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Walesa, Wife Mum During Questioning
Watkins, WHIhIde Washington’s victory Kong reclaims honored; board chosdn Inspires black hopes building perch ... pages 4,20 page 5 ... page 7 Fair tonight. Manchester, Conn. Becoming cioudy Friday. Thursday, Aprii 14, 1983 - See page 2 Singie copy; 25C Walesa, wife mum T71 NEW WORK MEW SHOP MAKEiSF during questioning NEW FEMALE NEW DRESSING NEW .1 REHEARSAL/ RM MALE CXIStMO By Bogdan Turek MEETING RM DRESSING STAIft RM TOWCR lJ0RE£# United Press International J-L. GDANSK, Poland — Danuta Walesa, wife of former Solidarity leader Lech Walesa, was questi C 0 R R I D oned by police for 2'/4 hours today about her husband’s secret meet ings with underground union leaders. A family spokesman said Mrs. Plan by Maimfeldt Associates Walesa returned home after her e interrogation but refused com BASEMENT PLAN OF CHENEY HALL ment until she had a chance to talk . most of the interior changes wili be made here with her husband and his advisers. Mrs. Walesa was subpoenaed to appear at militia headquarters in Gdansk one day after her husband was questioned for nearly five hours about his three-day meeting Architect tells how last weekend with the underground i - The spokesman said the militia UPI photo wanted more details about Wale sa’s disclosure that he took part in DANUTA AND LECH WALESA REUNITED the secret talks with Solidarity . after Walesa was interrogated he'd do Cheney Hall activists. The union chairman's wife was served with a formal warrant to Eventually, alter a threat to with the underground, he fumed. summon his wife, Danuta, for “ I didn't answer at all.” By Alex OIrelH Finegold, the firm that did the study of the Cheney appear before militia interroga tors. -
CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT I Love the August Festivals, Though Not As Much As I Love Cinema
3 AUG 18 6 SEP 18 1 | 3 AUG 18 - 6 SEP 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT I love the August festivals, though not as much as I love cinema. You? I usually take the opportunity when writing this column every August to grumble about how distracted potential cinema-goers appear to be by the world’s largest arts festival that takes place in our glorious (a word which currently also describes the weather!) city every year, but this year I’m seeing it as nothing more than a challenge. A challenge, dear reader, which I feel we have risen to in impressive style with a stunning array of great cinema, much of which is, as it happens, of a ‘one-off’ nature and will likely not come around again any time soon… That sounds like I’m trying to dragoon you into coming to the cinema in August (instead of going to the Tattoo, perhaps?), and conceivably I am, but try not to see it that way… Rather, I simply wouldn’t want you to miss out on any of the must-see cinema experiences contained within these pages. In any case, cinema is surely the best of all the art forms wouldn’t you say, as well as being one of the cheaper days/nights out? Beyond the form itself, with cinema, you rarely have to worry about not liking a film and it being apparent to the people who made it, because they’re generally not there in the room. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Front Matter
Cambridge University Press 978-1-316-64187-3 — Classical Literature on Screen Martin M. Winkler Frontmatter More Information Classical Literature on Screen Martin M. Winkler argues for a new approach to various creative affinities between ancient verbal and modern visual narratives. He examines screen adaptations of classical epic, tragedy, comedy, myth, and history, exploring, for example, how ancient rhetorical principles regarding the emotions apply to moving images and how Aristotle’s perspective on thrilling plot-turns can recur on screen. He also interprets several popular films, such as 300 and Nero, and analyzes works by international directors, among them Pier Paolo Pasolini (Oedipus Rex, Medea), Jean Cocteau (The Testament of Orpheus), Mai Zetterling (The Girls), Lars von Trier (Medea), Arturo Ripstein (Such Is Life), John Ford (Westerns), Alfred Hitchcock (Psycho), and Spike Lee (Chi-Raq). This book demonstrates the undiminished vitality of classical myth and literature in our visual media, as with screen portrayals of Helen of Troy. It is important for all classicists and for scholars and students of film, literature, and history. martin m. winkler is University Professor and Professor of Classics at George Mason University. His most recent books are Cinema and Classical Texts: Apollo’s New Light (Cambridge, 2009), The Roman Salute: Cinema, History, Ideology (2009), and Arminius the Liberator: Myth and Ideology (2015). He has also published numerous articles, book chapters, and reviews, and edited several essay collections on classical antiquity and film. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-316-64187-3 — Classical Literature on Screen Martin M. -
