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Hacking the Master Switch? the Role of Infrastructure in Google's
Hacking the Master Switch? The Role of Infrastructure in Google’s Network Neutrality Strategy in the 2000s by John Harris Stevenson A thesis submitteD in conformity with the requirements for the Degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by John Harris Stevenson 2017 Hacking the Master Switch? The Role of Infrastructure in Google’s Network Neutrality Strategy in the 2000s John Harris Stevenson Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract During most of the decade of the 2000s, global Internet company Google Inc. was one of the most prominent public champions of the notion of network neutrality, the network design principle conceived by Tim Wu that all Internet traffic should be treated equally by network operators. However, in 2010, following a series of joint policy statements on network neutrality with telecommunications giant Verizon, Google fell nearly silent on the issue, despite Wu arguing that a neutral Internet was vital to Google’s survival. During this period, Google engaged in a massive expansion of its services and technical infrastructure. My research examines the influence of Google’s systems and service offerings on the company’s approach to network neutrality policy making. Drawing on documentary evidence and network analysis data, I identify Google’s global proprietary networks and server locations worldwide, including over 1500 Google edge caching servers located at Internet service providers. ii I argue that the affordances provided by its systems allowed Google to mitigate potential retail and transit ISP gatekeeping. Drawing on the work of Latour and Callon in Actor– network theory, I posit the existence of at least one actor-network formed among Google and ISPs, centred on an interest in the utility of Google’s edge caching servers and the success of the Android operating system. -
Alterecho: Loose Avatar-Streamer Coupling for Expressive Vtubing
AlterEcho: Loose Avatar-Streamer Coupling for Expressive VTubing Paper ID: 2117 Figure 1: AlterEcho VTuber avatar animation (top) and corresponding streamer video frames (bottom), which are not shown to the viewer, and are shown here for illustration purposes (bottom). The avatar’s coupling to the streamer is looser than in conventional motion capture, with the avatar making gestures that are identical (a), similar (b and c), or completely different (d) from those of the streamer. ABSTRACT YouTube and Twitch allow anyone with a webcam and an Internet VTubers are live streamers who embody computer animation virtual connection to become a streamer, sharing their life experiences and avatars. VTubing is a rapidly rising form of online entertainment in creative content while engaging with an online audience in real- East Asia, most notably in Japan and China, and it has been more time. More recently, advances in motion capture and computer recently introduced in the West. However, animating an expres- animation have empowered streamers to represent themselves with sive VTuber avatar remains a challenge due to budget and usability virtual avatars without revealing their real self. Virtual YouTubers, limitations of current solutions, i.e., high-fidelity motion capture is or VTubers, are streamers who embody a virtual avatar and role- expensive, while keyboard-based VTubing interfaces impose a cog- play a specially designed persona [28]. Originating from East Asia nitive burden on the streamer. This paper proposes a novel approach where the subcultures of anime and manga are prevalent, the VTu- for VTubing animation based on the key principle of loosening ber community has since rapidly grown and expanded, reaching a the coupling between the VTuber and their avatar, and it describes worldwide audience across cultural and language barriers. -
Carroll V. Google
