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Black Feminist Thought
Praise for the first edition of Black Feminist Thought “The book argues convincingly that black feminists be given, in the words immor- talized by Aretha Franklin, a little more R-E-S-P-E-C-T....Those with an appetite for scholarese will find the book delicious.” —Black Enterprise “With the publication of Black Feminist Thought, black feminism has moved to a new level. Collins’ work sets a standard for the discussion of black women’s lives, experiences, and thought that demands rigorous attention to the complexity of these experiences and an exploration of a multiplicity of responses.” —Women’s Review of Books “Patricia Hill Collins’ new work [is] a marvelous and engaging account of the social construction of black feminist thought. Historically grounded, making excellent use of oral history, interviews, music, poetry, fiction, and scholarly literature, Hill pro- poses to illuminate black women’s standpoint. .Those already familiar with black women’s history and literature will find this book a rich and satisfying analysis. Those who are not well acquainted with this body of work will find Collins’ book an accessible and absorbing first encounter with excerpts from many works, inviting fuller engagement. As an overview, this book would make an excellent text in women’s studies, ethnic studies, and African-American studies courses, especially at the upper-division and graduate levels. As a meditation on the deeper implications of feminist epistemology and sociological practice, Patricia Hill Collins has given us a particular gift.” —Signs “Patricia Hill Collins has done the impossible. She has written a book on black feminist thought that combines the theory with the most immediate in feminist practice. -
Parallel Tracks: Three Case Studies of the Relationship Between Street Art and U.S. Museums in the Twenty-First Century
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 11-2-2018 Parallel Tracks: Three Case Studies of the Relationship between Street Art and U.S. Museums in the Twenty-First Century Erin Rolfs Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Art Practice Commons, Museum Studies Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Rolfs, Erin, "Parallel Tracks: Three Case Studies of the Relationship between Street Art and U.S. Museums in the Twenty-First Century" (2018). LSU Master's Theses. 4835. https://digitalcommons.lsu.edu/gradschool_theses/4835 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 11-2-2018 Parallel Tracks: Three Case Studies of the Relationship between Street Art and U.S. Museums in the Twenty-First Century Erin Rolfs Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Art Practice Commons, Museum Studies Commons, and the Urban, Community and Regional Planning Commons PARALLEL TRACKS THREE CASE STUDIES OF THE RELATIONSHIP BETWEEN STREET ART AND U.S. MUSEUMS IN THE TWENTY-FIRST CENTURY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Erin Rolfs B.A., Louisiana State University, 2006 December 2018 Table of Contents Abstract ................................................................................................................................................................ -
Educational (Instructional) Design Models Daniel K
Educational (instructional) design models Daniel K. Schneider (ed.) PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 10 Nov 2014 05:58:58 CET Contents CRESST learning model 1 4C/ID 2 5e Learning cycle 6 5e's of education 7 7e Learning cycle 8 8 learning events model 9 ABAHCOCOSUCOL 10 ARCS 12 Advance Organizer 16 Advance backward design organizer 18 Aesthetic principles for instructional design 19 Agile learning 20 Anchored instruction 21 Backwards design 23 C3MS project-based learning model 24 C5 simulation framework 36 CPM 37 Campbell-Lom mentoring model 38 Carroll model of school learning 40 Case-based learning 42 Case-based reasoning 52 CeLS 52 Cognitive flexibility hypertext 57 Cognitive flexibility theory 62 Cognitive load 64 Collaborative Face to Face Educational Environment 68 Community of inquiry model 71 Component display theory 73 Computer simulation 74 Constructivist emotionally-oriented model 77 Cybergogy 78 DialogPlus Toolkit 81 Direct instruction 89 Discovery learning 92 Dukes simulation and gaming model for sociology teaching 97 E-moderation five-stage model 99 E-tivity 100 E2ML 102 Educational design language 104 Educational modeling language 114 Eight-component framework for e-learning 122 Elaboration theory 123 Engagement theory 125 Exploratory learning 126 FEASP 127 Felder design model 129 First principles of instruction 131 Gerlach and Ely design model 136 Gerson's e-class 137 Hypermodel 138 Hypertext 140 Inquiry-based learning 150 Instructional -
