The Future Fire 2020.53 “ἴδμεν ψεύδεα πολλὰ λέγειν ἐτύμοισιν ὁμοῖα, ἴδμεν δ᾽, εὖτ᾽ ἐθέλωμεν, ἀληθέα γηρύσασθαι.” — Hesiod, Theogony 27-8 Contents Editorial .......................................................................... 3 Nonfiction Retrospective on Sepulvelda Baron, J. Rama Stephens . 6 Profile of Octavia Flora Fabian, Djibril Ayad .............. 12 The Tildenville Skeleton, Ari Kaness .......................... 17 Wickchester University Library special collections, Djibril Ayad .............................................................. 20 Reviews Antonia Grangeri, Non sorrideva mai, Scirocco .......... 23 Michel Foucault, The Birth of Free Will, Fábio Fernandes .................................................................. 27 Ambiguity Sky, Michael M. Jones ................................ 36 Robert Finch, Lake Wildwood, Djibril Ayad ................ 41 Abeda/Zorne, Velocity of Inertia, J. Moufawad-Paul .. 44 Surradia: A Retrospective, Gwen C. Katz ................... 52 Guidelines for submissions .......................................... 61 The Future Fire (http://futurefire.net/) is edited by Djibril al- Ayad, with associate editors Regina de Búrca and Valeria Vitale; assistant editors Cécile Matthey, Trace Yulie and Bruce Stenning; occasional guest editors Kathryn Allan, Emma Bridges, Fábio Fernandes and Lori Selke. This PDF copy-edited by Hûw Steer. ISSN: 1746-1839 Contact:
[email protected] All work copyright © 2020 by the authors and artists Editorial Djibril al-Ayad LIIIES The Greek quotation from Hesiod translates loosely as “We know how to tell many lies resembling the truth, but we also know, when we like, how to sing true things.” The problem has always been whether mortals can tell which is which. We are used to the idea that fiction—speculative or otherwise—may be an effective medium to tell important truths. Aristotle tells us that poetry (i.e. fiction) is a “more philosophical and a higher thing” than history (i.e. nonfiction), because the truths written in history are particular, while those in poetry are universal.