DOCSLIB.ORG

Felicity Kendal to Star in the Argument As Part of Theatre Royal Bath’S 2019 Summer Season

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Felicity Kendal to Star in the Argument As Part of Theatre Royal Bath’S 2019 Summer Season PRESS RELEASE – Friday 29 March 2019 IMAGES CAN BE DOWNLOADED here Twitter/ Facebook / website FELICITY KENDAL TO STAR IN THE ARGUMENT AS PART OF THEATRE ROYAL BATH’S 2019 SUMMER SEASON FELICITY KENDAL TO STAR IN WILLIAM BOYD’S THE ARGUMENT, DIRECTED BY CHRISTOPHER LUSCOMBE THE ARGUMENT RUNS FROM 7 TO 24 AUGUST WITH PRESS NIGHT ON 12 AUGUST, AS PART OF THEATRE ROYAL BATH’S 2019 SUMMER SEASON PRIORITY BOOKING OPENS ON 29 MARCH WITH GENERAL ON-SALE FROM 5 APRIL IMAGES AVAILABLE TO DOWNLOAD HERE Theatre Royal Bath today announces The Argument by William Boyd, its third Summer Season production, with Felicity Kendal starring in the role of Chloe. The production, directed by Christopher Luscombe, will run in the Main House from 7 to 24 August with opening night for press on 12 August. The Argument delves into what it is to dispute with those we love and offers a biting take on human dynamics. This is an often hilarious, darkly comic and compelling exploration of how it is the tone in which words are said which has such potency. Pip and Meredith are having a disagreement about a film they’ve just seen when Pip’s phone rings and a full-scale row about their marriage breaks out. In the course of ten arguments, we follow the repercussions, as Meredith’s parents, Chloe and Frank, her best-friend Jane, and Pip’s best-friend Tony, take sides and end up embroiled in arguments of their own. Vitriolic, razor-sharp and veracious, the arguments rake over past prejudices, expose unjust judgements and reveal difficult truths. The Argument will run in addition to the previously announced Blithe Spirit by Noël Coward, directed by Richard Eyre and starring Jennifer Saunders as well as Anton Chekhov’s Uncle Vanya in which Rupert Everett makes his directorial stage debut and will also play the title role in a new version by David Hare. Further casting and the full summer programme will be announced in due course. Felicity Kendal CBE is one of the UK’s best-loved actresses, best known for her role in the BBC sitcom The Good Life. She has appeared in previous Theatre Royal Bath productions, including A Room with a View, Hay Fever and Relatively Speaking. Her roles in Much Ado About Nothing and Ivanov at the Strand Theatre won her the 1989 Evening Standard Award for Best Actress. Other stage credits also include Waste and the Seagull (Old Vic), Indian Ink (Aldwych), Heartbreak House (Theatre Royal Haymarket), Tartuffe (Playhouse) and Arcadia, The Second Mrs Tanqueray, Othello and Amadeus for the National Theatre. Christopher Luscombe’s (Director) recent credits include The Nightingales and Nell Gwynn, winner of the 2016 Olivier Award for Best New Comedy. Other productions include Love’s Labour’s Lost, Much Ado About Nothing and Twelfth Night for The RSC, The Merry Wives of Windsor and Nell Gwynn for Shakespeare’s Globe and in the West End, Enjoy, When We Are Married and The Madness of George III. He is an associate artist of the Royal Shakespeare Company. William Boyd OBE (writer) is a novelist, short story writer and screenwriter. His many novels include An Ice Cream War, Restless and Sweet Caress. His works have received several awards including the Whitbread Book award and Somerset Maugham Award for his novel A Good Man in Africa. His work Any Human Heart also won the Prix Jean Monnet de Littérature Européenne and was longlisted for the Booker Prize. His stage work also includes Longing, an adaptation of two Chekhov short stories. The Argument is presented by arrangement with Lee Dean. For further information please contact THE CORNER SHOP PR on 0207 831 7657 Su-Ann Chow-Seegoolam | Lewis Jenkins | Lydia Aaronson LISTINGS Theatre Royal Bath, Sawclose, Bath, BA1 1ET Box Office: 01225 448844 Website: www.theatreroyal.org.uk Facebook: TheatreRoyalBath Twitter: @TheatreRBath The Argument By William Boyd Directed by Christopher Luscombe Wednesday 7 August - Saturday 24 August Press night: Wednesday 12 August, 7pm Performance Schedule: Mon – Sat 7.30pm, Matinees Thu & Sat 2.30pm (No matinee Thursday 8 August) Tickets: Between £27.00 - £41.50 .
