Free the Free-Content News Source That You Can Write! Wednesday, June 1, 2005
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
La Soriasis Es Una Enfermedad Aún Desconocida | Pág. 2 Brillan Latinas
10333425 02/06/2004 01:00 a.m. Page 1 La plaza: La soriasis es una enfermedad aún desconocida | Pág. 2 Miércoles 2 de junio de 2004 B Editor: DINORA GONZÁLEZ Coeditor: JUAN LORENZO SIMENTAL Coeditor Gráfico: JESÚS ESPINOZA [email protected] Australia,LOGRO | LA MEXICANA ROSALVA LUNA QUEDA ENTRE LAS 15 FINALISTAS la más bella De tan sólo 20 años CERTAMEN de edad, Jennifer Mujeres hermosas Sin duda, las finalistas lograron conquistar a los jueces que tenían Hawkins fue coronada una difícil tarea. A continuación se menciona a las cuatro finalistas ayer como la nueva que estuvieron cerca de la corona. Miss Universo 2004 QUITO, ECUADOR (AGENCIAS).- La australiana, Jennifer Hawkins, de 20 años, fue elegida Miss Universo 2004 la noche de ayer en Quito y sucederá a la domini- cana Amelia Vega. Hawkins, de ojos azules y ca- bello rubio, ganó el concurso al ser escogida por el jurado de en- tre las últimas cinco finalistas, in- cluidas las representantes de Es- tados Unidos, Paraguay, Puerto Rico y Trinidad y Tobago. La nueva reina es una rubia de 20 años y 1.80 metros de es- tatura, cuya actividad tenía re- lación con el modelaje, el baile y la coreografía, mientras que en su tiempo libre se dedica al surf, la lectura y mirar el futbol con su padre. ■ Shandi Finnessey, ■ Alba Reyes, La nueva soberana que es- de Estados Unidos. de Puerto Rico. taba radiante expresó su ale- gría por la victoria, no pudo ocultar su entusiasmo y se abrazó con sus compañeras, a la vez que recibió un cerrado aplauso de los casi ocho mil asistentes a la ceremonia. -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Popularmusikforschung39-03: the Value of Live Music
THE VALUE OF LIVE MUSIC Simon Frith From April 2008 until April 2011 I directed a research project on live music in Britain.1 We are now writing up our findings,2 and since February 2012 we have had funding for a follow-up project, designed to establish ongoing links between academic researchers, the live music industry and the wider public.3 The original research project was organized around an investigation of the business of live music promotion and a crucial part of our method was interviewing. We talked to more than 100 promoters, from the MD of Live Nation in the UK and such big names as Harvey Goldsmith to local club owners and enthusiasts. We covered all types of music (including classical) — which is one reason why our findings will fill three books. One of my roles in the research team is to present our work to the live music industry itself, whether by attending their trade events and writing for their trade papers or by inviting them to seminars we organise. Such »knowledge exchange« (to use current academic jargon) is not without its problems and two kinds of miscommunication between university-based researchers and live music industry players particular interest me (and have informed the design of our follow up project). First, we apparently have quite different interpretations of a shared phrase, »the value of live music«. Their take is, it seems, straightforwardly economic: the value of live music can be measured by how much money people are prepared to pay for it. Our approach, by contrast, is more philo- sophical (or up our own backsides, as the industry would say): what is it that people think they are paying for? What exactly do they value? I'm not 1 See http://www.gla.ac.uk/departments/livemusicproject. -
BBC MUSIC MAGAZINE BBC MUSIC MAGAZINE 43 Films with Live Orchestra