PROGRAMME Undergraduate Open Day Sunday 24 March 2019, 10Am–4Pm WELCOME Hello and Wishing You a Warm Welcome to Theatre Royal Are You Interested Stratford East
A THEATRE ROYAL STRATFORD EAST AND ENGLISH TOURING THEATRE CO-PRODUCTION by Peter Shaffer PROGRAMME Undergraduate Open Day Sunday 24 March 2019, 10am–4pm WELCOME Hello and wishing you a warm welcome to Theatre Royal Are you interested Stratford East. in studying the We are delighted to be collaborating with English Touring Theatre for the first time to performing arts? bring you Peter Shaffer’s rarely-performed masterpiece Equus. The original in 1973 opened at the National Theatre followed by Our Undergraduate Open Day is the perfect the 1977 film adaptation with a major West opportunity to visit the Guildhall School in End revival in 2007 starring Daniel Radcliffe London and experience life as a student here. and the late great Richard Griffiths – who I had the pleasure of working with. One of the top performing arts institutions in the world, we offer undergraduate degrees Today I’m so excited about Ned Bennett’s in Music, Acting, Production Arts, Video take on this modern classic, not least as Ned Design and Performance & Creative Enterprise. is one of our country’s most daring theatre Nadia Fall © Hugo Glendinning makers. His work continues to innovate and So whether your passion is classical music certainly takes no prisoners. It’s tantalising to or spoken word, stage management or see just how this bold new production sheds lighting design, acting or devising your light on Shaffer’s haunting story. own work, join us for our Undergraduate There’s much more to look forward to here “It’s tantalising to see Open Day to see what we have to offer. -
Prick up Your Ears: the Biography of Joe Orton Free
FREE PRICK UP YOUR EARS: THE BIOGRAPHY OF JOE ORTON PDF John Lahr | 320 pages | 02 Sep 2002 | Bloomsbury Publishing PLC | 9780747560142 | English | London, United Kingdom Prick Up Your Ears - Wikipedia As IMDb celebrates its 30th birthday, we have six shows to get you ready for those pivotal years of your life Get some streaming picks. Title: Prick Up Your Ears Take a look back at Gary Oldman 's movie career in photos. See more Gary. This movie is the story of the spectacular life and violent death of British playwright Joe Orton Gary Oldman. In his teens, Orton is befriended by the older, more reserved Kenneth Halliwell Alfred Molinaand while the two begin a relationship, it's fairly obvious that it's not all about sex. Orton loves the dangers of bath-houses and liaisons in public restrooms; Halliwell, not as charming or attractive as Orton, doesn't fare so well in those environments. While both long to become writers, it is Orton who achieves fame. His plays "Entertaining Mr. Sloane" and "Loot" become huge hits in London of the sixties, and he's even commissioned to write a screenplay for the Beatles. But Orton's success takes him farther from Halliwell, whose response ended both his life and the life of the up-and-coming playwright. Director Stephen Frears has often picked up interesting subjects for his films. Set in the 60s, this was during the time when 'being gay' in public was considered a criminal offense in parts of UK. Joe Orton is confident, talented, mellow and liked by everyone while his partner Halliwell is comparatively shy and distant and resentful of Joe's success as he claims to be the man behind his partner's success and complains about not receiving enough credit for it. -
Girlfriends Season at BFI Southbank (20 December 2017)