Load more

Recommended publications
  • Production Images Released for the Argument
    IMAGE RELEASE – Friday 9 August 2019 IMAGES CAN BE DOWNLOADED here Twitter/ Facebook / website PRODUCTION IMAGES RELEASED FOR THE ARGUMENT WILLIAM BOYD’S THE ARGUMENT MARKS THE FIFTH PLAY IN THEATRE ROYAL BATH’S SUMMER SEASON 2019 FROM ARTISTIC DIRECTOR JONATHAN CHURCH DIRECTED BY CHRISTOPER LUSCOMBE AND STARRING FELICITY KENDAL, SARAH EARNSHAW, ESH ALLADI, RUPERT VANSITTART, SIMON HARRISON AND ALICE ORR-EWING THE ARGUMENT PLAYS IN THEATRE ROYAL BATH’S MAIN HOUSE UNTIL 24 AUGUST IMAGES AVAILABLE TO DOWNLOAD HERE Theatre Royal Bath Productions today releases production images for William Boyd’s The Argument, directed by Christopher Luscombe. The Argument is a darkly comic play that delves into what it is to dispute with those we love and offers a biting take on human dynamics, starring Felicity Kendal, Sarah Earnshaw, Esh Alladi, Rupert Vansittart, Simon Harrison and Alice Orr-Ewing. The production runs in the Main House until 24 August with opening night for press on 14 August. Pip and Meredith are having a disagreement about a film they’ve just seen when Pip’s phone rings and a full-scale row about their marriage breaks out. In the course of ten arguments, we follow the repercussions, as Meredith’s parents, Chloe and Frank, her best-friend Jane, and Pip’s best-friend Tony, take sides and end up embroiled in arguments of their own. Vitriolic, razor-sharp and veracious, the arguments rake over past prejudices, expose unjust judgements and reveal difficult truths. William Boyd OBE (writer) is a novelist, short story writer and screenwriter. His many novels include An Ice Cream War, Restless and Sweet Caress.
    [Show full text]
  • English 252: Theatre in England 2006-2007 * [Optional Events
    English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E.
    [Show full text]
  • The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’S
    1 The Development of the Role of the Actor-Musician in Britain by British Directors Since the 1960’s Francesca Mary Greatorex Theatre and Performance Department Goldsmiths University of London A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) 2 I hereby declare that the work presented in this thesis is my own. Signed: ……………………………………………. 3 Acknowledgements This thesis could not have been written without the generosity of many individuals who were kind enough to share their knowledge and theatre experience with me. I have spoken with actors, musical directors, set designers, directors, singers, choreographers and actor-musicians and their names and testaments exist within the thesis. I should like to thank Emily Parsons the archivist for the Liverpool Everyman for all her help with my endless requests. I also want to thank Jonathan Petherbridge at the London Bubble for making the archive available to me. A further thank you to Rosamond Castle for all her help. On a sadder note a posthumous thank you to the director Robert Hamlin. He responded to my email request for the information with warmth, humour and above all, great enthusiasm for the project. Also a posthumous thank you to the actor, Robert Demeger who was so very generous with the information regarding the production of Ninagawa’s Hamlet in which he played Polonius. Finally, a big thank you to John Ginman for all his help, patience and advice. 4 The Development of the Role of the Actor-Musician in Britain by British Directors During the Period 1960 to 2000.
