DOCSLIB.ORG

Screen Printing

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

CAL L FO R CURREN T PRICING CA LL F O R C U RRE NT P RICIN G CALL FOR CURRENT PRICING SCREEN PRINTING - NEW - EDITION TH PHOTOGRAPHY 18 CATALOG LETTER PRESS LITHO CONSULTING SERVICE DAILY SHIPPING Sales Inc. EQUIPMENT & SUPPLIES CALL F OR C URR E NT PRIC IN G ALL MAJOR CREDIT CARDS ACCEPTED PHONE: 920.766 .9332 www.badgergraphic.com info@ba dgergraphic.com Products For Graphic Arts - Government - Schools Badger Graphic Sales, Inc 1225 Delanglade Street Kaukauna, WI 54130 CALL FOR CURRENT PRICING CALL FOR CURRENT PRICING U.S.A Screen Printing - Lithography - Photography Page 1 to 24 Page 25 to 55 Page 56 to 64 Printing Ink 1-3 Rubber Stamp 51 Enlarger 57 Emulsion-Film 4-5 Block Printing 52-53 Film 62-63 Supplies 6-13 Letter Press 54 Chemistry 62 Equipment 14-23 Cameras 64 Union Inks-Water Base Textile & Plastisol Ink 1 Water Based Textile Ink $17.95 Aero-Tex Air-Cure Quart Features: • Soft Hand Application: • Cures With or Without a Dryer • T-Shirts • Fashion Garments • Bright Colors ATEX-1000 White All Water Base Inks supplied w/Activator ATEX-1020 Super Opaque White ATEX-5004 Turquoise ATEX-2011 Lemon Yellow ATEX-5020 Mono Blue Neon Colors $23.95 Quart ATEX-2021 Chrome Yellow ATEX-5035 Royal Blue ATEX-F211 Neon Orbit Yellow ATEX-2051 Orange ATEX-5040 Navy Blue ATEX-F212 Neon Goldrn Yellow ATEX-3004 Hot Pink ATEX-6030 Spring Green ATEX-F213 Neon Inferno Orange ATEX-3006 Bright Red ATEX-6081 Paris Green ATEX-F214 Neon Flame Orange ATEX-3011 Scarlet Red ATEX-7002 Kahki ATEX-F311 Neon Missile Red ATEX-3030 Maroon ATEX-7021 Yellow Ochre ATEX-F312 Neon Aurora Pink ATEX-4020 Royal Purple ATEX-7031 Brown ATEX-F511 Neon Solar Blue ATEX-5000 Peacock Blue ATEX-8000 Black $15.95 ATEX-F611 Neon Traffic Green ATEX-9090 Extender Base Quart $12.00 Aerotex Additives & Modifiers ATEX-9600 Aqueous Stay Open Quart $18.00 SOLV-1679 Reducer/Retarder Quart $15.00 Plastisol Ultrasoft & Transfer & Direct Print Ink Applications PLUS-1020 Super O p a q u e W h i t e PLUS-4010 Magenta 1. Prints have soft hand PLUS-1030 Backup White PLUS-4025 Deep Purple 2. Smooth & Creamy PLUS-1500 Gray PLUS-5005 Brite Blue 3. Ready To Use PLUS-2001 PrimoseYellow PLUS-5015 Columbia Blue 4. Standard Colors PLUS-2011 Lemo n Yellow PLUS-5020 Mono Blue 5. Light & Medium Colored Shirts PLUS-2021 Chrome Yellow PLUS-5035 Royal Blue 6. Wet-On-Wet Direct Printing PLUS-2041 Golden Y e llow PLUS-5040 Navy Blue 7. Cold Peel Heat Transfers PLUS-2051 Oran ge PLUS-6001 Tahiti Green 8. Hot Peel Heat Transfers PLUS-3001 Vermilio n Re d PLUS-6006 Brite Green 9. Nylon Jackets PLUS-3006 Brite Red PLUS-6021 Dark Chrome Green (With Nyloband additive) PLUS-3011 Scarle t Red PLUS-6091 Kelly Green PLUS-3015 Card ina l Red PLUS-7001 Dark Green Quart $19.95 PLUS-3030 Maroo n PLUS-7031 Sienna Brown PLUS-8000 Black $16.95 Nyloband Bonding Agent For making Plastisols Adhere to most waterproofed nylon. Eliminates need to stock special nylon inks. Hot Split Additive Quart $34.00 32 ounces (Quart) $32.00 All UNION Inks Available in 1 or 5 Gallon Containers - CALL FOR PRICES Metallic Colors -Textiles PLUS-M220 Pale Gold $23.95 Plastisol Additives PLUS-M100 