Wednesday 20 December 2017, London. The BFI today announces a season of films celebrating the joys and complexities of female friendships. GIRLFRIENDS will run at BFI Southbank from Thursday 1 February – Tuesday 20 March and will include features and shorts from around the world, from the silent era to today. The season showcases portraits of women who are actually three-dimensional and not defined solely by their relationship to men; from the hedonist heroines of Vera Chytilová’s Daisies (1966) and the schoolgirl friendship depicted in Jane Campion’s rarely-seen TV movie 2 Friends (1986), to the endlessly quotable titular characters of Romy and Michele’s High School Reunion (David Mirkin, 1997), these are films that would definitely pass the Bechdel test. With recent events putting gender inequality and issues of female representation into stark focus, this season is a timely celebration of sisterhood, with films that modern woman will relate to. Around twenty features will be screened, most of which will be paired with a short film by an up-and-coming woman filmmaker. More than half the films in the season are directed by women, including Sally Potter, Nicole Holofcener, Claudia Weill and Hollywood pioneer Dorothy Arzner, while almost all of them have a female scriptwriter, presenting audiences with a wealth of female talent both behind and in front of the camera. There will also be a tie-in collection on BFI Player with more than 20 features and shorts on offer, including critically acclaimed Palestinian film In Between (Maysaloun Hamoud, 2016), Sean Baker’s compassionate and frenetic tale of two transgender sex workers Tangerine (2015) and Japanese film Happy Hour (Ryusuke Hamaguchi, 2015), which was a hit on the festival circuit in 2015. -
Academy of Motion Picture Arts and Sciences
Academy of Motion Picture Arts and Sciences Reminder List of Eligible Releases for Distinguished Achievements during 2006 http://www.oscars.org/79academyawards/reminder/ Reminder List of Productions Eligible for Awards All films that have qualified for consideration for 2006 Academy Awards in the non-specialized categories are listed alphabetically by title. Voters making selections in their own branch categories list only film titles on their ballots, not the individuals responsible for the various achievements. For that reason, as well as for reasons of printing time and convenience of using this pamphlet, full credit rosters are not provided for the listed films. An exception to the above exists in the four Acting categories, where simply listing titles would not provide enough voting information. Actors Branch members filling out their Nominations ballots must indicate both titles and the particular performers they are voting for. For that reason, the Reminder List provides a listing of up to fifty cast members for each film. Pictures eligible in the Animated Feature Film, Documentary Feature and Foreign Language Film categories are also eligible in the Best Picture category, provided they meet the qualifications for the category. Foreign Language films are eligible for awards in other categories provided they meet the requirements of Awards Rules Two and Three. Copyright © 2006 by the Academy of Motion Picture Arts and Sciences Oscar statuette copyright 1941 by, and registered trademark of, Academy of Motion Picture Arts and Sciences. All rights reserved. ISBN 0-942102-49-5 First published in 2006 Printed in the United States of America ABOMINABLE Matt McCoy. -
THURSDAY LOCAL NEWS INSIDE Anrhratpr ■ Ride Service for Handicapped Begins
THURSDAY LOCAL NEWS INSIDE anrhratpr ■ Ride service for handicapped Begins. ■ Health studies revised By school. ■ NeighBors compiain aBout noise. W hat’S ■ Church to get new home. News Local/Regional Section, Page 7. Oct. 25, 1990 >ur Hometown Newspaper Voted 1990 New England Newspaperof the Year Students, workers Newsstand Price: 35 Cents OK after gas leak MANCHESTER — All is well at filing Junior High School Budget this morning after Wednesday’s 16 Meotti, toxic gas leak that sent five stu cv dents and 13 cafeteria and cus todial workers to the hospital. approval [ Googins All 18 people were released from Manchester Memorial Hospital without injuries shortly after their admission into the is close hospital, said Manchester SUITS ON SALE TWEED SPORT COATS clash Deputy Fire Chief Graham Mac Donald. MacDonald said Barry Bas- Huge Selection • All Sizes •100% Wool at hand By ALEX GIRELLI kcrvillc, a janitor at the school, •38 to 46 Reg. 38-42 Short Manchester Herald accidentally ruptured the fuel •40 to 46 Long $0090 line of an old refrigerator, • Free Alterations •VALUES to *195 MANCHESTER — Republican releasing into the air a sulfur By JIM LUTHER Sonya Googin Thursday night con The Associated Press dioxide