    [Show full text]
  • PENELOPE KEITH and TAMMY GRIMES Are the Society's Newest
    FREE TO MEMBERS OF THE SOCIETY APRIL 2008 - THE NEWSLETTERCHAT OF THE NOËL COWARD SOCIETY Price £2 ($4) President: HRH Duke of Kent Vice Presidents: Barry Day OBE • Stephen Fry • Penelope Keith CBE • Tammy Grimes PENELOPE KEITH and TAMMY GRIMES are the Society’s Newest Vice Presidents arbara Longford, the Society’s Chairman, was delighted to announce this month that the star of the West End Coward revivals Star Quality and Blithe Spirit, Penelope Keith, has agreed to become our next Vice President. In America the actress Tammy Grimes the star of Look After Lulu, High Spirits and Private LivesBhas also graciously accepted our invitation. Both are known Coward devotees and will provide a strong theatrical presence amongst the Society’s Honorary Officers. Penelope Keith is best known in the UK for her television appearances in two of the most successful situation comedies in entertainment history. She made her first mark as the aspiring upper-class neighbour, Margot Ledbetter, in The Good Life and later as the upper-class lady fallen on hard times, Audrey Fforbes-Hamilton, in To The Manor Born. Apart from Star Quality and Blithe Spirit she has appeared on stage at the Chichester Festival in the premiere of Richard Everett’s comedy Entertaining Angels, which she later took on tour. In 2007 she played the part of Lady Bracknell in The Importance of Being Earnest on tour and is currently appearing in the same role at the Vaudeville Theatre in the West End (booking until 26 April). Her best known theatre appearance was in 1974, playing Sarah in The Norman Conquests opposite her The Good Life co-star Richard Briers.
    [Show full text]
  • Tom Stoppard
    Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60).
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • Tom Stoppard
    THE CAMBRIDGE COMPANION TO TOM STOPPARD EDITED BY KATHERINE E. KELLY Texas A&M University published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, UK 40 West 20th Street, New York, ny 10011-4211, USA 10 Stamford Road, Oakleigh, vic 3166, Australia Ruiz de Alarcón 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org © Cambridge University Press 2001 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2001 Printed in the United Kingdom at the University Press, Cambridge Typeface Adobe Sabon 10/13pt System QuarkXpress® [se] A catalogue record for this book is available from the British Library Library of Congress Cataloguing in Publication data The Cambridge companion to Tom Stoppard / edited by Katherine E. Kelly p. cm. Includes bibliographical references and index. isbn 0 521 64178 0 (hardback) – isbn 0 521 64592 1 (paperback) 1. Stoppard, Tom – Criticism and interpretation. I. Title: Tom Stoppard. II. Kelly, Katherine E., 1947– pr6069.t6 z615 2001 822′.914 – dc21 00-069777 isbn 0 521 64178 0 hardback isbn 0 521 64592 1 paperback CONTENTS List of illustrations page xi Notes on contributors xiii Acknowledgments xvi 1 Chronology 1 paul delaney Introduction 10 katherine e. kelly PART 1: BACKGROUND 11 Exit Tomásˇ Straüssler, enter Sir Tom Stoppard 25 paul delaney 12 In the Native State and Indian Ink 38 josephine lee PART 2: THE WORKS 13 Narrative difficulties in Lord Malquist and Mr Moon 55 peter j.
