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11 — 27 August 2018 See P91—137 — See Children’S Programme Gifford Baillie Thanks to All Our Sponsors and Supporters
FREEDOM. 11 — 27 August 2018 Baillie Gifford Programme Children’s — See p91—137 Thanks to all our Sponsors and Supporters Funders Benefactors James & Morag Anderson Jane Attias Geoff & Mary Ball The BEST Trust Binks Trust Lel & Robin Blair Sir Ewan & Lady Brown Lead Sponsor Major Supporter Richard & Catherine Burns Gavin & Kate Gemmell Murray & Carol Grigor Eimear Keenan Richard & Sara Kimberlin Archie McBroom Aitken Professor Alexander & Dr Elizabeth McCall Smith Anne McFarlane Investment managers Ian Rankin & Miranda Harvey Lady Susan Rice Lord Ross Fiona & Ian Russell Major Sponsors The Thomas Family Claire & Mark Urquhart William Zachs & Martin Adam And all those who wish to remain anonymous SINCE Scottish Mortgage Investment Folio Patrons 909 1 Trust PLC Jane & Bernard Nelson Brenda Rennie And all those who wish to remain anonymous Trusts The AEB Charitable Trust Barcapel Foundation Binks Trust The Booker Prize Foundation Sponsors The Castansa Trust John S Cohen Foundation The Crerar Hotels Trust Cruden Foundation The Educational Institute of Scotland The Ettrick Charitable Trust The Hugh Fraser Foundation The Jasmine Macquaker Charitable Fund Margaret Murdoch Charitable Trust New Park Educational Trust Russell Trust The Ryvoan Trust The Turtleton Charitable Trust With thanks The Edinburgh International Book Festival is sited in Charlotte Square Gardens by the kind permission of the Charlotte Square Proprietors. Media Sponsors We would like to thank the publishers who help to make the Festival possible, Essential Edinburgh for their help with our George Street venues, the Friends and Patrons of the Edinburgh International Book Festival and all the Supporters other individuals who have donated to the Book Festival this year. -
Ure the Literature Reader Reader the Literature Reader – Key Thinkers on Key Topics Key Thinkers on Key Topics Key Thinkers on Key Topics
The Literature The Literature Reader Reader The Literature Reader – The Literature Key Thinkers on Key Topics Key Thinkers on Key Topics Foreword by John Mullan Key Thinkers on Key Topics on Key Thinkers Key www.englishandmedia.co.uk LIT READER COVER JULY 1st 2019.indd 3 01/07/2019 09:16 The Literature Reader Edited by Lucy Webster Editorial assistance: Andrew McCallum Cover design: © Rebecca Scambler, 2019 Published by English and Media Centre, 18 Compton Terrace, London, N1 2UN © English and Media Centre, 2019 978-1-906101657 Acknowledgements Thanks to the following publishers for permissions to reproduce the following copyrighted material: Chapter 1 ‘What is English Literature’ is adapted from Robert Eaglestone’s book Literature: Why it Matters published by Polity Press, 2019 Lavinia Greenlaw and Faber & Faber Ltd for ‘Mephisto’ from Minsk. ‘Lene Gammelgaard’ from No Map Could Show Them by Helen Mort. Published by Chatto & Windus, 2016. Copyright © Helen Mort. Reproduced by permission of the author c/o Rogers, Coleridge & White Ltd., 20 Powis Mews, London W111JN With thanks also to Emma Barker for comments on the text and to Andrew for his advice on editing. A note on capitalisation With the exception of the chapters on Modernism and Romanticism, we have attempted throughout the book to follow the convention of capitalising nouns denoting movements (such as Naturalism) and using lower case first letters for the adjectives derived from these nouns. We recognise there are alternative conventions and that we’ve probably not managed to -
Research Areas Within the Department of English
