment programs as CA 90045; 310/338-2880; fax 310/ 338-4470. Textile and Costume History, sponsored by the well as a complete listing of a11 Endowment Rutgers Art Review is a student-run publication forth the work of Marsha Farley, a significant Royal Ontario Museum, awards up to Can$9,000 grants for fiscal year 1992. Free while the supply that considers full-length articles and shorter (3- body of her work created over 50 years using J. Paul Getty Museum 1994-95 Graduate Henry Salem Hubbell (1870-1949) is the subject lasts, single copy requests may be sent to: NEH 5 page) research notes on a range of topics recycled materials. Our objective is to place to a scholar working on any aspect of textile or Internships are available in the curatorial, of a forthcoming catalogue raisonne. The writers costume history whose research makes direct 1992 Annual Report, Rm. 407, 1100 Pennsylva­ concerning the history of art and architecture, Farley's sculpture in an art historical context. conservation, education, public information, are seeking information on the existence, use of, or supports, any part of the ROM nia Ave., NW, Washington, DC 20506. material culture, art criticism, aesthetics, film, Traveling retrospective exhibit available with a publications, or administration deparhnents. location, and provenance of portraits and collections that cover a broad range of time and and photography. All graduate students can catalogue. Contact: Fawn Potash, 15 Pine Grove The museum also coordinates intern programs figurative and landscape paintings; also letters, submit papers, including those who have St., Woodstock, NY 12498; 518/943-3525. geography. For information: Veronika Gervers for four other organizations of the J. Paul Getty news clippings, and photographs documenting Memorial Fellowship, Textile Deparhnent, Royal completed doctoral degrees within the last year Trust: the Getty Center for Education in the Arts, Workshops and Schools Hubbell's activities. Jay Williams, Edison Ontario Museum, 100 Queen's Park, Toronto, from date of submission. Address two copies of "Dr. Georgia Wright's Ligllt on the Stones: The the Getty Conservation Institute, the Getty Grant Community College, Box 06210, Ft. Meyers, FL Ontario, Canada M5S 2C6; 416/586-5790. your manuscript or questions to: Shelley F. Medieval Church of Veze/ay is the first film of a Program, Trust Public Affairs, and the Vermont Studio Center offers 2- and 4-week 33906; 813/489-9314. Deadline: November 15, 1993. Adams, Rutgers Art Review, Voorhees Hall, medieval monument to convey the sense of Provenance Index of the Getty Art History sessions year-round for painters, sculptors, and Rutgers, State University of New Jersey, New actually being in the building. I will happily Information Program. For information: writers. The summer/fall program provides for Gaston La Touche (1854-1913). Authors of a Center for Studies in Landscape Architecture at BrunSwick, NT 08903. continue to include it as an integral part of my Courtney McNeil, Dept. of Education and interaction with major artists/critics and catalogue raisonne on this artist are seeking Dumbarton Oaks offers residential fellowships classes on Romanesque and Gothic art because it Academic Affairs, J. Paul Getty Museum, PO independent work Winter residencies are for owners of his paintings or anyone with relevant for the academic year 1994-95 to scholars who adds a dimension of understanding that can be Box 2112, Santa Monica, CA 90407; 310/459- focused independent studio work, and now also information. Roy Brindley and Selina Evans, 20 are completing, or have completed, tenninal duplicated in no other way" (Prof. William 7611, ext. 254. Deadline for applications: December offer two-week interactive sessions with Miscellaneous Wyatt Park Mansions, Streatham Hill, London, degrees in a wide range of disciplines. For Clark, Queens College). VHS, 24 mins., with 31,1993, for assignments beginning October 10, writers/teachers. Fellowships and scholarships SW24RN. infonnation: Studies in Landscape Architecture, illustrated guide, $110 (institutions). Video 1994. available. For information: Vermont Studio Arts Action Coalition, formed in May 1992, Dumbarton Oaks, 1703 32 St., NW, Washington, researches, investigates, communicates, lobbies, American artist active in the 1920s who signed Monuments, PO Box 5743, Berkeley, CA 94705; Center, PO Box 613N, Johnson, VT 05656; 802/ 510/549-1922. DC 20007; 202/342-3280. Deadline: November 30, 635-2727. and disperses infonnation about the his work CLEaN. Matthew J. Bruccoli, Dept. of 1992. government's actions in the arts. For informa­ English, University of South Carolina, Columbia Publications Faculty Exchange-(tentative) 2-D studio tion: Sanford Hirsch, 6 Greene St., New York, Campus, Columbia, SC 29208. Stanford Humanities Center offers 6 external NY 10013. courses, state university, 1 hour NYC. Two fellowships for 1994-95 in the following The Evolving National Information Network: Calls for Manuscripts weeks-month, prefer New England location. categories: Senior Fellowships for well­ Background and Challenges is the final report Send letter, resume, three slides, SASE. John established scholars; and Junior Fellowships for in a series published by the Commission on Art Journal is seeking articles for an upcoming Wallace, 25 Taunton Lake Rd., Newtown, CT scholars who at the time of application are at Preservation and Access, on technological issue on "Contemporary Art and the Genetic 06470. least 3 but not more than 10 years beyond developments, trends, and issues pertaining to Code: Models, Sequences, Consequences," to be receipt of the Ph.D. Stipends are expected to be the preservation of copies of print, film, analog guest co-edited by Ellen K. Levy and Berta For rent-Boston area: for artist/ art historian­ in the range of $30,000 for senior fellows and nonprint, and digital materials. Available for $15 Sichel. An interdisciplinary approach in Order Form beautifully furnished 3-bedroom house near $20,000 for junior fellows. For infonnation: (payable to "Commission on Preservation and discussing the genetic code and its effects on Harvard, 2/1/94-6/30/94. 