Colloquium Program

Email: [email protected] Email:

Website: http://www.tau.ac.il/~cineconf/ Website:

The 14th Tel Aviv International Student Film Festival Film Student International Aviv Tel 14th The

The Open University of Israel Israel of University Open The

The Tel Aviv University Student Union Union Student University Aviv Tel The

The Israeli Friends of Tel Aviv University Aviv Tel of Friends Israeli The

Department of Philosophy, Tel Aviv University Aviv Tel Philosophy, of Department

The Rector of Tel Aviv University Fund University Aviv Tel of Rector The

The President of Tel Aviv University Fund University Aviv Tel of President The

The Porter Institute for Poetics and Semiotics and Poetics for Institute Porter The

The Minerva Institute for German History History German for Institute Minerva The

The Fund for Higher Education, AFTAU, NY NY AFTAU, Education, Higher for Fund The

The Karin Brandauer Chair for Visiting Professors in Theatre, Film and Television and Film Theatre, in Professors Visiting for Chair Brandauer Karin The

The Dan David Foundation Foundation David Dan The

The Ministry of Regional Cooperation Regional of Ministry The

The Embassy of France in Israel in France of Embassy The

Israel Ministry of Foreign Affairs, Division for Cultural and Scientific Affairs Affairs Scientific and Cultural for Division Affairs, Foreign of Ministry Israel

We gratefully acknowledge the generous support of: support generous the acknowledge gratefully We

Colloquium Administrators: Gil Alexandrony and Ariel Avissar Ariel and Alexandrony Gil Administrators: Colloquium

Boaz Hagin, Sandra Meiri, Judd Ne’eman, Raz Yosef, Anat Zanger Anat Yosef, Raz Ne’eman, Judd Meiri, Sandra Hagin, Boaz

Colloquium Committee: Ilan Avisar, Nitzan Ben-Shaul, Régine-Mihal Friedman, Nurith Gertz, Gertz, Nurith Friedman, Régine-Mihal Ben-Shaul, Nitzan Avisar, Ilan Committee: Colloquium

A talk with Israeli filmmaker Ram Loevy (in Hebrew). (in Loevy Ram filmmaker Israeli with talk A

War Crimes. Censorship. And Me. And Censorship. Crimes. War

Tel Aviv Cinematheque Aviv Tel

, 11:00-12:00 , 2012 June 8 Friday,

folklore, non-violent resistance, and the conflict (in Arabic with Hebrew Translation). Hebrew with Arabic (in conflict the and resistance, non-violent folklore,

Palestinian directors, actors and intellectuals will discuss Palestinian cinema and its relation to to relation its and cinema Palestinian discuss will intellectuals and actors directors, Palestinian

Seminar on Palestinian Cinema Cinema Palestinian on Seminar

Tel Aviv University, Mexico Building, Room 213 Room Building, Mexico University, Aviv Tel

, 10:00-16:30 , 2012 June 4 Monday, Special events in collaboration with the 14th International Student Film Festival: Film Student International 14th the with collaboration in events Special

