Football! 4:00 W
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Wiederentdeckt Beiblatt DAS KALTE HERZ
Wiederentdeckt Eine Veranstaltungsreihe von CineGraph Babelsberg, Berlin-Brandenburgisches Centrum für Film- forschung und dem Zeughauskino, in Zusammenarbeit mit dem Bundesarchiv-Filmarchiv, der F. W. Murnau-Stiftung und der Deutschen Kinemathek 4. November 2016 Einführung: Raff Fluri DAS KALTE HERZ (1931/33) Drehbuch, Kamera, Produktion und Regie: Karl Ulrich Schnabel, Ausstattung: Margarethe Adele Hammer- schmidt, Lotte Lubinski, Aube Tzerko Darsteller: Franz Schnyder (Peter Munk), Stefan Schnabel (Holländer-Michel), Wolf-Wolfgang Guth (Glas- männchen), Elfriede Gärtner (Lisbeth), Juana Sujo (Munks Mutter), Peter Diamand (Amtmann) u.a. Projektleitung 2016, Produktion, Redaktion und Schnitt: Raff Fluri, Musik: Robert Israel.16 mm, Projektions- format: DCP, 84 min., Erstaufführung: 3. Juli 2016 Neuchâtel, International Fantastic Film Festival Making of 1932: Karl Ulrich Schnabel beim Dreh mit Franz Schnyder, unterstützt von Assistentinnen (Foto: Schnabel Music Foundation LLC) ----------------------------------------------------------------------------------------------------------------------------------------- 1931-33 drehte der junge Pianist Karl Ulrich Schnabel mit bescheidenen Mitteln, aber umso mehr Unterstüt- zung von Freunden und Bekannten, in Berlin den Märchenfilm DAS KALTE HERZ nach Wilhelm Hauff. Am Pro- jekt beteiligt waren junge Musiker, Theaterschaffende und Schauspieler, die am Anfang ihrer Karriere stan- den und später zu namhaften Persönlichkeiten wurden. So ist in der Hauptrolle einer der erfolgreichsten Regisseure -
110991 Bk Menuhin 8/03/2005 02:15Pm Page 4
110991 bk Menuhin 8/03/2005 02:15pm Page 4 Producer’s Note ADD The Mendelssohn D minor concerto, recorded two days after Menuhin gave the world première public performance Great Violinists • Menuhin 8.110991 of the work in Carnegie Hall, was apparently only released in the United States. Fourteen months later, EMI re-recorded it in London, this time with Adrian Boult at the podium. The earlier version (which marked Menuhin’s first conducting credit on records) disappeared, and has not been available in any form since the 1950s. It has been transferred here from the best portions of three first edition RCA LPs. Menuhin’s recording of the composer’s more famous E minor concerto with Furtwängler conducting has been more readily available in the succeeding decades; yet the master tape is fraught with problems that can be heard MENDELSSOHN from its first (1952) LP release on RCA Victor through EMI’s CDs. What sounds like a tape tracking or bias problem during the original recording session causes the highs to go in and out during the tuttis. In addition, Violin Concerto in E minor occasional grittiness and electronic clicks can be heard on all editions. EMI waited two years to release it in Europe, perhaps in the hope that Menuhin and Furtwängler would re-record it with better sonic results. This transfer was Violin Concerto in D minor made from a French EMI LP pressing. While this was Menuhin’s second recording of the Mendelssohn E minor, the version of the Bruch concerto presented here was already his third attempt on disc. -
For Immediate Release September 14, 2009 Contact
For Immediate Release September 14, 2009 Contact: Sung-Hee Park [email protected] 212.636.2680 CHRISTIE’S TO OFFER A RANGE OF EARLY 17TH CENTURY STRINGED INSTRUMENTS TO CONTEMPORARY GUITARS IN FINE MUSICAL INSTRUMENTS SALE IN OCTOBER Pieter Rombouts Ferdinando Gagliano Gibson Incorporated A Tenor Viola da Gamba A Violin, Naples, 1750 A Solid-Body Electric Guitar, Les Paul Custom Amsterdam, 1708 Estimate: $100,000-120,000 Kalamazoo, MI, circa 1953 Estimate: $10,000-15,000 Estimate: $15,000-25,000 Fine Musical Instruments October 13, 2009 New York- Christie's fall Fine Musical Instruments sale on October 13 will present an extensive range of instruments ranging from 17th century viols from the Erich Lachmann Collection to more contemporary guitars and amplifiers, including a rare C.F. Martin 000-42 model. The sale also offers a classical selection of violins, cellos and bows, leading with a 1750 violin by Ferdinando Gagliano of Naples, and a 1929 violoncello by Carl Becker of Chicago. Guitars Commencing the auction is an extensive range of classical to fretted guitars from recognized makers such as Fender, Gibson and C.F. Martin. Highlights will include an iconic Gibson solid-body electric guitar, Les Paul Custom, circa 1953 (illustrated above- estimate: $15,000-25,000); an early 1952 Fender solid-body electric guitar, Telecaster (estimate: $18,000-26,000); and a 1959 Fender electric guitar, Esquire (estimate: $10,000-15,000). In addition, the sale features a particularly strong selection of over 40 guitar amplifiers from Fender, Gibson and Valco dating from the 1930s to present today. -
