78 Rpm Recordings

Total Page:16

File Type:pdf, Size:1020Kb

78 Rpm Recordings 78 RPM RECORDINGS 216 Albums 10” Shellac: 196 12” Shellac: 12 10” Vinyl: 8 contact: [email protected] AMBROSE & HIS ORCHESTRA My Prayer / South Of The Border DECCA 2732 (1939) 10 inch Shellac, 2 tracks 01 My Prayer 02 South Of The Border ALBERT AMMONS AND HIS RHYTHM KINGS Twelfth Street Boogie / Kilroy Boogie MERCURY 8040 (1947) 10 inch Shellac, 2 tracks 01 Twelfth Street Boogie 02 Kilroy Boogie THE ANDREWS SISTERS Open Door - Open Arms / The Blossoms on the Bough DECCA 24822 (1949) 10 inch Shellac THE ANDREWS SISTERS; GUY LOMBARDO AND HIS ROYAL CANADIANS Winter Wonderland / Christmas Island DECCA 23722 (1946) 10 inch Shellac, 2 tracks 01 Winter Wonderland 02 Christmas Island THE ANDREWS SISTERS; VIC SCHOEN AND HIS ORCHESTRA Rum And Coca-Cola / One Meat Ball DECCA 18636 (1945) 10 inch Shellac, 2 tracks 01 Rum And Coca-Cola 02 One Meat Ball ANDY RUSSELL Love of My Life / Blue Shadows on the Trail CAPITOL RECORDS 15063 (1948) 10 inch Shellac VERNON ARCHIBALD The Heart Bowed Down / In Happy Moments COLUMBIA A5240 (1910) 12 inch Shellac LOUIS ARMSTRONG; JIMMY DORSEY Dipper Mouth Blues / Save It Pretty Mama DECCA 25155 10 inch Shellac Jazz JOHNNY AUGUST; DANNY MARTELL; SHELLEY GREY Why Don't You Believe Me IRENE RECORDS I-541 10 inch Vinyl, 0 tracks JOHNNY AUGUST; DANNY MARTELL; SHELLEY GREY; JACK SCHAEFER Somewhere Along The Way IRENE RECORDS I-537 10 inch Vinyl, 0 tracks GENE AUSTIN Ramona / Girl Of My Dreams VICTOR 21334 (1928) 10 inch Shellac, 2 tracks 01 Ramona 02 Girl Of My Dreams LINDA BAPTISTA Madalena / Filosofia Barata RCA VICTOR 80-0713 10 inch Shellac Samba CHARLIE BARNET AND HIS ORCHESTRA Over The Rainbow / Pan Americana CAPITOL RECORDS 57-744 10 inch Shellac Instrumental DAN BELLOC SEXTET; JERI SHANNON; THE NIGHTWINDS Meet Mr. Callahan IRENE RECORDS I-536 10 inch Vinyl, 4 tracks 01 Meet Mr. Callahan 02 Jambalaya 03 You Belong To Me 04 I Went To Your Wedding THE BENSON ORCHESTRA OF CHICAGO;; JOE RAYMOND AND HIS ORCHESTRA The Cat's Whiskers / Dirty Hands! Dirty Face! HIS MASTER'S VOICE B 1717 10 inch Shellac, 2 tracks Orchestra 01 Think Of Me 02 Yes, We Have No Bananas LEONCE BERGERET Les Rossignols de Verdun / Coucou, Rossignol, Pinson-Fantasie GRAMAPHONE K 1758 (1914) 10 inch Shellac BERLINER SYMPHONIE-ORCHESTER Triumphmarsch aus de Oper Aida SCHALLPLATTEN-VOLKSVERBAND 39 10 inch Shellac ORCHESTRA EDUARDO BIANCO Bandoneon! ODEON A 165 751 10 inch Shellac BLACK-OUT Ai Cachaca / Papai Adao CONTINENTAL 16.328 10 inch Shellac Samba CONNIE BOSWELL Stormy Weather / Gee! But I Hate To Go Home Alone DECCA 4046 10 inch Shellac CONNIE BOSWELL Sweethearts Or Strangers / I'll Keep Loving You DECCA 3959 (1941) 10 inch Shellac, 2 tracks 01 Sweethearts Or Strangers 02 I'll Keep Loving You ELTON BRITT AND THE SKYTOPPERS Make Room In Your Heart For A Friend / Detour RCA VICTOR 20-1817 (1946) 10 inch Shellac RANDY BROOKS AND HIS ORCHESTRA Without You/ Strange Love DECCA 18874 (1945) 10 inch Shellac, 2 tracks (06:08) 01 Harlem Nocturne 03:18 02 Thunder Rock 02:50 LES BROWN AND HIS ORCHESTRA Day By Day / Doctor, Lawyer, Indian Chief COLUMBIA 36945 (1946) 10 inch Shellac, 2 tracks 01 Day By Day 02 Doctor, Lawyer, Indian Chief LES BROWN AND HIS ORCHESTRA I Guess I'll Get The Papers / The Whole World Is Singing My Song COLUMBIA 37066 (1946) 10 inch Shellac, 2 tracks 01 I Guess I'll Get The Papers (And Go Home) 02 The Whole World Is Singing My Song CLIFF BRUNER'S TEXAS WANDERERS It Makes No Difference Now / I Hate To Lose You DECCA 5604 10 inch Shellac, 2 tracks 01 It Makes No Difference Now 02 I Hate To Lose You EARL BURNETT AND HIS LOS ANGELES BILTMORE HOTEL ORCHESTRA You Were Meant For Me / Broadway Melody BRUNSWICK 4231 (1930) 10 inch Shellac, 2 tracks 01 With You 02 Puttin' On The Ritz LOU BUSCH & HIS ORCHESTRA 11th Hour Melody / The Charming Mademoiselle From Paris, France CAPITOL RECORDS 3349 10 inch Shellac, 2 tracks (05:03) 01 11th Hour Melody 02:49 02 The Charming Mademoiselle From Paris, 02:14 France FRANCISCO CANARO Quien Tuviera 18 Anos / ODEON A 279 707 10 inch Shellac Tango THE CAPITOL JAZZMEN Clambake In B-Flat / I'm Sorry I Made You Cry CAPITOL CRITERION 10009 (1943) 10 inch Shellac, 2 tracks 01 Clambake In B-Flat 02 I'm Sorry I Made You Cry FRANKIE CARLE At The Piano... COLUMBIA C-23 (1942) 10 inch Shellac, 2 tracks 01 Barcarolle 02 Prelude In C Sharp Minor FRANKIE CARLE At The Piano... COLUMBIA C-23 (1942) 10 inch Shellac, 2 tracks 01 Twelfth Street Rag 02 Sweet Lorraine FRANKIE CARLE Frankie Carle And His Girl Friends COLUMBIA C-97 10 inch Shellac, 8 tracks (22:19) Frankie Carle And His Girl Friends - Disc 1 (05:20) 01 Ida (Sweet As Apple Cider) 02:39 02 Liza 02:41 Frankie Carle And His Girl Friends - Disc 2 (05:35) 01 Charmaine 02:50 02 Diane 02:45 Frankie Carle And His Girl Friends - Disc 3 (05:33) 01 Margie 02:48 02 Rose Marie 02:45 Frankie Carle And His Girl Friends - Disc 4 (05:51) 01 Louise 02:29 02 Josephine 03:22 DANNY CASSELLA & HIS ORCHESTRA Heart of My Heart / April May COLLEGIATE J-2956 10 inch Shellac CARMEN CAVALLARO Body and Soul DECCA A-441 (1946) 10 inch Shellac, 2 tracks 01 Body And Soul 02 You're Mine, You! CARMEN CAVALLARO Intermezzo / Concerto DECCA 25272 10 inch Shellac, 2 tracks 01 Intermezzo 02 Concerto CARMEN CAVALLARO AND HIS LATIN RHYTHMS Warsaw Concerto DECCA 18742 (1945) 10 inch Shellac, 2 tracks 01 Warsaw Concerto 02 A Love Like This THE PAGE CAVANAUGH TRIO The Three Bears RCA VICTOR 20-2085 10 inch Shellac, 2 tracks 01 The Three Bears 02 All Of Me CLEVELAND-ORPHEUS MALE CHROUS The Rosary / The Long Day Closes VICTOR 20328 (1926) 10 inch Shellac Chorus ROSEMARY CLOONEY; PERCY FAITH & HIS ORCHESTRA Be My Life's Companion / Why Don't You Love Me