2012 South Beach Comedy Festival Presented by Joe Boxer Comes To
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Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
Television Sharknados and Twitter Storms
Television Sharknados and Twitter Storms: Cult Film Fan Practices in the Age of Social Media Branding Stephen William Hay A thesis submitted to Victoria University of Wellington in fulfilment of the regulations for the degree of Master of Arts in Media Studies Victoria University of Wellington 2016 Abstract This thesis examines the Syfy channel’s broadcast of the television movie Sharknado and the large number of tweets that were sent about it. Sharknado’s audience engaged in cult film viewing practices that can be understood using paracinema theory. Paracinema engagement with cult films has traditionally taken place in midnight screenings in independent movie theatres and private homes. Syfy’s audience was able to engage in paracinematic activity that included making jokes about Sharknado’s low quality of production and interacting with others who were doing the same through the affordances of Twitter. In an age where branding has become increasingly important, Syfy clearly benefited from all the fan activity around its programming. Critical branding theory argues that the value generated by a business’s brand comes from the labour of consumers. Brand management is mostly about encouraging and managing consumer labour. The online shift of fan practices has created new opportunities for brand managers to subsume the activities of consumers. Cult film audience practices often have an emphasis on creatively and collectively engaging in rituals and activities around a text. These are the precise qualities that brands require from their consumers. Sharknado was produced and marketed by Syfy to invoke the cult film subculture as part of Syfy’s branding strategy. -
Examensarbete Mall
Examensarbete 15 hp – Journalistik Nyheter på 10 sekunder En socialsemiotisk analys av CNNs stories på Snapchat Författare: Emma Öst Författare: Esmeralda Johansson Handledare: Mikael Rinaldo Examinator: Anette Forsberg Termin: HT15 Ämne: Journalistik Nivå: Kandidat Abstract Author: Emma Öst Author: Esmeralda Johansson Title: News in ten seconds. A social semiotic analysis of CNN’s stories on Snapchat. Location: Linnaeus University Language: Swedish Number of pages: 35 Journalism as we know it today is facing massive change. Technological advances have enabled new ways of delivering news which differ from traditional means in both practical and content-related matters. This bachelors thesis intended to obtain greater understanding of how journalistic content manifested itself on the new media platform Snapchat. We chose to conduct a socialsemiotic analysis of six of CNNs “stories” on the platform and their corresponding content on CNNs website. By doing this we could distinguish a signifigant change in both magnitude and form. Compared to the corresponding content the stories contained less information and indicated a higher level of sensation and dramatics. In addition we found that information not conveyed in the stories text could appear in other modalities such as image or music. This suggests a different way of storytelling in news media when distributed on this new platform. Nyckelord CNN, Snapchat, mediekonvergens, sensationsjournalistik, socialsemiotik, modalitet i Innehåll 1 Inledning ____________________________________________________________ -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
Celebrity Divorces Prostitutes Are Cheaper Than Gold Diggers
