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THE SHARED INFLUENCES and CHARACTERISTICS of JAZZ FUSION and PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014
COMMON GROUND: THE SHARED INFLUENCES AND CHARACTERISTICS OF JAZZ FUSION AND PROGRESSIVE ROCK by JOSEPH BLUNK B.M.E., Illinois State University, 2014 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master in Jazz Performance and Pedagogy Department of Music 2020 Abstract Blunk, Joseph Michael (M.M., Jazz Performance and Pedagogy) Common Ground: The Shared Influences and Characteristics of Jazz Fusion and Progressive Rock Thesis directed by Dr. John Gunther In the late 1960s through the 1970s, two new genres of music emerged: jazz fusion and progressive rock. Though typically thought of as two distinct styles, both share common influences and stylistic characteristics. This thesis examines the emergence of both genres, identifies stylistic traits and influences, and analyzes the artistic output of eight different groups: Return to Forever, Mahavishnu Orchestra, Miles Davis’s electric ensembles, Tony Williams Lifetime, Yes, King Crimson, Gentle Giant, and Soft Machine. Through qualitative listenings of each group’s musical output, comparisons between genres or groups focus on instances of one genre crossing over into the other. Though many examples of crossing over are identified, the examples used do not necessitate the creation of a new genre label, nor do they demonstrate the need for both genres to be combined into one. iii Contents Introduction………………………………………………………………………………… 1 Part One: The Emergence of Jazz………………………………………………………….. 3 Part Two: The Emergence of Progressive………………………………………………….. 10 Part Three: Musical Crossings Between Jazz Fusion and Progressive Rock…………….... 16 Part Four: Conclusion, Genre Boundaries and Commonalities……………………………. 40 Bibliography………………………………………………………………………………. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off the Record26
Goddard Out At Kiss 4 GEMA Fees Up12% 5 8LJAIJ/1 Victoires Mull Changes 6 New Italian Dance Chart 7 Special: Jazz10 Off The Record26 Europe's Music Radio Newsweekly . Volume 8 . Issue 24 . June 15, 1991. 3, US$ 5, ECU 4 New Feature: RESEARCH BIDDING POOL GROWS M&M Debuts Nielsen To Bid For Jazz Page Jazz followers get a double treat Radio Contract this week in M&M, as we high- our media research resources here light the world of jazz music (see by Hugh Fielder page11)andlauncha new and we have also submitted an monthly page covering the jazz US broadcast research firm A. C. application for the JICNAR read- radio and record industries (see Nielsen has thrown its hat into ership contract." Last year the page 10). the ring for the new joint inde- company vied unsuccessfully for Coordinated by M&M chart pendent radio/BBC audience the BARB TV audience survey. reports manager and jazzafi- research contract (RAJAR). Nielsen joins a growing list of cionado Terry Berne, this new Nielsen UK media sales exec- biddersfortheproject. A monthly page will include airplay utive Lisa Rudman confirms, spokesperson for RSGB, which reports from jazz stations/presen- "We shall definitely be in the run- currently holds the JICRAR con - ters, Top 20 album sales,the THE BEST OF FRIENDS - Old friends Cliff Richard and popular ning. We have been building up (continueson page26) Most -PlayedAlbums,reviews, Yugoslav singer Alexander Mezek relax with Phonogram executives after station/presenterprofiles,label performing their single "To A Friend" (Mercury) on Germany's most popu- marketing/promotion activities, lar game show "Wetten Dass". -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
The Judds Rockin' with the Rhythm Mp3, Flac, Wma
The Judds Rockin' With The Rhythm mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Rockin' With The Rhythm Country: Canada Released: 1985 Style: Country MP3 version RAR size: 1103 mb FLAC version RAR size: 1702 mb WMA version RAR size: 1888 mb Rating: 4.9 Votes: 138 Other Formats: ADX DTS AUD MMF AAC MIDI AA Tracklist Hide Credits Have Mercy 1 3:18 Written-By – Paul Kennerley Grandpa (Tell Me 'Bout The Good Old Days) 2 4:12 Written-By – Jamie O'Hara Working In The Coal Mine 3 3:02 Written-By – Allen Toussaint If I Were You 4 2:49 Written-By – Brent Maher, Harlan Howard, Sonny Throckmorton Rockin' With The Rhythm Of The Rain 5 2:40 Written-By – Brent Maher, Don Schlitz Tears For You 6 3:52 Written-By – Mickey Jupp Cry Myself To Sleep 7 3:37 Written-By – Paul Kennerley River Roll On 8 3:51 Written-By – Brent Maher, Wayland Holyfield I Wish She Wouldn't Treat You That Way 9 2:58 Written By – Walker IgleheartWritten-By – Kevin Welch Dream Chaser 10 3:39 Written-By – Brent Maher, Jeff H. Bullock* Companies, etc. Produced At – Curb Universal Copyright (c) – Curb Music Company Copyright (c) – MCA Records, Inc. Phonographic Copyright (p) – MCA Records, Inc. Phonographic Copyright (p) – Universal City Records Distributed By – Uni Distribution Corp. Recorded At – Creative Workshop Mixed At – Creative Workshop Mastered At – Masterfonics Credits A&R, Coordinator – Dot Boyd Art Direction – Bill Brunt Bass – Jack Williams Drums – Eddie Bayers Dulcimer, Jew's Harp – David Schaufer Engineer [Assistant] – Joe Funderburk Leader, Acoustic Guitar [Lead], Rhythm Guitar – Don Potter Management – Ken Stilts Company, Inc. -
Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty. -
Finding Aid to the Historymakers ® Video Oral History with Sonny Rollins
Finding Aid to The HistoryMakers ® Video Oral History with Sonny Rollins Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Rollins, Sonny Title: The HistoryMakers® Video Oral History Interview with Sonny Rollins, Dates: December 3, 2016 Bulk Dates: 2016 Physical 8 uncompressed MOV digital video files (3:30:19). Description: Abstract: Jazz composer and saxophonist Sonny Rollins (1930 - ) composed the jazz standards “Oleo,” “Airegin,” and “Doxy,” and released over sixty albums in his name, including Saxophone Colossus (1956) and Freedom Suite (1958). Rollins was interviewed by The HistoryMakers® on December 3, 2016, in Woodstock, New York. This collection is comprised of the original video footage of the interview. Identification: A2016_113 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Jazz composer and saxophonist Sonny Rollins was born on September 7, 1930 in New York City. His parents, immigrants from the U.S. Virgin Islands, raised him in Manhattan’s central Harlem and Sugar Hill neighborhoods. Rollins received his first alto saxophone at seven years old; and was heavily influenced by saxophonist Charlie Parker by the time he enrolled at Edward W. Stitt Junior High School. Rollins switched to tenor saxophone, and was mentored by pianist Thelonious Monk. Upon graduating from high school, Rollins made his first recordings with Babs Gonzales, J.J. Johnson, Bud Powell, and Fats Navarro. He went on to record with such jazz legends as Miles Davis, the Modern Jazz Quartet, Charlie Parker and Thelonious Monk. In 1954, Rollins’ compositions “Oleo,” “Airegin,” and “Doxy” were featured on Miles Davis’ Bags' Groove. -
Sunday Morning Grid 6/24/18 Latimes.Com/Tv Times
SUNDAY MORNING GRID 6/24/18 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Paid Program PGA Tour Special (N) PGA Golf 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Program House House 1st Look Extra Å 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News News Paid Eye on L.A. Paid 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX FIFA World Cup Today 2018 FIFA World Cup Japan vs Senegal. (N) FIFA World Cup Today 2018 FIFA World Cup Poland vs Colombia. (N) 13 MyNet Paid Matter Fred Jordan Paid Program 18 KSCI Paid Program Buddhism Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Kitchen Mexican Martha Belton Real Food Food 50 28 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Kid Stew Biz Kid$ KCET Special Å KCET Special Å KCET Special Å 30 ION Jeremiah Youseff In Touch Paid NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 34 KMEX Conexión Paid Program Como Dice el Dicho La casa de mi padre (2008, Drama) Nosotr. Al Punto (N) 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K. -
Old Wine New Bottles
Why must he waste his talent and the Wilber was never able to command a sit talent of his sidemen on an outmoded uation as could Bechet. He evidently conception that was hardly necessary in lacked Bechet’s utter self-confidence His the first place? (D.DeM.) vibrato, while similar to his mentor’s, uiiiimiimiimiimitiimiimmitiiiiiiiiimiiitiiiiiiiiiiiuiiimiiiiimiiitiiiimutimiiiM sounded nervous; Bechet’s was an indis pensable adjunct to his playing and en hanced his expressiveness rather than de OLD WINE tracted from it, as Wilber’s did. The HRS Bechet-Spanier sides are not NEW BOTTLES only Bechet gems, but are some of the best mimiiiiiiHiiuuiiimimimmmimiiiiumiitiiitiHiiiiiiitmitiiiitiiiimiiuHmiiiuiiiiM jazz records ever made, though collectors have tended to ignore them. There was no Sidney Bechet effort to re-create days beyond recall Four « IN MEMOR1AM—Riverside RLP 138/139; Sweet Lorraine; Up the Lazy River; China Boy; excellent jazzmen got together and just Four or Five Times; That's Aplenty; If / Could played. Of course, some of the intros and Be with You; Squeeze Me; Sweet Sue; I Got Rhythm; September Song; Whot; Love Me with endings were no doubt rehearsed, but the Feeling; Baby, Won't You Please Come Hornet; lasting value of these records lies in the Blues Improvisation; I’m Through, Goodbye; Waste No Tears; Dardanella; I Never knew; breathless Bechet solos and the driving Broken Windmill; Without a Home. ensembles. And if any of the kiddies com Personnel: Tracks 1-8: Bechet, clarinet, soprano ing along these days think that drums are saxophone; Muggsy Spanier, cornet; Carmen Mas tern. guitar; Wellman Braud, bass. -
