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Defiantly MEN
TR AVEL Amsterdam INSPIRED GIFTS MOTHER’S DAY Behind the scenes with DUKHTAR LONDON COLLECTIONS: defiantly MEN APRIL/MAY 2015 $4.99 CAD | Dhs 18.08 AED | £3.28 DIA An exclusive Q&A 2 SHE CANADA HOSPITALITY DEVELOPMENT ENTERTAINMENT The Sunray Group is a dynamic and innovative organization specializing in the fast-growing hospitality industry in such areas as hotel development and management, property development and entertainment. The Group is successfully building an ever-increasing portfolio of award-winning brands, which include partnerships with Marriott Hotels, Best Western, Choice Hotels, McDonald’s and Tim Horton’s. The Sunray Group currently owns and operates 15 hotels across Ontario and Quebec. Most recently the Group has expanded into the entertainment industry, collaborating with some of India’s finest talent to bring to Canadian audiences. www.sunraygroup.ca | [email protected] | 1011 Bloor Street East, Oshawa, ON SHE CANADA 3 Editor/Publisher KAMRAN ZAIDI Executive Editor PRIYA KUMAR Associate Editor ZARMINA RAFI Assistant National Account Director ALY ZORN Art Layout Lead SAABIRA VANKER Travel Contributor ZEBUNNISA MIRZA Health & Wellness Contributors JOHN GODFREY, MAZEENA KHAN Features Contributors DANIELLE MORLEY, RIDA AHMED Marketing Manager ERUM ZEHRA Subscription Inquiries: Please go to http://shemagazine.ca/subscribe To Contact SHE Canada: Write to SHE Canada, 1999 Avenue Rd., Toronto, ON, M5M 4A5 Or [email protected], Facebook: SHECanada Twitter: @SHECanada For Advertising Inquiries: Please contact Kamran Zaidi, 416 644 7788, 416 878 0SHE [email protected] SHE MAGAZINE CANADA IS A REGISTERED TRADEMARK OF KAMRA ON PRODUCTIONS INC. COPYRIGHT © 2015 KAMRA ON PRODUCTIONS INC. ALL RIGHTS RESERVED. -
Folkloristic Understandings of Nation-Building in Pakistan
Folkloristic Understandings of Nation-Building in Pakistan Ideas, Issues and Questions of Nation-Building in Pakistan Research Cooperation between the Hanns Seidel Foundation Pakistan and the Quaid-i-Azam University Islamabad Islamabad, 2020 Folkloristic Understandings of Nation-Building in Pakistan Edited by Sarah Holz Ideas, Issues and Questions of Nation-Building in Pakistan Research Cooperation between Hanns Seidel Foundation, Islamabad Office and Quaid-i-Azam University Islamabad, Pakistan Acknowledgements Thank you to Hanns Seidel Foundation, Islamabad Office for the generous and continued support for empirical research in Pakistan, in particular: Kristóf Duwaerts, Omer Ali, Sumaira Ihsan, Aisha Farzana and Ahsen Masood. This volume would not have been possible without the hard work and dedication of a large number of people. Sara Gurchani, who worked as the research assistant of the collaboration in 2018 and 2019, provided invaluable administrative, organisational and editorial support for this endeavour. A big thank you the HSF grant holders of 2018 who were not only doing their own work but who were also actively engaged in the organisation of the international workshop and the lecture series: Ibrahim Ahmed, Fateh Ali, Babar Rahman and in particular Adil Pasha and Mohsinullah. Thank you to all the support staff who were working behind the scenes to ensure a smooth functioning of all events. A special thanks goes to Shafaq Shafique and Muhammad Latif sahib who handled most of the coordination. Thank you, Usman Shah for the copy editing. The research collaboration would not be possible without the work of the QAU faculty members in the year 2018, Dr. Saadia Abid, Dr. -
Trends of Pakistani Films: an Analytical Study of Restoration of Cinema
Trends of Pakistani films: An analytical study of restoration of cinema Fouzia Naz* Sadia Mehmood** ABSTRACT People prefer to go to the cinema as compared to theaters because of its way of execution and performance. Background music, sound effects, lights, direction attract people, and its demonstrations relate people to their lives. It is true that films have a unique and powerful connection between human behavior and societal culture. Pakistani film industry faced the downfall and now it is doing its best to make the films on international standards. In this research article, the background of Pakistani cinema and causes of downfall will be discussed. The main