Case 3:20-cv-07379 Document 1 Filed 10/21/20 Page 1 of 70 1 Elizabeth C. Pritzker (CA SBN: 146267) Jonathan K. Levine (CA SBN: 220289) 2 Bethany Caracuzzo (CA SBN: 190687) Caroline C. Corbitt (CA SBN: 305492) 3 PRITZKER LEVINE LLP 4 1900 Powell Street, Suite 450 Emeryville, CA 94608 5 Telephone: (415) 692-0772 Facsimile: (415) 366-6110 6 E-mail: [email protected]; [email protected] 7 [email protected]; [email protected] 8 Heidi M. Silton (pro hac vice forthcoming) Justin R. Erickson (pro hac vice forthcoming) 9 LOCKRIDGE GRINDAL NAUEN P.L.L.P. 10 100 Washington Avenue South, Suite 2200 Minneapolis, MN 55401 11 Telephone: (612) 339-6900 Facsimile: (612) 339-0981 12 E-mail: [email protected]; [email protected] 13 14 Counsel for Plaintiffs and the Proposed Class 15 UNITED STATES DISTRICT COURT 16 FOR THE NORTHERN DISTRICT OF CALIFORNIA 17 DANIEL CARROLL, DANIEL ) Case No. 18 EGERTER, and BRENDA KEEGAN, and ) ) 19 individually and on behalf of all others similarly situated, ) CLASS ACTION ) COMPLAINT 20 ) Plaintiffs, 21 ) JURY TRIAL DEMANDED ) 22 v. ) 23 GOOGLE LLC; GOOGLE IRELAND ) ) LIMITED; GOOGLE COMMERCE 24 LIMITED; GOOGLE ASIA PACIFIC ) ) 25 PTE. LIMITED; and GOOGLE PAYMENT CORP., ) 26 ) Defendants. ) 27 ) 28 -1- CLASS ACTION COMPLAINT Case No.: Case 3:20-cv-07379 Document 1 Filed 10/21/20 Page 2 of 70 1 Plaintiffs Daniel Carroll, Daniel Egerter and Brenda Keegan, on behalf of themselves and all 2 others similarly situated, bring this class action against Defendants Google LLC; Google Ireland Ltd.; 3 Google Commerce Ltd.; Google Asia Pacific Pte. -
Eric Schmidt at the Personal Democracy Forum
Google, Inc. Personal Democracy Forum Tom: Thank you for having us here. It’s a treat to be here. I’m Tom Friedman from The New York Times and The Flat World and my partner in crime here, Eric Schmidt, Chairman and CEO of Google. And Eric, thank you for being here. I just wanted to begin with a broad question. As a newspaper reader, it seems like Google’s in the news every day, and it’s something new. I just have a really simple question. Where are you guys going? What is the new, new thing for Google? And what is kind of the macro frame around it? Because I know these _____ stories I’m reading, they all are connected to a broader strategy. Eric: Maybe. Tom: I hope. Eric: You’re giving us a lot of credit. Well, thank you all for having us here. It’s a pretty important event, and I’m so glad people could spend the time. And thanks to the university for sponsoring it and so forth. The news this week of course is that we’re integrating the way search works. We’ve taken the disparate sources of information, video, news, and so forth, and put them together in a common set of answers, which we call universal search. What was happening of course was people were spending all their time in these specialty searches, but they really wanted to ask the right question and get all the right answers. And our signals, our algorithms as we call them, are getting better as we’re getting more information, we understand personal behavior and so forth. -
Online Video Marketing for Any Business
Praise for YouTube for Business, Second Edition “Mike Miller provides an excellent guidebook for utilizing the tremendous flexibil- ity of YouTube as a powerful business-building tool. This idea-packed book pro- vides step-by-step instructions for growing any business, through the marketing and promotional benefits of video production and sharing.” —Wayne Hurlbert—Blog Business World and host of Blog Business Success Radio “Social media arguably has made the possibility of brand awareness easier. However, within that simplicity lies a complexity for business…How can we make sense of and how do we make the most of this new marketing approach? That is what I loved about this book—it not only explains the why but most importantly the how…brilliantly written, a must-read book for business people who want to really understand the power of YouTube.” —Anna Farmery, Managing Director—The Engaging Brand “YouTube for Business is chock-full of great ideas and examples for marketing your business with video. Whether you are brand new to using YouTube and need some help with ideas for your first video or you’ve already got a few videos under your belt but want to up your technical production game, YouTube for Business is defi- nitely worth the read. Engaging, easy-to-understand, authoritative.” —Kate Trgovac Kate Trgovac, Co-founder—LintBucket Media “YouTube for Business is another well written, informative book. On my show, I always refer to Michael’s books as wonderful desktop reference guides, filled with practical advice. They’re not filled with -
