DOCSLIB.ORG

Media Pack 2016 Screen International Portfolio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Media Pack 2016 Screen International Portfolio The international voice of the film industry Media Pack 2016 Screen International portfolio MONDAY, MAY 18 2015 TODAY DAY 6 AT CANNES FILM FESTIVAL SCREENINGS www.ScreenDaily.com Editorial +33 4 9706 8457 Advertising +33 4 9706 8495 » Page 32 www.ScreenDaily.com Issue 1794 November 2015 AFM Preview Battle ready Hacksaw Ridge lines up at an AFM hungry for titles VOLUME 1 THE RESTLESS ONE WORLD PREMIERE TODAY! VOLUME 2 THE DESOLATE ONE MON 18 MAY / 16:00 / OLYMPIA 5 / MARKET SCREENING MON 18 MAY / 09:00 / THEATRE CROISETTE / PRESS SCREENING VOLUME 3 THE ENCHANTED ONE MON 18 MAY / 17:30 / THEATRE CROISETTE / WORLD PREMIERE WED 20 MAY / 09:00 / THEATRE CROISETTE / PRESS SCREENING MON 18 MAY / 18:15 / OLYMPIA 5 / MARKET SCREENING WED 20 MAY / 17:15 / THEATRE CROISETTE / WORLD PREMIERE TUE 19 MAY / 18:30 / STUDIO 13 / PUBLIC SCREEENING THU 21 MAY / 18:30 / STUDIO 13 / PUBLIC SCREENING n The Digital Single Market advances n Hengameh Panahi n China box office focus n Screen Awards WORLD SALES: THE MATCH FACTORY AD_TMF_SCREENDAILY_COVER_ARABIEN_NIGHTS_VOL2_245x266_PRINT.indd 1 12.05.15 19:41 MONTHLY/WEEKLY PUBLICATIONS SCREENDAILY.COM, E-SHOTS AND NEWSLETTERS FESTIVAL DAILIES PUBLICATIONS SPECIAL SUPPLEMENTS World of Locations of World UK VFX AP - 2015 NOVEMBER World of locations R & POST IL 2016 Showcasing the world’s film, TV & commercial locations DIRECTORY 2015 Brought to you by An overview of VFX and post services for major features and high-end television in Great Britain and Northern Ireland MALTA WHERE STORIES ARE TOLD Screen International, Broadcast and shots Broadcast International, Screen © P & CO. LTD. /SC 2015 Photo credit © Jake Kindred www.maltafilmcommission.com Published by CONTRACT PUBLISHING SCREEN AWARDS AND INDUSTRY EVENTS WORLD OF LOCATIONS MARKET GUIDES Introduction Screen International is the home for news, reviews, features, analysis, box-office analysis, festival reports and commentary for the global film industry, providing insight and intelligence www.ScreenDaily.comwww.ScreenDaily.com IssueIssue 1791 1798 June-July December 4, 2015 2015 into a world of production, finance, sales and www.ScreenDaily.com Issue 1792 August-September 2015 BEST PICTURE distribution. Now in its fourth decade of oper- PRODUCED BY JOHN DAVIS , p.g.a. ation, Screen diligently covers the network of KEN MOK , p.g.a. individuals, companies, events and relationships MEGAN ELLISON , p.g.a JONATHAN GORDON , p.g.a that compose the film business – reporting on DAVID O.RUSSELL, p.g.a everything from a small independent production financed by crowd-funding to the global performance of the biggest Holly- wood blockbusters. As the international film markets become more and more crucial to every aspect of the business, turn to the publication that has covered the ins and outs of the international territories for decades. From the boom of exhibition in Latin America and Russia to how producers are tapping into Chinese and Middle Eastern financing, we have the FOR YOUR CONSIDERATION Venice & Toronto world covered. We also deliver strong coverage of the US industry, reaching beyond the insular microcosm of Los Angeles to cover the studios and major US players from an Picture perfect international perspective. Festival season lifts off with The Danish Girl Our invaluable network of staff editors and international reporters and film critics ■ Tom Hooper ■ Colombia Rising ■ In Focus: power of the showrunner ■ Terence Davies attend festivals around the globe each week to stay in touch with what’s happening ©2015 TWENTIETH CENTURY FOX in each market and tap into the new talents that will be the need-to-know names in coming years. 