COLUMBIA 39631 10 inch Shellac, 2 tracks 01 Be My Life's Companion 02 Why Don't You Love Me THE COLUMBIA LIGHT SYMPHONY ORCHESTRA London Fantasia COLUMBIA DX 1204 12 inch Shellac, 2 tracks 01 London Fantasia - Part 1 02 London Fantasia - Part 2 COLUMBIA STELLAR QUARTETTE Way Down Yonder In The Cornfield/ S.R. Henry Barn Dance COLUMBIA A2427 (1917) 10 inch Shellac PERRY COMO Please Mr. Sun / Tulips And Heather RCA VICTOR 20-4453 (1952) 10 inch Shellac, 2 tracks 01 Please Mr. Sun 02 Tulips And Heather BING CROSBY I Didn't Slip, I Wasn't Pushed, I Fell DECCA 27018 (1950) 10 inch Shellac, 2 tracks (05:50) 01 I Didn't Slip, I Wasn't Pushed, I Fell 03:10 02 So Tall A Tree 02:40 BING CROSBY Riders In The Sky / Lullaby Land DECCA 24618 10 inch Shellac, 2 tracks 01 Riders In The Sky 02 Lullaby Land BING CROSBY; THE JEFFRY ALEXANDER CHORUS; VICTOR YOUNG & HIS ORCHESTRA You're In Love With Someone DECCA 24709 10 inch Shellac, 2 tracks 01 You're In Love With Someone 02 Top O' The Morning BING CROSBY; XAVIER CUGAT AND HIS ORCHESTRA You Belong To My Heart DECCA 23413 (1945) 10 inch Shellac, 2 tracks 01 You Belong To My Heart 02 Baia BOB CROSBY AND HIS ORCHESTRA Oh! You Crazy Moon / Melancholy Mood DECCA 2652 10 inch Shellac XAVIER CUGAT AND HIS ORCHESTRA Rumbas RCA VICTOR P67 10 inch Shellac, 2 tracks 01 Siboney - Rumba 02 Havana's Calling Me - Rumba XAVIER CUGAT AND HIS WALDORF- ASTORIA ORCHESTRA Conga With Cugat COLUMBIA C 74 (1941) 10 inch Shellac, 6 tracks Conga With Cugat - Disc 1 01 Farandole 02 Spring Song Conga With Cugat - Disc 2 01 Kee-Kee-Ree-Kee-Kee (Cock-A-Doodle-Doo) 02 I Love The Conga Conga With Cugat - Disc 3 01 Son Los Dandis 02 El Mondonguero EVELYN DALL My Wubba Dolly / Mr. Jones DECCA F.7410 10 inch Shellac VIC DAMONE Ivy / I Have But One Heart "O'marinariello" MERCURY 5053 (1947) 10 inch Shellac, 2 tracks 01 Ivy 02 I Have But One Heart "O'marinariello" DENNIS DAY Mister And Mississippi / A Trinket of Shiny Gold RCA VICTOR 20-4140 10 inch Shellac DORIS DAY; PERCY FAITH & HIS ORCHESTRA When I Fall In Love COLUMBIA 39786 (1952) 10 inch Shellac, 2 tracks 01 When I Fall In Love 02 Take Me In Your Arms DE GROOT AND THE PICADILLY ORCHESTRA Kentucky Babe / Peggy O'Neill HIS MASTER'S VOICE B 1411 10 inch Shellac NOEL DE SELVA AND HIS PAN- AMERICAN ORCHESTRA Juarez / Guadalajara PAN-AMERICAN PAN 003 10 inch Shellac RONNIE DEAUVILLE; GAYLE LARSON; VIC LOREN Three Coins In The Fountain TOPS R237 10 inch Vinyl, 0 tracks CLAUDE DEBUSSY; JOSEPH SZIGETI; ANDOR FOLDES Sonata No. 3 For Violin And Piano COLUMBIA MX-242 12 inch Shellac, 2 tracks 01 Sonata No. 3 For Violin And Piano 02 Clair De Lune GENE DERSIN AND HIS ORCHESTRA; NICK POWER White Christmas / The Day After Forever DECCA 8000 10 inch Shellac LEE DIXON; JOAN ROBERTS Kansas City DECCA 23285 10 inch Shellac, 2 tracks 01 Kansas City 02 Out Of My Dreams JIMMY DORSEY Manhattan Serenade / At The Cross-Roads (Malaguena) DECCA 18467 (1942) 10 inch Shellac, 2 tracks 01 Manhattan Serenade 02 At The Cross-Roads (Malaguena) JIMMY DORSEY AND HIS ORCHESTRA I Get Along Without You Very Well / It's Anybodys Moon DECCA 2322 10 inch Shellac, 2 tracks 01 I Get Along Without You Very Well 02 It's Anybodys Moon JIMMY DORSEY AND HIS ORCHESTRA I'm Getting Tired So I Can Sleep / Ev'ry Night About This Time DECCA 18462 (1942) 10 inch Shellac, 2 tracks 01 I'm Getting Tired So I Can Sleep 02 Ev'ry Night About This Time JIMMY DORSEY AND HIS ORCHESTRA My Devotion / Sorghum Switch DECCA 18372 (1942) 10 inch Shellac, 2 tracks 01 My Devotion 02 Sorghum Switch JIMMY DORSEY AND HIS ORCHESTRA When The Sun Comes Out / Yours DECCA 3657 (1941) 10 inch Shellac, 2 tracks 01 When The Sun Comes Out 02 Yours = Quiereme Mucho EDDY DUCHIN Eddy Duchin COLUMBIA C-32 10 inch Shellac, 2 tracks 01 Lover Come Back To Me 02 The Way You Look Tonight EDDY DUCHIN Nocturne In E Flat / Time On My Hands / April In Paris COLUMBIA 35703 10 inch Shellac,
Recommended publications
  • Pathe Phono & Radio Corp
    220 THE TALKING MACHINE WORLD NOVEMBER 15, 1924 ADVANCE RECORD BULLETINS FOR DECEMBER-(Continued from page 219) Arthur Fields Nathan Glantz and His Orch. I Don't Know Why-Fox-trot (Galvin -Coakley), Woogey Woo (Caddigan-Story)-Fox-trot, The Vagabonds California Melodic Syncopators Regal Records 5570 Sweet Little You (Bibo) Lange -McKay Orch. 10809 Me and the Boy Friend (Clare-Monaco)-Fox- DANCE RECORDS Tea for Two (Loumans) Lange -McKay Orch. trot Bar harbor Society Orch. 9719 All Alone-Waltz Bar Harbor Society Orch. POPULAR SONGS My Best Girl (Walter Donaldson)-Fox-trot, Georgia Lullaby-Waltz Imperial Dance Orch. 5559 Me and the Boy Friend (Clare-Monaco)-Orch. Bar Harbor Society Orch. 9720 I Wanna See My Tennessee-Fox-trot, Accomp. Aileen Stanley (Comedienne) SONG HITS California Ramblers I'm in Love With the Prince of Wales (Miller - 10800 All Alone (Irving Berlin)-Tenor Solor, Orch. Eliza-Fox-trot California Ramblers Conrad), Orch. Accomp., Accomp. Sydney Mitchell 9721 Bring Back Those Rock -a -Bye Baby Days-Fox- Aileen Stanley (Comedienne) Sing aLittle Song (Erdman-Chon-Westphal)---- trot Hollywood Dance Orch. 5563 Dreamer of Dreams (Kahn-Fiorito)-Orch. Ar Tenor Solo, Orch. Accomp Sydney Mitchell Manda (From "Chocolate Dandies")-Fox-trot, comp. The Tremaine Bros. 10807 BringBackThoseRock -a -Bye BabyDays California Ramblers Rock -a -Bye My Baby Blues (Yoell-Iii11)-Orch. (Christy-Silver-Bernie)-Baritone SoloOrch. 9722 Everything You Do-Fox-trot, Accomp. The Tremaine Bros. Accomp. Ernest Hare FOREIGN I'm Yearning for You (Frank Whittier)-Tenor Hollywood Dance Orch. (Spanish) Solo, Orch. Accomp. Sydney Mitchell In the Garden of To -morrow, S 5556 Lagrimas de Oro-Fox-trot (Juan Montemayor 10808 Who Wants a Bad Little Boy? (Fisher -Burke) Continental Dance Orch.