2 offices, library, 2 1/ Stanford Humanities Center, Mariposa House, Access") from: Commission on Preservation and culture is welcomed. The discovery of the 2 baths, fireplaces, all appliances, Steinway Stanford University, Stanford, CA 94305-8630; Access, 1400 16th St., NW, Ste. 740, Washington, structure of DNA has broadened the possibili­ Miriam Schapiro, In the Land of Oo-bla-dee: Homage to Mary Lou Williams grand, parking, large artist's studio with 415/723-3052; fax 415/723-1895. Deadline: DC 20036-2217. ties open to society: nature and culture can be excellent light (optional). $1,800/mo. 617/926- redefined since nature, itself, can be known and 0188. November 15, 1993. AL~ ORDERS MUST BE PREPAID. Reduced price is available to CAA individual members only. possibly remade. Writers may discuss the Art Hazards News, published by the Center for Mail completed order form to College Art Association, Deparhnent 0, 275 Seventh Avenue, interrelationships between art and scientific American Research Institute in Turkey/ Safety in the Arts, periodically lists information New York, NY 10001. Make check payable to: Col/ege Art Association. Allow 6-8 weeks for delivery. For rent. Attractive furnished bedroom. NYC, National Endowment for the Humanities pertaining to reproductive hazards for both men innovation focused around the elucidation of upper East Side near museums. Suitable visiting fellowships are available for research in Turkey and women. "Reproductive Hazards in the Arts the genetic code and/or the subsequent woman scholar. Doorman building. Good and Crafts" is a 4-page data sheet produced by reshaping of society as presented in some transporm lion. Security and references required. for 1994-95. All fields in the humanities are Please send ____ print(s) to: Print price: the Center for Safety in the Arts, available for contemporary art. Possible topics are the $200/ week; min. 3 weeks. Call DG Associates, eligible. For information: American Research Before November 30,1993: $750 $2.00. For data sheet and subscription informa­ thought processes artists may share with 212/996-4629. Institute in Turkey, University Museum, 33rd After November 30, 1993: $1,500 and Spruce Sts., Philadelphia, PA 19104-6324; tion: Center for Safety in the Arts, 5 Beekman St., scientists regarding the unraveling of the 215/898-3474. Deadline: November 15, 1993. Ste. 1030, New York, NY 10038; 212/227-6220. genetic code and the artworks that reify these "Glasgow Girls": Women in Art and Design processes. The content of these topics might name 1880-1920, ed. Jude Burkhauser. 264 pp., 350 ills. The Getty Center for the History of Art and the Tax Guide for College Teachers provides include the maps and models scientists have CAA members $44 cloth. Reg. $60. "Book of Humanities has amlOunced its annual residen­ information on such issues as maintaining home constructed in their search for significant year," U.K. Observer; "Too exciting to put ------_... _------tial fellowship program for 1994-95. A limited offices and claiming them as tax deductions. The patterns; the process of evolution that results as address down," American Art and Design; "Highly number of fellowships are available to students 560-page 1993 edition of the tax guide is modified DNA molecules yield new and recommended," Libranj Journal; "Will change the who will complete their doctoral dissertations available for $27.95 plus shipping of $4.90 first successful organisms; the information transfer teaching," Women's Arf. Red Ochre Press, 705 class or $2.90 book rate from: Academic from one chain of DNA into a messenger RNA within 1 year, and to those who have received city/ state/zip telephone Adriatic, North Cape May, NT 08204; 609/886- their doctorates within the past 3 years. For Information Service, PO Box 929, College Park, that determines the amino acid sequence of a 9525. information: Center FellOWShips, Getty Center MD 20741. protein chain; and finally, the question of how for the History of Art and the Humanities, 401 Studies in the Decorative Arts is a new the human body works and its ability to Huang Binhong-proposing to study Huang semiannual journal published by the Bard survive. One poignant example is the alteration Wilshire Blvd., Ste. 700, Santa Monica, CA CAA membership number AMOUNT ENCLOSED; $ Binhong for postgraduate degree. To avoid 90401-1455. Deadline: December 1,1993. Graduate Center for Studies in the Decorative in our sexual behavior resulting from the spread clash, anyone aware of current research on Arts. Bridging the academic, museum, and of the HIV virus, with some contemporary --_._------._---_.------Huang please contact: Ms. P. Kotewall, B1, 39

