19800618.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

• f ,. I " I . I t area for over ten years, is also a teacher in the public school system in Washing- ton State. Since her graduation from Portland State University she has been active in many kinds of entertainment, including television and musical comedy shows. Her Pops debut with the Oregon Symphony Orchestra, on their smash hit program of Glenn Miller's music, has led to frequent subsequent appearances Iv there; she also has appeared with Nor- man Leyden on programs with the ~ym- phony orchestras of San Francisco, Se- attle, Chicago and Minnesota, including a performance here last February in the highly successful "Salute to Glenn Miller.' , Broce Howlett Bruce Howlett, a graduate of Lewis and Clark College, has been a member of the "Bud Oglethorp is my Piper JafTray Norman Leyden Singers for several sea- sons. He made his debut with the Ore- stockbroker; He knows how to listen- gon Symphony Pops on "The Swing Era" program during the 1975-76 sea- and understand. son, and was a soloist in a concert of big. Bud knows what Ineed today is tax band music the following year as well. He has appeared on numerous occasions sheltered income, not just dividends. with the Oregon Symphony Orchestra, and has toured extensively with Norman And he's helped me choose the right Leyden, performing with orchestras in San Francisco, Seattle and Chicago, as investments to do the job. If you ask me, well as at Orchestra Hall, where he most recently appeared in the Glenn Miller his name ought to be on the door. program this past February. Piper, JafTray& Hopwood-and Oglethorpe Understanding you is their The Dale Warland Singers Sopranos Tenors Cynthia Duty Paul Anderson stock in trade." Nancy Grundahl Craig Edwall Susan Kathmann Rob Engelson , Elizabeth Miller Tim Johnson Sue Shepard Al Madison Pipet; Jaflfay & Linda Steen Doug Nodland Altos Basses Hopwood Thea Sikora Engelson David Briggs , Joanne I-Ialvorsen Waynne Hornicke Lynn Jones Jerry Rubino ~D Dianne Prieditis Frank Steen I INCORPORATED Marilyn Sieber ~ Paul Teie Member-SIPe Established 1895 Member New York Stock Exchange, Inc. Rica Van Clyde Thompson 115South 7th Street, Minneapolis, MN 55402 lst National Bank Bldg., St. PauL MN 55101 Bill Diehl J PHOTO-VISUALS. INC. Bill Diehl is a show business buff with a THE FIRST FRANCHISED DEALER IN THE U.S. personal library containing 25,000 rec- TO SELL ~ PRODUCTS EXCLUSIVEL ~ ords, 800 books on entertaiment and dozens of old movies. This helps explain the number and variety of documentary- The name LEITZ has meant worldwide precision type programs he creates, produces and since 1870; the Leica, the first 35mm camera, narrates for WCCO Radio, including was introduced in 1925, and has been the leader the popular "Sunday Specials" broad- in 35mm photography for more than 50 years. cast during the fall and winter months. The Leica was on the first expedition to the North A native of St. Paul and a graduate of Pole, on the Zeppelin, and on the Gemini orbits; it is used by the military, by royalty, by scientists, by the University of Minnesota, he has been photographers, and by discriminating people a journalist for many years. He has writ- around the world. The Leica is a legend and a ten his own column, "Look and Listen," proven investment. PHOTO-VISUALS, INC. since 1948, and has been a member of 400 First Ave. No., Minneapolis, Minn. 332-2912 the WCCO broadcasting team since 1967. 16 SHOWCASE SUMMER 1980.