ARSC Journal XXV I I 1994
JEFFREY HOLLANDER The Artistry of Myra Hess: Recent Reissues Dame Myra Hess-Vol. I Pearl GEMM CD 9462 Jin, Felix Salmond, 'cello), Brahms: Piano [Pearl I] (69'40") Trio in C Major, op. 87 (with Jelly d'Aranyi, Contents: Bach: French Suite no. 5, BWV violin, Gaspar Cassad6, 'cello) 816: Gigue; Schubert: Sonata in A Major, D. 664; Schubert: Rosamunde, 'Ballet Music' Dame Myra Hess (1890-1965) EMI CDH 7 (arr. Ganz); Beethoven: Sonata in A Major, 63787 2 [EM!] (75'57") op. 69 (with Emanuel Feuermann, 'cello); Contents: Beethoven: Piano Sonata in E Chopin: Nocturne in F-sharp Major, op. 15, Major, op. 109; Piano Sonata in A-flat no. 2; Mendelssohn: Song without Words in Major, op. 110; Scarlatti: Sonata in C A-flat Major, op. 38, no. 6; Brahms: Minor, K. 11/L. 352; Sonata in G Major, K. Capriccio in B Minor, op. 76, no. 2; Dvorak: 14/L. 387; Beethoven: Fur Elise; Bagatelle Slavonic Dance in C Major, op. 46, no. 1 in E-flat Major, op. 126, no. 3; (with Hamilton Harty, piano); Debussy: Mendelssohn: Song without Words in A Images, Book II, 'Poissons d'or'; Preludes, Major, op. 102, no. 5; Granados: Goyescas Book I, 'La fille aux cheveux de Jin' and no. 4, 'La maja y el ruiseiior'; Brahms: 'Minstrels'; Bach: Chorale, 'Jesu, Joy of Waltz in A-flat Major, op. 39, no. 15; Man's Desiring' (arr. Hess) Intermezzo in C Major, op. 119, no. 3; J.S. Bach: Toccata, Adagio, and Fugue, BWV Dame Myra Hess-Vol. II Pearl GEMM CD 564: Adagio (arr. -
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒ -
Eugene Ormandy Commercial Sound Recordings Ms
Eugene Ormandy commercial sound recordings Ms. Coll. 410 Last updated on October 31, 2018. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2018 October 31 Eugene Ormandy commercial sound recordings Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 4 Administrative Information........................................................................................................................... 5 Related Materials........................................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 - Page 2 - Eugene Ormandy commercial sound recordings Summary Information Repository University of Pennsylvania: Kislak Center for Special Collections, Rare Books and Manuscripts Creator Ormandy, Eugene, 1899-1985 -
FOR IMMEDIATE RELEASE UPDATED October 22, 2014 October 14, 2014 Contact: Katherine E
FOR IMMEDIATE RELEASE UPDATED October 22, 2014 October 14, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] JAAP VAN ZWEDEN TO RETURN TO THE PHILHARMONIC TO CONDUCT TWO PROGRAMS ACTING CONCERTMASTER SHERYL STAPLES and PRINCIPAL VIOLA CYNTHIA PHELPS To Perform MOZART’s Sinfonia concertante for Violin and Viola Program Also To Include SHOSTAKOVICH’s Symphony No. 8 November 20–22, 2014 HILARY HAHN To Perform KORNGOLD’s Violin Concerto Program Also To Include J. WAGENAAR’s Cyrano de Bergerac Overture and BEETHOVEN’s Symphony No. 7 Saturday Matinee Concert To Feature Dvořák’s Wind Serenade Performed by Philharmonic Musicians November 26 and 28–29, 2014 Jaap van Zweden — music director of the Dallas Symphony Orchestra and Hong Kong Philharmonic as well as former concertmaster of Amsterdam’s Royal Concertgebouw Orchestra — will return to the New York Philharmonic for the first time since his debut in April 2012 to conduct two weeks of concerts. In the first program, Mr. van Zweden will conduct Mozart’s Sinfonia concertante for Violin and Viola, featuring Acting Concertmaster Sheryl Staples and Principal Viola Cynthia Phelps, and Shostakovich’s Symphony No. 8, Thursday, November 20, 2014, at 7:30 p.m.; Friday, November 21 at 2:00 p.m.; and Saturday, November 22 at 8:00 p.m. The following week, Mr. van Zweden will lead the Orchestra in Korngold’s Violin Concerto, with Hilary Hahn as soloist; Beethoven’s Symphony No. 7; and J. Wagenaar’s Cyrano de Bergerac Overture, marking the Philharmonic’s first time performing the work, Wednesday, November 26, 2014, at 7:30 p.m.; Friday, November 28 at 8:00 p.m.; and Saturday, November 29 at 8:00 p.m. -
LEO ARNAUD (1904-1991), TROMBONIST, COMPOSER, FILM Tviusician
