Brian Williams ‘Misremembers’ but Social Media Reminds Him

Total Page:16

File Type:pdf, Size:1020Kb

Brian Williams ‘Misremembers’ but Social Media Reminds Him Avondale College ResearchOnline@Avondale Arts Papers and Journal Articles School of Humanities and Creative Arts 2-2017 Embedding, Embellishing and Embarrassing: Brian Williams ‘Misremembers’ but Social Media Reminds Him Sue Joseph University of Technology, Sydney, [email protected] Carolyn Rickett Avondale College of Higher Education, [email protected] Follow this and additional works at: https://research.avondale.edu.au/arts_papers Part of the Arts and Humanities Commons Recommended Citation Joseph, S., & Rickett, C. (2017). Embedding, embellishing and embarrassing: Brian Williams ‘misremembers’ but social media reminds him. Ethical Space: The International Journal of Communication Ethics, 14(1), 32-41. This Article is brought to you for free and open access by the School of Humanities and Creative Arts at ResearchOnline@Avondale. It has been accepted for inclusion in Arts Papers and Journal Articles by an authorized administrator of ResearchOnline@Avondale. For more information, please contact [email protected]. Sue Joseph ‘It felt like a personal experience that some- Carolyn Rickett one else wanted to participate in and didn’t deserve to participate in.’2 Here is the news In the opening chapter from What is happen- ing to news: The information explosion and the crisis in journalism, titled ‘The collapse of the old order’, Jack Fuller begins with a well-known quotation from Walter Lippmann who, in 1921, compared the press to ‘the beam of a search- Embedding, light that relentlessly moves about, bringing one episode and then another out of the dark- embellishing and ness into vision’ (Fuller 2013: 1). Underpinning Lippmann’s sentiments is an optimism about embarrassing: the capacity of the press to function beyond Brian Williams the reaches of institutions and media person- alities to produce clear and reliable news. More ‘misremembers’ but recently, in working towards a cogent defini- tion of journalism practice, Michael Schudson social media reminds argues: ‘Journalism is the business or practice him of producing and disseminating information about contemporary affairs or general public interest and importance’ (Schudson 2001: 11). Brian Williams enjoyed the trust of his organ- Here, Schudson points to the sociological and isation and audience for 10 years as NBC’s commercial underpinnings relating to the pro- Nightly News anchor and managing editor. duction and circulation of news. Usefully, too, But on the night of 30 January 2015 during Jay Rosen comments: ‘News is something that a broadcast, his high profile status began to news people make, but that does not mean unravel. Venerated as a reliable news source, they make it up. It simply means that stories Williams was forced to explain his legendary about what happened today are not “what story of survival one day in the skies above the happened today”’ (Rosen 2001: 3). But more Iraq War of 2003. His version of an attack on importantly, Rosen continues: a Chinook helicopter he was travelling in was circulated and valorised by his own corpora- How do we know when this art is serving tion for 12 years. But when American soldier a public purpose? ‘When it is accurate, fair, Lance Reynolds and other military personnel balanced, comprehensive and compelling’ is challenged the veracity of his version, the cor- the sort of answer most in the press would poration was forced to suspend him. Williams give. It is a good answer. But it does not say equates his rewriting and false reporting of much about the imaginative work journal- this historical event as an act of ‘misremember- ists do (ibid: 3). ing’. This assertion is a clear breach of the Soci- In thinking about the ‘imaginative work’ jour- ety of Professional Journalists’ code: ‘Ethical nalists perform it is important to acknowledge journalism strives to ensure the free exchange the significant and creative roles of investigative of information that is accurate, fair and thor- and literary journalists who, with moral imagi- ough. An ethical journalist acts with integ- nation and a steadfast commitment to facts, rity’.1 However, the focus of this paper is on the viral audience social media response and render a story in ways that can both enlighten the ways in which the production of mocking and, at times, entertain. However, this notion online tweets and posts served to critique and of the ‘imaginative work of the journalist’ can- ridicule Williams’s claim of ‘misremembering’, not ethically encompass a re-rendering of his- thus holding him to account. And as such, the torical detail so that once incontrovertible facts ongoing circulation and preservation of memes are morphed into a new and more exciting satirically re-appropriating historical moments, tale; the very kind of narrative conflation that continue to shame Williams and his journalism became Brian Williams’s professional undoing. practice. There have been several transgressive forays into ‘story’ within the media,3 world-wide. And Keywords: Brian Williams, ‘misremembering’, indeed, some may argue that corporate media ethics, NBC, rewriting historical events, memes, transgresses with the truth every day; Brian Wil- social media liams’ seemingly is yet another example. 