Dil Se’, the Bollywood Movie
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Actress Suchitra Krishnamoorthi's Biographical Play to Debut in New
Actress Suchitra Krishnamoorthi’s biographical play to debut in New Delhi By : INVC Team Published On : 4 Oct, 2017 12:00 AM IST INVC NEWS Mumbai , India’s largest theatre production company AGP World will stage the multifaceted film actor, writer, singer, painter & candle-maker, Suchitra Krishnamoorthi’s biographical play ‘Drama Queen’ for the first time to audiences in New Delhi. Starring Suchitra Krishnamoorthi, and directed by Inaayat Ali Sami this gripping performance will be showcased at the old world theatre festival at The Stein Auditorium, India Habitat Center, New Delhi on 6th October 2017. Her new theatrical innings titled ‘Drama Queen’ presented by AGP World draws inspiration from her biography and will expose her in a never seen before avatar for the first time after a hiatus of more than a decade. Irrepressibly Saucy Drama Queen is an honest play that will make you laugh, cry and look at the modern Indian woman in a whole new light with all her vulnerabilities and strengths. Speaking about her debut on stage, Director Inaayat Ali Sami says, “Suchitra is a flawless actor and it has taken us nearly a year to be fully prepared for this theatrical public showcase. We are confident we can do full justice to the theatrical interpretation of her novel and bring to the fore Suchitra in totality, not as the world knows her but as what she really is.” Ashvin Gidwani, Producer & MD, AGP World elaborates, “It gives me great pleasure to present to the world a facet of an icon who has always preferred to be reserved about her personal affairs. -
Maheka Mirpuri
Maheka Mirpuri https://www.indiamart.com/maheka-mirpuri/ Designing for the women of style, Maheka manages to combine elegance and creativity with effortless ease. Her immaculate designs and her effervescent creations have made her a name to reckon with. About Us For designer Maheka Mirpuri what started as a passion soon grew to become her profession with the launch of her couture-de-salon, Mumbai’s only “By Appointment” fashion atelier. Maheka Mirpuri fashioned her alcove in the scintillating world of haute couture by creating spectacular, classy and chic women's wear ensembles. Fashion is something Maheka is passionate about - the most exhilarating way of propagating her experiences, enthusiasm and reverie with others. A designer of repute, Maheka Mirpuri excels in beautifying a woman naturally, highlighting her personality on an individual level. Catering to the astute fashion enthusiasts including Corporates, socialites and celebrities, Maheka Mirpuri’s ensembles are donned by the crème-de-la-crème of the world. Leading names from Bollywood including Sonakshi Sinha, Parineeti Chopra, Deepika Padukone, Sridevi, Manisha Koirala, Bipasha Basu, Prachi Desai, Lara Dutta, Sushmita Sen, Neha Dhupia, Koena Mitra and others have donned Maheka’s sensuous and chic designs both on and off the ramp. Designing for the women of style, Maheka manages to combine elegance and creativity with effortless ease. Her immaculate designs and her effervescent creations have made her a name to reckon with. The designer's signature is prominent in the silhouettes that are at par with international fashion trends. Maheka defines her lines as being characterized by an attention to detail and to.. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
Université De Montréal /7 //F Ç /1 L7iq/5-( Dancing Heroines: Sexual Respectability in the Hindi Cinema Ofthe 1990S Par Tania