Copper $29.00 PLUS-M222 Rich Gold $23.95 $16.00 Quart PLUS-M120 Silver $24.95 PLUS-M224 Mirror Gold $23.95 PLUS-9000 Reducer/Tackifier PLUS-M128 Washable Silver $24.95 PLUS-9090 Extender Base BADGE R GRAPHIC SALES IN C 920.766.933 2 WEBSITE: www.badgergraphic.com E- MAIL:[email protected] 2 Union Inks - Athetic Plastisol - Puff Speedball Screen Printing Athletic Plastisol Photo Emulsion Durable Athletic Ink G The photo emulsion method of screen Application Features E printing is perhaps the most exciting * Athlet Uniforms * Extremely Durable method created! It makes fine line drawings, * Nylon Mesh Jerseys * Glossy Finish computer generated images, various hand T and commercial lettering and photographic * Bicycle Racing Jerseys * Very Opaque half-tone positives. The photo emulsion * Stretch Material Such As Spandex T method requires: Quart 1) A screen prepared with the photo emulsion / sensitizer I mixture PATH-800 Black $19.95 2) Film positive or a printed transparency film PATH-1000 White N 3) Light source (we recommend a BBA #1 photo flood) that PATH-1050 Low Bleed White G will transfer the opaque images on your positive to the light PATH-1500 Gray All Others sensitive printing screen. PATH-1508 S.G. Blue Gray $24.95 PATH-2010 Lemon Yellow PATH-F224 Flourescent Lemon S Supplies PATH-2040 Golden Yellow PATH-2042 S.G. Gold T DIAZO Photo Emulsion PATH-2046 Rebel Gold # 4579 26.4 oz. Bottle PATH-2050 Orange A –Must be mixed with # 4578 PATH-2052 S.G. Burnt Orange sensitizer, 3 year shelf life R $24.95 PATH-2054 S.G. Light Orange unmixed. PATH-2056 S.G. Texas Orange T Use SpeedBall Inks PATH-3000 Vermiollion Plastipuff Plastisols E DIAZO Sensitizer # 4578 2 oz. bottle Plastisol Puff Ink D #4579 Diazo photo emulsion $6.95 Application Features (sensitizer bottle appears empty, * T-shirts * Uniform puf finish but actually contains condensed * Baseball caps * Extremely durable | paste that is to be 3/4 filled with water) * Sweatshirts * Very opaque DIAZO Photo Emulsion Remover * Low cure temp # 4558 32 oz. – squeeze bottle Quart S –When applied to the PLPF-8000 Black $21.95 emulsion-coated screen, P it reclaims the screen with $21.95 PLPL-1000 White minimal cleaning effort. PLPF-2000 Primerose Yellow E PLPF-2042 Golden Yellow All Others Complete Screen Printing Units Standard Grade PLPF-2050 Orange $24.95 E Standard Screen Printing PLPF-3010 ScarletRed Units include adjustable PLPF-5006 Brite Blue D height back bar mounted PLPF-5036 Royal Blue with wing nuts: Complete PLPF-5040 Navy Blue B 3-½ quality squeegee, ¼” PLPF-6006 Brite Green hard board base: 1- 1 / 8 “ PLPF-7000 Dark Brown A PLPF-9090 Extender frame lumber with 10xx multifilament or polyester L fabric stretched by rope method with no slip seal: SuperPuff Additives glued corners with metal corrugated fasteners and PUFS-9111 Super Puff Additives $12.00 Per lb L wood sidekick; package of three tempered stainless steel registration guides. EPU 10X14 ID Wood 10XX Mesh $35.95 EPU 10X12 ID Wood 10XX Mesh $32.95 EPU 16X24 ID Wood 10XX Mesh $49.95 EPU 12X18 ID Wood 10XX MEsh $38.95 SpeedBall Inks - Next Page BADGER GRAPHIC SALES INC 9 2 0 . 7 6 6 . 