Research areas within the Department of English PROFESSOR TIM ARMSTRONG, BA, MA (Canterbury, New Zealand), PhD (London): Research interests include Modernism and modernity; American literature and culture; literature and technology; and the poetry of Thomas Hardy. His publications include The Logic of Slavery: Debt, Technology and Pain in American Literature (Cambridge University Press, 2012 ), Modernism: A Cultural History (2005), Haunted Hardy: Poetry, History, Memory (2000) and Modernism, Technology and the Body (1998), we well as a number of other edited texts and collections. He edits the Edinburgh University Press series Edinburgh Critical Studies in Modernist Culture and is on the editorial board of Cambridge Studies in American Literature and Culture (CSALC). His current project is a study of modernist localism, Micromodernism. DR ALASTAIR BENNETT, MA, MPhil, PhD (Cantab). Research interests include Piers Plowman, Middle English sermons and devotional texts, rhetoric and persuasion, and Chaucer. His published and forthcoming work includes an edition of a Middle English sermon on the decline of the world and the age of stone (Medium Ævum, 2011), and articles on the proverb ‘Brevis oratio penetrat celum’ (‘A short prayer pierces heaven’) and on the imagery of the ‘blered’ eye in Piers Plowman and The Canon’s Yeoman’s Tale. He is currently working on a book about Piers Plowman and late medieval preaching. DR ROY BOOTH, BA (Oxon), PhD (London): Main research interests are in early modern poetry (especially in Donne and his circle), and in witchcraft as reflected in the drama of the period. His edition of The Collected Poems of John Donne appeared in 1994, and his revised and augmented edition of Everyman’s Elizabethan Sonnets in the same year. -
Culture at King's
∆ Contents Culture at King’s Overture / the first year Contents Foreword n March 2012 I joined King’s College London None of it would have been possible without the as Director, Cultural Partnerships, to build on the support of colleagues across King’s, and particular 3 Foreword I College’s longstanding connections across arts thanks go to the Principal, Professor Sir Rick and culture, extending and enriching its collaborations Trainor; Professor Sir Lawrence Freedman; 4 Culture at King’s: Introduction with the sector of which I had been a part for some Principal’s Central Team; KCLSU; academics Cultural Institute at King’s: thirty years. and students who contributed to shaping Culture at King’s through their enthusiastic participation; 6 Collaborative Teaching, Research & Learning Over the following months, in consultation with and those individuals and organisations who have 8 Cultural Enquiry colleagues at King’s and across the sector, we shaped supported our work. We were very grateful to an ambitious vision: to develop, through cultural Legacy Trust UK, who supported the Cultural 10 Innovation partnerships, new ways to enhance the student and Institute’s first Cultural Enquiry, and delighted to academic experience and, at the same time, add value be awarded £3m by Wellcome Trust and £4m from 12 Presenting Practice and deliver benefits across arts and culture. Guy’s and St Thomas’ Charity towards a £12m 14 Projects capital target to develop Science Gallery at King’s. The following pages capture some of what was 15 Internships achieved in the first year: in projects ranging from Finally, my thanks are due to my teams at both the site-specific performance to digital prototypes, we Cultural Institute at King’s and Science Gallery 16 Collaborators: academic worked in partnership with over 150 academics, at King’s. -
Iain Sinclair
Iain Sinclair: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Sinclair, Iain, 1943- Title: Iain Sinclair Papers Dates: 1882-2009 (bulk 1960s-2008) Extent: 135 document boxes, 8 oversize boxes (osb) (56.7 linear feet), 23 oversize folders (osf), 15 computer disks Abstract: The papers of British writer Iain Sinclair consist of drafts of works, research material, juvenilia, notebooks, personal and professional correspondence, business files, financial files, works by others, ephemera, and electronic files. They document Sinclair’s prolific and diverse career, from running his own press to his wide range of creative output including works of poetry, fiction, non-fiction, edited anthologies, screenplays, articles, essays, reviews, and radio and television contributions. Call Number: Manuscript Collection MS-4930 Language: English; some French, German, and Italian Access: Open for research. Researchers must register and agree to copyright and privacy laws before using archival materials. Some materials restricted due to condition and conservation status. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. -