idea of this research article is to identify and study the development of Pakistani film industry. Qualitative and quantitative data collection will be used as the research method of this research. This research article helps in observing different mass media theory based on Pakistani cinema. Moreover, it will be explained what filmmakers critiques and people say regarding revival or restoration. Keywords: downfall, revival, the impact of the Pakistani film industry, Lollywood *Assistant professor, Mass Communication, University of Karachi) **Assistant professor, Mass Communication, University of Karachi) 33 Jhss, Vol. 8, No. 2 , July to December, 2017 The definition of cinema can be explained as “another word of moving a picture”1This is the place where films are shown to the public. Most of the people who are not into the arts get confused in cinema and theater. The theater is the building where live performance is performed2. The similarity between cinema and theaters are both of them execute act and created for public entertainment. -
Feminism, Hegemony and Empowerment in Pakistani Selected Films Pjaee, 18(8) (2021)
FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS PJAEE, 18(8) (2021) FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS Qaisar Khan1, Kalimullah Khan2, Mudassir Hussain3, Sher Akbar4, Sundus Khan5 1Senior Assistant Professor, Department of Media Studies, Bahria University Islamabad. 2Department of Business Administration, Kardan University, Kabul, Afghanistan. 3,5MS Research Scholar, Department of Media Studies, Bahria University, Islamabad. 4Department of Management Sciences, COMSATS University Islamabad. Qaisar Khan , Kalimullah Khan , Mudassir Hussain , Sher Akbar , Sundus Khan , Feminism, Hegemony And Empowerment In Pakistani Selected Films , Palarch’s Journal Of Archaeology Of Egypt/Egyptology 18(8). ISSN 1567-214x. KeyWords: Urdu Cinema, Gender Roles, Feminism, Hegemony, Empowerment. Abstract: This paper examines hegemony and women empowerment in three selected Pakistani films produced in 2011 onwards. Why the films break and mend masochism at a time with a portrayal of socio-politically dominated women that challenge patriarchy after 2011. To find out how these films portray socio-politically dominated women that challenge Patriarchy. Quantitative methods used to find out how significantly the role of female characters assigned and what the statistics and frequencies indicate women empowerment and hegemony. The paper found women empowerment as 7.8% women out of 13.3% are decision makers, self-expression as 3.4% followed by education and demand for justice as 1.1% each. While hegemony found as out of 84.8% scenes 23.6% women are oppressed due to the class system which is 3.0% where injustice is 19.8% due to patriarchy which is 18.4%. The paper recommends that the male run entertainment industry that targets male audiences should avoid masochism for commercial 1205 FEMINISM, HEGEMONY AND EMPOWERMENT IN PAKISTANI SELECTED FILMS PJAEE, 18(8) (2021) purposes for the sake of the essence of cinematic norms and spirits, so that women's portrayal of empowerment can help socio-political and culture awareness. -
Effects of Media Feminist Approaches on Youth Dr
392 Journal of Peace, Development and Communication Volume 04, Issue 3, October-December 2020 pISSN: 2663-7898, eISSN: 2663-7901 Article DOI: https://doi.org/10.36968/JPDC-V04-I03-21 Homepage: https://pdfpk.net/pdf/ Email: [email protected] Article: Effects of Media Feminist Approaches on Youth Dr. Shahid Minhas Assistant Professor, Department of Mass Communication & Media StudiesGift University Gujranwala Author(s): Adnan Shahid Lecturer, Mass Communication, Government Degree College Chawinda Tehsil Pasrur District Sialkot Uzman Ali Ph.D. Scholar, Centre for Media and Communication Studies, University of Gujrat Published: 30th December 2020 Publisher Journal of Peace, Development and Communication (JPDC) Information: Minhas, Shahid, et al. (2020). “Effects of Media Feminist Approaches on Youth.” Journal To Cite this of Peace, Development and Communication, vol. Volume 4, no. Issue 3, 2020, Article: pp. 392–404,https://doi.org/10.36968/JPDC-V04-I03-21 Dr. Shahid Minhas is serving as Assistant Professor at Department of Mass Communication & Media Studies, Gift University Gujranwala Email: [email protected] Adnan Shahid is serving as Lecturer at Mass Communication, Government Degree Author(s) College Chawinda Tehsil Pasrur District Sialkot Note: Uzman Ali is a Ph.D. Scholar at Centre for Media and Communication Studies, University of Gujrat Effects of Media Feminist Approaches on Youth 393 Abstract Feminism is tied in with examining sexual orientation contrasts and in regards to supplementing the job of genders in the public eye. Being a feminist it is just having faith in equivalent rights for all sexes. It's not tied in with detesting men. It's not about ladies being superior to men. -