Copy Link

Recommended publications

Curriculum Vitae
Curriculum Vitae Lowell E. Graham 1058 Eagle Ridge El Paso, Texas 79912 Residence Work Home e-mail (915) 581-9741 (915) 747-7825 [email protected] Education Doctor of Musical Arts, Catholic University of America, 1977, Orchestral Conducting Graduate Studies in Music, University of Missouri at Kansas City, summers 1972 and 1973 Master of Arts, University of Northern Colorado, 1971, Clarinet Performance Bachelor of Arts, University of Northern Colorado, 1970, Music Education Military Professional Education Air War College, 1996 Air Command and Staff College, 1983 Squadron Officer School, 1977 Work Experience 2009 to Present Director of Orchestral Activities Music Director, UTEP Symphony Orchestra University of Texas at El Paso El Paso, Texas As the Director or Orchestral Activities I am responsible for the training and development of major orchestral ensembles at the university. I began a tradition of featuring faculty soloists as well as winners of the annual student Concerto Competition, now with an award offered by Olivas Music, providing the orchestra the opportunity to perform significant concerto literature as well as learning the art of accompanying. In 2012, I developed a new chamber orchestra called the “UTEP Virtuosi” focusing on significant string orchestra repertoire. I initiated a concert featuring music in movies and for stage in which that music is presented and integrated via multimedia with lectures and video. It has become the capstone event for the year featuring the artistry of faculty soloists and comments per classical music used in movies and music composed exclusively for that medium. Each year six performances are scheduled. Repertoire for each year covers all eras and styles.
[Show full text]
Information on Baltimore Symphony Orchestra’S Annual Gala
MORE INFORMATION ON BALTIMORE SYMPHONY ORCHESTRA’S ANNUAL GALA Jack Everly, conductor Jack Everly is the Principal Pops Conductor of the Baltimore and Indianapolis Symphony Orchestras, Naples Philharmonic Orchestra and National Arts Centre Orchestra (Ottawa), and the Music Director of the National Memorial Day Concert and A Capitol Fourth on PBS. Everly is the Music Director of Yuletide Celebration, now a 26‐year tradition. These theatrical symphonic holiday concerts are presented annually in December in Indianapolis and are seen by more than 40,000 concert‐goers. Originally appointed by Mikhail Baryshnikov, Mr. Everly was conductor of the American Ballet Theatre for 14 years, where he served as music director. Mr. Everly has teamed with Marvin Hamlisch in Broadway shows including The Goodbye Girl, They’re Playing Our Song, and A Chorus Line. He conducted Carol Channing hundreds of times in Hello, Dolly! in two separate Broadway productions. Mr. Everly has conducted the songs for Disney’s animated classic, The Hunchback of Notre Dame, and led the Czech Philharmonic on the recordings In the Presence and Sandi Patty’s 2011 release, Broadway Stories. He also conducted the critically praised Everything’s Coming Up Roses: The Complete Overtures of Broadway’s Jule Styne. In 1998, Jack Everly created the Symphonic Pops Consortium, serving as music director. The Consortium, based in Indianapolis, produces a new theatrical pops program each season. In the past 12 years, more than 225 performances of SPC programs have taken place across the U.S. and Canada. Maestro Everly holds an Honorary Doctorate of Arts from Franklin College in his home state of Indiana.
[Show full text]
2018-2019 SEASON September - November
EASTMAN • THE ATRE EASTMAN PERFORMANCE SERIES 2018-2019 SEASON September - November Eastman Presents Kilbourn Concert Series Eastman-Ranlet Series Fernando Laires Piano Series Barbara B. Smith World Music Series EXPERIENCE EASTMAN EXCELLENCE insidewhat’s Welcome From the Director | 3 Dawn Upshaw & Gilbert Kalish | 21 The Historian’s Corner | 6 Sandro Russo | 25 Cyro Baptista’s Banquet of the Spirits | 8 St. Lawrence Quartet | 28 Pink Martini | 12 Leila Josefowicz | 30 Ying Quartet | 17 Aritmia Duo | 32 CONTACT US: Location: Eastman School of Music - ESM 101 EASTMAN THEATRE BOX OFFICE Phone: (585) 274-1109 Mailing Address E-mail: [email protected] Eastman School of Music Concert Office 26 Gibbs Street Mike Stefiuk, Director of Concert Operations Rochester, NY 14604 Julia Ng, Assistant Director of Concert Operations Eastman Theatre Box Office Greg Machin, Ticketing and Box Office Manager 433 East Main Street Joseph Broadus, Box Office Supervisor Rochester, NY 14604 Christine Benincasa, Secretary Ron Stackman, Director of Stage Operations, Phone Eastman Theatre Eastman Theatre Box Office: (585) 274-3000 Jules Corcimiglia, Assistant Director of Stage Lost & Found: (585) 274-3000 Operations (Kodak Hall) Eastman Concert Office: (585) 274-1109 Daniel Mason, Assistant Director of Stage Hall Rentals: (585) 274-1109 Operations (Kilbourn Hall) Michael Dziakonas, Assistant Director of Stage Operations (Hatch Recital Hall) ADVERTISING This program is published in association with Onstage Publications, Onstage Publications 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the 937-424-0529 | 866-503-1966 publisher. JBI Publishing is a division of Onstage Publications, Inc.