20TH CENTURY FOX 335mm x 245mm N/A JOY 341mm x 251mm 11.30.15 GOLDEN GLOBES PREVIEW 254mm x 233mm DS SCREEN INTL WEEKLY JOY_SI_WEEKLY_CVR_1204_V2 We offer this invaluable content across a range of platforms to serve all our readers’ 12/4/15 needs – the print magazine Screen International, our online offering ScreenDaily, daily email newsletters, market and festival print dailies at major events, special print “Screen has always been the voice for the industry supplements and other specials including our Stars of Tomorrow new-talent initiative and our standalone World of Locations magazine, our ScreenTech newsletter and print outside Hollywood, the host of diverse talent, edition, awards-season weekly print editions, and live events like our Screen Awards and Screen Film Summit. languages and markets that compose ‘international’.” . Matt Mueller, Editor Circulation breakdown Screen is the number one brand Screen Reader Profile – International Coverage for international coverage Screen delivers international reach to an international audience and has an average net circulation of 9,609. So, if your success comes from international, talk to Screen. Europe 55% • Read in more than 70 countries • ScreenDaily.com has more than 73,000 registered users • Screen provides indispensable tools for US North those who recognise the massive potential America 27% of the global marketplace. Asia 11% Central Online growth in 2015 America & • Over 4.3m visits (23% growth) Caribbean 1% Africa 1% • Over 2.8m users (36% growth) Australasia & South America • Over 11.7m page views (60% growth) the Pacific 3% 2% Reader Profile Screen has global access to the most senior decision makers in the film industry. Job Level1 Job Function1 Organisation Type1 n 23% CEO/MD n 40% Producer n 38% Production n 16% Executive n 15% Distribution/PR n 28% Other n 16% Other n 15% Other n 22% Distribution/acquisition n 15% Freelance n 12% General management n 6% Finance/legal n 13% Owner/proprietor n 10% Communications/PR n 2% Exhibition n 9% Head of department n 4% Sales agent n 2% Post-production services n 8% Manager n 4% Finance/legal n 2% Organisation/festival 1 1 Job Level Source: Publisher data 2016 ■ 23% CEO/MD 1 ■ 16% Executive Organisation Type 1 ■ ■ 16% Other Job Function 38% Production ■ ■ 15% Freelance ■ 41% Producer 28% Other ■ ■ 13% Owner/proprietor ■ 15% Distribution/PR 22% Distribution/acquisition ■ ■ 9% Head of department ■ 15% Other 6% Finance/legal ■ ■ 8% Manager ■ 12% General management 2% Exhibition ■ 10% Communications/PR ■ 2% Post-production services ■ 4% Sales agent ■ 2% Organisation/festival ■ 4% Finance/legal Content highlights IN FOCUS FEATURE FOCUS TERRITORY FOCUS IN FOCUS FESTIVALS & MARKETS IN DEPTH ANALYSIS Screen International diligently profiles the leading companies from Screen International covers the film festival circuit with Since Screen International was born four decades across the globe in production, finance, sales, distribution and rigour and depth. From the Big 4 (Berlin, Cannes, Venice, ago, we have been diligently covering the ins and outs exhibition, discovering what makes them successful and how they are Toronto) to smaller festivals across the globe which are of international territories. To this day, we have the responding to the new challenges of our increasingly digital world. equally important to the global film ecosystem, Screen world covered, exploring individual territories across delivers in-depth features on programming, line-ups, the year with deep-dive reports investigating the local INTERVIEWS people, companies and buzz titles from territories landscapes for production, financing, incentives, box Screen International delivers the executives, producers, financiers, around the world set to make a splash at these events. office, distribution and exhibition. These invaluable distributors, sales agents and digital revolutionaries who are shaping territory focuses deliver crucial insights for industry the current industry landscape, conveying their insights on key issues We also deliver in-depth features for the major players exploring new places to do business. and advice for future leaders. international film markets, including AFM, EFM, Cannes Screen also profiles the leading talent involved in creating and Filmart. BUZZ TITLES audiovisual content - from directors, screenwriters and actors to At the major markets and festivals, Screen profiles the cinematographers, VFX artists and production designers. SCREEN TECH key titles from each major territory available for sale As technological innovation continues to drive evolution and/or screening in the festival programme. REVIEWS across the industry spectrum, from content creation Our industry-leading critics deliver insightful and useful analysis to delivery, Screen provides comprehensive coverage of films premiering at festivals across the globe - big to small, of these changes and innovations in our ScreenTech commercial to arthouse - as well as the key international releases. section. Specs and advertising rates Screen Monthly and Dailies Screen Product Guide Size Dimensions - (HEIGHT x width ) Size Dimensions - (HEIGHT x width ) Cover advert 210 x 210mm Trim Cover advert 210 x 210mm Trim ★★★★ ★★★★★ ★★★★ The Times Evening Standard Mail On Sunday “YOUTH IS A VOLUPTUARY’S FEAST, A FULL-BODY IMMERSION IN THE SENSORY PLEASURES OF THE CINEMA” Todd McCarthy, Hollywood Reporter “A REAL TRIUMPH FOR DIRECTOR “MICHAEL CAINE GIVES HIS PAOLO SORRENTINO” BEST PERFORMANCE ★★★★★ IN DECADES” Bob Riches, TV Times ★★★★★ Kaleem Aftab, The Independent COVER ADVERT COVER ADVERT 218 x 220mm Trim 266 x 245mm Trim HALF PAGE HORIZONTAL HALF PAGE HORIZONTAL 224 x 226mm Bleed 272 x 251mm Bleed 150 x 218mm 135 x 195mm Type Area Only Type Area Only A fi lm by Paolo Sorrentino FULL PAGE DPS FULL PAGE DPS 304 x 218mm Type 304 x 460mm Type 270 x 195mm Type 270 x 441mm Type “‘ 335 x 245mm
Load more

Recommended publications
  • Screen International and Bfi London Film Festival Reveal Uk Stars of Tomorrow 2015
    SCREEN INTERNATIONAL AND BFI LONDON FILM FESTIVAL REVEAL UK STARS OF TOMORROW 2015 London, Monday 5 October 2015: Screen International has today revealed its 2015 UK Stars of Tomorrow, a showcase of the UK and Ireland’s newest and most exciting actors, directors, writers and producers, eagerly-anticipated by the international film industry. They are being presented for the first time in a high-profile industry event at the BFI London Film Festival held in partnership with American Express (7-18 October). Following last year’s successful collaboration between the Festival and Stars of Tomorrow, this year’s talent will be introduced to leading lights from the international film industry in London for the Festival, including US casting directors, European and US producers, festival programmers and international filmmakers. The Stars of Tomorrow featured in a special photoshoot at BFI Southbank, published in industry trade magazine Screen International, will also be the special guests at an exclusive industry dinner during the Festival, hosted by British Council and the Casting Society of America (CSA). The 2015 UK Starts of Tomorrow announced today: Adelayo Adedayo, actor, made her mark in ITV’s Some Girls and appeared in feature films including Gone Too Far! (LFF 2013) and Unlocked; Aleem Khan, writer-director, shortlisted for a BAFTA award for his short Three Brothers is currently working on his first debut feature After Love; Alex Lawther, actor, a UK Critics’ Circle young British performer of the year award- winner as the young Alan
    [Show full text]
  • Film Flight: Lost Production and Its Economic Impact on California
    I MILKEN INSTITUTE California Center I July 2010 Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek Film Flight: Lost Production and Its Economic Impact on California by Kevin Klowden, Anusuya Chatterjee, and Candice Flor Hynek ACKnowLEdgmEnts The authors gratefully acknowledge Armen Bedroussian and Perry Wong for their expert assistance in preparing this study. We also thank our editor, Lisa Renaud. About tHE mILKEn InstItutE The Milken Institute is an independent economic think tank whose mission is to improve the lives and economic conditions of diverse populations in the United States and around the world by helping business and public policy leaders identify and implement innovative ideas for creating broad-based prosperity. We put research to work with the goal of revitalizing regions and finding new ways to generate capital for people with original ideas. We focus on: human capital: the talent, knowledge, and experience of people, and their value to organizations, economies, and society; financial capital: innovations that allocate financial resources efficiently, especially to those who ordinarily would not have access to them, but who can best use them to build companies, create jobs, accelerate life-saving medical research, and solve long-standing social and economic problems; and social capital: the bonds of society that underlie economic advancement, including schools, health care, cultural institutions, and government services. By creating ways to spread the benefits of human, financial, and social capital to as many people as possible— by democratizing capital—we hope to contribute to prosperity and freedom in all corners of the globe.
