Creators Without Borders Six Works
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS
ÉRIC MÉLANIE MELANIE MARIE-JOSÉE BRUNEAU THIERRY MERKOSKY CROZE AN EYE FOR BEAUTY A film by DENYS ARCAND Produced by DENISE ROBERT DANIEL LOUIS before An Eye for Beauty written and directed by Denys Arcand producers DENISE ROBERT DANIEL LOUIS THEATRICAL RELEASE May 2014 synopsis We spoke of those times, painful and lamented, when passion is the joy and martyrdom of youth. - Chateaubriand, Memoirs from Beyond the Tomb Luc, a talented young architect, lives a peaceful life with his wife Stephanie in the stunning area of Charlevoix. Beautiful house, pretty wife, dinner with friends, golf, tennis, hunting... a perfect life, one might say! One day, he accepts to be a member of an architectural Jury in Toronto. There, he meets Lindsay, a mysterious woman who will turn his life upside down. AN EYE FOR BEAUTY | PRESS KIT cast Luc Éric Bruneau Stéphanie Mélanie Thierry Lindsay Melanie Merkosky Isabelle Marie-Josée Croze Nicolas Mathieu Quesnel Roger Michel Forget Mélissa Geneviève Boivin-Roussy Karine Magalie Lépine-Blondeau Museum Director Yves Jacques Juana Juana Acosta Élise Johanne-Marie Tremblay 3 AN EYE FOR BEAUTY | PRESS KIT crew Director Denys Arcand Producers Denise Robert Daniel Louis Screenwriter Denys Arcand Director of Photography Nathalie Moliavko-Visotzky Production Designer Patrice Bengle Costumes Marie-Chantale Vaillancourt Editor Isabelle Dedieu Music Pierre-Philippe Côté Sound Creation Marie-Claude Gagné Sound Mario Auclair Simon Brien Louis Gignac 1st Assistant Director Anne Sirois Production manager Michelle Quinn Post-Production Manager Pierre Thériault Canadian Distribution Les Films Séville AN EYE FOR BEAUTY | PRESS KIT 4 SCREENWRITER / DIRECTOR DENYS ARCAND An Academy Award winning director, Denys Arcand's films have won over 100 prestigious awards around the world. -
Robert Lepage's Scenographic Dramaturgy: the Aesthetic Signature at Work
1 Robert Lepage’s Scenographic Dramaturgy: The Aesthetic Signature at Work Melissa Poll Abstract Heir to the écriture scénique introduced by theatre’s modern movement, director Robert Lepage’s scenography is his entry point when re-envisioning an extant text. Due to widespread interest in the Québécois auteur’s devised offerings, however, Lepage’s highly visual interpretations of canonical works remain largely neglected in current scholarship. My paper seeks to address this gap, theorizing Lepage’s approach as a three-pronged ‘scenographic dramaturgy’, composed of historical-spatial mapping, metamorphous space and kinetic bodies. By referencing a range of Lepage’s extant text productions and aligning elements of his work to historical and contemporary models of scenography-driven performance, this project will detail how the three components of Lepage’s scenographic dramaturgy ‘write’ meaning-making performance texts. Historical-Spatial Mapping as the foundation for Lepage’s Scenographic Dramaturgy In itself, Lepage’s reliance on evocative scenography is inline with the aesthetics of various theatre-makers. Examples range from Appia and Craig’s early experiments summoning atmosphere through lighting and minimalist sets to Penny Woolcock’s English National Opera production of John Adams’s Dr. Atomic1 which uses digital projections and film clips to revisit the circumstances leading up to Little Boy’s release on Hiroshima in 1945. Other artists known for a signature visual approach to locating narrative include Simon McBurney, who incorporates digital projections to present Moscow via a Google Maps perspective in Complicité’s The Master and Margarita and auteur Benedict Andrews, whose recent production of Three Sisters sees Chekhov’s heroines stranded on a mound of dirt at the play’s conclusion, an apt metaphor for their dreary futures in provincial Russia. -
Read Program
KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
News Release. Piers Handling Announces 2018 Will Be His