[Show full text]
2001-2002 Contact Information WRITE Office of Admissions Pacific University 2043 College Way Forest Grove, OR 97116
College of Arts & Sciences 2001-2002 Contact Information WRITE Office of Admissions Pacific University 2043 College Way Forest Grove, OR 97116 CALL 503-359-2900 or toll-free 1-800-933-9308 Marsh Hall cover photo by Tania Hand © 2001 VISIT Pacific University has made every effort to ensure that the information is accurate at the www.pacificu.edu time of publication, but reserves the right to change the provisions in this catalog. This includes the right to discontinue courses, change E-MAIL requirements for admission and graduation, adjust fees or change any other regulation or policy in this catalog. The information and [email protected] policies in this catalog are for informational purposes only and do not constitute an agreement or contract between Pacific University and students, staff, or faculty. NOTICE OF NONDISCRIMINATION It is the policy of Pacific University not to discriminate on the basis of sex, disability, race, color, national origin, sexual orientation, age, religious preference, disabled veteran or Vietnam Era status in admission and access to, or treatment in employment, educational programs or activities as required by Title IX of the Education Amendments of 1072, section 504 of the Rehabilitation Act of 1973, Title VII of the Civil Rights act of 1964, the Age Discrimination Act, the Americans With Disabilities Act of 1990 and their implementing regulations. Questions or complaints may be directed to the Vice President for Academic Affairs, 2043 College Way, Forest Grove, Oregon 97116, 503-359-2215. Periodical Postage Paid at Forest Grove, Oregon © 2001 Pacific University. All rights reserved. 2 ❖ PACIFIC UNIVERSITY ❖ College of Arts & Sciences Catalog 2001-2002 ACCREDITATIONS & MEMBERSHIPS ■ Accreditation & Memberships ACCREDITATIONS MEMBERSHIPS Pacific University is accredited by the Pacific is a member of the National Commission on Colleges of the Northwest Association of Independent Colleges and Association of Schools and Colleges.
[Show full text]
A Portrait of Glenn Miller
A PORTRAIT OF GLENN MILLER Alton Glenn Miller (1904-1944) Produced by: DENNIS M. SPRAGG Updated April 2018 1 Alton Glenn Miller, 1904-1944 Produced by Dennis M. Spragg, with commentary from the GMA George T. Simon (1912-2001) Collection and Papers, Edward F. Polic Papers and Christopher Way Collection. Foreword By Harry Lillis “Bing” Crosby (1904-1977) “As the years go by, I am increasingly grateful that I was a tiny part of the era of the great swing bands. This was the golden age of popular music for me. They were all great, but I have to think that the Glenn Miller band was the greatest. Unlike so many of the others, Glenn was not a virtuoso instrumental soloist. And so instead of his horn he did it with great personnel and innovative harmonic experiments producing a sound that was his and his alone. Glenn employed a harmonization that was new and vastly different. If I even attempted a description of what he did, I would be immediately adrift. I think it was the way he voiced his instruments. It was just beautiful. And when you heard the sound, it was recognizable and memorable. It was just Glenn Miller. Glenn as a person was just as memorable. He was a very good personal friend, from the early days on, ever since he performed on some of the records I made with the Dorsey Brothers Orchestra during the early stages of my career. During World War II we were united for the last time, when I sang in London with his great AAF Orchestra.
[Show full text]
Ray Evans Papers Ms
Ray Evans papers Ms. Coll. 860 Finding aid prepared by Finding aid prepared by Juliette L. Appold; additions and editing by John F. Anderies. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2011 Ray Evans papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 6 Related Materials........................................................................................................................................... 7 Controlled Access Headings..........................................................................................................................7 Collection Inventory...................................................................................................................................... 9 Correspondence........................................................................................................................................9 Sheet music...........................................................................................................................................