This Paper Focuses on Gender Disparity Behind the Camera, As Seen in Film Industries Worldwide, with a Focus on Contemporary Pakistani Cinema
This paper focuses on gender disparity behind the camera, as seen in film industries worldwide, with a focus on contemporary Pakistani cinema. Not only is there an obvious lack of gender parity in on-screen film representations, but this disproportionality increases when one looks at the gender of individuals behind the lens. Directors, writers, producers, editors, cinematographers, and composers are just a few of the people who must work y behind the scenes to bring a story to life on the big screen. As in many other industries, women are underrepresented in filmmaking while systemic biases in the film industry inhibit the inclusion of women within all technological departments. This study addresses this inequality by exploring local socioeconomic factors and questions the repercussions of this imbalance on the final screen texts. There has been no previous in- depth analysis of this issue within the Pakistani film industry, hence statistical models are presented using data from mainstream digital films released from 2013 to 2018. This analysis also relies on interviews of individuals currently working in the industry with the goal of including first- Keywords: Gender Disparity, Film Production, Pakistani Cinema, Pakistani Digital Cinema, Female Directors The dominant discourse on gender and film tends to focus on the representation of women on-screen: the unequal power dynamics, the hyper-sexualized objectification, the excessive use of the male gaze, and a conspicuous lack of main-stream female stories. Increasingly though the conversation has started to shift towards issues previously overlooked, including the widening pay gap, misogynistic discrimination and sexual harassment which have led to the emergence of charged global movements such as Me Too and assault in the workplace and more specifically in the film industry. -
Recent Quest for Distinctive Identity in Pakistani Cinema
Recent Quest for Distinctive Identity in Pakistani Cinema Ahmad Bilal Ph.D. Researcher, School of Art and Design Nottingham Trent University, Nottingham. UK. & University of the Punjab, Pakistan. Abstract Pakistan film industry (Lollywood) has been searching for its distinctive cultural identity, since its inception in 1947. Pakistan and India have been sharing a common cultural history; hence, the basic form of film is also similar, known as masala. Indian films have been considered as one of the biggest threats to the local industry due to the similar language and their high budget. The ban on Indian films in the 1950s has helped the local industry, and more than 100 films per year have been producing in the 1970s and 80s. In 2007, Indian films have been allowed officially to be screened in Pakistan. This has further damaged the traditional masala cinema of Pakistan; however, it also has reactivated the quest for the distinctive cultural identity. Films like Khuda Kay Liay (2007) and Bol (2011) by Shoab Mansoor has worked as a source of inspiration for the new generation of moviemakers, and a new style of cinema has been evolving in Pakistan which is consciously experimenting with various genres. This paper has named it „emergent cinema‟. The data emerged from the semi- structured interviews with the top practitioners of the Pakistan‟s film industry, Syed Noor, Shoab Mansoor, and Bilal Lashari, has disclosed that the emergence of new and convergent media, socio-political actions and globalization have been influencing the path of Pakistani cinema and its search for distinctive cultural identity. -