September 2, 2017 .NEWS RELEASE. PIERS HANDLING ANNOUNCES 2018 WILL BE HIS FINAL YEAR AT TIFF Handling leaves behind unparalleled legacy of accomplishments and innovation TORONTO – Piers Handling, Director and CEO of TIFF, announced today 2018 will be his final year leading the Toronto International Film Festival®. After almost 25 years at the helm of one of Canada’s most important cultural organizations Piers will leave behind an unparalleled legacy of accomplishments and innovation. “Because of Piers’ leadership, TIFF is the leading cultural organization it is today, with a global reach and impact,” said Jennifer Tory, Chair of the Board of Directors of TIFF. “We are all indebted to him for his years of vision, innovation and dedication to the art of film.” Handling’s tenure at TIFF has been both ground-breaking and prolific, with career highlights including: Growing TIFF from a 10-day event into a thriving year-round arts organization with global impact; Leading the Festival into the top tier of internationally recognized film events; Leading and mentoring a strong and seasoned team of executives and management and a passionate and dedicated staff; Supporting the careers of many Canadian and international filmmakers, including David Cronenberg, Atom Egoyan, Deepa Mehta, Guy Maddin, Denys Arcand, Denis Villeneuve, Jean-Marc Vallee, François Girard, Xavier Dolan, Michael Haneke, Danny Boyle, Kathryn Bigelow, Nanni Moretti, Agnieszka Holland, Abbas Kiarostami, Alfonso Cuarón, Jonathan Glazer, Antoine Fuqua, Pedro Almodóvar, Aki Kaurismäki, Patricia Rozema, Jennifer Baichwal, Guillermo Del Toro, Steven Soderbergh; and many others. Leading the campaign to design, fund and build TIFF Bell Lightbox, a permanent home for TIFF and film, now a cornerstone of engaging and innovative programming for audiences and professionals, here and around the world. -
Film Reference Guide
REFERENCE GUIDE THIS LIST IS FOR YOUR REFERENCE ONLY. WE CANNOT PROVIDE DVDs OF THESE FILMS, AS THEY ARE NOT PART OF OUR OFFICIAL PROGRAMME. HOWEVER, WE HOPE YOU’LL EXPLORE THESE PAGES AND CHECK THEM OUT ON YOUR OWN. DRAMA 1:54 AVOIR 16 ANS / TO BE SIXTEEN 2016 / Director-Writer: Yan England / 106 min / 1979 / Director: Jean Pierre Lefebvre / Writers: Claude French / 14A Paquette, Jean Pierre Lefebvre / 125 min / French / NR Tim (Antoine Olivier Pilon) is a smart and athletic 16-year- An austere and moving study of youthful dissent and old dealing with personal tragedy and a school bully in this institutional repression told from the point of view of a honest coming-of-age sports movie from actor-turned- rebellious 16-year-old (Yves Benoît). filmmaker England. Also starring Sophie Nélisse. BACKROADS (BEARWALKER) 1:54 ACROSS THE LINE 2000 / Director-Writer: Shirley Cheechoo / 83 min / 2016 / Director: Director X / Writer: Floyd Kane / 87 min / English / NR English / 14A On a fictional Canadian reserve, a mysterious evil known as A hockey player in Atlantic Canada considers going pro, but “the Bearwalker” begins stalking the community. Meanwhile, the colour of his skin and the racial strife in his community police prejudice and racial injustice strike fear in the hearts become a sticking point for his hopes and dreams. Starring of four sisters. Stephan James, Sarah Jeffery and Shamier Anderson. BEEBA BOYS ACT OF THE HEART 2015 / Director-Writer: Deepa Mehta / 103 min / 1970 / Director-Writer: Paul Almond / 103 min / English / 14A English / PG Gang violence and a maelstrom of crime rock Vancouver ADORATION A deeply religious woman’s piety is tested when a in this flashy, dangerous thriller about the Indo-Canadian charismatic Augustinian monk becomes the guest underworld. -
As Promised, Faculty, Admin, and Tech Have All Been Coming up with Works to Watch While Shuttered Inside (In the Physical, and Not Psychological, Sense)
