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Reading Group Guide Spotlight
Spotlight on: Reading Group Guide Revolutionary Road Author: Richard Yates Born February 3, 926, in Yonkers, NY; died of Name: Richard Yates emphysema and complications from minor Born: 926 surgery, November 7, 992, in Birmingham, AL; son of Vincent M. (a sales executive) and Ruth (Maurer) Yates; married Sheila Bryant, 948 (divorced, 959); married Martha Speer, 968 (divorced, 974); children: Sharon, Monica, Gina. Military/Wartime Service: U.S. Army, 944-46. Career: United Press Association, New York City, financial reporter, 946- 48; Remington Rand, Inc., New York City, publicity writer, 948-50; freelance public relations writer, 953-60; New School for Social Research, New York City, teacher of creative writing, 959-62; Columbia University, New York City, teacher of creative writing, 960-62; United Artists, Hollywood, screenwriter, 962; U.S. Attorney General Robert Kennedy, Washington, DC, speech writer, 963; University of Iowa, Iowa City, lecturer, 964-65, assistant professor of English, 966- 92; Columbia Pictures, Hollywood, screenwriter, 965-66; Wichita State University, writer in residence, 97-72; taught at Harvard Extension, Columbia University, and Boston University. Awards: Atlantic Firsts award, 953; National Book Award nomination for Revolutionary Road; Guggenheim fellowship, 962, 98; American Academy Grant, 963; National Institute of Arts and Letters grant, 963 and 975; Creative Arts Award, Brandeis University, 964; National Endowment for the Arts grant, 966, and award, 984; Rockefeller grant, 967; Rosenthal Foundation award, 976; National Magazine Award for Fiction, 978, for “Oh, Joseph, I’m So Tired.” Writings: Novels: Revolutionary Road, Atlantic-Little, Brown, 96. A Special Providence, Knopf, 969. Disturbing the Peace, Delacorte, 975. -
Stephen Colbert's Super PAC and the Growing Role of Comedy in Our
STEPHEN COLBERT’S SUPER PAC AND THE GROWING ROLE OF COMEDY IN OUR POLITICAL DISCOURSE BY MELISSA CHANG, SCHOOL OF PUBLIC AFFAIRS ADVISER: CHRIS EDELSON, PROFESSOR IN THE SCHOOL OF PUBLIC AFFAIRS UNIVERSITY HONORS IN CLEG SPRING 2012 Dedicated to Professor Chris Edelson for his generous support and encouragement, and to Professor Lauren Feldman who inspired my capstone with her course on “Entertainment, Comedy, and Politics”. Thank you so, so much! 2 | C h a n g STEPHEN COLBERT’S SUPER PAC AND THE GROWING ROLE OF COMEDY IN OUR POLITICAL DISCOURSE Abstract: Comedy plays an increasingly legitimate role in the American political discourse as figures such as Stephen Colbert effectively use humor and satire to scrutinize politics and current events, and encourage the public to think more critically about how our government and leaders rule. In his response to the Supreme Court case of Citizens United v. Federal Election Commission (2010) and the rise of Super PACs, Stephen Colbert has taken the lead in critiquing changes in campaign finance. This study analyzes segments from The Colbert Report and the Colbert Super PAC, identifying his message and tactics. This paper aims to demonstrate how Colbert pushes political satire to new heights by engaging in real life campaigns, thereby offering a legitimate voice in today’s political discourse. INTRODUCTION While political satire is not new, few have mastered this art like Stephen Colbert, whose originality and influence have catapulted him to the status of a pop culture icon. Never breaking character from his zany, blustering persona, Colbert has transformed the way Americans view politics by using comedy to draw attention to important issues of the day, critiquing and unpacking these issues in a digestible way for a wide audience. -
Crossmedia Adaptation and the Development of Continuity in the Dc Animated Universe
“INFINITE EARTHS”: CROSSMEDIA ADAPTATION AND THE DEVELOPMENT OF CONTINUITY IN THE DC ANIMATED UNIVERSE Alex Nader A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2015 Committee: Jeff Brown, Advisor Becca Cragin © 2015 Alexander Nader All Rights Reserved iii ABSTRACT Jeff Brown, Advisor This thesis examines the process of adapting comic book properties into other visual media. I focus on the DC Animated Universe, the popular adaptation of DC Comics characters and concepts into all-ages programming. This adapted universe started with Batman: The Animated Series and comprised several shows on multiple networks, all of which fit into a shared universe based on their comic book counterparts. The adaptation of these properties is heavily reliant to intertextuality across DC Comics media. The shared universe developed within the television medium acted as an early example of comic book media adapting the idea of shared universes, a process that has been replicated with extreme financial success by DC and Marvel (in various stages of fruition). I address the process of adapting DC Comics properties in television, dividing it into “strict” or “loose” adaptations, as well as derivative adaptations that add new material to the comic book canon. This process was initially slow, exploding after the first series (Batman: The Animated Series) changed networks and Saturday morning cartoons flourished, allowing for more opportunities for producers to create content. References, crossover episodes, and the later series Justice League Unlimited allowed producers to utilize this shared universe to develop otherwise impossible adaptations that often became lasting additions to DC Comics publishing. -