    [Show full text]
  • FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS
    FOX SEARCHLIGHT PICTURES Presents PATHÉ, BBC FILMS, INGENIOUS MEDIA and BFI present with the participation of CANAL+ and CINÉ+ A YORUBA SAXON / HARBINGER PICTURES / PERFECT WEEKEND / FILM UNITED PRODUCTION An AMMA ASANTE Film DAVID OYELOWO ROSAMUND PIKE JACK DAVENPORT TOM FELTON LAURA CARMICHAEL TERRY PHETO JESSICA OYELOWO ARNOLD OCENG NICHOLAS ROWE ANTON LESSER ANASTASIA HILLE JACK LOWDEN MERVEILLE LUKEBA and NICHOLAS LYNDHURST DIRECTED BY ........................................................................... AMMA ASANTE SCREENPLAY BY ..................................................................... GUY HIBBERT PRODUCED BY .......................................................................... RICK MCCALLUM ..................................................................................................... DAVID OYELOWO ..................................................................................................... PETER HESLOP ..................................................................................................... BRUNSON GREEN ..................................................................................................... JUSTIN MOORE-LEWY ..................................................................................................... CHARLIE MASON EXECUTIVE PRODUCERS ....................................................... CAMERON MCCRACKEN ..................................................................................................... CHRISTINE LANGAN ....................................................................................................
    [Show full text]
  • 2. LFF 2019 Industry Guide
    INDUSTRY GUIDESupported by Main Sponsor WITH THANKS TO OUR GENEROUS SPONSORS, FUNDERS AND PARTNERS PRINCIPAL PARTNER MAIN FUNDING CONTRIBUTORS AND SUPPORTERS OF THE INDUSTRY PROGRAMME OFFICIAL HOTEL OFFICIAL INDUSTRY EVENTS OFFICIAL BFI NETWORK@LFF SOCIAL HUB PARTNER VENUE PARTNER VENUE PARTNER EVENTS PARTNERS AND SUPPORTERS ELSTREE STUDIOS WELCOME Welcome to our refreshed BFI London Film Festival Industry Programme which tackles pressing questions facing the industry at a time of immense change, change in both how THE BIG PICTURE 4 work is being produced and how we’re reaching audiences. We also feature an increased international focus which positions the UK within a wider global conversation - an approach SPOTLIGHT CONVERSATIONS 10 that parallels our public programme, featuring 37 UK feature films in the context of films from 77 countries. INDUSTRY PANELS 16 New strands help audiences navigate our events. Big Picture sessions explore how SCREEN TALKS & LFF CONNECTS 22 key areas of the industry are adapting to disruption and evolution, from sales and distribution models to SVOD; from immersive and high-end television production to festival PARTNER EVENTS 24 programming. Spotlight events showcase the work of major game-changing individuals and duos, offering the chance to hear them reflect on impressive careers and get their NEW BRITISH TALENT 28 perspectives on an industry in flux. While ourNew Talent programmes support the development of the UK’s next generation of filmmakers and other creatives from the wider NETWORKING 32 screen sectors. SOCIAL HUBS 38 Panel discussions and debates delve into the timely and urgently topical – such as how the industry is responding to the climate emergency and the continued need for more inclusive DELEGATE SERVICES 40 practice – and these sit alongside a series of satellite programmes for filmmakers and creatives, delivered by and with partners.