Gendered Violence and Female Empowerment in Dukhtar and My Pure Land Author(S): Zainabb Hull Email: [email protected] Source: Brief Encounters, Vol
ISSN: 2514-0612 Journal homepage: http://briefencounters-journal.co.uk/BE Filming the Motherland: Gendered Violence and Female Empowerment in Dukhtar and My Pure Land Author(s): Zainabb Hull Email: [email protected] Source: Brief Encounters, Vol. 4, No. 1 (March 2020), pp. 28–36. URL: http://briefencounters-journal.co.uk/BE/article/view/174 DOI: https://doi.org/10.24134/be.v4i1.174 © Zainabb Hull License (open-access): This is an open-access article distributed under the terms of the Creative Commons Attribution License 4.0, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. No warranty, express or implied, is given. Nor is any representation made that the contents will be complete or accurate or up to date. The publisher shall not be liable for any actions, claims, proceedings, demand or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. Brief Encounters is an open access journal that supports the dissemination of knowledge to a global readership. All articles are free to read and accessible to all with no registration required. For more information please visit our journal homepage: http:// briefencounters-journal.co.uk/BE. In association with Brief Encounters | Vol. 4, No. 1 Filming the Motherland: Gendered Violence and Female Empowerment in Dukhtar and My Pure Land Zainabb Hull Since the post-9/11 ‘War on Terror’, public perceptions of Pakistan in the west have centred on -
Challenges of Patriarchal Ideologies in Pakistani Cinema: a Case of Feminist Depiction in Films
GLOBAL MEDIA JOURNAL-PAKISTAN EDITION ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: VOL.X, ISSUE 01, SPRING 2017 HEC RECOGNIZED Challenges of Patriarchal Ideologies in Pakistani Cinema: A Case of Feminist Depiction in Films Dr. Zahid Yousaf Dr. Malik Adnan Iffat Ali Aksar Abstract Films are an astonishing entertainment medium and a fantastic storytelling device. It is an influential, constant and a perfect coordination of filmic communication. It endorses also reality truthfulness or unreality and total falsehood. Movies are the most prevalent medium of show business. Big screen play an energetic role in the construction of civilization. This role becomes more significant in a nation who have low reading ability rate. Therefore the films in Pakistan have become a standard and influential medium of entertainment. This Study examines the Pakistani movies; Bol, Dukhtar, Bachana and Khuda ke liye, particularly from the feminist perspective and patriarchal ideologies. Descriptive analysis is the method used by the researchers for this study. After analyzing the selected films the researchers find that the theme of the films is very courageous, sensitive and very important in today’s situation. The subject of the movies is no doubt very bold and challenging the patriarchy also feminist ideology is portrayed very beautifully. The films create lot of queries in viewer’s mind and are a thought provoking. The researchers find that the film directors and producers of the selected movies have projected feminism very strongly and also challenged the patriarchal ideologies in our society. In our society women are not treating equally. The examination of the movies shows that liberal 1 GLOBAL MEDIA JOURNAL-PAKISTAN EDITION ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: VOL.X, ISSUE 01, SPRING 2017 HEC RECOGNIZED feminist ideology and patriarchal issues is the base of the script. -
Deploying New and Convergent Media to Redefine a Model for Pakistan’S Cinema
PhD Thesis Technological Impact on the Art of Moviemaking: Deploying new and convergent media to redefine a model for Pakistan’s Cinema by Ahmad Bilal The Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy in Film to School of Art and Design Nottingham Trent University March 2015 This work is the intellectual property of the author. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed in the owner of the Intellectual Property Rights. 2 All praise belongs to God Dedicated to My Mother Farkhanda Akhtar, Father, Mamu, Professor Shahnawaz Zaidi and Amjad Islam Amjad without whom this research might have remained a dream 3 Table of Contents Acknowledgements ............................................................................ 6 Practice and fieldwork ....................................................................... 7 Abstract.............................................................................................. 8 Chapter 1: Introduction ...................................................................... 9 1.1. Rationale of the research: ................................................................................... 9 1.2. Introduction: .................................................................................................... -