[Show full text]
De 3334 0 13491 33342 7
DE 3334 0 13491 33342 7 Jean Sibelius (1865–1957) Symphony No. 7 in C Major, Op. 105 1. in einem satze ( in one movement) (21:59) Symphony No. 2 in D Major, Op. 43 [45:17] 2. Allegretto (10:17) 3. Tempo Andante, ma rubato (13:52) 4. Vivacissimo (6:28) 5. Allegro moderato (14:41) TOTAL PLAYING TIME : 67:16 JAMES DEPREIST , CONDUCTOR OREGON SYMPHONY Symphony No. 2 was recorded Live in the Arlene Schnitzer Concert Hall in Portland, Oregon, September 21–23, 2002 Executive Producers: Amelia S. Haygood, Carol Rosenberger DSD Editing and Mixing: Sony Sonoma Audio Workstation Recording Producer: Michael Fine Monitor Loudspeakers (recording): B & W Nautilus 805, Recording Engineer: Jeff Mee JBL LSR 28; (post-production): JBL 250Ti / LSR 28 Associate Engineer: Andrés Villalta Microphones: Sennheiser MKH series, THIS RECORDING WAS MADE POSSIBLE Assistant Engineer: Chris Landen Neumann KM184, AKG 451 Editing: Andrés Villalta Console: Spirit LX7 THROUGH THE GRETCHEN BROOKS Production Assistant: Tamra Saylor Fine DePreist Photos: C. Bruce Forster RECORDING FUND FOR THE OREGON SYMPHONY Recorded – Symphony No. 2: Live in Concert September 21–23, 2002, Arlene Schnitzer Concert Hall, Portland, Oregon; Creative Direction: Harry Pack, Tri Arts and Associates Symphony No. 7: June 10, 2003, Baumann Auditorium, Graphics: Mark Evans George Fox University, Newberg, Oregon Special thanks: Michael Johnson & the technical staff of the DSD Processing: Emm Labs ADC 8 Arlene Schnitzer Concert Hall. 7 & W 2004 Delos Productions, Inc., P.O. Box 343, Sonoma, California 95476-9998 (707) 996-3844 • Fax (707) 320-0600 • (800) 364-0645 • Made in USA • www.delosmusic.com NOTES ON THE PROGRAM Symphony No.
[Show full text]
Playbill Sep
2014–2015 SEASON PLAYBILL SEP. 17–OCT. 30 © The &oca&ola &ompany Ľ&okeľ and the &ontour Bottle are trademarks of The &oca&ola &ompany 2 /`ba 1S\bS` C;Oaa 4W\S ]T bVS ac^^]`bS` Wa O ^`]cR 1]QO1]ZO1 0Òd]0 / C ] a Wa A Notable Lifestyle Celebrating lifelong enjoyment of the arts Discover gracious, refined independent living in a social and dynamic environment. Meet passionate, enlightened residents–from academics to artists–that will inspire you. The Loomis Communities offer an unparalleled lifestyle with superior amenities and services—with the added peace of mind for the future that comes from access to LiveWell@Loomis. APPLEWOOD LOOMIS VILLAGE Amherst, MA South Hadley, MA 413-253-9833 413-532-5325 The Western Massachusetts www.loomiscommunities.org Pioneer in Senior Living 3 Insuring The Arts Play Onn Local Insurance Agency Local Insurance Agency InsuringYourWay.com 'MPSFODFt&BTUIBNQUPO Yo u CAN StudyStudSSttuddyy Abroad!AAbbror ad!d! ScholarshipsSScchhoollaarsrshhiippss availableavavaililababllee Education Abroad Advising Center (Open M – F, 10 a.m. – 4 p.m.) International Programs Office, Rm. 455 Hills South, across from Studio Arts Building www.ipo.umass.edu (413-545-5247) 4 5 Good thinking. NEW ENGLAND PUBLIC RADIO News. Classical. Jazz. Amherst / Springfield / Hartford .................................. WFCR 88.5 FM North Adams .................................................................................. 101.1 FM Great Barrington ............................................................................98.7 FM Lee ....................................................................................................98.3
[Show full text]
RCA Camden Label Discography the RCA Camden Label Was Started in 1953 As a Budget Label