    [Show full text]
  • Theatre Archive Project: Interview with Michael Codron
    THEATRE ARCHIVE PROJECT http://sounds.bl.uk Michael Codron – interview transcript Interviewer: Adam Smith 7 April 2009 Producer. Actors; Alphabetical Order; The Birthday Party; The Caretaker; censorship; critics; directors; 'Dirty Plays' controversy; Entertaining Mr Sloane; Gallery First Nighters; The Homecoming; Jack Hylton The Killing of Sister George; Joan Littlewood; Look Back in Anger; London Arts Theatre; Lyric Theatre, Hammersmith; Donald McWhinnie; Joe Orton; Harold Pinter; producers; Peggy Ramsay; scripts; Share My Lettuce; There's a Girl in My Soup; Kenneth Williams; writers. AS: You have been described as both a producer and an impresario, although some critics claim that there is nowadays an uncertainty as to the precise meaning of these words. Given the slippage between the two, and that you have been described using each of the terms, but that they are not mutually exclusive, which would you describe yourself as? MC: I sometimes say impresario but it sounds like the wretched man from Pinocchio, doesn't it? Do you remember that man that tried to capture Pinocchio? But I really am a producer, a theatre producer. Yes, impresario sounds rather evil, doesn't it? [laughs] Perhaps I am evil, occasionally. AS: So how would you define this profession before 1968, what would it involve? MC: As far as I'm concerned? Well you’re asking me to talk about 1945 aren't you first, when I was all of 15. AS: What about after you became a producer, how would you define the profession? MC: No I didn't become a producer until 1950-something. AS: You're right, we'll do it chronologically.
    [Show full text]
  • Job Description
    Job Description Job title: Assistant Producer Reporting to: Managing Director, Theatre Royal Bath Productions Principal duties: To work with the Managing Director to develop and manage theatre production projects. In particular: 1. To research potential theatre production projects. 2. To liaise with agents about the availability/likely interest of their clients in theatre production projects. 3. To work with the General Manager on all physical aspects of theatre production. 4. To work alongside and manage freelance production staff i.e. company manager and casting directors. 5. To liaise with other producers and theatre managements. 6. To create co-production agreements with other theatre managements. 7. To negotiate deals with agents for the services of actors, understudies, directors, lighting designers, sound designers and other members of creative teams. 8. To draft contracts for the services of the above. 9. To negotiate rights agreements with literary agents. 10. To create and monitor budgets for theatrical productions. 11. To attend first days of rehearsals, run-throughs, previews and press nights and liaise as necessary with directors. 12. To create and maintain the creative team fee/royalties database. 13. To liaise with marketing and press consultants. 14. To process venue contracts. Assistant Producer - Person Specification Skills Essential . Computer literate - Microsoft Word & Excel packages . Accurate typing . Good telephone manner . Excellent communicator – written & oral Experience Essential Experience of working in an organisation with a team environment Desirable . Experience of working in an arts organisation Personal Qualities Essential . Organisational flair with the ability to prioritise workloads . Calm, patient and prepared to work for others . Ability to work swiftly and under pressure .
    [Show full text]
  • Overcoming Loss in John Irving's a Prayer for Owen Meany Anthony Michael Koch Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1-1-1993 "Remember Watahantowet?" : overcoming loss in John Irving's A Prayer for Owen Meany Anthony Michael Koch Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Recommended Citation Koch, Anthony Michael, ""Remember Watahantowet?" : overcoming loss in John Irving's A Prayer for Owen Meany" (1993). Retrospective Theses and Dissertations. 17649. https://lib.dr.iastate.edu/rtd/17649 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. "REMEMBER WATAHANTOWET?": Overcoming loss in John Irving's A Prayer for Owen Meany / 9?3 by j<r/f c. / Anthony Michael Koch A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS English (Literature) 4 Signatures have been redacted for privacy niversity Ames, lowa 1993 To Becky Sue For all of her kindness and encouragement and especially for putting up with me when things went badly. Ill TABLE OF CONTENTS CHAPTER 1: INTRODUCTION 1 CHAPTER 2: DEFINING JOHN IRVING 3 CHAPTER 3: THE EARLY NOVELS 24 CHAPTER 4: SUMMING UP AND MOVING ON 55 CHAPTER 5: OVERCOMING LOSS 92 WORKS CITED 114 ACKNOWLEDGMENTS 117 1 CHAPTER 1: INTRODUCTION John Irving's novels have attracted much attention since the publication of The World According to Garp in 1978.