    [Show full text]
  • Billboard 1949-01-22B.Pdf
    SECTION TWO A SPECIAL SECTION FOR THE JUKE BOX OPERATOR JANUARY 22, 1949 UP YOUR TAKE By Increasing Your there's gold in them than hits - and CAPITOL has 'em- LOOK! 4, 'THE PUSSY CAT SONG 'POWDER YOUR FACE WITH SUNSHINE 'FAR AWAY PLACES' Nyow! Nyol Nyow!;' (SMILE! SMILE! SMILE!)' MARGARET WHITING and The Crew Chiefs JO STAFFORD and GORDON MacRAE With Orchestral Accompaniment And THE STARLIGHTERS with Orchestra 'ABSENCE MAKES THE HEART GROW FONDER (For Somebody Else)' 'MY OWN TRUE LOVE' 'I'LL STRING ALONG WITH YOU' DEAN MARTIN JO STAFFORD and GORDON MacRAE MARGARET WHITING With Paul Weston and His Orchestra With Frank DeVol and His Orchestra With Paul Weston and His Orchestra Capitol Record 15351 Capitol Record 15342 Capitol Record 15278 'WOULD YA? (eYah- eYah- eYah)' 'LAVENDER BLUE (Dilly Dilly)' 'YOU WAS' 'THE MATADOR' PEGGY LEE and DEAN MARTIN 'LET'S FLY' With Orchestra JOHNNY MERCER and THE PIED PIPERS JACK SMITH with The Clark Sisters 'SOMEONE LIKE YOU' With Pout Weston and His Orchestra Sheldon and His Orchestra And Earl PEGGY LEE with Orchestra Capitol Record 15337 Capitol Record 15225 Capitol Record 15340 'IS IT YES?' 'BRUSH THOSE TEARS FROM YOUR EYES' 'I LOVE YOU SO MUCH IT HURTS' 'ROSITA AND JOE' 'ROSE OF OLD PAWNEE' 'I DON'T WANT YOUR SYMPATHY' ANDY AND DELLA RUSSELL FOY WILLING JIMMY WAKELY With Orchestra And His Riders of The Purple Sage (Vocal by Jimmy Wokely with Cowboy Band) Capitol Record 15343 Capitol Record 15290 Capitol Record 15243 'MY DARLING, MY DARLING' THESE AND MANY MORE JO STAFFORD and GORDON MacRAE BOOTH #78 And THE STARCIGHTERS with Orchestra GREAT NEW RECORDINGS 'GIRLS WERE MADE TO TAKE COIN INDUSTRY CONVENTION ON THE WAY TO YOU! CARE OF BOYS' JANUARY 17-18-19 JO STAFFORD and GORDON MacRAE Capitol Record 15270 "BANK ON CAPITOL IN '49".