CELEBRITY DIVORCES PROSTITUTES ARE CHEAPER THAN GOLD DIGGERS Author: Doug Raynor / Artist: Jason Seiler A full color, fully illustrated, humor book with dozens of photo- graphs and caricatures of celebrities. The book is 8 ½˝ x 11˝ and hardcover. The book’s contents and its page count which will be either 256, 360, or 456 will be determined by the amount of money raised to finance the making of it via crowdfunding in a project on the Kickstarter website. Contact E-mail: [email protected] Website: golddiggersepidemic.com Facebook Page: facebook.com/pages/Gold-Diggers-Epidem- ic/1397423190506953 Twitter Page: twitter.com/golddiggersepidemic YouTube Channel: youtube.com/user/GoldDiggersEpidemic Google+ Page: plus.google.com/u/0/102592606408898586433/posts BOOK DESCRIPTION CELEBRITY DIVORCES: PROSTITUTES ARE CHEAPER THAN GOLD DIGGERS is a humor book poking fun at outrageously expensive celebrity divorces. Its premise is that celebrities who pay enormous divorce settlements to their gold digging ex-spouses would have been better off with the cheaper, CHAPTER DESCRIPTIONS no strings attached alternative of using prostitutes. In addition to the expensive divorces the book will also feature: Chapter 1: What Is A Gold Digger? Definition of the term gold digger and ways to recognize gold diggers. Casting a comical eye on the gold digging that occurs in May-December couples. Chapter 2: Prostitutes Are An Alternative! Commentaries on different aspects of prostitution including: Commentary about Charlie Sheen who enjoys a lifestyle that embraces the fact that prostitutes are cheaper •The Benefits Of Prostitution than gold diggers and is the poster boy for this philoso- •Why Does Marriage Exist? phy. -
City Research Online
CORE Metadata, citation and similar papers at core.ac.uk Provided by City Research Online City Research Online City, University of London Institutional Repository Citation: Littler, J. ORCID: 0000-0001-8496-6192 (2019). Mothers behaving badly: chaotic hedonism and the crisis of neoliberal social reproduction. Cultural Studies, doi: 10.1080/09502386.2019.1633371 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/22421/ Link to published version: http://dx.doi.org/10.1080/09502386.2019.1633371 Copyright and reuse: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. City Research Online: http://openaccess.city.ac.uk/ [email protected] Forthcoming in Cultural Studies 2019 Mothers behaving badly: Chaotic hedonism and the crisis of neoliberal social reproduction Jo Littler This article focuses on the significance of the plethora of representations of mothers ‘behaving badly’ in contemporary anglophone media texts, including the films Bad Moms, Fun Mom Dinner and Bad Mom’s Christmas, the book and online cartoons Hurrah for Gin and the recent TV comedy dramas Motherland, The Let Down and Catastrophe. All these media texts include representations of, first, mothers in the midst of highly chaotic everyday spaces where any smooth routine of domesticity is conspicuous by its absence; and second, mothers behaving hedonistically, usually through drinking and partying, behaviour that is more conventionally associated with men or women without children. -
It's Not About the Sex Ization and Queerness in Ellen and the Ellen Degeneres Show
It's Not About the Sex ization and Queerness in Ellen and The Ellen Degeneres Show MARUSYA BOClURKlW Cette auteure examine les analogies raciales et les juxtaposi- star, whose latest television incarnation is as host ofNBC tions employkes dans la reprhsentation de Eden Degeneres daytime talk show, The EhnDegeneres Show. I will discuss comme uedette de tklkuision lesbienne. Ily eut au dkbut une the ways in which, throughout the history of lesbian sortie du placard hyper rkaliste du personnage Ellen Morgan representation, excessively racialized images mark narra- b La tklkuision en 1977 et comme conclusion elle analyse les tive junctures where normalcy has been put into question. gestes qui sont la marque de Degeneres, quand elle anime son Further, the projection of sexuality onto racialized figures kmission * The Ellen Defeneres- Show a. L huteure uoit h is a way forwhiteness to represent, yet also dissociate itself, trauers l'bistoire de la reprksentation des lesbiennes, des from its (abnormal?)desires. Indeed, as the opening quote images trks racistes quand h normalitk est inuoquhe. to this paper implies, aleitmotifof Degeneres' and Heche's (her then new love interest) media interviews during- the 0prah: Okay, soyou saw Ellen across a crowdedroom... coming-out period was a bizarre denial of the sexual nature oftheir relationship. Historically,white femininity Anne Heche: Ifell in love with aperson. has frequently been represented as that which transcends the sexual "fallibility" of the body itself (Dyer). Richard Oprah: And felt, what, some kind of sexual attrac- Dyer writes that white women's "very whiteness, their tion, you felt sexually attracted to her. -