As promised, Faculty, Admin, and Tech have all been coming up with works to watch while shuttered inside (in the physical, and not psychological, sense). We will have more forthcoming from other members of the department, I’d hope next week, to get you through the exam period and beyond. The range below is eclectic, at times challenging, and most of all fun of all sorts. A lot of the material is easily streamable and/or downloadable; I’m sure there are other ways you can find material too. We hope you find stuff here to get you through the days and nights and days and nights and days and nights. We are all in this together, so feel free to come up with lists (on your own, or even better, get together digitally and socialize) of works you think faculty, admin, and techs ought to be watching. Teach us something and make it a two- way street! UPDATE, April 14: See below for new recommendations from Adonay, Tama, and Karine! Films for Students: From Karine Here is my Top Ten list of Road Movies (from around the world) to watch while in Quarantine (Traveling without risk): 1. Traveling to France: Agnes Varda's Faces Places (2017). 2. Traveling to Germany: Wim Wenders' Kings of the Road (1976). 3. Traveling to New Zealand: Taika Waititi's Hunt for the Wilderpeople (2016). 4. Traveling to Mexico: Alfonso Curaon's Y Tu Mama Tambien (2001) 5. Traveling to Argentina: Lucrecia Martel's La Mujer Sin Cabeza (2008) 6. Traveling to Australia: Ivan Sen's Beneath Clouds (2002) 7. -
Kingcanfilmfest.Com FEB 26 to MAR 1
presented by FEB 26 to MAR1 2O15 kingcanfilmfest kingcanfilmfest.com TiVo Service¹ lets you record up to 6 shows at once, access Netflix² and watch your recordings on the go. Get it only from Cogeco. 1-877-449-4474 • Cogeco.ca/TiVo How can we help you? TABLE OF CONTENTS Sponsors 2 tickets and Venues 5 Schedule 6 festival greetings 8 FILMS SHORT FILM PROGRAMS Big neWS from grand roCk 10 Canadian ShortS Program 24 after the BaLL 11 LoCaL ShortS Program 25 aLL the time in the WorLd 11 Youth ShortS Program 25 BerkShire CountY 12 C iS for Canada 26 dirtY SingLeS 13 muSiC Video ShortS Program 26 the father of hoCkeY 13 fauLt 14 feLix and meira 14 Workshops 28 in her PLaCe 15 music 30 La Petite reine 15 receptions 31 LuCk’S hard 17 maPS to the StarS 17 mommY 18 monSoon 18 PorCh StorieS 19 the PriCe We PaY 19 retroSPeCtiVe: manY kingStonS 20 SoL 21 the StronghoLd 21 tu dorS niCoLe 22 VioLent 22 PRESENTING SPONSORS PRIMETIME/PROGRAM SPONSORS SUPPORTERS FEATURE FILM SPONSORS 2 MEDIA SPONSORS the Queen’s University FILM SPONSORS FESTIVAL FRIENDS HOSPITALITY FRIENDS MEDIA FRIENDS Le Centre culturel Frontenac Amadeus Fusix Kamik AquaTerra by Clark Kingstonist Kingston Community Olivea Point of View Magazine Credit Union Pan Chancho Queen’s TV Petrie Ford Tango Nuevo Rogers K-Rock Centre SGPS Tir Nan Og Snapd Staples Station 14 Wellington Foreign Exchange FESTIVAL PARTNERS Film Circuit (TIFF), George Taylor Richardson Memorial Fund, National Film Board of Canada, Original Hockey Hall of Fame, Queen’s University AMS, Ubisoft, The Screening Room COMMUNITY SPONSORS Brew Pub, Brian’s Record Option, Campus One Stop, Card’s Bakery, Classic Video, David’s Tea, Five Guys Burger and Fries, Genene Maurice RMT, LSP Designs, Novel Idea, Pasta Genova, The Pita Pit, QFLIC, Rankin Productions, Secret Garden Inn, Sima Sushi, Ta-Ke Sushi, Tommy’s, The Works 3 For 15 years KCFF has been dedicated to exhibiting Canadian ƓOPDQGLVGHHSO\FRPPLWWHGWR ensuring its continued development & growth. -
And the Beau