    [Show full text]
  • The Cambridge Companion to Tom Stoppard Edited by Katherine E
    Cambridge University Press 0521645921 - The Cambridge Companion to Tom Stoppard Edited by Katherine E. Kelly Excerpt More information PAUL DELANEY Chronology 1937 Stoppard born Tomásˇ Straüssler (3 July), the second son of Eugen and Martha Straüssler in Zlín, Czechoslovakia, where his father was a physician for Bata, a shoe manufacturer. 1939 The day the Nazis invade Czechoslovakia (14 March), the Straüsslers leave Zlín, with other Jewish doctors who worked for Bata, to go to Singapore. 1942 Briefly attends an English convent school in Singapore. When women and children are evacuated prior to the Japanese inva- sion, four-year-old Tomásˇalong with his mother and brother leaves for India; his father remains behind and is killed. 1943–46 Attends an English-speaking boarding school run by American Methodists in Darjeeling; his mother serves as manager of the local Bata shoe shop. 1945 Mother marries Kenneth Stoppard, a British Army major (November). 1946 Family moves to England (February) and three weeks later Major Stoppard adopts his two stepsons, giving them his surname; Tommy Straüssler becomes Tom Stoppard. 1946–51 Attends the Dolphin School, Nottinghamshire. 1951–54 Attends the Pocklington School, Yorkshire. 1950 Stoppard family moves to Bristol. 1954–58 Stoppard becomes a journalist on the Western Daily Press. Kenneth Tynan serves as drama critic on the Observer. 1954–60 Stoppard attends productions at the Bristol Old Vic. 1955 First British production, directed by Peter Hall, of Samuel Beckett’s Waiting for Godot, which Stoppard cites as the cat- alyst for modern British drama. 1956 The Royal Court production of John Osborne’s Look Back in Anger acclaimed by critic Kenneth Tynan.
    [Show full text]
  • A Genre Study of the Hypothetical Space Film
    Wesleyan University The Honors College Beyond the Infinite: A Genre Study of the Hypothetical Space Film by Graham Martin Brown Class of 2018 A thesis submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Film and the Moving Image Middletown, Connecticut April, 2018 ! 1 Acknowledgments First, a huge thank you to my advisor, Scott Higgins. Without your constructive and incisive feedback, this thesis would be little more than a nebulous idea trapped in the back of my mind. Your guidance and wisdom have been nothing short of invaluable throughout this entire process. From Street Angel to Suspiria, I couldn’t have asked for a better teacher and mentor throughout my film education. Thank you to my family: Mom, Dad, Austin, Grandma, Grandpa, Jason, John, and Pete. Thank you for your unending support throughout the most trying times, and everything else too. Thank you to the entire faculty of the College of Film and the Moving Image, for enriching my understanding of film and giving me the necessary tools to think critically about film. Thank you to Julia Randall, Meredith Hughes, Terttu Uibopuu, Tushar Irani, Bill Dawson, and Andrew Szegedy-Maszak, the professors and teachers who shaped the way I think about the world, taught me how to approach problems, and expanded my own universe. Thank you to Allison, for always keeping my head on my shoulders and being an extraordinary friend through everything. Thank you to all of my dear friends from Wesleyan and Westhampton: Charlie, Joey, Sam, Ben K., Austin, Karina, Arianna, Willa, Ben V., Ari G., Max, Gabe, Pate, Abby, Will F., Seamus, Liz M., Ruby, Alex, Tate, Keith, Will D., Eric, Taylor, Sadie, Emma, Liza, Liv, Nate, Matthew, Alvaro, Cameron, Noah, Thor, Ames, Carly, Eli, Marc, Greg, Jake, Peter-John, Francesco, Liz M., Toni, Jesse, Connor, Aiden, Tahsin, Beecher, Luke, Patricolo, Roger, Lauren, and last but certainly not least, John-Henry.
    [Show full text]