Jennifer Daly Trinity College Dublin [email protected] Remembering Who
Jennifer Daly Trinity College Dublin [email protected] Remembering Who You Are: Memory and Deception in Revolutionary Road This paper is part of a wider project which seeks to challenge the accepted narrative of a crisis in American masculine identity through the prism of fiction since the 1950s. The increased influence of psychoanalysis and a general move toward a therapeutic culture began in the 1950s. Since then the dominant theory has been to position the men of the United States in a state of crisis borne out of increased freedom for women, the modernisation of society, technological advancements, and the promotion of a consumer driven culture. As a result, the crisis narrative has assumed a position as an accepted memory for masculinity studies. This paper will question the validity of the “masculinity in crisis” theory through an analysis of the Richard Yates novel Revolutionary Road. Yates regularly allows his characters to indulge in fantasies of how a particular situation will play out, but reality rarely matches what they imagine. They consistently dream about better, more exciting lives for themselves, spurred on by the pressures of a society that celebrates the individual while at the same time demanding that individual conform to the national stereotype of the American dream. Frank Wheeler, the protagonist, is particularly guilty of this to the point that his memories of events are subject to the same fantastic qualities until tragedy strikes and he is forced to embrace the reality of his situation. This paper will thus seek to interrogate the collective memory that has grown up around the theory of a crisis in masculinity in the United States. -
Core Collections in Genre Studies Romance Fiction
the alert collector Neal Wyatt, Editor Building genre collections is a central concern of public li- brary collection development efforts. Even for college and Core Collections university libraries, where it is not a major focus, a solid core collection makes a welcome addition for students needing a break from their course load and supports a range of aca- in Genre Studies demic interests. Given the widespread popularity of genre books, understanding the basics of a given genre is a great skill for all types of librarians to have. Romance Fiction 101 It was, therefore, an important and groundbreaking event when the RUSA Collection Development and Evaluation Section (CODES) voted to create a new juried list highlight- ing the best in genre literature. The Reading List, as the new list will be called, honors the single best title in eight genre categories: romance, mystery, science fiction, fantasy, horror, historical fiction, women’s fiction, and the adrenaline genre group consisting of thriller, suspense, and adventure. To celebrate this new list and explore the wealth of genre literature, The Alert Collector will launch an ongoing, occa- Neal Wyatt and Georgine sional series of genre-themed articles. This column explores olson, kristin Ramsdell, Joyce the romance genre in all its many incarnations. Saricks, and Lynne Welch, Five librarians gathered together to write this column Guest Columnists and share their knowledge and love of the genre. Each was asked to write an introduction to a subgenre and to select five books that highlight the features of that subgenre. The result Correspondence concerning the is an enlightening, entertaining guide to building a core col- column should be addressed to Neal lection in the genre area that accounts for almost half of all Wyatt, Collection Management paperbacks sold each year.1 Manager, Chesterfield County Public Georgine Olson, who wrote the historical romance sec- Library, 9501 Lori Rd., Chesterfield, VA tion, has been reading historical romance even longer than 23832; [email protected]. -
Chapter I Introduction