Natsuiro Matsuri Irl Reddit
Natsuiro Matsuri Irl Reddit This is a reupload from TC195 Orignal stream This video I originally heard about from u/Level1Pixel on reddit. Halloween Matsuri - Tier 5. Natsuiro Matsuri YouTube Twitter Yozora Mel YouTube Twitter. Meaning, pronunciation Natsuiro Matsuri Real Identity Natsuiro Matsuri Voice Actor Matsuri Hololive Irl Natsuiro Matsuri Irl Reddit Toorisugita kaze kara kanjiru. Or drag this bookmarklet: reddit stream to your toolbar and click it when viewing any reddit thread. Miễn phí download về máy. Hololive - Unhand her, Natsuiro Matsuri. All female hololive members as of January 1st, 2021. CONGRATULATIONS to KUREIJI OLLIE of Hololive for reaching 100k SUBSCRIBERS during her debut stream! Welcome to Reddit, the front page of the internet. Natsuiro Matsuri - All You Need Are Band-aids. Tải dễ dàng và nhanh chóng ♥. Instrumental. bmw e46 transmission fault code 59 pdfsdocuments2 pdf&id=d41d8cd98f00b204e9800998ecf8427e book review, free download. Our fun all-in-one server economy, store & games platform is designed to help you forge a stronger, longer term relationship with your community members. Natsuiro Matsuri Hololive. Synthesia Video Tutorial: soon. Tải dễ dàng và nhanh chóng ♥. Hoshikawa basically kept everything and didn't reciprocate and then made fun of the situation in front of her on stream. Karakteristik dari Natsuiro Matsuri diasosiasikan dengan cewek enerjik dan tomboi, dan tidak jarang Ia melakukan aksi-aksi ekstrim sebagai challenge. 動画の概要 Matsuri Channel 夏色まつり. Subaru, Okayu, Korone, Noel, Flare, Kanata, Luna, Suisei, Matsuri, Aki, Roboco, Fubuki, Mio, Ayame. For dmca and removal message us on Reddit, and we'll remove once we've verified identities. natsuiro matsuri irl reddit, It's really bizarre to me that even with "idols" like Coco and Matsuri and Marine being the chaotic forces they are, Hololive still tries to portray themselves as your standard squeaky clean idol company with pure innocent 17-year-old never-been-kissed virgin. -
Don't Be Evil
220 Chapter 13 “Don’t Be Evil” and Beyond for High Tech Organizations: Ethical Statements and Mottos (and Responsibility) Jo Ann Oravec University of Wisconsin – Whitewater, USA ABSTRACT Societal pressures on high tech organizations to define and disseminate their ethical stances are increasing as the influences of the technologies involved expand. Many Internet-based businesses have emerged in the past decades; growing numbers of them have developed some kind of moral declaration in the form of mottos or ethical statements. For example, the corporate motto “don’t be evil” (often linked with Google/ Alphabet) has generated considerable controversy about social and cultural impacts of search engines. After addressing the origins of these mottos and statements, this chapter projects the future of such ethi- cal manifestations in the context of critically-important privacy, security, and economic concerns. The chapter analyzes potential influences of the ethical expressions on corporate social responsibility (CSR) initiatives. The chapter analyzes issues of whether “large-grained” corporate mottos can indeed serve to supply social and ethical guidance for organizations as opposed to more complex, detailed codes of ethics or comparable attempts at moral clarification. INTRODUCTION Evil is whatever Sergey [Brin] says is evil. - Eric Schmidt, former Executive Chairman of Google, as quoted in Vise and Malseed (2005) How do organizations make sense of the panoply of ethical issues they face, especially in rapidly-changing technological and social environments? Challenges are expanding for high tech research and development organizations as their technologies grow in societal impact (Broeders & Taylor, 2017), from consider- ing the problems of young people confronting cyberbullies (Oravec, 2012) to the use of social media DOI: 10.4018/978-1-5225-4197-4.ch013 Copyright © 2018, IGI Global. -
Influencer Marketing