MEDIA MANIA and the Beau by Maurie Alioff Jessica Pare "Beauty is a beautiful girl" — Plato ndy Warhol's everybody–will–get–their-15–minutes Schatzberg's 1970 directorial debut, Puzzle of a Downfall Child, revelation has materialized on a scale that would shows Faye Dunaway grappling with the aftermath of a have astounded the king of pop art. Ordinary peo- crack–up. And in Gia, Angelina Jolie's performance electrifies ple are acting out a rampant yearning to be glam- the story of real–life, wild–spirited Gia Carangi, who died of ourized and mythologized by eagerly submitting the AIDS virus she probably picked up by mainlining heroin. to reality TV's 24 / 7 camera surveillance. A While Stardom's storyline recalls Darling's, the film plays far Among the Survivor "castaways" and Big Brother "house more light–heartedly. It even bursts into irreverent slapstick in guests," who provide spellbinding voyeurism for the millions scenes like the one where a fur–coated Tina punches out an who gawk at them, Survivor's Jenna admits she craved the obnoxious animal–rights activist. From its first shot, Arcand's spotlight as much as the show's prize money. Her fellow cast- movie is a giddy whirl, vibrating with sensuous detail away Sean, a successful neurologist, dreams about acting on (Fellini's Ginger and Fred comes to mind) and closing on a ten- ER and coming home to find the National Enquirer checking tatively happy ending. Perhaps, as the film implies, Tina's out his garbage. The most subtle of the new reality stars is Who journey through mindless superficiality ultimately liberates Wants to Marry a Multimillionaire?'s Darya Conger. -
Cinéclub De L'alliance: Mommy
Press Release: CinéClub de l'Alliance: Mommy Contact: Joshua Stone [email protected] 617.912.0400 ext. 410 CinéClub de l'Alliance: Mommy Directed by Xavier Dolan Wednesday, September 21, 6:30 PM 9:00 PM French Cultural Center 53 Marlborough Street Boston, MA 02116 frenchculturalcenter.org 617.912.0400 Boston, MA– After a long summer hiatus, the French Cultural Center is pleased to announce the return of its monthly CinéClub program with an affecting drama from one of international cinema’s most promising and prolific young filmmakers, Xavier Dolan. His haunting film, Mommy, will be screened at the Center on Wednesday, September 21. Mommy portrays the story of a workingclass Quebec mother who struggles to care for her troubled teenage son until a chance encounter with their shy neighbor offers unexpected hope for a brighter future. The film will be followed by an informal reception and an open discussion led by our in house film expert, Barbara Bouquegneau. 140 minutes | French and English with English subtitles | Drama Pricing Members: Free Nonmembers: $8 Advance registration required. About the Director Xavier Dolan (né Xavier DolanTadros in March 1989 in Montreal) is an actor, director, writer, producer, editor and costume designer. As a precocious practitioner of auteurist art cinema, Xavier Dolan went from child actor to filmmaking wunderkind, garnering international acclaim at age 20 for his debut feature, J’ai tué ma mère (I Killed My Mother, 2009). His next four films — Les amours imaginaires (Heartbeats, 2010), Laurence Anyways (2012), Tom à la ferme (Tom at the Farm, 2013) and Mommy (2014) — were all completed by the time he was 25. -
Space, Time, Auteur-Ity and the Queer Male Body: the Film Adaptations Of
Space, time, auteur-ity and the queer Downloaded from male body: the film adaptations of Robert Lepage http://screen.oxfordjournals.org/ PETER DICKINSON What constitutes the crystal-image is the most fundamental operation of time: since the past is constituted not after the present that it was but at the same time, time has to split itself in two at each moment as present at Simon Fraser University on June 22, 2016 and past, which differ from each other in nature, or, what amounts to the same thing, it has split the present in two heterogeneous directions, one Gilles Deleuze, Cinema 2: the Time-Image, trans. Hugh of which is launched towards the future while the other falls into the Tomlinson and Robert Galeta past In fact the crystal constantly exchanges the two distinct images (Minneapolis, MN: University of which constitute it, the actual image of the present which passes and the Minnesota Press, 1989), p. 81. See Bill Marshall, Quebec virtual image of the past which is preserved: distinct and yet National Cinema (Montreal: indiscernible, and all the more indiscernible because distinct, because McGill-Queen's University Press, we do not know which is one and which is the other. This is unequal 2001); Henry A. Garrity, 'Robert 1 Lepage's cinema of time and exchange, or the point of indiscernibility, the mutual image. space', in Joseph I. Donohoe and Jane M. Koustas (eds), Theater In the scholarship on the films of Robert Lepage, a dominant critical sans Frontieres: Essays on the paradigm has emerged to complement the academic focus on his theatre. -