Valentine Richmond History | Jackson Ward Art Walk
Valentine Richmond History Self-Guided Public Art Walk through Historic Jackson Ward All directions are in italics. Start your tour at the intersection of Marshall Street and 2nd Street. JACKSON WARD Today you will be touring a snippet of Jackson Ward, concentrating on the murals, many of which tell the stories of this historic neighborhood. Jackson Ward has a rich history that you will only begin to scratch the surface of on today’s walk. First a quick overview of its past; prior to the Civil War, Jackson Ward was a mix of free persons of color, European immigrants, and American-born white artisans. After the Civil War, Jackson Ward became the largest African American community in Richmond and a nationally important center of African American economic and cultural activity. Hippodrome Theater, c. 1959 (Independent Order of St. Luke Photograph Collection, The Valentine) It has been called The Harlem of the South and The Black Wall Street. Jackson Ward was the location of banks, clubs, insurance companies, and commercial and social institutions. State sponsored segregation developed in Richmond after the Civil War due to detrimental beliefs concerning the rights of African Americans which lead to restrictive public policies. By 1940, Jackson Ward had become home to approximately 5000 African Americans. In effect, Jackson Ward functioned politically and economically as a "separate city" within the larger metropolis. The area began to decline in the 1950s. One reason was the construction of the Richmond-Petersburg Turnpike (I95) in the mid-50s, the result of federal redevelopment policy, called urban renewal, that supported clearing out of inner-city neighborhoods deemed “slums,” predominantly African American neighborhoods, to build new infrastructure. -
Celebrating and Growing a Diverse Economy in Cape Town, South Africa
Fostering new spaces: Celebrating and growing a diverse economy in Cape Town, South Africa A thesis submitted in partial fulfilment of the requirements for the degree of Masters in Development Studies Emma Noëlle Hosking School of Geography, Environment and Earth Sciences Victoria University of Wellington 2015 Cover photo: Wandisile, Chwayita, Mama Bokolo and I sit together in Hubspace Khayelitsha. Unfortunately Stefan was absent. Source: Emma Hosking (2014) Dedicated to Chwayita, Mama B, Stefan, Wandisile and Ludwe You are ever hopeful and excited by possibility. You have transformed and inspired me through your persistent pursuit of justice and Ubuntu. You have enabled me to articulate my sense of the world in these pages. “We are transformed, individually, collectively, as we make radical creative space which affirms and sustains our subjectivity, which gives us new location to articulate our sense of the world” – bell hooks (1990: 153) Abstract This thesis explores and celebrates diverse understandings and experiences of the economy through the narratives of four people working in Cape Town, South Africa. The diversity and multiplicity of the economy has been made invisible by a capitalocentric economic discourse which casts alternative ways of being as uncredible and weak. Thus, from a post- development/community economy perspective, I seek to foster a space in which non- conventional economic and political practices are seen as relevant and valid sites for action, where hope for a better future can be enabled. Living in the segregated city of Cape Town, I began to question the polemic framing of the country‟s “two economies”, a framing which disregards the actions of ordinary people who are improving the well-being of their communities directly, in favour of neoliberal pro- growth strategies. -
Community-Based Narratives: a Study of Collaborative Content Creation in Visual Media Production
Doctoral Dissertation Academic Year 2013 Community-Based Narratives: A Study of Collaborative Content Creation in Visual Media Production Graduate School of Media Design Keio University Janak Bhimani A Doctoral Dissertation submitted to Graduate School of Media Design, Keio University in partial fulfillment of the requirements for the degree of Ph.D. of Media Design Janak Bhimani Dissertation Committee: Professor Ichiya Nakamura (Supervisor) Professor Masahiko Inami (Chair) Professor Naohisa Ohta (Member) Associate Professor Kazunori Suguira (Member) Associate Professor Itaru Kitahara (Member) i Abstract Collaborative content creation is the act of multiple individuals engaging in the creation of visual media narratives. Visual media production encompasses a myriad of styles and genres of content. In this dissertation, research