Influencer marketing 18.4.2019 / Hanna Reinikainen Introduction • Title: Doctoral student • Affiliation: Jyväskylä University School of Business and Economics • Major: Corporate Communication • Research project: #Agents – Young People’s Agency in Social Media • Previous work experience: Communication consultant • Influencer experience: Ex-wedding blogger (“the murkiest blog in the history of this newspaper”) • Hobbies: Brazilianterrier @rio_paulistinha Social media influencers? Bloggers, vloggers, snappers, instagrammers, e-sports influencers… Social media influencers • Endorsers, who shape the attitudes of their followers through social media (Freberg, Graham, McGaughey, & Freberg, 2011). • New and authentic online celebrities (Morris & Anderson, 2015). • Fashionable friends (Colliander & Dahlén, 2011). Who qualifies as a social media influencer? • Anyone, who has a certain amount of followers on social media? • Anyone, who is a professional content creator? • Anyone, who speaks to an audience that your brand is interested in? Influencer marketing • Interaction and relationship building with consumers, through and with the help of social media influencers. • Matching the values of the targeted consumers, the influencer, and your brand • Telling stories that consumers can relate to and that also have an impact. Now also trending... What makes influencers so popular? The power of the visual • Images, especially moving images often evoke strong emotions. • Mobile devices and apps like Instagram and Snapchat have lowered the threshold for shooting and sharing video content. • They also allow us to get really close to influencers. • The content from influencers and our friends appear side by side in our social media feeds. • Video is no longer broadcasting, but a way to interact with other people. Parasocial interaction • ”Illusionary interaction with a media perfomer” (Horton & Wohl, 1956). -
Mukokuseki and the Narrative Mechanics in Japanese Games
Mukokuseki and the Narrative Mechanics in Japanese Games Hiloko Kato and René Bauer “In fact the whole of Japan is a pure invention. There is no such country, there are no such peo- ple.”1 “I do realize there’s a cultural difference be- tween what Japanese people think and what the rest of the world thinks.”2 “I just want the same damn game Japan gets to play, translated into English!”3 Space Invaders, Frogger, Pac-Man, Super Mario Bros., Final Fantasy, Street Fighter, Sonic The Hedgehog, Pokémon, Harvest Moon, Resident Evil, Silent Hill, Metal Gear Solid, Zelda, Katamari, Okami, Hatoful Boyfriend, Dark Souls, The Last Guardian, Sekiro. As this very small collection shows, Japanese arcade and video games cover the whole range of possible design and gameplay styles and define a unique way of narrating stories. Many titles are very successful and renowned, but even though they are an integral part of Western gaming culture, they still retain a certain otherness. This article explores the uniqueness of video games made in Japan in terms of their narrative mechanics. For this purpose, we will draw on a strategy which defines Japanese culture: mukokuseki (borderless, without a nation) is a concept that can be interpreted either as Japanese commod- ities erasing all cultural characteristics (“Mario does not invoke the image of Ja- 1 Wilde (2007 [1891]: 493). 2 Takahashi Tetsuya (Monolith Soft CEO) in Schreier (2017). 3 Funtime Happysnacks in Brian (@NE_Brian) (2017), our emphasis. 114 | Hiloko Kato and René Bauer pan” [Iwabuchi 2002: 94])4, or as a special way of mixing together elements of cultural origins, creating something that is new, but also hybrid and even ambig- uous. -
The Power of Google: Serving Consumers Or Threatening Competition? Hearing Committee on the Judiciary United States Senate