9 3 32 WEBSITE: www.bad gerg raphic.com E- MAIL:[email protected] Screen Printing Inks 3 Speedball® Textile Screen Printing Inks 4600 Black 4693 Fluorescent Hot Pink 4601 Red 4695 Fluorescent Green These non-toxic and non-flammable inks, 4602 Blue 4696 Fluorescent Orange especially formulated for fabric and textile 4603 White 4697 Fluorescent Magenta screen printing, afford you the opportunity 4604 Green to execute your creative ideas in complete 4605 Yellow Textile safety. The large range of great colors en- 4606 Blue Denim $23.95 hance your concepts and help you create 4607 Brown Quart everything from printed T-shirts to unique 4609 Orange aprons. 45750 Process Cyanine 45751 Process Magenta 32 oz. Plastic Jar 4682 Transparent Base 45752 Process Yellow Gallon (Plastic) $35.00 4576 Peacock Blue Night Glo Phosphoresent colors. 8 oz. jars ink glows in the dark. Textile Blue - White - Yellow or Green $18.00 per jar Speedball® Permanent Acrylic Based Screen Printing Inks Acrylic 4650 Violet 46410 Process Cyanine $23.95 4651 Ultra Blue 46411 Process Magenta Quart 4652 Dark Blue 46412 Process Yellow Plastic Jar 4653 Peacock Blue 4640 White 4654 Emerald Green 4641 Primrose Yellow Gallons Available Call 4643 Medium Yellow 4656 Brown 4644 Orange 4657 Black 4645 Fire Red 4669 Silver 4646 Medium Red Gloss Finish 4647 Dark Red Acrylic Base Extender 4648 Gold Thins ink & creates transparent color. Paper - Wood 46419 $22.00 Quart Speedball® Water Soluble Screen Printing Inks Water Soluble Safe for home, school and industrial $19.95 use, these inks are non-toxic and non-flammable. They dry to smooth 4580 Black Quart matte finish, and remain water 4581 Red soluble. Clean-up is with soap and 4582 Blue water. These inks may be mixed with 4583 White Paper - Wood Transparent Extender Base to 4584 Green Matte Finish achieve transparency. 4585 Yellow 4586 Brown 32 oz. Plastic Jar 4587 Orange 4588 Violet Soap & Water 4589 Magenta 10 Vivid Colors Clean – Up Transparent Extender Base 4572 $14.00 Quart BADGER GRAPHIC SALES INC 92 0 . 7 6 6 . 9 3 3 2 WEBSITE: www.badger graphi c.com E- MAIL:[email protected] 4 Direct Emulsions LX-660 Dual Cure Most Inks A diazo sensitized, durable, high quality, dual cure emulsion with excellent resistance to most ink systems. Suitable for all general purpose, graphicand industrial applications. Its latitude, resolution and edge definition are excellent, which makes it ideal for fine line and half tone printing. Very durable and fast drying for good productivity. LX-630 is blue in color and is supplied with a diazo sensitize in powder form. Fine line & half tone printing. 28 oz $35.00 Gallon $82.00 TLX Dual Cure Most Inks TLX is a multi-purpose, fast exposing diazo photopolymer emulsion with excellent edge definition and resolution. TLX’s very high solids content provides better stencil build per coat, excellent bridging of coarse mesh, and faster drying. 28 oz $41.00 Gallon $87.00 Dual Inks - Solvent or Water Inks QTX Pre-Mixed QTX is a presensitized, ready-to-use, ultra-fast-exposing SBQ photopolymer direct emulsion for imprinted sportswear printing with plastisol and water based textile ink.
Recommended publications
  • Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS 310 Delaware Street, New Castle, DE 19720

    Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS 310 Delaware Street, New Castle, DE 19720

    Oak Knoll Special Catalogue No. 19 1 OAK KNOLL BOOKS www.oakknoll.com 310 Delaware Street, New Castle, DE 19720 Oak Knoll Books has handled many examples of type specimen catalogues over the years. One would think that interest in old books showing type faces would have gone by the wayside long ago but nothing could be further from the truth. I was recently give a book by Tony Cox, a bookseller friend of mine, for bedside reading while I was visiting him in England and found the stories of type and their development fascinating (Simon Garfield. Just My Type). For those of you who have seen the film Helvetica you can relate to the impact type faces have on our lives. We are now offering you a selection of interesting specimen books and booklets that might inspire those of you doing design work or educate those of you that are doing research. And go back and reread McGrew’s American Metal Type Faces of the 20th Century and Annenberg’s Type Foundries of America and Their Catalogues (both Oak Knoll Press publications) for their invaluable information (see last page of our catalogue for more details). Happy hunting! Oak Knoll Books was founded in 1976 by Bob Fleck, a chemical engineer by training, who let his hobby get the best of him. Somehow making oil refineries more efficient using mathematics and computers paled in comparison to the joy of handling books. Oak Knoll Press, the second part of the business, was established in 1978 as a logical extension of Oak Knoll Books.
  • Literary Miscellany

    Literary Miscellany

    Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment.
  • Catalogue 119 Antiquariaat FORUM & ASHER Rare Books

    Catalogue 119 Antiquariaat FORUM & ASHER Rare Books

    Catalogue 119 antiquariaat FORUM & ASHER Rare Books Catalogue 119 ‘t Goy 2020 Antiquariaat Forum & Asher Rare Books Catalogue 119 1 Ex- tensive descriptions and images available on request. All offers are without engagement and subject to prior sale. All items in this list are complete and in good condition unless stated otherwise. Any item not agreeing with the description may be returned within one week after receipt. Prices are in eur (€). Postage and insurance are not included. VAT is charged at the standard rate to all EU customers. EU customers: please quote your VAT number when placing orders. Preferred mode of payment: in advance, wire transfer. Arrangements can be made for MasterCard and VisaCard. Ownership of goods does not pass to the purchaser until the price has been paid in full. General conditions of sale are those laid down in the ILAB Code of Usages and Customs, which can be viewed at: <http://www. ilab.org/eng/ilab/code.html> New customers are requested to provide references when ordering. ANTIL UARIAAT FOR?GE> 50 Y EARSUM @>@> Tuurdijk 16 Tuurdijk 16 3997 MS ‘t Goy 3997 MS ‘t Goy The Netherlands The Netherlands Phone: +31 (0)30 6011955 Phone: +31 (0)30 6011955 Fax: +31 (0)30 6011813 Fax: +31 (0)30 6011813 E-mail: [email protected] E-mail: [email protected] Web: www.forumrarebooks.com Web: www.asherbooks.com covers: no. 203 on page 115. frontispiece: no. 108 on page 62. title page: no. 184 on page 104. v 1.2 · 07 Jul 2021 Christianity and children’s education intertwined: a very rare Italian ABC book 1.
  • Vellum Article