    [Show full text]
  • Only Lovers Left Alive
    ONLY LOVERS LEFT ALIVE A Film by Jim Jarmusch Official Selection Cannes Film Festival 2013 Toronto International Film Festival 2013 New York Film Festival 2013 123 mins East Coast Publicity West Coast Publicity Distributor Springer Associates PR Block Korenbrot Sony Pictures Classics Gary Springer Rebecca Fisher Carmelo Pirrone 1501 Broadway, Suite 506 6100 Wilshire Blvd., Ste 170 Alison Farber New York, NY 10036 Los Angeles, CA 90048 550 Madison Ave 212-354-4660 tel 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax 1 SYNOPSIS Set against the romantic desolation of Detroit and Tangier, an underground musician, deeply depressed by the direction of human activities, reunites with his resilient and enigmatic lover. Their love story has already endured several centuries at least, but their debauched idyll is soon disrupted by her wild and uncontrollable younger sister. Can these wise but fragile outsiders continue to survive as the modern world collapses around them? 2 CREDITS CAST Adam TOM HIDDLESTON Eve TILDA SWINTON Ava MIA WASIKOWSKA Marlowe JOHN HURT Ian ANTON YELCHIN Dr. Watson JEFFREY WRIGHT FILMMAKERS Written & Directed by Jim Jarmusch Produced by Jeremy Thomas, Reinhard Brundig Director of Photography Yorick Le Saux Production Designer Marco Bittner Rosser Costume Designer Bina Daigeler Editor Affonso Goncalves Music Jozef Van Wissem 3 Director’s Statement ONLY LOVERS LEFT ALIVE is an unconventional love story between a man and a woman, Adam and Eve. (My script was partially inspired by the last book published by Mark Twain: The Diaries of Adam and Eve -- though no direct reference to the book is made other than the character’s names.) These two lovers are archetypal outsiders, classic bohemians, extremely intelligent and sophisticated -- yet still in full possession of their animal instincts.
    [Show full text]
  • All the Fun of the Fare
    FEATURE FoCUS n MArkEt bUzz n AlliAnCE FilMS n CnC n zEntropA n EUropE’S FilM tAx CrEditS n SightSEErS (Clockwise from left) Speranza13 Media’s Romeo & Juliet; Recreation’s Red Hook Summer; Jennifer Lawrence; Arnold Schwarzenegger; Exclusive Media’s Look Of Love; Matt Damon; Kristen Stewart; Liam Hemsworth All the fun of the fare As the Cannes Marché opens for business, Screen looks at the hottest titles debuting at the market — at all stages of production — from the US, Europe and across Asia US sellers thriller Lone Survivor, which starts shooting Sep- tional and along with head of sales Nadine de Bar- tember 15. ros will take point on the Robert Rodriguez duo By Jeremy Kay Panorama Media, the new player backed by Frank Miller’s Sin City: A Dame To Kill For in 3D Lionsgate’s Patrick Wachsberger and Helen Lee Megan Ellison and run by Marc Butan and sales and Machete Kills (both in pre-production). Kim will kick off pre-sales on Catching Fire, the head Kim Fox, will introduce buyers to Kathryn Camela Galano’s Speranza13 Media will show a aptly named sequel to this year’s $625m-plus Bigelow’s Osama Bin Laden project Zero Dark promo from Romeo & Juliet based on Julian Fel- indie global behemoth The Hunger Games. The Thirty, currently shooting. lowes’ adapted screenplay. Hailee Steinfeld from merger with Summit has added thriller Red 2 (in Stuart Ford and sales chief Jonathan Deckter of True Grit stars alongside Douglas Booth. pre-production) to the pipeline. Other hot titles IM Global arrive on the Croisette with Robert The Solution Entertainment Group principal are Roman Polanski’s thriller D and Denis Ville- Luketic’s corporate espionage thriller Paranoia, to Lisa Wilson arrives with thriller Grand Piano neuve’s Prisoners.