Films with live orchestra he took a break from the ‘day job’, hitting the road on his own blockbusting concert tour; and while this wasn’t about live scores exactly, it offered the composer (and musician) the opportunity to see for himself the appetite there is right now for live film music. Was he surprised at its success? ‘A little,’ he admits. ‘The first thing I said to (concert promoter) Harvey Goldsmith was “do you think anyone will come?”’ Come they did, and in their thousands, as Zimmer and his hand-picked ensemble played to packed arenas across the globe. But playing a Zimmer score live in concert is no easy feat. ‘I’ve written so many things that are not easy to pull off in front of a live audience,’ he Symphonic Brando: explains, ‘because I use odd line-ups. I love David Newman conducts the line-up of 28 cellos and eight basses only. the score to On the It’s hard to get that in your normal symphony Waterfront in New York orchestra, plus the brass section is going to be really cross with you because there’s nothing for them to play. I remember an orchestra taking Pirates of the Caribbean out to do live and I said tracks that are played simultaneously with the “you’d better book two complete French horn music. Synchronicity, speed and rhythm are still sections, because they need to take a break – key, however, and remain a specific challenge, their lips will literally start bleeding!” When we as he explains. -
Blitz Magazine Issue 51 from March 1987
MARCH 1987 No.51 £1.10 Raymond Carver Gang Warfare Rupert Everett The Snap Pack Paul Morley on TV Oliver Reed Cybill Shepherd Peter Cook 4 Front: What's Happening 4 Dennis Hopper, Films On Four 6 Isadora Duncan, The Model Gallery 8 Marilyn Monroe, McDonald's, London Daily News 10 Condom Wars, Wranglers 40th Anniversary 12 Lost in America 14 Print 14 Ramsey Campbell, Paperback Choice 15 New Fiction, New Non-fiction 16 Film 16 New Releases 18 On 'Release Cover star Rupert 22 Television Everett, film actor 22 Paul Morley on The Box soon to turn pop 23 Video Reviews singer. 24 Music BLITZ MAGAZINE 24 The Bodines I LOWER JAMES STREET 26 Album Reviews, New Product LONDON WI R 3PN 28 Dancefloor Tel: (01) 734 nil 30 Oliver Reed: another drink, another film, by Mark Brennan PUBLISHER Carey Labovitch 34 Fashion: what a catastrophe MANAGING EDITOR Simon Tesler EDITOR Tim Hulse 40 La Vida Loca: gang warfare in the FASHION EDITOR Iain R. Webb LA barrio, by Laura Whitcomb DESIGNER Jeremy Leslie 46 Fashion: y viva espagna ADVERTISING MANAGER Cherry Austin 48 Rupert Everett: on becoming a GENERAL ASSISTANT Sarah Currie popstar, by Fiona Russell Powell FASHION ASSISTANT Darryl Black 54 Whaling: bloodsport in the Faroe CONTRIBUTORS Fenton Bailey, Tony Islands, by Steve James Barratt, Martine Baronti, Robin Barton, Mark Bayley, Malcolm Bennett, Mark 56 Cybill Shepherd: the fall and rise of Brennan, Peter Brown, Gillian Campbell, Mark Cordery, Richard Croft, Andy Darling, Bruce Dessau, Steve Double, Simon Garfield, Richard Grant, John Hind, David a Moonlighting star, by Hil lmy Hiscock, Philip Hoare, Mark Honigsbaum, Caroline Houghton, Aidan Hughes, Marc Johnson Issue, Steve James, Dave Kendall, Jeremy Lewis, Mark Lewis, Judy Lipsey, Elise 62 Fashion: the newest romantic of all Maiberger. -
Analysing Live Music in the UK: Findings One Year Into a Three-Year Research Project
Journal of the International Association for the Study of Popular Music Analysing Live Music in the UK: Findings One Year into a Three-Year Research Project Simon Frith [email protected] University of Edinburgh Abstract This is the first of four related articles in this journal presenting findings from an ongoing research project on the history of live music in the UK since 1950. This introductory article outlines the project’s starting assumption—that popular music culture in this period was organised around the constantly changing relationship of the recorded music and live music sectors—and suggests that this is to challenge the conventional academic assumption that the post-war history of popular music can be written as the history of the record industry. To approach popular music history from the perspective of live musical promotion means a) rethinking