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissert.~tion copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313n61-4700 800/521-0600 LEO ARNAUD (1904-1991), TROMBONIST, COMPOSER, FILM tviUSICIAN: A BIOGRAPHICAL SKETCH AND CATALOGUE OF MUSICAL WORKS AND FILMS by Michael L. Kolstad A Dissertation Submitted to the the Faculty of the Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Greensboro 1996 Approved by UMI Number: 9705293 Copyright 1996 by Kolstad, Michael L. -
Uto Ughi Violinist LEON POMMERS, Pianist
THE UNIVERSITY MUSICAL SOCIETY OF THE UNIVERSITY OF MICHIGAN Uto Ughi Violinist LEON POMMERS, Pianist FRIDAY EVENING, NOVEMBER 20, 1981, AT 8:30 RACKHAM AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Sonata in D Major ............ HANDEL Adagio Allegro Larghetto Allegro Partita No. 2 in D minor ........... BACH Allemande Courante Sarabande Gigue Chaconne INTERMISSION Sonata No. 9 in A major, Op. 47 ("Kreutzer") ..... BEETHOVEN Adagio sostenuto Presto Andante con variazioni Presto RCA Records. Twentieth Concert of the 103rd Season Sixth Annual Debut & Encore Series About the Artist Uto Ughi, Italian virtuoso born near Milan in 1944, made his debut as a soloist at the age of seven, when he presented a program which included the Chaconne from Bach's Partita in D minor and some of Paganini's Caprices. He studied under the direction of the famed composer and violinist, Georges Enesco, and in 1959 made his first concert appearances in all the major cities of Europe: Paris, London, Vienna, Berlin, Oslo, Amsterdam, Madrid, and Barcelona. Mr. Ughi has since performed throughout Europe, in North and South America, South Africa, the Soviet Union, and Japan, under such famous conductors as Sir John Barbirolli, Andre Cluytens, Kiril Kondrashin, Efrem Kurtz, Carlo Maria Giulini, Bernard Haitink, Gennady Rozdestvensky, Sir Malcolm Sargent, and Wolfgang Sawallisch. He plays the "Van Houten-Kreutzer" Stradivarius, made in 1701, which, according to a reliable tradition, was once the property of Rudolf Kreutzer, the friend to whom Beethoven dedicated the Sonata in A major, Op. 47. Mr. Ughi performs this work on tonight's program, in his Ann Arbor debut. Coming Events CESARE SIEPI, Basso ......... -
Artie Shaw 1938-1939
Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................ -
0848033066644.Pdf
Béla Bartók Concerto for Orchestra, Sz. 116, BB 127 Houston Symphony Orchestra / Leopold Stokowski, Conductor 1 I. Introduzione 09:00 2 II. Giuoco delle coppie 05:54 3 III. Elegia 06:38 4 IV. Intermezzo interrotto 03:58 5 V. Finale 09:00 BARTÓK The late Béla Bartók planned his Concerto The Concerto for Orchestra belongs to for Orchestra so that each group of instru- an important group of works which Bartók CONCERTO FOR ORCHESTRA ments gets a chance to shine. They shine wrote during those last five tragic years with particular luminosity in this stunning in America, when he was plagued by ill- LEOPOLD STOKOWSKI new performance by a fine American orches- ness and acute poverty. It was composed in CONDUCTING THE HOUSTON tra, directed by a man famous all his life as October 1943, on a commission from the SYMPHONY ORCHESTRA an orchestral colorist and reproduced with Koussevitzky Music Foundation, established flawless realism by Everest. by the late Serge Koussevitzky in memory of his wife Natalie. The work was given its The case of Béla Bartók is a tragic one. For world premiere by the Boston Symphony years, he carried on painstaking research, in Orchestra, Koussevitzky conducting, on conjunction with his colleague and fellow December 1, 1944. On that occasion, Bartók Hungarian, Zoltan Kodaly. During that time, provided the orchestra’s program annotator, the two men unearthed, collected and made John N. Burk, with the following informa- known to the outside world the true folk tion: music of Hungary, Rumania and Yugoslavia, separating it from the influences of Gypsy “The general mood of the work repre- music, with which it had become infiltrated. -
Proquest Dissertations
The saxophone in Germany, 1924-1935 Item Type text; Dissertation-Reproduction (electronic) Authors Bell, Daniel Michaels Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 01/10/2021 07:49:44 Link to Item http://hdl.handle.net/10150/290020 THE SAXOPHONE IN GERMANY 1924-1935 by Daniel Michaels Bell Copyright © Daniel Michaels Bell 2004 A Document Submitted to the Faculty of the SCHOOL OF MUSIC AND DANCE in Partial Fulfillment of the Requirements For the Degree of DOCTOR OF MUSICAL ARTS WITH A MAJOR IN MUSIC THE UNIVERSITY OF ARIZONA 2004 UMI Number: 3131585 Copyright 2004 by Bell, Daniel Michaels All rights reserved. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3131585 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O.