CHAPTER I INTRODUCTION A. Background of the Study One of interesting literary theories is Psychology. Psychoanalysis is a branch of psychology that methodology of studying mental process and mental behavior. Psychoanalysis related to structural, process and developmental change. Basically, Psychology has the relation between people behavior and the other human. It comprises everything related to the feeling, thought, behavior, ideas, etc. related to the psychology, every person are created with different personalities. The quality of personality is being a person. Personality is deeper than character. It does not confine itself to an organized expression as character does. In a movie, the personality of the main character is interesting object for the researcher to analyze. Personality in a movie is closely related to personal psychological behavior, because it is shown many ways, like actions, dialogues, attitudes, and characteristics that influence the personality. It means that character can influence personality, but personality is unchanging. Wellek and Werren (1956: 31) in theory of literature state that literature has function as the duce and the utile. They said that the work of literature is successful, the two “notes” of pleasure and utility should not coexist but coalesce. The pleasure of literature need to maintain is not one of 1 2 preferences among along list of possible pleasure but also a “higher-pleasure” because pleasure is higher kind of activity, i.e. non-acquisitive contemplation. Personality is defined by the particular concepts a theorist uses to describe or understand human behavior. According to Pervin (1984: 2) the field of personality is concerned with the total individual and with individual differences. -
Richard Yates’ “Builders” and Questions of the Autobiographical Content of His Work
.........................................................................................CROSSROADS. A Journal of English Studies 32 (2021) (CC BY-NC-SA 4.0) KARL WOOD1 DOI: 10.15290/CR.2021.32.1.04 Kazimierz Wielki University in Bydgoszcz, Poland ORCID: 0000-0002-4042-1307 A window into short- -story construction: Richard Yates’ “Builders” and questions of the autobiographical content of his work Abstract. Richard Yates, most remembered for his Revolutionary Road (1961), was also the author of two fine and exceptionally well-crafted collections of short stories, Eleven Kinds of Loneliness (1963) and Liars in Love (1981). Yates was a writer of exceptional perception and unflinching clarity, yet some have criti- cized his work as drawing too heavily on autobiographical content. This article seeks to examine Yates’ 1963 story “Builders” to gain insight into this extraordinary author’s understanding of the writing pro- cess, his use of autobiographical or semi-autobiographical content, and to suggest new approaches for work on this still under-appreciated twentieth century author. Keywords: Richard Yates, autofiction, self-narrative, short stories Richard Yates, an author whose name often evokes a vague sense of familiarity, is most often remembered for his 1961 first novel Revolutionary Road, accompanied by a sense that this was an important and fine author, yet one who remains on many bucket lists of works to be read, someday, when time permits. This is an improvement over the situa- tion at the turn of the century, when Richard Ford commented that Yates was a kind of “cultural-literary secret handshake” (2000: 16), with his work largely out of print, leading Stewart O’Nan (1999) to remark that “to write so well and be forgotten is a terrifying legacy.” Over the past twenty years or so, however, prompted by the advocacy of several of his students, there has been a small renaissance in the appreciation of Yates. -
YA Crossovers: Adult Books for Teen Readers, Teen Books for Adults
YA Crossovers: Adult Books for Teen Readers, Teen Books for Adults Rebecca Vnuk, Editor, Collection Management and Library Outreach, Booklist www.booklistonline.com/live-events Basic RA Passive RA Challenges of YA-RA Finding Book Recommendations: Using Booklist and Novelist for YA-RA Adult Crossover Titles for Young Adults Young Adult Crossover Titles for Adults Resources Poll: How many of you have had any “formal” training working with either young adults or YA materials? Basic RA Connecting with the reader What are they looking for? Appeal Elements Pacing Mood Setting But also… Genre Authors Connecting via Doorways A book with story as its biggest doorway is one that readers describe as a page-turner, a book that they can’t put down because they desperately want to discover what happens next. A book with character as its biggest doorway is a book in which readers feel so connected with the characters that when the book is over they feel they’ve lost someone dear to them. Readers of novels in which setting is most prominent say things like “I felt like I was there.” A book in which language is the major doorway leads readers to utter sentences like “I read more slowly because I wanted to savor the language” or “I’m not even sure what the book is about, but I loved the way the author wrote.” -Nancy Pearl The “RA Interview” for Teens (courtesy of Heather Booth) Small Talk: Keep the interaction light and low-pressure Determine requirements/interest level Make your pitch Make your exit Check back in Displays: Useful to the Patrons, Equally -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities. -
Valiant Entertainment and Sony Pictures Today Announced a Deal To