MA in Creative Writing 2020-2021
MA in Creative Writing 2020-2021 This course booklet should be read in conjunction with the School of Humanities Postgraduate Taught Handbook, available here MA Creative Writing: Introduction The degree aims to provide a flexible and progressive structure in which you are enabled to practise the art of literary composition, to acquire advanced familiarity and fluency in using literary techniques, and to acquire an understanding of and appropriate skills relating to practice-based research. You will also develop the ability to reflect critically on your own practice. The course also allows you to develop your work as a writer to a professional level, going beyond the personal to write with an engaged sense of literary culture, its social role and contemporary practices.The MA is designed for students with an established writing practice who are intending to develop their creative writing beyond first-degree level. It is also designed for those students wishing to proceed to MPhil or PhD. You will take one of three distinct pathways: Fiction, Literary Non-Fiction or Poetry. While the pathways share a similar structure, they are taught separately so as to ensure students can work to a consistently high level. You cannot switch or combine pathways. In addition to the workshop, you will take modules in Supplementary Discourses and Reading as a Writer, which will also be specific to your pathway. You will submit critical and creative coursework, and will undertake a final practical project and long essay. Fiction You will learn how to structure and edit your prose to a publishable standard while also developing an expert sense of how best to draw on the personal, the actual and the imagination. -
Incorporating Writing
incorporating writing Issue 4 Vol 3 REVOLUTION REVIEWS Jocelyn Hurndall Lionel Shriver CK Williams Roddy Doyle Anthony Capella and much more 4 pages of opportunities and industry news George Szirtes - Marina Lewycka - E-Revolution Incorporating Writing Contents (ISSN 1743-0380) Editorial Team Page Editorial Managing Editor New to the Neighbourhood 3 Andrew Oldham Sarah Hesketh introduces this issue and tells us about her auspicious start. Deputy Editor SE/Interviews Sarah Hesketh Interviews Marina Lewycka 14 Deputy Editor Midlands/Articles Sarah Hesketh meets the author. Fiona Ferguson George Szirtes 32 Deputy Editor NW/Reviews Sarah Hesketh catches up with the poet and discusses the future of UEA. G.P.Kennedy Articles Sales & Marketing Manager The Name Means Voices 5 Graeme Hind After Tom Spurling tackled travel writing in the last issue, readers have called for more. Columnists Dan McTiernan, Andrew ODonnell, Flax Books: A New Voice 8 Dave Wood, Sharon Sadle. Sara Hymas of Flax Books, tells us about what they hope to achieve. Contributors Janet Aspey, Claire Boot, Ben Words in Wales 24 Felsenburg, Sara Hymas, James Claire Boot reveals the new face of Johnson, Tom Spurling, Bridget literature in Wales. Whelan, Rebecca Wombwell Columns Cover Art A Novel Death 11 Samantha Mills Dan McTiernan talks candidly about his own revolution. Design Marsh EDITORS NOTE: Sharon Sadles column has now come to an end and will be replaced Contact Details from the next issue. http://www.incorporatingwriting.co.uk [email protected] Artwork Perfect Eye 28 Cover artist, Samantha Mills, exhibits Incorporating Writing is an imprint of The Incwriters some of her work. -
THE UNIVERSITY of HULL the Creative Writer in the Public Sphere
THE UNIVERSITY OF HULL The Creative Writer in the Public Sphere being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Mary Aherne, B.A., M.A. October, 2013 Summary This thesis provides an analysis of the creative writer in contemporary Britain, using both literary and cultural theory to define and understand the roles available to the writer. It explores how these roles are interpreted by writers. The thesis offers new research and insights into the scope of current patronage practices, examines how the writer engages with these new roles, and assesses the potential impact on the writer, the reader and literature. Based on research