periodisation; b) examining a very wide range of musical activities; c) paying attention to the regulatory and the promotional roles of the state; d) understanding the importance of locality and place; e) reconceiving the power structure of musical institutions. Keywords: live music, promotion, the state. In his excellent book, Making Easy Listening. Material Culture and Postwar American Recording (University of Minnesota Press 2006), Tim J. Anderson suggests that “the period from after World War II to the rise of rock music as the dominant genre of the day” has been underresearched. This was the time, he suggests, when “the recording, in effect, replaced sheet music as the dominant material unit of exchange and musical distribution”, and the final effect of this transition was profound: Indeed, no single history or historian could do justice to this change, for its impact was so widespread and so fundamental that the record would overtake the importance of live performance in terms of its industrial, aesthetic, and, eventually, cultural influence (Anderson, 2006, pp.xviii-xix). -
There Used to Be a Competitive, Uneasy Relationship Between Record Companies and Radio, but Now It's Too Cozy
MANAGING DIRECTOR, HARVEY GOLDSMITH Harvey (PRODUCTIONS Goldsmith _Veteran promoter laments `faceless, soulless' live sector. The managing director of Harvey Goldsmith Productions is almost as familiar a figure on Did Live Aid have any lasting cul- the live music scene in the United Kingdom as some of the heavyweight talent he has tural Impact? booked during four decades. On Oct. 30 in front of an industry audience at London's It was the point when rock music Grosvenor House Hotel, Harvey Goldsmith will receive this year's Music Industry Trusts became establishment. From that award - bestowed annually to an individual deemed to have made a lasting contribution point onwards it had a wider audi- to the British music industry. Since its launch in 1992, the award has raised more than £2 ence, but it started to lose its edge. million ($3.75 million) for its designated charities, Nordoff Robbins Music Therapy and The national press in Britain the BRIT Trust. grabbed hold of music and made Goldsmith's career as a promoter began in the mid- 1960s, when he booked bands while it a mainstay, and I don't think it's at college in Brighton, on England's south coast. By the early 1970s, with U.S. experience been the same way since. already under his belt, he was working with such acts as the Rolling Stones and the Who, Previously, the media looked at and was instrumental in developing Britain's arena and stadium rock circuits in Britain. rock musicians as hairy, drug - In 1985, Goldsmith booked Live Aid -a role he fulfilled again 20 years later for Live 8. -
Progress Report of Unep As at 31 December 2011
UNITED NATIONS EP Distr. United Nations GENERAL Environment Programme UNEP/OzL.Pro/ExCom/67/13 22 June 2012 ORIGINAL: ENGLISH EXECUTIVE COMMITTEE OF THE MULTILATERAL FUND FOR THE IMPLEMENTATION OF THE MONTREAL PROTOCOL Sixty-seventh Meeting Bangkok, 16-20 July 2012 PROGRESS REPORT OF UNEP AS AT 31 DECEMBER 2011 This document includes: The comments and recommendations of the Fund Secretariat UNEP 2011 Progress and Financial Report (1 January–31 December 2011) Pre-session documents of the Executive Committee of the Multilateral Fund for the Implementation of the Montreal Protocol are without prejudice to any decision that the Executive Committee might take following issuance of the document. UNEP/OzL.Pro/ExCom/67/13 COMMENTS OF THE FUND SECRETARIAT Introduction 1. This document presents the comments and recommendations of the Fund Secretariat on the progress report of UNEP for activities up to 31 December 2011. The progress report is attached. The data has been included in the Consolidated Progress Report database which is available upon request. Snapshot of issues US $21.02 million has been approved in multi-year agreements (MYAs) for UNEP implementation of which there was a balance of US $9.83 million as at 31 December 2011. US $18.08 million was approved in activities for UNEP’s implementation in 2011 while administrative costs amounted to US $1.51 million (8.35 per cent). 145 MYAs are under implementation; less than 10 per cent of the funds approved have been disbursed for 24 MYAs (approved before the 64th meeting). Four projects were classified as projects with implementation delays that are subject to procedures for project cancellation. -