Discourse on Gender, Religion, and Culture in Pakistani Films: a Narrative Analysis of Contemporary Independent Films from Pakistan Mohib Rehman
University of New Mexico UNM Digital Repository Communication ETDs Electronic Theses and Dissertations 7-1-2016 Discourse on gender, religion, and culture in Pakistani films: A narrative analysis of contemporary independent films from Pakistan Mohib Rehman Follow this and additional works at: https://digitalrepository.unm.edu/cj_etds Part of the Journalism Studies Commons Recommended Citation Rehman, Mohib. "Discourse on gender, religion, and culture in Pakistani films: A narrative analysis of contemporary independent films from Pakistan." (2016). https://digitalrepository.unm.edu/cj_etds/94 This Thesis is brought to you for free and open access by the Electronic Theses and Dissertations at UNM Digital Repository. It has been accepted for inclusion in Communication ETDs by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. Mohib Rehman Candidate Communication & Journalism Department This thesis is approved, and it is acceptable in quality and form for publication: Approved by the Thesis Committee: Dr. David Weiss, Chairperson Dr. Ilia Rodríguez Professor Michael Marcotte i DISCOURSE ON GENDER, RELIGION, AND CULTURE IN PAKISTANI FILMS: A NARRATIVE ANALYSIS OF CONTEMPORARY INDEPENDENT FILMS FROM PAKISTAN BY MOHIB REHMAN B.S. INFORMATION TECHNOLOGY COMSATS INSTITUTE OF INFORMATION TECHNOLOGY, 2006 M.S.C. MASS COMMUNICATION NATIONAL UNIVERSITY OF MODERN LANGUAGES, 2009 THESIS Submitted in Partial Fulfillment of the Requirements for The Degree of Master of Arts Communication The University of New Mexico Albuquerque, New Mexico. July, 2016 ii ACKNOWLEDGEMENTS The goals of this project were achieved thanks to the endless support and guidelines of the people whose intellectual abilities remained a continuous source of encouragement for me. -
Sohail Et Al., 2020 Adv Hum & Soc Sci
Sohail et al., 2020 Adv Hum & Soc Sci 5.8 http://dx.doi.org/10.21065/25205986.5.8 Original Research Article PRIORITIES, CONCERNS AND EXPECTATIONS OF LOCAL YOUNG SPECTATORS REGARDING 21ST CENTURY FILM AND CINEMA. Sohail Mehmood1, Noreen Sultana1, Hareem Shabbir2, Salma Arsalan1 1 Media Studies department, Jinnah University for women, Karachi Sind Pakistan. 2 CEFR, Jinnah University for women, Karachi, Pakistan. History: Received: September 11, 2020 Abstract Accepted: December 09, 2020 This paper investigates the impulses, motives and conditions that are positively associated and First Published: Dec. 29, 2020 problems, hurdles and concerns that are the obstacles in the resurgence of 21st century Collection year: 2020 Status: Published Pakistani film industry. It also gauges the priorities and concerns of young moviegoers and compares with the priorities and concerns of our young generation of filmmakers. To achieve this end we employed both qualitative and quantitative research methodologies and came up with Identifiers and Pagination: following results that Pakistan’s screen to film production ratio is one of the best in the world. It is Year: 2020 vehemently in search of its distinctive identity and plays, sometimes immaturely, with different Volume: 5 genres are evidence to it. We see a visible drift from conventional Indo Pak Masala genre to First Page: 8 Last Page: 32 social drama, physical reality, war movies and Wuxia. Production facilities of Pakistani film Publisher industry have been significantly improved and in terms of equipment Pakistani film industry is no ID:10.21065.25205986.5.8 more far behind Bollywood and Hollywood as it used to be even in the times of Khuda Kay Leay DOI: http://dx.doi.org/10.21065/2520 (KKL).