into three synchronous and asynchronous approaches to collaborative content creation are presented. Synchronous collaboration refers to collaboration conducted simultaneously by remote parties while asynchronous refers to work undertaken by remote collaborators at different times. Of the three methods presented in this paper, two of the methods implemented resulted in collaborative student-made documentaries. First, asynchronous collaboration is explored in the curation of crowdsourced assets after the 3.11 earthquake and tsunami in Japan in the production of “lenses + landscapes”. Crowdsourcing is a means to utilize existing media assets to deliver a narrative experience that consists of many small parts, but whose overall impact as a whole is greater than the sum. Second, a combination of synchronous and asynchronous remote co-located collaborative content creation is examined in the production of “places + perspectives”. The implementation of large, remotely located touchscreens in collaborative sessions by teams in Japan and the United States is illustrated and analyzed. -
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Stevenson, Andrew (2014) How do newly arrived international students de- velop meaningful attachments to and emplaced knowledge of their new city? Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/623740/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Arrival Stories How do newly arrived international students develop meaningful attachments to and emplaced knowledge of their new city? Andrew Stevenson 1 Abstract Psychological theory has traditionally yielded limited and predominantly cognitivist approaches to place and its perception. This thesis applies non- representational and phenomenological approaches to the study of place and space. It employs participatory sensory ethnography as a method for researching narratives of place-making and creative responses to a new city. Place and space theory portrays places as inseparable from meanings invested in them (Thrift, 2008), seeing cities as collections of stories, rather than as fixed locations. They are made by the performative engagements of those who move through them (Ingold, 2000). In researching place making with a cohort of collaborators that came from 16 internationally diverse new arrivals to Manchester and Salford I have curated a series of participatory collaborations from which diverse stories necessarily emerged. These collaborations are modeled on existing sensory modalities (Pink, 2009), creative and technological habits and preferred mobilities of the collaborators. Initially ascertaining the preferences of each collaborator, participants subsequently took the lead in designing creative responses to their new home city. Collaborations included engagements such as walking interviews, the recording of soundscape compositions, participatory photography and the generation of other artefacts. -
Conference Proceedings
www.isatt2019.org Conference Proceedings The 19th Biennial Conference of International Study Association on Teachers and Teaching "Education beyond the crisis: new skills, children's rights and teaching contexts" 1st - 5th July 2019 Sibiu, Romania PROCEEDINGS THE 19TH BIENNIAL CONFERENCE OF INTERNATIONAL STUDY ASSOCIATION ON TEACHERS AND TEACHING (ISATT) "EDUCATION BEYOND THE CRISIS: NEW SKILLS, CHILDREN'S RIGHTS AND TEACHING CONTEXTS" SIBIU, ROMANIA 1 ISATT 2019 "Education beyond the crisis: new skills, children's rights and teaching contexts" PROCEEDINGS THE 19TH BIENNIAL CONFERENCE OF INTERNATIONAL STUDY ASSOCIATION ON TEACHERS AND TEACHING (ISATT) "EDUCATION BEYOND THE CRISIS: NEW SKILLS, CHILDREN'S RIGHTS AND TEACHING CONTEXTS" Edited by: Diana Mihăescu Daniela Andron All papers passed a double-blind review process ISBN: 978-606-12-1659-8 “Lucian Blaga” University Publishing House 2 ISATT 2019 "Education beyond the crisis: new skills, children's rights and teaching contexts" FOREWORD This volume emerged from the need of debating and sharing ideas for the professional and personal development of teachers. Being a teacher means facing challenges that might be considerably different in various countries but the focus of teachers all over the world is becoming aware of current perspectives on children and childhood, while developing a critical relationship with the content of education and continuously curving their attitudes. Recent studies reveal that the impetus for change in Education is energetic and powerful. These new findings call for a new perspective on teacher training thus raising new questions on how the next generation of teachers should be trained. Children need new skills, considered vital to adapt to a world in constant change.