    Vellum Article

    Vellum on Boards By Peter D. Verheyen Copyright © 2002 Allein ein Pergament, beschrieben und beprägt, ist ein Gespenst, vor dem sich alle scheuen. J.W. v. Goethe, Faust. INTRODUCTION: Vellum is arguably one of the most beautiful binding materials in use, and at the same time one of the least used in modern design bindings. While it is often used in limp bindings, its use “over hard boards” has been much more limited. A study of the bookbinding literature reveals it being covered in-depth to a larger degree in German language trade manuals than in English. This could explain their seemingly greater popularity in Germany, as evidenced by reproductions in exhibition catalogs and other publications. With a decline in traditional training opportunities, it is becoming increasing difficult to find exposure to this technique. As a material, vellum has many wonderful characteristics. It is translucent, can be made transparent, is available dyed or veiney, and exceedingly well wearing. Its major drawback is its hygroscopic nature, causing it to stretch as it absorbs water and to shrink as it dries. In dry conditions this will cause the boards to warp strongly. This, perhaps more than anything else, has discouraged binders from working with this wonderful material. The structure described in this article is designed to address this problem of warping, and hopefully lead to an increase in the numbers of binders working in vellum. By applying the “split board” technique I learned as an apprentice in Germany, and described in Wiese, one reduces the pull of the vellum on the boards, making it much easier to control with the counter-linings applied to the inside of the case.
  • Tangible Display Systems: Bringing Virtual Surfaces Into the Real World

    Tangible Display Systems: Bringing Virtual Surfaces Into the Real World

    Tangible display systems: bringing virtual surfaces into the real world James A. Ferwerda Munsell Color Science Laboratory, Chester F. Carlson Center for Imaging Science, Rochester Institute of Technology ABSTRACT We are developing tangible display systems that enable natural interaction with virtual surfaces. Tangible display systems are based on modern mobile devices that incorporate electronic image displays, graphics hardware, tracking systems, and digital cameras. Custom software allows the orientation of a device and the position of the observer to be tracked in real-time. Using this information, realistic images of surfaces with complex textures and material properties illuminated by environment-mapped lighting, can be rendered to the screen at interactive rates. Tilting or moving in front of the device produces realistic changes in surface lighting and material appearance. In this way, tangible displays allow virtual surfaces to be observed and manipulated as naturally as real ones, with the added benefit that surface geometry and material properties can be modified in real-time. We demonstrate the utility of tangible display systems in four application areas: material appearance research; computer-aided appearance design; enhanced access to digital library and museum collections; and new tools for digital artists. Keywords: advanced display systems, tangible user interfaces, digital painting systems. 1. INTRODUCTION When observers interact with objects they typically engage in a complex set of behaviors that include active manipulation and dynamic viewing. These behaviors allow observers to experience how objects look from different viewpoints and under different lighting conditions, which provides rich visual information about object shape and material properties. Modern computer graphics systems have the ability to render both static and dynamic images of objects with high fidelity, but the ability to interact with these objects is typically indirect, through trackballs, mice and similar devices.
  • Introduction to Letterpress Printing 2/18/10 1:33 AM

    Introduction to Letterpress Printing 2/18/10 1:33 AM

    Introduction to Letterpress Printing 2/18/10 1:33 AM Revision: October 1, 2005* INTRODUCTION TO LETTERPRESS PRINTING IN THE 21ST CENTURY by David S. Rose / Five Roses Press / New York, NY Welcome • Executive Summary • Letterpress Printing and Printers • Internet Mailing Lists • National and Local Printing Groups • Online Resources • Print Resources • Classes and Academic Programs • Printing Museums • Letterpress Printing Manuals • Design and Book Arts Manuals • Acquiring Books and Manuals • Letterpress Equipment • Choosing a Press • Letterpress Dealers • Accessories and Supplies • Letterpress Printing Suppliers • Paper and Papermaking • Bookbinding • Printing Type • Type Casting • Links • Copyright and Permissions Letterpress printing was featured earlier this year on ABC-TV's hit show Extreme Makeover: Home Edition. As part of the complete construction of a new home for a deserving family in only seven days, letterpress printers from across the country donated a complete letterpress studio to 12-year old Aariel Dore, and you can see clips from the show and read the whole story behind the show right here!. Welcome ...to the wonderful world of letterpress printing! To start you on your way in this exciting, challenging, rewarding and anachronistic avocation, what follows is an introduction, freshly prepared for the start of the new millennium and updated to 2005, to the people, places, and online resources that will save you a great deal of time as you embark upon your letterpress activities. At the end of the document are links to dozens of other sites, many of which themselves contain links to hundreds of additional sites related to letterpress printing. Executive Summary (for those who don't want to have to read this whole page) Read Crane's quick overview of letterpress printing.
  • DEC-08-HMMPA-A-D Typeset-8 Systems