/7 //f Ç /1 l7Iq/5-( Université de Montréal Dancing Heroines: Sexual Respectability in the Hindi Cinema ofthe 1990s par Tania Ahmad Département d’anthropologie Faculté des arts et sciences Mémoire présenté à la Faculté des études supérieures en vue de l’obtention du grade de M.Sc. en programme de la maîtrise août 2003 © Tania Ahrnad 2003 n q Université (1111 de Montréal Direction des bibliothèques AVIS L’auteur a autorisé l’Université de Montréal à reproduire et diffuser, en totalité ou en partie, par quelque moyen que ce soit et sur quelque support que ce soit, et exclusivement à des fins non lucratives d’enseignement et de recherche, des copies de ce mémoire ou de cette thèse. L’auteur et les coauteurs le cas échéant conservent la propriété du droit d’auteur et des droits moraux qui protègent ce document. Ni la thèse ou le mémoire, ni des extraits substantiels de ce document, ne doivent être imprimés ou autrement reproduits sans l’autorisation de l’auteur. Afin de se conformer à la Loi canadienne sur la protection des renseignements personnels, quelques formulaires secondaires, coordonnées ou signatures intégrées au texte ont pu être enlevés de ce document. Bien que cela ait pu affecter la pagination, il n’y a aucun contenu manquant. NOTICE The author of this thesis or dissertation has granted a nonexclusive license allowing Université de Montréal to reproduce and publish the document, in part or in whole, and in any format, solely for noncommercial educational and research purposes. The author and co-authors if applicable retain copyright ownership and moral rights in this document. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
THE DIASPORA a Symposium On
THE DIASPORA a symposium on Indian-Americans and the motherland symposium participants THE PROBLEM A short statement of the issues involved LABOUR AND LONGING Vinay Lal, Associate Professor of History, University of California, Los Angeles DUSRA HINDUSTAN Vijay Prashad, International Studies Program, Trinity College, Hartford, Connecticut FIRM OPINIONS, INFIRM FACTS Devesh Kapur, Associate Professor of Government, Harvard University, Cambridge, Massachusetts LUNCH WITH A BIGOT Amitava Kumar, Professor of English, Penn State University, Pennsylvania WHOSE IDENTITY IS IT ANYWAY? Shekhar Deshpande, Associate Professor and Director Communications Program, Arcadia University; Media Editor, ‘Little India Magazine’, Glenside, PA PROFILE OF A DIASPORIC COMMUNITY Sonalde Desai, Associate Professor, Department of Sociology, University of Maryland, MD and Rahul Kanakia, student, Stanford University, California ARTS AND THE DIASPORA Vidya Dahejia, holds the Barbara Stoler Miller Chair of Indian Art at Columbia University, New York, and is Director of Columbia’s Southern Asian Institute, NY CONSTRICTING HYBRIDITY Rajika Puri, is an exponent of Bharatnatyam and Odissi; Contributing Editor, ‘NewsIndia Times’, New York THROUGH THE LOOKING GLASS Sangeeta Ray, Associate Professor of English, University of Maryland, MD WASHINGTON’S NEW STRATEGIC PARTNERSHIP Robert M. Hathaway, Director, South Asia Program, Woodrow Wilson International Center for Scholars, Washington DC LIVING THE AMERICAN DREAM Marina Budhos, author, Maplewood, New Jersey LIGHTS, CAMERA, ACTION Mira Kamdar, Senior Fellow, World Policy Institute at New School University, New York BOOKS Reviewed by Aloka Parasher-Sen, Ratnakar Tripathy and Rajat Khosla COMMENT Received from Susan Visvanathan, JNU, Delhi IN MEMORIAM Komal Kothari BACKPAGE COVER Designed by Akila Seshasayee The problem DESPITE a long history of exchange and migration, it is only recently that Indians abroad have started attracting attention. -
LET US ENTERTAIN YOU Your Ultimate Guide to This Month’S Superb Selection of Movies, TV, Music and Games
LET US ENTERTAIN YOU Your ultimate guide to this month’s superb selection of movies, TV, music and games All on board and right at your fi ngertips Movies New Releases and Recent Movies p1166––117 Made in Belgium p118 World Cinema p119 TV Programmes See the full list p120-121 News and Sports See highlights on p121 Music See the full list on p1222 Games See the full list on p1222 Welcome! Switch on to switch off and relax on your Brussels Airlines fl ight today with our extensive range of top entertainment options. Thiss month’s linne-upp inccluddes thhe rrettuurnn of everyone's faavourrite llassso--paackkinng herooine in WONNDER