S. HRG. 112–168 THE POWER OF GOOGLE: SERVING CONSUMERS OR THREATENING COMPETITION? HEARING BEFORE THE SUBCOMMITTEE ON ANTITRUST, COMPETITION POLICY AND CONSUMER RIGHTS OF THE COMMITTEE ON THE JUDICIARY UNITED STATES SENATE ONE HUNDRED TWELFTH CONGRESS FIRST SESSION SEPTEMBER 21, 2011 Serial No. J–112–43 Printed for the use of the Committee on the Judiciary ( U.S. GOVERNMENT PRINTING OFFICE 71–471 PDF WASHINGTON : 2011 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 VerDate Nov 24 2008 11:11 Dec 21, 2011 Jkt 071471 PO 00000 Frm 00001 Fmt 5011 Sfmt 5011 S:\GPO\HEARINGS\71471.TXT SJUD1 PsN: CMORC COMMITTEE ON THE JUDICIARY PATRICK J. LEAHY, Vermont, Chairman HERB KOHL, Wisconsin CHUCK GRASSLEY, Iowa DIANNE FEINSTEIN, California ORRIN G. HATCH, Utah CHUCK SCHUMER, New York JON KYL, Arizona DICK DURBIN, Illinois JEFF SESSIONS, Alabama SHELDON WHITEHOUSE, Rhode Island LINDSEY GRAHAM, South Carolina AMY KLOBUCHAR, Minnesota JOHN CORNYN, Texas AL FRANKEN, Minnesota MICHAEL S. LEE, Utah CHRISTOPHER A. COONS, Delaware TOM COBURN, Oklahoma RICHARD BLUMENTHAL, Connecticut BRUCE A. COHEN, Chief Counsel and Staff Director KOLAN DAVIS, Republican Chief Counsel and Staff Director SUBCOMMITTEE ON ANTITRUST, COMPETITION POLICY AND CONSUMER RIGHTS HERB KOHL, Wisconsin, Chairman CHUCK SCHUMER, New York MICHAEL S. LEE, Utah AMY KLOBUCHAR, Minnesota CHUCK GRASSLEY, Iowa AL FRANKEN, Minnesota JOHN CORNYN, Texas RICHARD BLUMENTHAL, Connecticut CAROLINE HOLLAND, Democratic Chief Counsel/Staff Director DAVID BARLOW, Republican General Counsel (II) VerDate Nov 24 2008 11:11 Dec 21, 2011 Jkt 071471 PO 00000 Frm 00002 Fmt 5904 Sfmt 5904 S:\GPO\HEARINGS\71471.TXT SJUD1 PsN: CMORC C O N T E N T S STATEMENTS OF COMMITTEE MEMBERS Page Feinstein, Hon. -
Writing Emotions
Ingeborg Jandl, Susanne Knaller, Sabine Schönfellner, Gudrun Tockner (eds.) Writing Emotions Lettre 2017-05-15 15-01-57 --- Projekt: transcript.titeleien / Dokument: FAX ID 0247461218271772|(S. 1- 4) TIT3793_KU.p 461218271780 2017-05-15 15-01-57 --- Projekt: transcript.titeleien / Dokument: FAX ID 0247461218271772|(S. 1- 4) TIT3793_KU.p 461218271780 Ingeborg Jandl, Susanne Knaller, Sabine Schönfellner, Gudrun Tockner (eds.) Writing Emotions Theoretical Concepts and Selected Case Studies in Literature 2017-05-15 15-01-57 --- Projekt: transcript.titeleien / Dokument: FAX ID 0247461218271772|(S. 1- 4) TIT3793_KU.p 461218271780 Printed with the support of the State of Styria (Department for Health, Care and Science/Department Science and Research), the University of Graz, and the Faculty of Arts and Humanities University of Graz. An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access for the public good. The Open Access ISBN for this book is 978-3-8394-3793-3. More information about the initiative and links to the Open Access version can be found at www.knowledgeunlatched.org. This work is licensed under the Creative Commons Attribution-NonCommercial-No- Derivs 4.0 (BY-NC-ND) which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. To create an adaptation, translation, or derivative -
The Wide World of Google: from Drive and Duo to Sheets and Photos…And More Tuesday Tech Talk - May 5, 2020
The Wide World of Google: From Drive and Duo to Sheets and Photos…and More Tuesday Tech Talk - May 5, 2020 Google is integrated with Android devices but iPhone users can also utilize most of these apps and features. You do need a google/gmail account to use many of these apps. First, do a checkup on the information Google has about you. My account Personal Info Your personal info – provided if you want people to find you on Gmail, Hangout, Maps Choose what others see – how much information do you want available for others to see? Data and Personalization Take the privacy checkup – review your settings and choose what services are activated to record your Google history View your Activity and Timeline – your phone knows where you take it. Contacts – manage and search your contacts Manage Google Activity – have you forgotten a link to a video or website you visited – check here! Ad Personalization/Ad Settings – you can tell them what kind of ads you want to see – or not see. Download, Delete or make a plan for your data – download your content anytime (like contacts) or assign an account trustee and set up a plan for who to contact and what happens to your data if you are unable to use your account for more than 3 months. Reservations – if you have made reservations using Search, Maps or Assistant, they will be listed. Accessibility – do you need a screen reader or high contrast colors? Security Security checkup – review your settings Signing in – Set up 2-Step verification to enhance security Device Activity - It recognizes your devices and notifies you of any new devices logging in to your account.