compound, which is tinued to link Democratic Sen. more irritating than Freon or Michael Meotti with the Democratic WASHINGTON — Congres ammonia. majority she says is responsible for Despite the scare, the students ALL WEATHER COATS sional leaders were putting the the stale’s budgetary and economic finishing touches today on a deficit- got back from the hospital and woes. returned to their classes, said fi "OLEG CASSINI" reduction package of tax increases Countering the attack, Meotti, for and spending restraints that ap ling’s assistant vice principal ^300 ZIP OUT LINER who is vying for his third term in the Karen Smith, who escorted them parently has the support of a ■VALUES to «275 • FREE ALTERATIONS Reg. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
Jean Racine, Phèdre National Theatre of Great Britain - Nicholas Hytner in a Version by Ted Hughes (British Poet Laureate from 1984 Until His Death in 1998
Jean Racine, Phèdre National Theatre of Great Britain - Nicholas Hytner in a version by Ted Hughes (British Poet Laureate from 1984 until his death in 1998. Married to Sylvia Plath 1956–1962). Epidaurus Ancient Theatre / 10 & 11 July 2009, 21:00 (2 hours, no intermission). In English with Greek surtitles The National Theatre’s blurb: “Consumed by an uncontrollable passion for her young stepson and believing her absent husband Theseus to be dead, Phèdre confesses her darkest desires and enters the world of nightmare. When Theseus returns, alive and well, Phèdre, fearing exposure, accuses her stepson of rape. The result is carnage. Look at me – see a woman in frenzy. I am in love. Helen Mirren takes the title role in this savage play by Jean Racine, translated into muscular free verse by the late Poet Laureate, Ted Hughes.” Director: Nicholas Hytner (Artistic director of London's National Theatre since 2003.) Theatre: Miss Saigon (1991-2001), Carousel (1994 Tony Award, Best Direction of a Musical), The History Boys (2006 Tony Award, Best Direction of a Play) Film: Madness of King George (1994) Cast: Hippolytus: Dominic Cooper Theramene: John Shrapnel Oenone: Margaret Tyzack Phèdre: Helen Mirren Film: Madness of King George (1994, Best Actress, Cannes), Gosford Park (2001, SAG), The Queen (2006, Academy Award, Best Actress) Panope: Wendy Morgan Aricia: Ruth Negga Ismene: Chipo Chung Theseus: Stanley Townsend Phedre’s son: Giorgos Liakopoulos Classical Influences: Story also told by Euripides in Hippolytus (428 BC City Dionysia of Athens, First Prize), Ovid (Heroides IV: Phaedra to Hippolytus, Metamorphoses XV.497), Seneca in Phaedra, and Pausanias (I.xxii.1). -
Making the Scene Together: Mai Zetterling's Flikorna/The Girls (1968) and Aristophanes' Lysistrata
Please do not remove this page Making the Scene Together: Mai Zetterling's Flikorna/The Girls (1968) and Aristophanes' Lysistrata Sloan, Jane https://scholarship.libraries.rutgers.edu/discovery/delivery/01RUT_INST:ResearchRepository/12643397170004646?l#13643548780004646 Sloan, J. (2008). Making the Scene Together: Mai Zetterling’s Flikorna/The Girls (1968) and Aristophanes’ Lysistrata. In Quarterly Review of Film and Video (Vol. 25, Issue 2, pp. 97–106). Rutgers University. https://doi.org/10.7282/T3J38QWG This work is protected by copyright. You are free to use this resource, with proper attribution, for research and educational purposes. Other uses, such as reproduction or publication, may require the permission of the copyright holder. Downloaded On 2021/09/23 06:36:41 -0400 Jane Sloan, Rutgers University, 2006 “Making the Scene Together: Mai Zetterling's Flikorna/The Girls (1968) and Aristophanes' Lysistrata” [forthcoming in the Quarterly review of film and video : QRFV] When Flikorna was completed in 1968, it was the fourth feature film released in four years by its rising star Swedish director, Mai Zetterling (1925-1994). Initial showings of it in Stockholm were poorly received, and Zetterling's next production was canceled. It was a "flop," according to the filmmaker, because people did not understand its ironical view (Zetterling 204). In fact, her passionate full-throttle commentary in Flikorna on the subject of women abruptly stalled her career, and she never recuperated the same ability to make films. According to a reviewer at the time of Flikorna's belated international release in 1974, it was too avant-garde for most spectators in 1968, and not appreciated by the few critics who saw it (Lennard 27, Oukrate 108).