Valiant Entertainment and Sony Pictures today announced a deal to bring two of Valiant's award-winning comic book superhero franchises— BLOODSHOT and HARBINGER—to the big screen over the course of five feature films that will culminate in the shared universe crossover film, HARBINGER WARS. BLOODSHOT, arriving in theaters in 2017, will kick off the five-picture plan leading to HARBINGER WARS and will be directed by David Leitch & Chad Stahelski (John Wick) from a script by Jeff Wadlow (Kick Ass 2) and Eric Heisserer (Story of Your Life). Neal H. Moritz and Toby Jaffe fromOriginal Film (The Fast and the Furious franchise) and Dinesh Shamdasani from Valiant Entertainment will produce the film. Matthew Vaughn and Jason Kothari will serve as executive producers. HARBINGER will follow shortly thereafter from a script by Eric Heisserer (Story of Your Life). Sony and Valiant remain tight-lipped about potential directors. Neal H. Moritz and Toby Jaffe from Original Film(The Fast and the Furious franchise) and Dinesh Shamdasani from Valiant Entertainment will produce. Both BLOODSHOT and HARBINGER will be followed by sequels before the title characters confront each other head on in HARBINGER WARS—a motion picture directly inspired by Valiant’s critically acclaimed 2013 comic book crossover of the same name. Andrea Giannetti will oversee the five- picture HARBINGER WARS initiative for Sony Pictures. “Valiant is one of the most successful publishers in the history of comics, and Neal is one of the best action producers in the business today. This is a formidable partnership that will bring two incredibly commercial franchises with global appeal together on the big screen,” said Sony Entertainment Motion Picture Group President Doug Belgrad. -
Breathing New Life Into Comic Collections
BREATHING NEW LIFE INTO COMIC COLLECTIONS: DRAWN & QUARTERLY’S CHOICE TO REFORMAT & REPUBLISH FOR A YOUNG READERSHIP by Gillian Cott B.A. (Honours) English Language & Literature, University of Windsor, 2012 B.Ed., University of Windsor, 2013 Project submitted in partial fulfillment of the requirements for the degree of Master of Publishing Faculty of Communication, Art, and Technology © Gillian Cott, 2016 Simon Fraser University Fall 2016 • This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. APPROVAL Name Gillian Cott Degree Master of Publishing Title of Project Breathing New Life into Comic Collections: Drawn & Quarterly’s Choice to Reformat & Republish for a Young Readership Supervisory Committee ________________________________ Hannah McGregor Senior Supervisor Assistant Professor, Publishing Program Simon Fraser University ________________________________ John Maxwell Supervisor Associate Professor, Publishing Program Simon Fraser University ________________________________ Marcela Huerta Industry Supervisor Assistant Editor Drawn & Quarterly Montreal, Quebec Date Approved ________________________________ ii BREATHING NEW LIFE INTO COMIC COLLECTIONS ABSTRACT Graphic novels and comic reprints have recently surged in popularity due to Hollywood adaptations and bestselling titles such as Art Spiegelman’s Maus and Marjane Satrapi’s Persepolis. Despite these successes, publishers still struggle to find the right audience for many comic collections. This report focuses on Drawn & Quarterly’s decision to reprint two comic collections in smaller, kid-friendly editions. It analyzes why D+Q decided to reformat the Janssons’ Moomin comics and Mizuki’s Kitaro manga for specific readerships, with a focus on the emerging genre of crossover literature. -
Fantasy Literature References
A Sampling of Fantasy Literature References Papers "Factors That Affect Crossover Between Multiple Worlds Within a Narrative." Chen, G. C.; Foy, J. E.; Magliano, J. P. Discourse Processes 2018, 55(8), 666-685. "Toward a Theory of the Dark Fantastic: The Role of Racial Difference in Young Adult Speculative Fiction and Media." Thomas, A. A. Journal of Language and Literacy Education 2018, 14(1), 1-10. "Thresholds of Change in Children's Literature: The Symbol of the Mirror." Arlandis, S.; Reyes- Torres, A. Journal of New Approaches in Educational Research 2018, 7(2), 125-130. "Snow White in Hellenic Primary Classrooms: Children's Responses to Non-Traditional Gender Discourses." Kostas, M. Gender and Education 2018, 30(4), 530-548. "'You Never Know, Things Might Have Once Existed': Young Readers Engaging with Postmodern Texts that Blur the Boundaries between Fact and Fiction." Williams, S.; Willis, R. Changing English 2017, 24(3), 330-341. "Mother as Donor, Hero or Villain: New Sides of The Mother's Image in Sergey Sedov's 'Fairy Tales About Mums'." Gubaidullina, A. N.; Gorenintseva, V. N. Children's Literature in Education 2017, 48, 201–213. "The Wonderful World of Children's Books? Negotiating Diversity Through Children's Literature." Monoyiou, E.; Symeonidou, S. International Journal of Inclusive Education 2016, 20(6), 588-603. "Princess Picture Books: Content and Messages." Dale, L. P.; Higgins, B. E.; Pinkerton, N.; Couto, M.; Mansolillo, V.; Weisinger, N.; Flores, M. Journal of Research in Childhood Education 2016, 30(2), 185-199. "The Impact of Childhood Reading on the Development of Environmental Values." Freestone, M.; O'Toole, J.