    DEC-08-HMMPA-A-D Typeset-8 Systems

    DIGITAL EQUIPMENT CORPORATION typeset-8 systems­ positive logic ... dedicated to the maintenance manual future of Graphic Arts I r J lilI. L.--------mD~DDmD------.-...J ~-. DIGITAL EQU IPMENT CORPORATION typeset-8 systems­ positive logic ... dedicated to the maintenance manual future of Graphic Arts • ~-----~DmDDmD--------I " DIGITAL EQUIPMENT CORPORATION typeset-8 systems­ positive logic ... dedicated to the maintenance manual future of Graphic Arts ') '---------~D~DDmD--------J DIGITAL EQUIPMENT CORPORATION typeset-8 systems­ positive logic ... dedicated to the maintenance manual future of Graphic Arts L---------~D~DDmD--------I DIGITAL EQUIPMENT CORPORATION typeset-8 systems­ positive logic ... dedicated to the maintenance manual future of Graphic Arts .. ~-----~DmDDmD--------I . " typeset-8 systems­ positive logic maintenance manual DEC-08-HMMPA-A-D ~) ) digital equipment corporation • maynard. massachusetts 1st Edition October 1972 Copyright © 1972 by Digital Equipment Corporation The materi!!, in t"'i~ manual i$ for inf()rmation­ ;II purl;l0ses and is subject to change without notiCl!. ' The folloWing are trademarks I;>f D~ital Equipment Corporation, Maynar\i, Maf$~achusetts: DEC PIDP FLIP CHIP FOCAL DIGITAL COMPUTER LAB CONTENTS Page CHAPTER 1 INTRODUCTION 1.1 System Description 1-2 1.2 Specifications . 1-3 CHAPTER 2 INSTALLATION 2.1 Cabling and Terminations 2-1 2.2 Power Connections .. 2-5 2.3 Installation Verification 2-5 CHAPTER 3 OPERATION AND PROGRAMMING 3.1 Program Instructions 3-1 3.2 Data Formats .... 3-1 3.3 Controls and Indicators 3-3 3.3.1 PR68B High-Speed Paper-Tape Reader 3-3 3.3.2 PR68D High-Speed Paper-Tape Reader 3-4 3.3.3 PR68DA High-Speed Paper-Tape Reader 3-5 3.3.4 PA63 Multiple Reader/Punch Control and Interface Unit 3-5 3.3.5 PP67C/D High-Speed Paper-Tape Punch ......
  • Letterpress and Relief Printing Steps of Operation and Clean up an Introduction to the Vandercook Letterpress

    Letterpress and Relief Printing Steps of Operation and Clean up an Introduction to the Vandercook Letterpress

    Letterpress and Relief Printing Steps of Operation and Clean up An Introduction to The Vandercook Letterpress Remember the fundamentals of relief printing: 1. Quality or character of print surface, 2. Ink, 3. Paper, 4. Pressure, and 5. Clean up. A. Introduction to UMBC New Printmedia Letterpress area 1. Measurements Print measurements are most often made in terms of points and picas. One point equals 1/72 of an inch; or, there are 72 points in an inch. There are 12 points in one pica. A pica ruler (also called a line gauge) can be used to make these measurements, but you must remember that the finest measurements that the pica ruler allows are usually only in 1/2 picas, or 6 point measurements. For convenience, use the "6 and 12 point scale". The other gradations have their utility, though we will not be using them. These other measurements are used constantly in printing, publishing, and the graphic arts. Learn to use the pica ruler, and to think of the page in measurements expressed in points and picas. 2. Leads and Slugs Leads are the spacing between lines. ("Lead" rhymes with head.) In our new UMBC we are still building the leading area. So we don’t have a large selection of lead but enough to do the few projects that will be working on. When selecting your lead lengths try to match them up with the furniture lengths that you have selected. It helps when in the final line up and locking, but there are times when you want unmatched lengths.
  • China.] Kahler, William R