BRIDGE BARRIER MISSING Cops Explain How 4 Teens Drove Into River
LE 0? iManrfeatrr Krrali W Saturday, Nov. 19, 1988 Manchester, Conn. — A City of Village Charm 30 Cents j e r s / l ap- i 5 BRIDGE BARRIER MISSING Cops explain how 4 teens drove into river ... story on page 2 ijiS a tg a ers, }nd, tiO M l ■ r-‘ it* J*" J..- ■ i'- vw- * Pitrick Flynn/ManohMtsr Harald Pallbearers leave St. Brigid Church in West Hartford Friday after the funeral Solemn procession for Manchester resident Diane Vincent, who was strangled Tuesday in Hartford. More than 150 friends, co-workers and family members attended ^or^murder victim the funeral. Vincent, a security guard, was working at One Commercial Plaza when she was killed. Police have no leads or suspects in the casie. Story on page 2. t : Connecticiit Weather ‘ Bridge biamcade m REGIONAL WEATHER Aocu-Weather* forecast for Saturday in fatal crash of 4 teens bill signed Daytime Conditions artd High Temperatures By Larry Rosenthal starting today, were planned for officials said they were not sure The Associated Press Laura Lagrotteria, Jill Sawyer how big a gap existed at that time. IcLfcoularl and Miss Christy Stevens, all 19, The accident was the third at the by Reagan NEW HAVEN — Four young and Michael Gallo, 20. barriers since the bridge was people who died when their car Sawyer attended the Univer ciosed in August 1987. plunged into a river had driven sity of Rhode Island^ Gallo was a City officials said they are WASHINGTON (A P ) — Declaring the nation one through a gap left when concrete student at Southern Connecticut investigating why public works step closer to being drug-free. -
December 2020 New Releases
December 2020 New Releases SEE PAGE 15 what’s inside featured exclusives PAGE 3 RUSH Releases Vinyl Available Immediately 59 Music [MUSIC] Vinyl 3 CD 12 FEATURED RELEASES Video WALTER LURE’S L.A.M.F. THE DAVE BRUBECK THE RESIDENTS - 35 FEATURING MICK ROSSI - QUARTET - IN BETWEEN DREAMS: Film LIVE IN TOKYO TIME OUTTAKES LIVE IN SAN FRANCISCO Films & Docs 36 Faith & Family 56 MVD Distribution Independent Releases 57 Order Form 69 Deletions & Price Changes 65 TREMORS MANIAC A NIGHT IN CASABLANCA 800.888.0486 (2-DISC SPECIAL EDITION) 203 Windsor Rd., Pottstown, PA 19464 www.MVDb2b.com WALTER LURE’S L.A.M.F. BERT JANSCH - SUPERSUCKERS - FEATURING MICK ROSSI - BEST OF LIVE MOTHER FUCKERS BE TRIPPIN’ TIME OUT AND TAKE FIVE! LIVE IN TOKYO We could use a breather from what has been a most turbulent year, and with our December releases, we provide a respite with fantastic discoveries in the annals of cool jazz. THE DAVE BRUBECK QUARTET “TIME OUTTAKES” is an alternate version of the masterful TIME OUT 1959 LP, with the seven tracks heard for the first time in crisp, different versions with a bonus track and studio banter. The album’s “Take Five” is the biggest selling jazz single ever, and hearing this in different form is downright thrilling. On LP and CD. Also smooth jazz reigns supreme with a CD release of a newly discovered live performance from sax legend GEORGE COLEMAN. “IN BALTIMORE” is culled from a 1971 performance with detailed liner notes and rare photos. Kick Out the Jazz! Something else we could use is a release from oddball novelty song collector DR. -
Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver
University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 1-1-2017 Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015 Madeline Rachel Morrow University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Feminist, Gender, and Sexuality Studies Commons, Music Commons, and the Women's History Commons Recommended Citation Morrow, Madeline Rachel, "Women's Hit Cheating Songs: Country Music and Feminist Change in American Society, 1962-2015" (2017). Electronic Theses and Dissertations. 1258. https://digitalcommons.du.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact [email protected],[email protected]. WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the requirements for the Degree Master of Arts __________ by Madeline Rachel Morrow June 2017 Advisor: John J. Sheinbaum ©Copyright by Madeline Rachel Morrow 2017 All Rights Reserved Author: Madeline Rachel Morrow Title: WOMEN’S HIT CHEATING SONGS: COUNTRY MUSIC AND FEMINIST CHANGE IN AMERICAN SOCIETY, 1962-2015 Advisor: John J. Sheinbaum Degree Date: June 2017 ABSTRACT This thesis examines songs about cheating performed by women in country music that appeared on year-end country songs charts in Billboard magazine from 1962 through 2015.