conducted in the UK, this thesis focuses on four major contexts: the writer in residence, the prize culture, the literary festival, and the writer in the blogosphere. It considers how the writer’s role has been reconstructed in different social and cultural contexts. In addition, this study highlights writers’ perception of their public role and their position in society; the multiple and complex power relations inherent in these roles; the increasingly public presence of the writer; the reader-writer relationship, and the impact on the literature produced. Reflecting my own literary interests and practices, it focuses on the work and experiences of poets and novelists, rather than on those of dramatists and non- fiction writers. This study contributes to the as yet limited body of research into contemporary patronage practices. Furthermore, the thesis contributes to the historicising and theorisation of the creative writer which links the individual experience of writers with social and cultural structures and processes, making reference to the theories of Theodor Adorno, Roland Barthes, Pierre Bourdieu, Terry Eagleton and Jürgen Habermas. -
Nigerian Writers
Society of Young Nigerian Writers Chris Abani From Wikipedia, the free encyclopedia Jump to: navigation, search Chris Abani The poem "Ode to Joy" on a wall in the Dutch city of Leiden Christopher Abani (or Chris Abani) (born 27 December 1966) is a Nigerian author. He is part of a new generation of Nigerian writers working to convey to an English-speaking audience the experience of those born and raised in "sthat troubled African nation". Contents 1 Biography 2 Education and career 3 Published works 4 Honors and awards 5 References 6 External links Biography Chris Abani was born in Afikpo, Nigeria. His father was Igbo, while his mother was English- born.[1] He published his first novel, Masters of the Board (1985) at the age of sixteen. The plot was a political thriller and it was an allegory for a coup that was carried out in Nigeria just before it was written. He was imprisoned for 6 months on suspicion of an attempt to overthrow the government. He continued to write after his release from jail, but was imprisoned for one year after the publication of his novel, Sirocco. (1987). After he was released from jail this time, he composed several anti-government plays that were performed on the street near government offices for two years. He was imprisoned a third time and was placed on death row. Luckily, his friends had bribed government officials for his release in 1991, and immediately Abani moved to the United Kingdom, living there until 1999. He then moved to the United States, where he now lives.[2] Material parts of his biography as it relates to his alleged political activism, imprisonments and death sentence in Nigeria have been disputed as fiction by some Nigerian literary activists of the period in question. -
Poetry from Britain and Ireland Since 1945
The Penguin Book of Poetry from Britain and Ireland since 1945 EDITED BY SIMON ARMITAGE AND ROBERT CRAWFORD VIKING CONTENTS Introduction xix EDWIN MUIR 1887-1959 The Interrogation 1 The Annunciation 2 The Horses 3 HUGH MACDIABMID 1892-1978 Crystals Like Blood 5 To a Friend and Fellow-Poet 6 DAVID JONES 1895-1974 from The Sleeping Lord 7 ROBERT GRAVES 1895-1985 The White Goddess 9 Apple Island 10 Surgical Ward: Men 11 AUSTIN CLARKE 1896-1974 from Eighteenth Century Harp Songs (Mabel Kelly) 12 RUTH PITTER 1897—1992 Old Nelly's Birthday 13 BASIL BUNTING 1900-1985 from Briggflatts 15 STEVIE SMITH 1902-1971 Do Take Muriel Out 20 Not Waving but Drowning 21 The Jungle Husband 22 Piggy to Joey 22 PATRICK KAVANAGH 1904—1967 A Christmas Childhood 23 The Long Garden 25 I vi | Contents JOHN BETJEMAN 1906-1984 A-Subaltern's Love-Song 26 I. M. Walter Ramsden ob. March 26, 1947, Pembroke College, Oxford 28 Executive 29 Louis MACNEICE 1907-1963 All Over Again 30 Soap Suds 31 The Suicide 31 The Taxis 32 W. H. AUDEN 1907-1973 The Fall of Rome 33 The Shield of Achilles 34 First Things First 36 In Praise of Limestone 37 JOHN HEWITT 1907-1987 I Write For ... 40 The Scar 41 KATHLEEN RAINE 1908— Air 42 The Pythoness 42 ROBERT GARIOCH 1909-1981 The Wire 43 NORMAN MACCAIG 1910—1996 Summer farm 48 July evening 49 Aunt Julia 50. Toad 51 Small boy 52 SOMHAIRLE MACGILL-EAIN/SORLEY MACLEAN 1911-1996 Soluis/Lights 53 Hallaig/Hallaig 54 A' Bheinn air Chall/The Lost Mountain 58 ROY FULLER 1912—1991 1948 60 Contents | vii | GEORGE BARKER 1913-1991 On a Friend's Escape from Drowning off the Norfolk Coast 61 from Villa Stellar 62 R. -