    [Show full text]
  • Loki Production Brief
    PRODUCTION BRIEF “I am Loki, and I am burdened with glorious purpose.” —Loki arvel Studios’ “Loki,” an original live-action series created exclusively for Disney+, features the mercurial God of Mischief as he steps out of his brother’s shadow. The series, described as a crime-thriller meets epic-adventure, takes place after the events Mof “Avengers: Endgame.” “‘Loki’ is intriguingly different with a bold creative swing,” says Kevin Feige, President, Marvel Studios and Chief Creative Officer, Marvel. “This series breaks new ground for the Marvel Cinematic Universe before it, and lays the groundwork for things to come.” The starting point of the series is the moment in “Avengers: Endgame” when the 2012 Loki takes the Tesseract—from there Loki lands in the hands of the Time Variance Authority (TVA), which is outside of the timeline, concurrent to the current day Marvel Cinematic Universe. In his cross-timeline journey, Loki finds himself a fish out of water as he tries to navigate—and manipulate—his way through the bureaucratic nightmare that is the Time Variance Authority and its by-the-numbers mentality. This is Loki as you have never seen him. Stripped of his self- proclaimed majesty but with his ego still intact, Loki faces consequences he never thought could happen to such a supreme being as himself. In that, there is a lot of humor as he is taken down a few pegs and struggles to find his footing in the unforgiving bureaucracy of the Time Variance Authority. As the series progresses, we see different sides of Loki as he is drawn into helping to solve a serious crime with an agent 1 of the TVA, Mobius, who needs his “unique Loki perspective” to locate the culprits and mend the timeline.
    [Show full text]
  • The Loft Cinema Film Guide
    loftcinema.org THE LOFT CINEMA Showtimes: FILM GUIDE 520-795-7777 MARCH 2019 WWW.LOFTCINEMA.ORG See what films are playing next, buy tickets, look up showtimes & much more! ENJOY BEER & WINE AT THE LOFT CINEMA! We also offer Fresco Pizza*, Tucson Tamale Company Tamales, Burritos from Tumerico, Ethiopian Wraps from MARCH 2019 Cafe Desta and Sandwiches from the 4th Ave. Deli, along with organic popcorn, craft chocolate bars, vegan SPECIAL ENGAGEMENTS 5-19 cookies and more! *Pizza served after 5pm daily. ESSENTIAL CINEMA 5, 14 LOFT MEMBERSHIPS 7 LOFT JR. 11 BEER OF THE MONTH: SOLAR CINEMA 14, 23, 28 HONEY HIPS STRONG BLONDE ALE JOURNALISM ON SCREEN 17 LATITUDE 33° BREWING COMPANY SCIENCE ON SCREEN 20 ONLY $3.50 ALL THROUGH MARCH! LOFT STAFF SELECTS 21 MONTHLY SERIES 24-25 CLOSED CAPTIONS & AUDIO DESCRIPTIONS! COMMUNITY RENTALS 32-34 The Loft Cinema offers Closed Captions and Audio NEW FILMS 35-45 Descriptions for films whenever they are available. Check our REEL READS SELECTION 43 website to see which films offer this technology. MONDO MONDAYS 46 CULT CLASSICS 47 FILM GUIDES ARE AVAILABLE AT: FREE MEMBERS SCREENING • 1702 Craft Beer & • Epic Cafe • R-Galaxy Pizza THE WEDDING GUEST • Ermanos • Raging Sage (SEE PAGE 44) • aLoft Hotel • Fantasy Comics • Rocco’s Little FRIDAY, MARCH 29, 7:00PM • Antigone Books • First American Title Chicago • Aqua Vita • Frominos • SW University of • Black Crown Visual Arts REGULAR ADMISSION PRICES • Heroes & Villains Coffee • Shot in the Dark $9.75 - Adult | $7.25 - Matinee* • Hotel Congress $8.00 - Student,
    [Show full text]
  • Indigenous Feature Film Production in Canada: a National and International Perspective