14 CAA NEWS SEPTEMBER/OCTOBER 1993 CAA NEWS SEPTEMBER/OCTOBER 1993 15 Consort Rise, Pokfulam, Hong Kong; fax granite counters, oak cabinets. 2 tile bathrooms, 2 8453099. bedrooms (master fireplace). Full basement, Datebook washer/dryer, oil/hot water. Decks and London house for rent. 3 levels, open plan, screened porch. Low taxes. 2 hrs. NYc. $199,000. north skylit studio, south facing a garden. £200/ 212/929-8718. week. JoAnn Kaplan, 044 081 8853100; fax 044 September 15 71272 8343. Sunny Loft. Quiet, open space, 1,400' live/work, Deadline for submissions to Careers, to be seven 71/2' x 41/2' -windows (north plus east published October 15 Paris, attractive, furnished, fully equipped large exposure), exposed brick, custom shoji, studio for rent. Historic 17th-cen. building "next bookcases and storage, original maple floors, 1 September 30 door" to the Bibliotheque Nationale. Short term bath, renovated kitchen (Garland stove), Deadline for nominations for 1996 conference only. Fr 3,300/2 weeks; Fr 5,500/mop-th. washer/dryer, air cond., $500 main. $245,000. program chairs (see p. 5) Security and references required. Sandra 212/929-8718. Hindman, 512/929-5986. October 1 Todi, Umbria: Authentically restored three-story Deadline for submitting material for the Rome, near Campo dei Fiori. Furnished and medieval townhouse, 100 meters from Cathedral November/December CAA News, to be fully heated 1,200 sq. ft. apartment in fine Square. Fully equipped, 3 bedrooms, fireplaces, 2 published October 29 building. Ideal for couple. Available Nov.­ bathrooms. American washer/dryer /refrigera­ March. Asking L 2,500,000/month. Call 011-39- tor, fax. Available Aug., Sept., Oct. $2,500 October 15 6-68802878. monthly (less for longer stay). Fax (39) 75 885 Deadline for submissions to Careers, to be 3140. published November 12 Santa Fe rental. Stone and adobe house and studio for rent in Galisteo, a small Hispanic Wanted: Tribeca studio share. Professional December 2 village 25 mins. from Santa Fe. 4,000 sq. ft., painter needs 600-900 sq. ft., subway, respon­ Deadline for submissions to Careers, to be fireplace, w / d, gardens, mountain, creek, and sible. 718/935-9274. published January 7 big-sky views. Available mid-Aug. thru mid­ Dec. 1993, and Feb., April, and May 1994. Dates December 15 flexible. $l,500/month. Harmony Hammond, Deadline for nominations to the Art Bulletin 505/982-3932. editorial board (see p. 6)

Sunny Custom Saltbox. Mountainside February 16-19, 1994 overlooking Rondout reservoir, 15 acres, Annual conference, New York streams, cathedral ceilings, oak floors, living (fireplace), dining, foyer. Gourmet kitchen,

5

September/October 1993

College Art Association 275 Seventh Avenue New York, New York 10001

Board of Directors

Larry Silver, President Judith K. Brodsky, Vice-President Leslie King-Hammond, Secretanj John W. Hyland, Jr., Treasurer Barbara Hoffman, Esq., Counsel Susan Ball, Executive Director

Suzanne Preston Blier MariCarmen John R. Clarke Ramirez Bradford R. Collins Jock Reynolds James Cuno Moira Roth Murry DePillars Emily J. Sano Samuel Edgerton Kenneth E. Silver Sarah Greenough Lowery Stokes Sims Susan L. Huntington Jaune Quick-To-See • Irving Lavin Smith Margo Machida Judith E. Stein Patricia Mainardi Nancy J. Troy Clarence Morgan Deborah Willis Keith Moxey

J