    [Show full text]
  • Recorded Music in American Life: the Phonograph and Popular Memory, 1890–1945
    Recorded Music in American Life: The Phonograph and Popular Memory, 1890–1945 William Howland Kenney OXFORD UNIVERSITY PRESS recorded music in american life This page intentionally left blank RECORDED MUSIC IN AMERICAN LIFE The Phonograph and Popular Memory, 1890–1945 William Howland Kenney 1 New York Oxford Oxford University Press Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1999 by William Howland Kenney Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Kenney, William Howland. Recorded music in American life : the phonograph and popular memory, 1890–1945 / William Howland Kenney. p. cm. Includes bibliographical references and index. ISBN 0-19-510046-8; 0-19-517177-2 (pbk.) 1. Popular music—Social aspects—United States. 2. Phonograph— Social aspects—United States. 3. Sound recording industry—United States—History. 4. Popular culture—United States—History—20th century. I. Title. ML3477.K46 1999 306.4'84—dc21 98-8611 98765 43 21 Printed in the United States of America on acid-free paper iv introductionDisclaimer: Some images in the original version of this book are not available for inclusion in the eBook.
    [Show full text]
  • Spinning the Record the Band Condon Put Together Remains His Greatest Achievement in Jazz, the Later Years at Nick’S Playing Chicago-Styled Dixieland Notwithstanding
    III. DEPRESSION, CHANGES AND GROWTH Sweet and soothing gives way to swing and power The Depression changed the entertainment and music industries worldwide. No longer were hot bands or crashing Beethovinian and Wagnerian climaxes sought after by the public; by and large, they wanted to be soothed, comforted by soft, sweet sounds. In such a world, the hot music of Morton, Parham, even Nichols and Ellington had to be softened down. Jelly Roll’s “Burnin’ the Iceberg” of 1929 gave way to “Harmony Blues” in 1930; Tiny Parham, whose music had been uncompromised hot or ethnically-influenced instrumentals, was forced to add a ballad singer; Nichols added several ballad singers, and Ellington went from the “Cotton Club Stomp” and “Shout ‘Em, Aunt Tillie” to such soothing sounds as “Mood In- digo,” “Solitude” and his Gershwin-influenced Victor recording of “Creole Rhapsody.” In such a world, the soft sounds of “lush” classical music, as exemplified by Koussev- itzky and Stokowski, reigned supreme, as did the popular bands of Guy Lombardo and Brit- isher Ray Noble. Of course, there was a difference in quality even among this company; by and large, Koussevitzky used his position and his orchestra to promote good music, whereas Stokowski used good music to promote his position and orchestra, and Ray Noble’s extraor- dinarily tasteful arrangements, which have miraculously stood the test of time, were far above the slurping, throbbing saxes of Guy Lombardo. But even Armstrong was affected and, in 1930, he fronted a large orchestra modeled on the Lombardo style. One critic put it this way: “His trumpet still says ‘yes, yes,’ but his orchestra says ‘no, no!’” Yet great art was still hanging in, if only by a thread, and a certain segment of the Ger- man, French, British and American publics still wanted hot jazz and great classical music.
    [Show full text]
  • WW Law Music Collection Circa 1918-1953, No
    1121-105-GSM-gau (USMARC) City of Savannah, Research Library & Municipal Archives, Savannah, Georgia [GSG (OCLC/LYRASIS)] Record Series #: 1121-105 Name: W. W. Law Music collection Dates: circa 1918-1953, no date Extent/Size: 43 boxes (22.23 cubic feet) Language: predominantly English Name of Creator(s): Westley Wallace Law (W. W. Law) Biographical History: W. W. Law (1923-2002) was a prominent Civil Rights leader, local historian, historic preservationist and community leader in Savannah, Georgia. Westley Wallace Law was born on January 1, 1923 in Savannah, Georgia, the oldest of three children of Geneva Wallace and Westley Law. He was greatly influenced by his mother, Geneva W. Law, grandmother, Lillie Belle Wallace, mentor, Reverend Ralph Mark Gilbert, and scoutmaster, John S. Delaware. Both Reverend Gilbert and John Delaware were officials in the Savannah chapter of the National Association for the Advancement of Colored People (NAACP). Law joined the NAACP Youth Council in high school and later served as its president. He attended Georgia State Industrial College (now Savannah State University) before being drafted into the U. S. Army during World War II. After he completed his military service, he finished his bachelor’s degree in biology. Law was a long-time boy scoutmaster for Troop 49 which was made up of boys from First Bryan Baptist Church, of which he was a member and Sunday school teacher. He was a mail carrier for the United States Postal Service for over forty years. From 1950-1976 Law served as President of the Savannah chapter of the NAACP. During the 1960s, he led weekly mass meetings at Bolton Street Baptist Church and St.