RCA Discography Part 57 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Camden Label Discography The RCA Camden label was started in 1953 as a budget label. It was named after Camden New Jersey which was the manufacturing and distribution center of RCA Victor records. Much of the material released by Camden were reissues of albums released by RCA Victor, usually with a few less songs. Initially the label was used for classical releases but soon started releasing popular, country and comedy albums. Albums released by Camden included ones released by RCA of Canada using the same numbering system. These RCA of Canada albums were only distributed in Canada and were not listed in the Schwann catalogs. CAL 100 – Tchaikovsky: Nutcracker Suite/Saint-Saens: Carnival of the Animals – Warwick Symphony Orchestra [195?] CAL 101 – Prokofieff: Peter and the Wolf/Richard Strauss: Till Eulenspiegel’s Merry Pranks – Boston Symphony Orchestra [195?] CAL 102 – Beethoven: Symphony No. 3 in E-Flat (Eroica) – London Philharmonic Orchestra [195?] CAL 103 – Symphonies No. 5 Op. 67, C Minor (Beethoven) – Stattford Symphony Orchestra (London Philharmanic Orchestra) [1960] CAL 104 – Dvorak: Symphony No. 5 in E-Minor (New World) – Philadelphia Orchestra [195?] CAL 105 – Concert Classics – Warwick Symphony Orchestra [195?] Sibelius: Finlandia/Boccherini: Minuet/Haydn: 18th Century Dance/Bach: Fugue in G minor/Wagner: Lohengrin Act 1 Prelude; Magic Fire Music/Handel: Pastoral Symphony CAL 106 – Schubert: Symphony No. 8 Unfinished/Symphony No. 5 – Serge Koussevitzky, Boston Symphony Orchestra [195?] CAL 107 – Franck: Symphony in D Minor – San Francisco Symphony [195?] CAL 108 - Sibelius Symphony No.
[Show full text]
Jon Newton CV Full 2015
Jonathan Newton Curriculum Vitae (Through August, 2014) Recordings, scores, reviews, publications, online resources available upon request JONATHAN B. NEWTON Instructor of Music • Portland State University • Box 751 • Portland, OR 97207 503.725.3110 • [email protected] Prepared January, 2015 Education Master of Arts in Teaching, Music Emphasis, 2002-2003, Pacific University, Forest Grove, Oregon Bachelor of Arts, Music, 1971-72, 1976-77, Portland State University, Portland, Oregon General Studies, 1968-1971, University of Oregon, Eugene, Oregon Post-Baccalaureate Study Internship, Web Programming, 2009, Portline Web Development Courses in Computer & Web Programming, 2003-2009, Portland State University Private Study, Conducting & Musicianship, 1994-2002, Norman Leyden (Oregon Symphony) Employment 2003 - 2014 Instructor, Department of Music Music Technology Coordinator Portland State University, Portland, OR 1994 - 2001 Director Creative Development Music Director Will Vinton Studios, Portland, OR 1986 - 1994 Owner Music Production Supervisor, Head Composer Newton Bard Recording Studios, Portland, OR 1992 - 2005 Music Director Portland Rose Festival Coronation, Portland, OR 1988 - 1998 Music Director Portland Civic Theater, Portland, OR Musical Theater Company, Portland, OR 1972 - Present Music Performer and Producer Various Jon Newton, Curriculum Vitae Page 1 Refereed Publications or Other Creative Achievements Arrangement/Music Production For Theatrical Production Crescendo, musical arrangements for suite of vocal and orchestra pieces Performers: Beth Donnelly and Doug Feller, music director: Richard Bower The Kiss, original musical theater project Artists Repertory Theater, dir. Will Vinton, 2014 Life Could Be A Dream Milwaukee Repertory Theater, dir. Roger Bean, 2007 They Came From Way Out There Milwaukee Repertory Theater, dir. Malcolm Hillgarner, 2007 Why Do Fools Fall In Love? Milwaukee Repertory Theater, dir.