04–13 July 2014 Programme
poetry-festival.co.uk visiting ledbury box office 0845 458 1743 poetry-festival.co.uk LEDBURY @ledburyfest Ledbury is well served by bus, coach 1 Burgage Hall 10 Prince of Wales POETRY and train services from London and the 2 Community Hall 11 Railway Station FESTIVAL Midlands as well as being within a few 3 Market Theatre 12 Festival Common minutes of the M50 motorway. 4 The Shell House Gallery Room and Weavers Gallery 2O14 5 Hellens, Much Marcle For further information and details of 13 Café at Nice Things travel and accommodation, please call 6 Ice Bytes Café and Tourist Information 14 The Apothecary Shop the Tourist Information Centre on 15 Old Cottage Hospital 0844 567 8650 7 Seven Stars 8 The Baptist Church Hall 17 Ledbury Library 9 Three Counties 18 Church of St Michael Bookshop and All Angels 19 The Feathers Hotel 20 The Talbot Hotel For access information please 21 Adhisthana Retreat To the Railway Station, Centre, Coddington see inside back cover and Hereford 22 St Mary’s Church, 8 Kempley 11 23 St Mary’s Church, BOX Dymock OFFICE 15 N THE HOMEND14 LAWNSIDE ROAD 6 18 T 4 E E R T S 2 H C R 7 U H 10 P C Free P 12 Car Park 17 CHURCH LANE P HIGH STREET 1 21 BYE STREET 9 16 P To Malvern, MARKET 13 BRIDGE STREET STREET Worcester 19 Market House 3 AD For directions to out-of-town venues, WORCESTER RO REET please ask at Box Office W ST T To Malvern E H N & Worcester 20 E S O To Birmingham U M5 T WORCESTER H E MALVERN J7 N HEREFORD A438 LEDBURY D M50 J8 A449 TEWKESBURY A438 A49 J4 J2 J9 A417 ROSS-ON-WYE A40 CHELTENHAM GLOUCESTER J11 To Hellens, Ross-on-Wye, To Newport J12 the M50, Cheltenham and Cardiff and Gloucester M5 River Severn SWINDON 5 22 23 M4 To London 04–13 July 2014 Programme M32 M5 BRISTOL poetry-festival.co.uk @ledburyfest Ledbury Poetry Festival how to book box office 0845 458 1743 booking form 4–13 July 2014 poetry-festival.co.uk By Phone 0845 458 1743 Event no. -
I Am Still Bed Six: a Collection of Poetry
I am still Bed Six: A Collection of Poetry and Poetry as Therapy and Poetry beyond Therapy Lindsay Emma Reid Submitted for the degree of Doctor of Philosophy November 2015 Department of English Language, Literature and Linguistics Newcastle University i ii Abstract This collection of lyrical poetry is significantly inspired by personal experiences, particularly a diagnosis of Ankylosing Spondylitis, a chronic inflammatory arthritis and autoimmune condition. Issues such as hospitalisation, the power dynamics between doctors and patients, and managing both physical and emotional pain inform the writing. Highly specified form in the poetry serves to contain and organise powerful emotions using simple, epigrammatic language. The layout of the research mirrors the layout of the poetry. The researcher’s own experiences of finding therapeutic value in her own poetry writing led to the research element which explores how and why poetry writing works therapeutically and whether poetry is more effective than other forms of therapeutic writing. The specific benefits of poetry writing as therapy for those who have experienced emotional distress are explored in depth. The difference between poetry as therapy and poetry as art is also considered. A small scale research study was undertaken with service users at a local charity, who have experienced emotional distress. A qualitative, semi-structured interview design was used, which was then analysed using Interpretational Phenomenological Analysis. The findings suggest that poetry is a particularly useful form of therapeutic writing as poetry promotes successful processing of a traumatic event through the use of image and metaphor. The participants retained the distinction between their priority of expressing themselves honestly and a preoccupation with artistic endeavour.