WOMMAAN, Eddgaar Wrigght's musicaal heist dramma, BAABBY DRIVVER, the Freench fi lm thaat openned Cannes this yeaar, LES FAANTTOOMMES D'ISSMAEL and a neww TV seriess by Cammeron Crowee, ROAADIEES OCTOBER 2017 115 LH_115-122 IFEcg.PDV.indd 115 27/09/2017 09:38 FEATURED MOVIES Spider-Man: Jackie (2016) Homecoming (2017) Three things Cast Natalie Portman, Cast Tom Holland, you didn’t Peter Sarsgaard, Greta Michael Keaton, know about.... Gerwig Robert Downey Jr. Moonlight Director Pablo Larraín Director Jon Watt s Languages EN, FR, DE, Languages EN, FR, DE, THE SPEED OF LIGHT ES, NL ES, IT, PT, NL The fi lm was shot in just 25 days in South Florida. Following the Following the events assassination of of Captain America: NICE TO NOT MEET YOU President John F. Civil War, Peter Parker The three actors who play Kennedy, First Lady att empts to balance his life in high school with his Chiron never met during Jacqueline Kennedy fi ghts through grief and trauma career as the web-slinging superhero Spider-Man. -
Download Download
Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship. -
Indian Cinema in the Time of Celluloid : from Bollywood to the Emergency
Bollywood reality as freak show. Shilpa Gupta, The Bigg Boss Series - Stills from a Reality Show (digital photograph, 2007). 'BOLLYWOOD' 2004 The Globalized Freak Show of What Used to Be Cinema "1^ > othing in the hugely marketed hype of the 'Indian Summer' of London, 2002, was more characteristic of the season than the 'recreation' of movie star Dimple Kapadia's Bombay home on the ground floor of the London department store Selfridges, by designers Abu Jani and Sandeep Khosla. But then these were not normal times. An event that might well have seen Dimple's straight rise to the dimensions of a present-day Lola Montes, with crowds ogling at simulations of her living spaces, was here no more than an announcement of 'Bollywood at Selfridges, May 2002', to be attended by Amitabh Bachchan, Madhuri Dixit and Dimple Kapadia. The event jostled for media coverage with a series, through the year, of other crowd-pulling shows: 'ImagineASIA' (April) at the British Film Institute, launching 'an 8-month-long, nationwide celebration of South Asian cinema. Screenings, exhibi- tions, books and talks galore!'; the 'Bombay Dreams Week' (June) to 'celebrate Sir Andrew Lloyd Webber's production of A.R. 3 May 2002: Star Mansion. Rahman's Bollywood musical with a week of special features'; and {Top) Dimple Kapadia's four- poster bed, [bottom) centre the 'Devdas Week' (July) 'to mark the release of the most anticipated table and zordozi-covered Bollywood movie this summer. Including exclusive interviews cushions. Selfridges launched their Bollywood season with a with the stars'. 'star-studded gala at their flag- At a multicultural music, art and dance series at Trafalgar Square, ship London store'. -
Dialogo Oriente-Occidente
DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 5 de julio a las 20:00 h Proyección de la película Mr. India de Shekhar Kapur (1987. India. Subt. en inglés) Película presentada por Shekhar Kapur Lugar: Salón de Actos del Museo Patio Herreriano (Entrada libre hasta completar aforo) 6 de Julio a las 11:30 h Mesa redonda sobre Diálogo Oriente-Occidente Shekhar Kapur. Director de cine, India. Siddhartha. Periodista y activista social, India. Peter Pandimakil. Agustino. Profesor de USP Ottawa y Estudio Agustiniano Valladolid. Oscar Pujol. Indólogo. Director de Programas Educativos de Casa Asia, Barcelona. Moderador: Guillermo Rodríguez Martín. Director ejecutivo de la Casa de la India Lugar: Aula Triste del Palacio Santa Cruz (Entrada libre hasta completar aforo) Organizan: Colaboran: DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 PRESENTACIÓN: Durante los días 1-3 de julio el Forum Barcelona 2004 celebra dentro de la sección “Diálogos” del Forum el Diálogo Oriente-Occidente, un encuentro abierto con personalidades invitadas de todo el mundo para debatir sobre el diálogo intercultural en la sociedad actual. Casa Asia de Barcelona, organizador del Diálogo Oriente- Occidente, y el Forum Barcelona 2004, le han brindado a la Casa de la India de Valladolid la posibilidad de formar parte de este proceso con la organización de unas actividades en las que participan algunos de los protagonistas de este Diálogo. El Diálogo Oriente – Occidente, cuyo antecedente está en la resolución de Naciones Unidas para promover El Diálogo entre Civilizaciones, pretende impulsar un foro de discusión y análisis sobre el papel que tienen los intercambios entre civilizaciones de Oriente y Occidente. -