    China.] Kahler, William R

    RULON~ January 22, 2019 eList MILLER Varia, 1623-1974 21 items BOOKS To Order: Call toll-free 1-800-441-0076 400 Summit Avenue Outside the United States call 1-651-290-0700 St. Paul, Minnesota E-mail: [email protected] 55102-2662 Other catalogues available at our website at rulon.com USA Member ABAA/ILAB ~ R a r e & f i n e b o o k s in many fields VISA, MASTERCARD, DISCOVER, and AMERICAN EXPRESS accepted. If you have any questions regarding billing, methods of payment, Manuscripts shipping, or foreign currencies, please do not hesitate to ask. 1. [Bible in Hebrew, O.T., Genesis.] Hebrew manuscript scroll. [n.p., n.d.] $250 Parchment scroll, approx. 87” by 23”, in three 29” sections sewn together. Written in black ink, in Hebrew script. Begins at Genesis 26:19, ends at Genesis 35:18. The parchment is very clean, with just the occasional spot of browning to the scroll (no marks affecting the text). An attractive manuscript of the first book of the Old Testa- ment. 2. [Bible in Hebrew, O.T., Esther.] “Hebrew scrolls of the Megillah of Esther Hebrew scroll of Esther. [n.p., n.d.] $250 are often difficult to date and localize, given the longstanding practices used in Manuscript scroll in Hebrew of the book the production of these manuscripts. of Esther, approx. 55” x 15” in two sections Written on the skin of a kosher animal, of parchment stapled together; text in 10 the text comprises the ten chapters of the columns, with the ninth containing the Book of Esther, including the origin story enlarged names of the sons of Hamon.
  • Introduction to Garment Screen Printing ,20-"3!2'-, 2- #62'*# !0##, 0',2',%

    Introduction to Garment Screen Printing ,20-"3!2'-, 2- #62'*# !0##, 0',2',%

    Introduction to Garment Screen Printing ,20-"3!2'-, 2- #62'*# !0##, 0',2',% ,"#6 #!2'-, ,#S &2 -5[ · #$','2'-, -$ 1!0##, .0',2',% · !0##, .0',2',% 2 %*,!# · 2#.V !V12#. · ," 2!.#1 · --*1 -$ 2&# 20"# #!2'-, 5-S #22',% 3. #-30 -0"1.!# · #22',% 3. "0" 0--$ o %*-!"',% &' *'%&2 o (-,20-**',% &3$'"'2! · #22',% 3. !-30 .0',2 0# o #22',% 3. !-30 .0#11 !-00#!2*! o #22',% 3. !-30 "0!#0 !-00#!2*! o #22',% 3. $-0 .0-.#0 5-0"$*-5 #!2'-, &0##S )- *+*32'-, · ,025-0" · 3 1202# · ," · -3,2'2'#1 · 2&#0 +0' *#1 2- !-,1'"#0 *6$.*# *+*32'-, #!2'-, .-30S ,025-0" · 0',2 2!.#1 o .-2 !-*-0 o .-30 !-*-0 .0-!#11 /(0#12 o .-2 .0-!#11 · 30"'#,2 2!.#1 o $%# %0"'#,2 o *$2-,# %0"'#,2 · $%# 2!.#1 o 412#0 %0.&'!1 412#0 %0.&'! 1-$250# 1 o '#!2-0 %0.&'!1 '#!2-0 %0.&'! 1-$250# · (-*-0 1#.02'-, o .-2 !-*-0 1#.02'-, o .-30 !-*-0 .0-!#11 1#.02'-, o .-2 .0-!#11 1#.02'-, · 412#0 '$%# .0-!#11',% /4'.2 1-$250# #!2'-, .'+#S .'*$ 32.32 · .'*$ 2!.#1 o ,"5#2 o 61#0 o '#**3$ · -5 $'*$1 0# !0#2#" o 0',2#" $'*$1 ,"5#2 %3 *# 5#2 61#0 5#2 o ,"V"05, #!2'-, '6S !0##, 0#.02'-, · !0##, !&-'!# · #%0#1',% ," "0!',% · *$3*1'-, !&-'!# · (-2',% "0!',% · 2#,!'* 2&'!",#11 · ,"*',% !-2#" 1!0##, #!2'-, #+#,S 0#V4#%'1202'-, ," *6.-130# · 0#V0#%'1202'-, o #$.*2#1 2--*1 · *6.-130# o *6.-130# 2'$#1 2#.
  • DEC-08-17TA-D Typeset-8 Systems