    Indigenous Feature Film Production in Canada: A National and International Perspective October 2013 Rhymes for Young Ghouls, Jeff Barnaby, Director Indigenous Feature Film Production in Canada: A National and International Perspective Acknowledgements This report was commissioned by the imagineNATIVE Film + Media Arts Festival (imagineNATIVE) and was researched and written by consultants Danis Goulet and Kerry Swanson. Funding was provided by the Ontario Media Development Corporation’s (OMDC) Research Grant Program and Telefilm Canada (Telefilm). This report would not have been possible without the support or contributions of the writers, directors, producers, programmers, industry professionals and other stakeholders who contributed their valuable time and knowledge to this process. imagineNATIVE would also like to acknowledge the participation of the Canada Media Fund, the Canada Council for the Arts, and the National Screen Institute and internationally, Screen Australia, the New Zealand Film Commission, and the Sundance Institute. Any opinions, findings, conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of Ontario Media Development Corporation, the Government of Ontario, Telefilm Canada, or the Government of Canada. The Government of Ontario, the Government of Canada, and their agencies are in no way bound by the recommendations contained in this document. About the imagineNATIVE Film + Media Arts Festival Helen Haig-Brown, Director Now entering its 14th year, the imagineNATIVE Film + Media Arts Festival is the world’s largest exhibitor of Canadian and international Indigenous film and media. With a mandate to foster and promote the Aboriginal film and media sector, the organization has created the largest industry event for Aboriginal ?E?anx The Cave, filmmakers at its annual festival at the TIFF Bell Lightbox in Toronto and is recognized globally as the leading presenter of Indigenous film and media content.
    [Show full text]
  • Screen International!
    LA STARS OF TOMORROw Chris Vance and Daisy Lewis LA Stars of Tomorrow 2014 Profi les by Elbert Wyche. Photography by Frazer Harrison at Viceroy Santa Monica hese days it is diffi cult to watch Rightly so. The talent that comes from Screen was looking for actors, directors, your favourite TV show or visit across the pond has always been fi rst-rate writers, producers and composers from T the cinema without being and it seems that US audiences, not to Ireland and the UK who spend much of reminded of the proliferation of estab- mention the movers and shakers in Hol- their time in Los Angeles and demon- lished or up-and-coming talent from the lywood, cannot get enough of our pecu- strate a promising track record and/or a British Isles. liar accents and quirky charm. tantalising slate of upcoming projects. Exports like Downton Abbey and Doctor This year’s LA Stars feature boasts nine In short, entertainers who are about to Who and stars of the big screen such as individuals whose names emerged from a pop. Screen wishes all the LA Stars the Benedict Cumberbatch and Keira Knight- diligent trawl of agents, managers and very best in their careers. ley have become household names. publicists on both sides of the Atlantic. Jeremy Kay, US editor » www.screendaily.com November 2014 Screen International 25 LA STARS OF TOMorrow Chris Vance (previous page) ber, has Vance as lead actor and executive the director was Marc Forster and I des- producer. perately wanted to work with him. Cut to Chris Vance’s route to acting and produc- “My capacity is to oversee the produc- 10 years later and I get another Marc ing was far from traditional.