    [Show full text]
  • Song Inventory ‐ Alphabetical by Title Title Item # Genre Contributors Asset Date Description (Excerpt) Scherzo "Octette" (Op
    Record Series 1121‐105, W. W. Law Music Collection Song Inventory ‐ Alphabetical by Title Title Item # Genre Contributors Asset Date Description (Excerpt) Scherzo "Octette" (Op. 165) [1.]/ Andante with Variations 1 and 5 from "Octette" [2.] 185.2 Classical music Franz Peter Schubert (composer); Bruno Reibold (conductor); Victor Orchestra (artist) undated Side B: Victor; 24795‐B; n/a; 1. (Excerpt) Scherzo "Octette" (Op. 165)/ 2. Andante with Variations 1 and 5 from "Octette"; Franz Peter Schubert (1797‐ 1828)/ Bruno Reibold, conducting; Victor Orchestra; n/a (I love you) For Sentimental Reasons 072.2 Jazz Watson‐Best (composer); The King Cole Trio (artist)/ King Cole (artist) circa 1946 Side 2: Capitol; 304; Vocal by King Cole; (I Love You) For Sentimental Reasons; Watson‐Best; The King Cole Trio; 983 (I love you) For Sentimental Reasons 096.2 Jazz Watson‐Best (composer); The King Cole Trio (artist)/ King Cole (artist) circa 1946 Side 2: Capitol; 304; Vocal by King Cole; (I Love You) For Sentimental Reasons; Watson‐Best; The King Cole Trio; 983 (I Took A Trip On The Train And) I Thought About You 107.1 Jazz Jimmy Van Heusen‐Johnny Mercer (composer); Nellie Lutcher And Her Rhythm (artist) circa 1948 Side 1: Capitol; 15112; Vocal with Rhythm Accompaniment; I Thought About You; Jimmy Van Heusen‐Johnny Mercer; Nellie Lutcher And Her Rhythm; 2182z Saturday, April 02, 2016 Page 1 of 211 Title Item # Genre Contributors Asset Date Description (I Wonder Why) You're Just in Love; From Musical Production "Call Me Madam" 379.1 Popular music Irving
    [Show full text]
  • Song Inventory
    Record Series 1121‐105, W. W. Law Music Collection Song Inventory ‐ Alphabetical by Music Genre Genre Item # Title Contributors Asset Date Description Blues (music) 491.2 Any Woman's Blues Lovie Austin (composer); Bessie Smith (artist)/ Fletcher Henderson (artist) circa 1923 Side 2: Columbia; 13001D; Comedienne; Any Woman's Blues; Lovie Austin; Bessie Smith/ Fletcher Henderson at the Piano; 81283 489.1 Baby Doll Smith (composer); Bessie Smith (artist) circa 1926 Side 1: Columbia; 14147‐D; Vocal Cornet and Piano Accomp.; Baby Doll; Smith; Bessie Smith; 142147 501.2 Baby Get Lost Moore (composer); Dinah Washington (artist) circa 1949 Side 2: Mercury; 8148; Blues Vocal by Dinah Washington; Baby Get Lost; Moore; Dinah Washington; 2829 500.2 Back Water Blues Earl Hines‐Billy Eckstein (composer); Josh White (artist) undated Side B: Decca; 23582B; Vocal Blues with Guitar, Bass and Drums; Back Water Blues; Bessie Smith; Josh White; 72627 482.2 Blue Turning Grey Over You Thomas Waller‐Andy Razaf (composer); Billie Holiday (artist)/ Tiny Grimes' Sextet (artist) 1951 Side B: Aladdin; 3102; Vocal ‐ 2:00 ASCAP; Blue Turning Grey Over You; Thomas Waller‐Andy Razaf; Billie Holiday (Lady Day)/with Tiny Grimes' Sextet; WOR‐1683 Q 498.1 Blues At Sunrise Ivory Joe Hunter (composer); "Ivory" Joe Hunter (artist)/ with Johnny Moore's Three Blazers (artist) circa 1945 Side 1: Exclusive; 56x; Vocal with instr. Trio; Blues At Sunrise; "Ivory" Joe Hunter; "Ivory" Joe Hunter/ with Johnny Moore's Three Blazers; APS‐931 Saturday, April 02, 2016 Page 1 of 166 Genre Item # Title Contributors Asset Date Description 502.1 Boogie Woogie, on St.