THE NATIONAL ACADEMY of TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS for the 44Th ANNUAL DAYTIME EMMY® AWARDS
THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES ANNOUNCES NOMINATIONS FOR THE 44th ANNUAL DAYTIME EMMY® AWARDS Daytime Emmy Awards to be held on Sunday, April 30th Daytime Creative Arts Emmy® Awards Gala on Friday, April 28th New York – March 22nd, 2017 – The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 44th Annual Daytime Emmy® Awards. The awards ceremony will be held at the Pasadena Civic Auditorium on Sunday, April 30th, 2017. The Daytime Creative Arts Emmy Awards will also be held at the Pasadena Civic Auditorium on Friday, April 28th, 2017. The 44th Annual Daytime Emmy Award Nominations were revealed today on the Emmy Award-winning show, “The Talk,” on CBS. “The National Academy of Television Arts & Sciences is excited to be presenting the 44th Annual Daytime Emmy Awards in the historic Pasadena Civic Auditorium,” said Bob Mauro, President, NATAS. “With an outstanding roster of nominees, we are looking forward to an extraordinary celebration honoring the craft and talent that represent the best of Daytime television.” “After receiving a record number of submissions, we are thrilled by this talented and gifted list of nominees that will be honored at this year’s Daytime Emmy Awards,” said David Michaels, SVP, Daytime Emmy Awards. “I am very excited that Michael Levitt is with us as Executive Producer, and that David Parks and I will be serving as Executive Producers as well. With the added grandeur of the Pasadena Civic Auditorium, it will be a spectacular gala that celebrates everything we love about Daytime television!” The Daytime Emmy Awards recognize outstanding achievement in all fields of daytime television production and are presented to individuals and programs broadcast from 2:00 a.m.-6:00 p.m. -
News Release
NEWS RELEASE NOMINEES ANNOUNCED FOR THE 47TH ANNUAL DAYTIME EMMY® AWARDS 2-Hour CBS Special Airs Friday, June 26 at 8p ET / PT NEW YORK (May 21, 2020) — The National Academy of Television Arts & Sciences (NATAS) today announced the nominees for the 47th Annual Daytime Emmy® Awards, which will be presented in a two-hour special on Friday, June 26 (8:00-10:00 PM, ET/PT) on the CBS Television Network. The full list of nominees is available at https://theemmys.tv/daytime. “Now more than ever, daytime television provides a source of comfort and continuity made possible by these nominees’ dedicated efforts and sense of community,” said Adam Sharp, President & CEO of NATAS. “Their commitment to excellence and demonstrated love for their audience never cease to brighten our days, and we are delighted to join with CBS in celebrating their talents.” “As a leader in Daytime, we are thrilled to welcome back the Daytime Emmy Awards,” said Jack Sussman, Executive Vice President, Specials, Music and Live Events for CBS. “Daytime television has been keeping viewers engaged and entertained for many years, so it is with great pride that we look forward to celebrating the best of the genre here on CBS.” The Daytime Emmy® Awards have recognized outstanding achievement in daytime television programming since 1974. The awards are presented to individuals and programs broadcast between 2:00 am and 6:00 pm, as well as certain categories of digital and syndicated programming of similar content. This year’s awards honor content from more than 2,700 submissions that originally premiered in calendar-year 2019. -
“You're the Worst Gay Husband Ever!” Progress and Concession in Gay