[Show full text]
BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S
IN THIS ISSUE: & An interview with GLENN MILLER ARRANGER NORMAN LEYDEN, Part 2 it Reviews of BOOKS AND BIG RECORDS to consider BAND it A new BAND SLOGAN BIG BAND TRIVIA QUIZ JUMP ★ LETTERS TO THE EDITOR about NEWSLETTER CLANCY LOWERED THE BOOM, ONE O'CLOCK JUM P, CHEROKEE and others BIG BAND JUMP NEWSLETTER FIRST-CLASS MAIL Box 52252 U.S. POSTAGE PAID Atlanta, G A 30355 Atlanta, GA Permit No. 2022 BIG BAND JUMP N EWSLETTER VOLUME 96 BIG BAND JUMP NEWSLETTER JANUARY-FEBRUARY 2005 INTERVIEW WITH GLENN MILLER ARRANGER NORMAN LEYDEN, PART 2 __________ THE BACKGROUND This is a continuation of the Norman Leyden interview as conducted by BIG BAND JUMP producer Dave Riggs. In the last issue composer/arranger/conductor Leyden told how he came to work for the Military Miller Band, the move to England to directly entertain the troops, the living conditions and the highlights of his experience there. We learned of the use of his arrangement of LONG AGO AND FAR AWAY for Glenn & Dinah in England singer Bing Crosby’s guest appearance with the orches tra and his work with vocalist Johnny Desmond. He going over my score. It was written especially for her explained how there were sub-groups which performed because she would have different keys. We did a lot of separately, enabling the Miller organization to average arrangements for visiting guests on the program, En three concerts a day in addition to radio broadcasts. glish mostly. But Dinah was one of them and Bing was another. Norman Leyden is considered one of the foremost authorities on Big Bands and the swing era, with over BBJ: Glenn Miller was always described as a very 300 of his Big Band arrangements in his library as well stem taskmaster and business man, well suited as 1,200 symphonic arrangements and a number of to military discipline.
[Show full text]
Tex Beneke 1946-1950
Glenn Miller Archives TEX BENEKE GLENN MILLER ORCHESTRA 1946-1950 Prepared by: Dennis M. Spragg Updated January 31, 2021 1 TABLE OF CONTENTS 1. 1946 5 PRELUDE 5 TEENTIMERS’ CLUB 12 THE MELLO LARKS 70 2. 1947 86 THE CHESTERFIELD SUPPER CLUB 112 3. 1948 172 ON THE BEAM 196 MASTER MUSIC CORPORATION 211 4. 1949 237 NBC THESAURUS TRANSCRIPTIONS 255 5. 1950 285 ACKNOWLEDGMENTS 318 The cover photograph of Tex Beneke is courtesy of the William Gottlieb Collection and the Library of Congress. SEE ALSO: TEX BENEKE INDEX 2 Archive Recordings The Glenn Miller Archive (GMA) maintains internal catalogs of the GMA Collections arranged by artist and broadcast type. The Tex Beneke-GMO discography is the first public document circulated by the GMA that includes references to GMA collection tapes and discs. There is duplication within the GMA collections of certain broadcast tapes and discs. In these cases, we document which collection or collections that the items are located in. The GMA identifies and catalogs the RCA Victor studio recordings by RCA Serial numbers. Broadcasts and transcriptions are cataloged by source (AFRS, CBS, NBC, etc.) Key To Abbreviations Radio ABC American Broadcasting Company AFRS Armed Forces Radio Service CBS Columbia Broadcasting System CSC Chesterfield Supper Club (AFRS Series R-13) HTV Here’s To Veterans MBS Mutual Broadcasting System MC Magic Carpet (AFRS Series R-4) NBC National Broadcasting Company ONS One Night Stand (AFRS Series R-25) OTB On The Beam (AFRS Series R-70) R Recording Exists Other GMA Glenn Miller Archive -b- Probable or possible broadcast time (if not verified) -p- Partial broadcast Personnel Personnel Changes are noted in BOLD 3 Donald Haynes, Glenn Miller, Marion Hutton and Gordon “Tex” Beneke 20th Century Fox Film Preview – 1942 (Glenn Miller Archive – Edward F.
[Show full text]