Chapter III Chapter III Research Methodology Research Methodology
Chapter III: Research Methodology Chapter III Research Methodology 3.0 Introductory Remarks This chapter presents the research methodology of the study. It provides general framework, data sources, data collection, and data analysis of the present study. 3.1 Aims of The Research As explained in Chapter I, the study aims to discover two problems; (1) kinds of speech act that performed in the final round of Miss Universe and (2) the self images showed by Miss Universe’s finalists. Thus, the data are examined and analyzed to answer both problems. In general, the present study is devoted to answer the statement of problems as follow: 1. What kinds of speech act did the finalists perform in the final round of Miss Universe? 2. What self images did they bring forward through their utterances? 3.2 General Framework The present study employs a qualitative descriptive approach. Creswell (1998:15) defines qualitative research as an inquiry process of understanding based on distinct methodological traditions of inquiry that explore a social or 49 Chapter III: Research Methodology human problem. Qualitative research focuses on specific situation or people and emphasizes on words rather than numbers (Maxwell, 1996 in Nurhasanah, 2008). Moreover, Denzin and Lincoln (1987) state that it uses natural settings to interpret phenomena by involving any methods. In this case, the methods which usually applied are interview, observation, and documents (Moleong, 2008:5). From those explanations, Moleong (2008:6) synthesizes into: Qualitative research is a research which aimed to comprehend any phenomena happened towards the research subject such as behavior, perception, motivation, actions, and etc holistically in a descriptive way in forms of words and language, in a natural specific context and using any natural method. -
Kick Against the Pricks | by Laura Kipnis | the New York Review Of
Welcome (sign in | sign up) Enter search keywords... Advanced Search Subscribe Current Issue NYR Daily Calendar Archive Classifieds Shop Newsletters EMAIL PRINT Tweet Kick Against the Pricks Laura Kipnis DECEMBER 21, 2017 ISSUE Be Fierce: Stop Harassment and Take Your Power Back by Gretchen Carlson Center Street, 244 pp., $27.00 ALSO IN THIS ISSUE —— DECEMBER 21, 2017 —— Lies J.M. Coetzee The Man from Red Vienna Robert Kuttner Gabriela Maj/Patrick McMullan/Getty Images Out of Control Donald Trump with Allie LaForce (Miss Teen USA), Natalie Glebova (Miss Universe), and Richard Holmes Chelsea Cooley (Miss USA) at a launch party for Cara Birnbaum’s book Universal Beauty: The Miss Universe Guide to Beauty, Trump Tower, New York City, April 2006 Super Goethe At first it was a lot of enormous media potentates crashing to earth, Ferdinand Mount followed by a bunch of lesser despots and lords, many employed in the media industries too, and it soon expanded to include half the men in Hollywood and ancillary trades like politics. The MORE accompanying din was the clamor of pundits (those who hadn’t yet been felled themselves) attempting to explain what had happened— then reexplain, then explain some more—because the picture kept changing: soon the not-so-powerful were under fire too (freelance writers and experimental novelists were among those anonymously charged in an online list), and it was becoming unclear whether it was “toxic masculinity” or masculine panic we were talking about. But at the beginning, the story seemed plain enough. It turns out that in the tallest skyscrapers and plushest hotels of the most advanced economies, many high-profile men have been acting the part of feudal lords, demanding droit du seigneur from their vassals, the vassals in this case being their female employees and others wishing entry into their fiefdoms. -