    DEC-08-17TA-D Typeset-8 Systems

    DIGITAL EQUIPMENT CORPORATION typeset-8 systems­ negative logic ... dedicated to the maintenance manual future of Graphic Arts t I I ,; ., 'j , . typeset-8 systems­ negative logic maintenance manual . DEC-08-17TA-D digital equipment corporation • maynard. massachusetts 1st Edition February 1967 2nd Printing October 1968 2nd Edition August 1972 Copyright © 1967, 1968, 1972 by Digital Equipment Corporation The material in this manual is for informa­ tional purposes and is subject to change without notice. The following are trademarks of Digital Equipment Corporation, Maynard, Massachusetts: DEC PDP FLIP CHIP FOCAL DIGITAL COMPUTER LAB CONTENTS Page CHAPTER 1 INTRODUCTION CHAPTER 2 SCOPE CHAPTER 3 OPERATION 3.1 General ... .3-1 3.2 Program Instructions .3-2 CHAPTER 4 THEORY OF OPERATION 4.1 Introduction .4-1 4.2 lOT Decoder .4-1 4.3 Tape Reader Operation .4-2 4.3.1 PR68A High-Speed Paper-Tape Reader .4-2 4.3.2 Reader Selection .4-3 4.3.3 Control and Timing .4-4 4.3.4 Tape Feeding .4-6 4.3.5 Tape Reading .. .4-6 4.3.6 Data Transfer .. .4-6 4.4 Tape Punch Operation .4-6 4.4.1 PP67A High-Speed Paper-Tape Punch .4-6 4.4.2 PR67 A Punch Control .4-7 4.4.3 Punch Selection . 4-10 4.4.4 Control and Timing 4-10 4.4.5 Data Transfer . 4-10 4.4.6 Motor Control 4-12 4.4.7 Tape Punching 4-12 4.5 PA60B Reader/Punch Control Extension 4-14 4.6 PA60C NTTA Reader Control Unit 4-14 4.6.1 Power Up ...
  • Millennium Masonry Bro 06.Qxd

    Millennium Masonry Bro 06.Qxd

    Millennium Masonry Besblock Ltd - The Company For over 25 years, we at Besblock have been carefully selecting natural materials in order to provide masonry blocks that maintain consistency in strength, durability and colour. As a family-owned business, we like to exceed our clients’ expectations in both the expertise and the quality of our fast and flexible service. We pride ourselves on using the best available manufacturing equipment, thus ensuring that we consistently supply superior products. All our manufacturing units employ American Columbia block-making machinery, which is world renowned for producing the best possible concrete masonry and particularly emphasises dimensional accuracy. We not only believe in sound environmental practices: we use them. All our blocks are cured naturally in specially designed chambers by harnessing the heat generated from the cement hydration process; this has the dual positive effects of Our two state-of-the-art plants are situated in maintaining accurate colour consistency in our masonry, and Telford, Shropshire, at the heart of Britain’s road of producing a harder, more durable block. We thus avoid the system. Since we use our own transport fleet for all colour bleaching and case hardening of the product that can deliveries, we are able to ensure that orders will often result from accelerated curing processes. arrive on time no matter where clients are situated in Great Britain. Shot Blast What is Millennium Masonry? Millennium Masonry is a range of facing blocks manufactured The face size of 440mm long x 215mm high renders in regular shapes from selected natural quarried aggregates. Millennium Masonry particularly suitable for larger It is therefore very resistant to inclement weather, offering buildings, as there are only 9.88 masonry blocks to durability equal to that of dense clay bricks.