    [Show full text]
  • MANJINDER VIRK - Writing CV
    MANJINDER VIRK - Writing CV Current: OUT OF DARKNESS: written and directed short film starring Tom Hiddleston (Thor, Avengers, Midnight in Paris), Riz Ahmed (Four Lions, Reluctant Fundamentalist), Monica Dolan (Appropriate Adult, Sightseers), Christine Bottomley (Strawberry Fields, The Arbor) and Andrew Gower (Misfits, Utopia). Out of Darkness featured in the ‘Love Will Conquer All’ Programme at the London Film Festival on the 17th and 19th of October 2013, and won BEST DRAMA and BEST OF FESTIVAL at the Aesthetica Short Film Festival 2013. JAMILLAH AND ALADDIN: Written an episode of upcoming Kindle/CBeebies show. HOME: delivered drama serial treatment for Objective productions BHUTTO: delivered treatment for biopic of Benazir Bhutto for Mammoth Screen. *********************************************************************** BEING JANE BROWN: original comedy-drama co-written with Richard Lazarus. Manjinder to star. Optioned to Baby Cow/Henry Normal. Commissioned to script by BBC. FORGIVE: adapted short play for the screen and directed by Manjinder. Producer Stephen Strachan. Supported by Screen West Midlands. Starring Sacha Dhawan and Abdi Gouhad. SOUL MATE: writing original romantic comedy feature screenplay. CUTTING UP RAINBOWS: written short film. In development. MOTHER'S HANDS: written short film. In development. THE PINKY AND SWEETIE SHOW: Written two episodes and treatment for an original comedy series. Performed reading with her sister Paven. AUTOBIOGRAPHY OF A FACE: wrote and performed in her one woman show about Bobby, a Punjabi girl who finds out her parentage is not as she had believed. Duende Theatre Company/Hammersmith Lyric. TONIGHT I WRITE: wrote and starred in play for Radio 4 as part of their Love of the Afternoon Season.
    [Show full text]
  • The Killing of a Sacred Deer (Mise À Mort Du Cerf Sacré)
    PRESENTE / PRESENTEERT THE KILLING OF A SACRED DEER (MISE À MORT DU CERF SACRÉ) un thriller de / een thriller van Yorgos Lanthimos avec / met Colin Farrell, Nicole Kidman, Barry Keoghan FESTIVAL DE CANNES 2017 – BEST SCRIPT and 70th ANNIVERSARY PRIZE for NICOLE KIDMAN TORONTO INTERNATIONAL FILM FESTIVAL 2017 BFI LONDON FILM FESTIVAL 2017 FILM FEST GENT 2017 - COMPETITION Irlande/Ierland – UK – 2017 – DCP – Couleur/Kleur – VO ST BIL / OV FR/NL OT – 121’ Distribution / Distributie : IMAGINE SORTIE NATIONALE RELEASE 01/11/2017 T : 02 331 64 31 / M Tinne Bral : 0499 25 25 43 photos / foto's : http://press.imaginefilm.be SYNOPSIS FR Steven, brillant chirurgien, est marié à Anna, ophtalmologue respectée. Ils vivent heureux avec leurs deux enfants Kim, 14 ans et Bob, 12 ans. Depuis quelques temps, Steven a pris sous son aile Martin, un jeune garçon qui a perdu son père. Mais ce dernier s’immisce progressivement au sein de la famille et devient de plus en plus menaçant, jusqu’à conduire Steven à un impensable sacrifice. NL Steven, een briljante chirurg, is getrouwd met Anna, een gerespecteerde oogarts. Ze leven gelukkig met hun twee kinderen Kim, 14 jaar oud en Bob, 12 jaar oud. Steven heeft al enige tijd Martin onder zijn vleugels genomen, een teenager die zijn vader verloor heeft. Maar Martin begint Steven en zijn familie te manipuleren en leidt Steven langzaam maar zeker tot een onvoorstelbaar offer. EN Steven (Colin Farrell), an eminent cardiothoracic surgeon is married to Anna (Nicole Kidman), a respected ophthalmologist. They are well off and live a happy and healthy family life with their two children, Kim, 14 (Raffey Cassidy) and Bob, 12 (Sunny Suljic).
    [Show full text]