From Mother India to Queen
KCG-Portal of Journals Continuous Issue-36 | October – November 2018 A study of Female hero: From Mother India to Queen Movies are considered to be a source of entertainment though they carry some societal reflection, significantly, most of the movies are made keeping public taste in mind. But few are made to highlight the social evil, out dated rituals and tradition prevalent in the society; providentially, condition of woman is among them. Usually, in most of the Indian movies the role of a female counterpart (heroine) is to entertain the public by dancing, singing and by acting on some romantic scenes; thus, the role of a heroine in most of the movies is to add spices and seductive flavor by exposing her figure, while acting is not so important. Consequently, role of a heroine in most of the Indian movies is narrowed down and she is used just to sell the product, mere commoditization of a woman body, nothing else!Humorously, the condition of a female shown in most of the movies projects advancement in style of costumes, make up and life styles but thinking is still outdated. But certain categories of movies have female heroes.They steer the movie on her shoulders without any dominant male counterpart. And they leave behind a long lasting message for the society as they attack those apparently spotless surface of social evil, patriarch locked perception! Though Indian cinema, especially, Bollywood has produced many movies in which women have main lead creating a tiny revolution of 21st century! For instance Fashion(2008), narrating a story of an ambitious girl, there are movies like Chak de India (2007)Mary Kom(2014), Dangal(2016), two of them are based on real life story, it also brought in an issue of promoting girls for sports. -
Addressing the Queen: Costumes and Elizabeth I in Film
ADDRESSING THE QUEEN: COSTUMES AND ELIZABETH I IN FILM by LISA WARD BOLDING Under the Direction of Frances Teague ABSTRACT This work focuses on how costumes convey meaning about Queen Elizabeth I in her biopics. First, I will examine the queen’s costume in the final scene of Shekhar Kapur’s 1998 film Elizabeth as a response to the heritage film debate. By conflating two famous portrait gowns, Kapur plays upon the audience’s visual expectations of historical film, thereby separating his film from those that had been criticized as “heritage films.” After using Elizabeth to complicate questions of genre, I will turn to Henry Koster’s 1955 film The Virgin Queen in order to examine how Elizabeth’s costumes depict her as a frustrated, passive figure juxtaposed against Sir Walter Raleigh, who actively fashions his identity by choosing his own clothing. INDEX WORDS: Queen Elizabeth I, Cate Blanchett, Bette Davis, Shekhar Kapur, Henry Koster, costumes, historical film, heritage film, national identity, British national identity, royal portraits, iconography ADDRESSING THE QUEEN: COSTUMES AND ELIZABETH I IN FILM by LISA WARD BOLDING B.A., Wofford College, 2001 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Lisa Ward Bolding All Rights Reserved ADDRESSING THE QUEEN: COSTUMES AND ELIZABETH I IN FILM by LISA WARD BOLDING Major Professor: Frances Teague Committee: Christy Desmet Hugh Ruppersburg Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia December 2005 DEDICATION To Mom and Nana, for all your generous gifts; my love of stories comes from you.