'Bad Land' Back on Ministerial Agenda
Volume 12 Issue 24 News Desk - Tel: 076-236555 June 11 - 17, 2005 Daily news at www.phuketgazette.net 20 Baht The Gazette is published in association with Three proposals made IN THIS ISSUE NEWS: Woman dies as dive boat sinks; Immigration for Chalong marina counter for Chalong . Pages 2 & 3 By Athiga Jundee Phuket’s burgeoning marine in- INSIDE STORY: Property boom dustry. for Koh Sireh? Pages 4 & 5 PHUKET CITY: Three propos- In October last year, Vice- als have been received by Phuket Governor Niran Kalayanamit AROUND THE ISLAND: Where Governor Udomsak Uswarang- told the Gazette that Ian Davey, art and coffee meet. Page 6 kura for the construction of a Commercial Consultant for the AROUND THE REGION: Plain large marina in Chalong Bay, to Australian Embassy in Thailand, sailing off Samui. Page 8 be financed by a mixture of gov- had been brought in to assist the ernment and private sector OrBorJor in finding a profes- PEOPLE: A sporting chance money. sional consultant to develop the for Phuket. Pages 10 & 11 One proposal is from a con- master plan. LIFESTYLE: Oriental and origi- sortium headed locally by Commenting on the Life- nal on Dibuk Rd; Music: Moby Lifestyle Properties Co Ltd, and style Properties Co submission, checks in. Pages 12 & 13 the Gazette understands that two Gov Udomsak described the pro- other concepts have been submit- ject as “…a win-win situation SPA MAGIC: Start making ted, one by an Australian consor- [that will] benefit the govern- Sense in Kata. Page 14 tium and one by a French group. -
Media Tren Perpajakan
Edisi 15 | Mei-Juni 2013 DI BALIK SUAP PAJAK Pajak Internasional atas Transaksi Software Alternatif Penyelesaian Sengketa Pajak ISSN: 1978-5836 Dasar Pengenaan Pajak Dalam PMK No. 38/2013 9956771 7838 42 Rp 30.000 Penyalahgunaan Tax Haven InsideTax | Edisi 15 | Mei-Juni 2013 1 insidecourt 2 InsideTax | Edisi 15 | Mei-Juni 2013 insidecourt insideCONTENT Edisi 15 | Mei-Juni 2013 4 Inside Greetings 7 Inside Journal 8 InsideHeadline: Korupsi Pajak Inside Profile 14 Drs. Kismantoro Petrus, M.B.A. 16 Inside Event 24 Newsflash Domestic Inside Review 26 Alternatif Penyelesaian Sengketa Pajak (Studi Komparasi dengan Amerika Serikat) 18 InsideReportase: Tax Haven 32 Inside Event 34 Tax Enlightenment 42 Newsflash International Inside Profile 48 David Hamzah Damian Inside Court 50 Pajak Internasional atas Penghasilan dari InsideReview: Kegiatan Keartisan Pajak Internasional atas Transaksi Software 36 Inside Event 55 Seminar Permanent Establishment dan Seminar Transfer Pricing 61 Inside Library Inside Review 62 Penggelap Pajak, Awas! 66 Inside Intermezzo InsideRegulation: 56 PMK 38 dan 39 Tahun 2013 InsideTax | Edisi 15 | Mei-Juni 2013 3 INSIDEGREETINGS Komunitas Pajak yang Terhormat. Diterbitkan oleh: Pertama-tama kami memohon maaf jika DANNY DARUSSALAM TAX Center Inside Tax edisi ke-15 ini terlambat hadir PT Dimensi Internasional Tax di tangan anda. Kami menyadari bahwa masih terdapat banyak kekurangan redaksi PEMIMPIN UMUM pada sisi distribusi serta pemasaran. Hal Darussalam ini akan kami perbaiki pada edisi-edisi selanjutnya. WAKIL PEMIMPIN UMUM Danny Septriadi Pada tiga bulan terakhir, kita kembali dikejutkan oleh terungkapnya beberapa PEMIMPIN REDAKSI kasus penyuapan yang melibatkan baik B. Bawono Kristiaji Wajib Pajak maupun otoritas pajak. Masih segar dalam ingatan kita, betapa REDAKSI menggemparkannya kasus Gayus Tambunan dan diikuti oleh kasus-kasus Ganda Christian Tobing lainnya yang terjadi dalam beberapa tahun belakangan ini.