    [Show full text]
  • Robert Johnson.Pdf
    MELOTONE MYTHOLOGY: ROBERT JOHNSON’S DIME STORE ISSUES By Roger Misiewicz and Helge Thygesen City. In October 1929, Herbert Yates, head of Consolidated Film Company, took control of ARC. In the following years, the company was a major player in a depressed record industry, buying failing labels at bargain prices to exploit their catalogues. In September 1935 the ARC special number system began. The first blues record - a Walter Roland record - was released with catalogue number 350912. In October the first blues record (a Buddy Moss record) was numbered 35-10-15, but in November the system found its final form as e.g. 5-11-58 (also a Buddy Moss record). The first digit denotes the year (1935), the next block denotes the month of the release and the last block denotes the serial number of the country, blues or gospel records released in the month. If a certain record has the serial number 58 it was the eighth release in that month. Race and country records started their serial numbering at 51, so the first country or race record released in December 1935 would carry a number like 5-12-51 (it is in fact a blues record by Pinewood Tom). The popular material released on the dime store labels had serial numbers beginning with 01. The catalogue number system lasted until April 1938 when production of the dime store labels was abandoned. Throughout the entire period the records sold at 25 cents. Have you ever wondered why you never see Robert Johnson’s records on Melotone? Maybe not, but if you have you will find Melotone and Perfect were the major labels among the dime the answer in this article where we present documentation for store group of labels.
    [Show full text]
  • J2P and P2J Ver 1
    DECEMBER 12, 1964 SEVENTIETH YEAR 50 CENTS Billboard The International Music-Record Newsweek ly RadioTV Programming Phono -Tap Merchandising Coln Machine Operating RCA Victor to Keep R&B Within Its Pop Operation By MIKE GROSS record concepts and there's no area with independent produc- need to categorize or separate ers and /or master purchases. NEW YORK -RCA Victor's any pop efforts. Decca, for example, has mapped pitch into the rhythm and blues This position is running out a campaign to assert itself THE DRIFTERS: Johnny Terry, Gene Pearson, Johnny Moore and Thomas. field will continue through its against the tide of recent moves more strongly in the r &h mar- Charles regular pop operation. Accord- made by several record compa- ket and has already latched on This great Atlantic group has an unending list of topselling singles and albums, ing to Victor's a&r executives, nies to get into the r &b groove to a number of indie producers including their current smash, "Saturday Night at the Movies." Some past hits the so- called r &b- oriented disks via subsidiary labels, or by mak- and is auditioning all comers are "Under the Boardwalk," "Up on the Roof," On Broadway," "Save the Last belong to the over -all pop ing a separate drive into that (Continued on page 10) Dance for Mt' and "There Goes My Baby." (Advertisement) Columbia Gets Decca Swings Into High Gear Dot Tightens Rights to Do With Wide Range of Projects Distrib Setup HOLLYWOOD - Dot Rec- NEW YORK - Decca Rec- Shel Talmy, and to further latest hits by the Hondells, ords has consolidated its North 'Luv' Caster ords is moving out on all fronts.
    [Show full text]