Sydney Film Festival Award Winners Announced at Closing Night Gala 19/06/2016
MEDIA RELEASE EMBARGOED UNTIL 08:30PM SUNDAY 19 JUNE 2016 SYDNEY FILM FESTIVAL AWARD WINNERS ANNOUNCED AT CLOSING NIGHT GALA The 63rd Sydney Film Festival tonight awarded Aquarius, directed by Kleber Mendonça Filho, the prestigious Sydney Film Prize, out of a selection of 12 Official Competition films. The $63,000 cash prize was awarded at the Festival’s Closing Night Gala awards ceremony and event: the Australian premiere screening of Whit Stillman’s Love & Friendship, held at the State Theatre. Sydney filmmaker Dan Jackson was awarded the Documentary Australia Foundation Award for Australian Documentary, a $15,000 cash prize, for In the Shadow of the Hill; with a special mention going to Destination Arnold directed by Sascha Ettinger Epstein. The Dendy Awards for Australian Short Films were announced; awarding Slapper, directed and written by Luci Schroder, The Dendy Live Action Short Award; The Crossing, directed and written by Marieka Walsh, The Yoram Gross Animation Award; and Goran Stolevski, the Rouben Mamoulian Award for Best Director, for You Deserve Everything. The Event Cinema Australian Short Screenplay Award was awarded to Spice Sisters, written and directed by Sheila Jayadev, who received a $5,000 cash prize, with a special mention to Matthew Vesely for My Best Friend Is Stuck On The Ceiling. The new annual Sydney UNESCO City of Film Prize was awarded to Ms Lynette Wallworth, who received $10,000 prize awarded by Screen NSW, presented by Margaret Pomeranz AM. Sydney Film Festival CEO Leigh Small said, “Cinemas were full again this year with an average of 73% capacity across all sessions and more sellouts than ever before. -
A Xavier Dolan Film [Les Amours Imaginaires, Laurence Anyways]
Venice Film Festival 2013 Discovery Zone Festival, Luxembourg 2014 SPECIAL PRESENTATION WINNER FIPRESCI PRIZE WINNER FIPRESCI PRIZE TOM À LA FERME A XAVIER DOLAN FILM [LES AMOURS IMAGINAIRES, LAURENCE ANYWAYS] MK2 présente une production de MK2 et SONS OF MANUAL en association avec ARTE France Cinéma et ARTE/COFINOVA 9 avec la participation de CINÉ+ et du Centre national du cinéma et de l’image animée avec XAVIER DOLAN PIERRE-YVES CARDINAL LISE ROY EVELYNE BROCHU MANUEL TADROS JACQUES LAVALLÉE et ANNE CARON “Tom à la ferme” direction photo ANDRÉ TURPIN musique originale GABRIEL YARED décors COLOMBE RABY conception sonore SYLVAIN BRASSARD mix OLIVIER GOINARD montage XAVIER DOLAN produit par NATHANAËL KARMITZ CHARLES GILLIBERT XAVIER DOLAN productrice associée LYSE LAFONTAINE productrice éxécutive NANCY GRANT productrice déléguée CAROLE MONDELLO scénario & dialogues XAVIER DOLAN MICHEL MARC BOUCHARD adapté de la pièce originale “Tom à la ferme” de MICHEL MARC BOUCHARD réalisé par XAVIER DOLAN www.cinemien.nl www.abc-distribution.be www.levif.be © Anne-Marie van Warmerdam TOM A LA FERME een film van Xavier Dolan Release: 17 april 2014 Canada, Frankrijk | 2013 | 105 minuten | Frans gesproken | Nederlandse ondertiteling TOM A LA FERME is een psychologische thriller en gaat over Tom (Xavier Dolan), een jonge reclameontwerper, die naar het platteland reist voor de begrafenis van zijn geliefde. Eenmaal aangekomen blijkt dat niemand weet wie hij is of wat zijn relatie met de overledene was. Tom wordt meegesleurd in een sadistisch spelletje waarbij de seksueel onderdrukte broer (Pierre-Yves Cardinal) de regels bepaalt. TOM A LA FERME ging in wereldpremière tijdens het Filmfestival van Venetië in 2013 en won er de FIPRESCI prijs.