Yolanda and David Katz Faculty of the Arts Department of Film and Television Framing the Cinematic Calendar: Grids and Timelines of the Moving Image The Ninth Tel Aviv International Colloquium on Cinema and Television Studies 5-7 June 2012, Tel Aviv University Tuesday, 5 June 2012 Wednesday, 6 June 2012 Thursday, 7 June 2012 9:30–09:45 10:00–11:45 10:00–11:00 Mexico Building, Room 206a Mexico Building, 206a Mexico Building, Room 206a Greetings Documenting Time Plenary Lecture Hannah Naveh, Dean, Faculty of Arts, Tel Aviv University Raz Yosef, Head of the B.A. Cinema Studies Program, Chair: Yael Munk (The Open University of Israel) Chair: José Brunner (Tel Aviv University) Tel Aviv University Scott Anthony (University of Cambridge) Anton Kaes (University of California, Berkeley) 09:45–11:15 Calendar of the Year: The Timeless Visions of the GPO Kracauer and Weimar Cinema, 1944-1946 Film Unit Mexico Building, Room 206a 11:15–12:45 Histories of Violence Shmulik Duvdevani (Tel Aviv University) Mexico Building, 206a Chair: Orly Lubin (Tel Aviv University) “Life in a Day/Day in a Life” – The Crowd Sourced Haunted Memories Documentary and the Observational Mode Philip Rosen (Brown University) Chair: Ilan Avisar (Tel Aviv University) Punctual Violence Anna Magdalena Elsner (University of Oxford) “De jour en jour” (from day to day) – Documenting Times Nitzan Ben-Shaul (Tel Aviv University) Nurith Gertz (The Open University of Israel) of Illness in Hervé Guibert’s La pudeur ou l’impudeur Inglourious Basterds: Optional Thinking and Time and the Ethical Turn in the New Israeli Cinema (1990) Counterfactual History in Movies Meir Wigoder (Sapir College; Tel Aviv University) 10:00–11:45 Miri Talmon (Tel Aviv University; Nazareth Academic End Game: The Lynching of Muammar Kaddafi and the Mexico Building, 209 Institute) Death of Photography Cinematic Timelines Personal Memories, Collective Agendas: Novel Visions of the 1970s in Israeli Cinema 11:30–12:30 Chair: Noam Yoran (The College of Management Mexico Building, Room 206a Academic Studies; Tel Aviv University) Helene Meyers (Southwestern University) Plenary Lecture The Unmarked Chains of Paper Clips Nir Kedem (Tel Aviv University) Chair: Régine-Mihal Friedman (Tel Aviv University) 1991: Queering the Time-Image, or the Transformation of 11:15–12:45 Minor Cinema Mexico Building, 209 Pierre Sorlin (L’Université Sorbonne Nouvelle – More Than a Feeling Paris 3) Kamil Lipiński (Adam Mickiewicz University) Film, Time, Memory Photographic Images in Series in the Narrative Archives Chair: Odeya Kohen Raz (Tel Aviv University) of Jean-Luc Godard 14:00–15:30 Ohad Landesman (Tel Aviv University) Mexico Building, 206a Inbar Shaham (Open University of Israel) Clockwork Models and Millennial Dystopia in Stanley Temporalities of Loss Planning and Spontaneity in Military Operation Films Kubrick’s Eyes Wide Shut and in Adventure Films Chair: Raz Yosef (Tel Aviv University) Hila Avraham (Tel Aviv University) 12:00–13:00 Old Age Made Tangible: A Tactile Approach to Cinema Idit Alphandary (Tel Aviv University) Mexico Building, Room 206a Gal Hermoni (Tel Aviv University; Sapir College) Remembering and Mourning in Nowhere in Africa by Plenary Lecture Caroline Link Not Crash, But Friction: “Haptic Aurality” as Erotic Chair: Raya Morag (The Hebrew University of Jerusalem) Temporality in David Cronenberg’s Crash Sandra Meiri (The Open University of Israel) Parallel Chronologies – On the Historical Coincidence of Gertrud Koch (Freie Universität Berlin) 14:15–15:45 the Eichmann Trial and the Stalags Framing the Mass in Cinema: In and Off Screen Mexico Building, Room 206a Framing Technologies Odeya Kohen Raz (Tel Aviv University) 14:30–16:30 The Ethics of “Vertical Time”: Traumatic Memory and Mexico Building, Room 206a Chair: Boaz Hagin (Tel Aviv University) Reenactment in Documentary Holocaust Films Cartographies of Israeli Media Markos Hadjioannou (Duke University) 14:00–15:30 Chair: Nitzan Ben-Shaul (Tel Aviv University) Refractions of the World: The Animating Effects ofWaltz Mexico Building, 209 with Bashir The Ends of the World Raya Morag (The Hebrew University of Jerusalem) Israeli and Palestinian Documentary Intifada Cinema: Alla Gadassik (Northwestern University) Chair: Shmulik Duvdevani (Tel Aviv University) From Roadblock to “Blood Relation” Films Establishing the Keyframe: Animation, Cinematography, and the Organization of Movement Ulrike Hanstein (Bauhaus-Universität Weimar) Yael Munk (The Open University of Israel) Constellations: Planets, Earthlings, and Figurative Time and Liat Savin (Bar Ilan University) Doron Galili (Oberlin College) Shifts in Melancholia and The Tree of Life Postwar in the City – Some Observations on Tel Aviv in End-Points and Blind-Spots in Media Theory Modernist Cinema and Architecture of the 1960’s Julian Hanich (Freie Universität Berlin) 16:00–17:45 Including What’s Excluded: Suggested Horror and the Boaz Hagin (Tel Aviv University) Mexico Building, Room 206a Contemporary Cinema of Violence Don’t Mess with the Ouija Board: Motivations for a Art/Cinema: Film and the Aesthetic Transnational Remapping of Israeli Cinema Miklos Sukosd (The University of Hong Kong) Chair: Idit Alphandary (Tel Aviv University) Chronologic, Ecologic, Media Logic: The End of the World Laliv Melamed (New York University) Carol Jacobs (Yale University) in Film and Television Coordinates of Intimacy: Exercising National Cartography Framing the Anagram: Atom Egoyan’s Artaud Double Bill in Memorial Day’s Programming Schedule 15:45–18:00 Nicholas Baer (University of California, Berkeley) Mexico Building, Room 206a 17:00–19:00 Time and History in Hans Richter’s Weimar Oeuvre Mapping the Medium Mexico Building, Room 206a A Time and a Season: Exploring Cinematic Durations Régine-Mihal Friedman (Tel Aviv University) Chair: Judd Ne’eman (Tel Aviv University) Old Cosmogonies and Historical Epochs: The Mill and the Chair: Sandra Meiri (The Open University of Israel) Henry Sussman (Yale University) Cross (2010) from Bruegel to Majewski The Book as Cinema: Running Captions, Embedded Eli Friedlander (Tel Aviv University) Windows, Layering, and Other Devices in Seasons and Fate in Terrence Malick’s Days of Heaven Peter Greenaway’s The Pillow Book Orna Raviv (Tel Aviv University) Michael Renov (University of Southern California) The Good of Summer Indexical Time: Narrativity and the Novelistic in the Longitudinal Documentary Noa Merkin (Tel Aviv University) Stillness and Motion in Truffaut’sJules et Jim Lynne Joyrich (Brown University) Tubular Vision: The Ins and Outs of Television Studies Judd Ne’eman (Tel Aviv University) Desert Sun in Light of the Moon Daniel Dayan (CNRS/EHESS, Paris) Images of Events, Images in Events: Films, Photographs and “Political Semiotics” 18:10–19:10 Mexico Building, Room 206a Plenary Lecture Chair: Nurith Gertz (The Open University of Israel) Thomas Elsaesser (University of Amsterdam) Time Warps and Time Exposures: 1979, Fassbinder, and The Third Generation