Title P “You’re the Worst Gay Husband ever!” Progress and Concession in Gay Sitcom Representation A thesis presented by Alex Assaf To The Department of Communications Studies at the University of Michigan in partial fulfillment of the requirements for the degree of Bachelor of Arts (Honors) April 2012 Advisors: Prof. Shazia Iftkhar Prof. Nicholas Valentino ii Copyright ©Alex Assaf 2012 All Rights Reserved iii Dedication This thesis is dedicated to my Nana who has always motivated me to pursue my interests, and has served as one of the most inspirational figures in my life both personally and academically. iv Acknowledgments First of all, I would like to thank my incredible advisors Professor Shazia Iftkhar and Professor Nicholas Valentino for reading numerous drafts and keeping me on track (or better yet avoiding a nervous breakdown) over the past eight months. Additionally, I’d like to thank my parents and my friends for putting up with my incessant mentioning of how much work I always had to do when writing this thesis. Their patience and understanding was tremendous and helped motivate me to continue on at times when I felt uninspired. And lastly, I’d like to thank my brother for always calling me back whenever I needed help eloquently naming all the concepts and patterns that I could only describe in my head. Having a trusted ally to bounce ideas off and to help better express my observations was invaluable. Thanks, bro! v Abstract This research analyzes the implicit and explicit messages viewers receive about the LGBT community in primetime sitcoms. -
Stand-Up Comedy in Theory, Or, Abjection in America John Limon 6030 Limon / STAND up COMEDY / Sheet 1 of 160
Stand-up Comedy in Theory, or, Abjection in America John Limon Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 1 of 160 Stand-up Comedy in Theory, or, Abjection in America 6030 Limon / STAND UP COMEDY / sheet 2 of 160 New Americanists A series edited by Donald E. Pease Tseng 2000.4.3 18:27 Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 3 of 160 John Limon Duke University Press Stand-up Comedy in Theory, or, Abjection in America Durham and London 2000 6030 Limon / STAND UP COMEDY / sheet 4 of 160 The chapter ‘‘Analytic of the Ridiculous’’ is based on an essay that first appeared in Raritan: A Quarterly Review 14, no. 3 (winter 1997). The chapter ‘‘Journey to the End of the Night’’ is based on an essay that first appeared in Jx: A Journal in Culture and Criticism 1, no. 1 (autumn 1996). The chapter ‘‘Nectarines’’ is based on an essay that first appeared in the Yale Journal of Criticism 10, no. 1 (spring 1997). © 2000 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ! Typeset in Melior by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data appear on the last printed page of this book. Tseng 2000.4.3 18:27 6030 Limon / STAND UP COMEDY / sheet 5 of 160 Contents Introduction. Approximations, Apologies, Acknowledgments 1 1. Inrage: A Lenny Bruce Joke and the Topography of Stand-Up 11 2. Nectarines: Carl Reiner and Mel Brooks 28 3. -
Regulatory Focus Theory and Reactions to Anti-Egalitarian Humor" (2013)
Bates College SCARAB Honors Theses Capstone Projects 5-2013 Regulatory Focus Theory and Reactions to Anti- Egalitarian Humor Stephanie Boyle Bates College, [email protected] Follow this and additional works at: https://scarab.bates.edu/honorstheses Recommended Citation Boyle, Stephanie, "Regulatory Focus Theory and Reactions to Anti-Egalitarian Humor" (2013). Honors Theses. 78. https://scarab.bates.edu/honorstheses/78 This Restricted: Embargoed [Open Access After Expiration] is brought to you for free and open access by the Capstone Projects at SCARAB. It has been accepted for inclusion in Honors Theses by an authorized administrator of SCARAB. For more information, please contact [email protected]. Running head: REGULATORY FOCUS THEORY AND REACTIONS 1 Regulatory Focus Theory and Reactions to Anti-Egalitarian Humor An Honors Thesis Presented to The Faculty of the Department of Psychology Bates College in partial fulfillment of the requirements for the Degree of Bachelor of Arts By Stephanie Boyle Lewiston, Maine REGULATORY FOCUS THEORY AND REACTIONS 2 Acknowledgments I would like to thank my advisor, Michael Sargent for his continuous support and dedication to this project. I would also like to thank Brian Pfohl for his assistance in creating the surveys. I would like to thank Rusty Epstein for doing the voice over for the PSA and Colin Kelley for helping to record it. Lastly, I would like to thank my family and friends for supporting me throughout this process. REGULATORY FOCUS THEORY AND REACTIONS 3 Table of Contents Chapter 1: General