32 Copyright 2017-1. Ethical Space: The International Journal of Communication Ethics. All rights reserved. Vol 14, No 1 2017 PAPER Brian Williams ‘misremembers’ a door-gunner on the damaged Chinook, say Brian Williams is attending a Rangers-Cana- they all recall NBC reporting that Williams was diens ice hockey game at Madison Square Gar- aboard the aircraft that was attacked, despite dens in New York on the night of 30 January it being false. O’Keeffe says the incident has 2015. He invites Sergeant Major Tim Terpak to bothered him since he and others first saw the accompany him as a way of thanking him for original report after returning to Kuwait. ‘Over protecting him and his crew on that night in the years it faded,’ he says, ‘and then to see it the desert in 2003 when they were embedded last week it was – I can’t believe he is still telling on an air mission in Iraq, a fact the announcer this false narrative’ (Tritten 2015a). Travis Trit- at Madison Square Gardens shares with the ten tells the Washingtonian: huge sporting audience in a public tribute. The announcer says across the loudspeakers: These veterans, they told me they’ve been mad for a long time. Their perception was Ladies and gentlemen, during the Iraq inva- that it has been misreported from the first sion US Army Command Sergeant Major time Brian Williams said it. Over the years PAPER Tim Terpak was responsible for the safety you can find mentions of it, but this last of Brian Williams and his NBC News team time I think pushed some of them over the after their Chinook helicopter was hit and edge (Freed 2015). crippled by enemy fire. Command Sergeant Major Terpak was awarded three Bronze Williams posts the following apology to the sol- Stars for combat valor in Iraq, and recently diers on Facebook: retired after twenty-three years in the US Army. Both men, both Rangers fans have To Joseph, Lance, Jonathan, Pate, Michael been reunited for the first time in 12 years and all those who have posted: You are for tonight’s game. Please welcome Com- absolutely right and I was wrong. In fact, mand Sergeant Major Tim Terpak and Brian I spent much of the weekend thinking I’d Williams (Wemple 2015). gone crazy. I feel terrible about making this mistake, especially since I found my OWN Head of NBC News, 47-year-old Deborah Tur- WRITING about the incident from back ness, sees the story reproduced on Facebook in ’08, and I was indeed on the Chinook and ‘likes’ it, adding she thinks it is ‘very sweet’. behind the bird that took the RPG in the tail What she likes even more is its performance housing just above the ramp. Because I have once it was posted to Facebook, which she no desire to fictionalize my experience (we calls ‘extremely good’ (Burrough 2015). But all saw it happened the first time) and no the loudspeaker announcement and follow- need to dramatize events as they actually up news story proves too much for a band of happened, I think the constant viewing of soldiers, home from war. When members of the video showing us inspecting the impact the 159th Aviation Regiment’s Chinook under area – and the fog of memory over 12 years – fire on 26 March 2003, hear and then read the made me conflate the two, and I apologize. story on Facebook, they speak up. Lance Reyn- I certainly remember the armored mech pla- olds was flight engineer on the Chinook hit by toon, meeting Capt. Eric Nye and, of course, two rocket-propelled grenades. The night he Tim Terpak. Shortly after they arrived, so reads the report from the ice hockey match, he did the Orange Crush sandstorm, making writes to Williams on Facebook: ‘Sorry dude, virtually all outdoor functions impossible. I don’t remember you being on my aircraft. I I honestly don’t remember which of the do remember you walking up about an hour three choppers Gen. Downing and I slept in, after we had landed to ask me what had hap- but we spent two nights on the stowable pened.’ Christopher Simeone, the pilot of the web bench seats in one of the three birds. helicopter Williams was travelling in, responds Later in the invasion when Gen. Downing on Facebook: ‘Such a liar! He was on my air- and I reached Baghdad, I remember search- craft and we were NOT shot down. That was a ing the parade grounds for Tim’s Bradley to sister ship and a friend of mine.
Recommended publications
  • Endowments and Funds As of June 30, 2010
    2009-2010 Contributors E ND O W M E N TS A ND FUNDS Many donors choose to establish named endowments or funds, which provide critical support for productions and projects in general or specific program areas. They also offer special recognition opportunities. The following is a list of named endowments and funds as of June 30, 2010. The Vincent Astor Endowment for Literacy Programming The Arlene and Milton D. Berkman Philanthropic Fund Lillian and H. Huber Boscowitz Arts and Humanities Endowment The Aron Bromberg / Abe Raskin Partners Fund Irving Caesar Lifetime Trust for Music Programming The Joanne Toor Cummings Endowment for Children’s Programming FJC – A Foundation of Philanthropic Funds The Rita and Herbert Z. Gold Fund for Children’s Programming The Lillian Goldman Programming Endowment The M.J. Harrison/Rutgers University Broadcast Fellowship Program The Robert and Harriet Heilbrunn Programming Endowment The JLS/RAS Foundation Endowed Income Fund The John Daghlian Kazanjian Endowment The Anna-Maria and Stephen Kellen Arts Fund The Bernard Kiefson Endowment for Nature Programming The Reginald F. Lewis Endowment for Minority Fellowship Programs The Frits and Rita Markus Endowment for Science and Nature Programming The Abby R. Mauzé Endowment Fund for Arts and Humanities Programming The George Leonard Mitchell Fund The Henry and Lucy Moses Endowment for Children’s Programming The Abby and George O’Neill Program Endowment Fund The George Page Endowment for Science and Nature Programming The Dr. Edward A. Raymond Endowment for Science and Nature Programming Dr. Helen Rehr Endowment for Education and Outreach Blanchette Hooker Rockefeller Fund Endowment for Humanities Programming May and Samuel Rudin Family Foundation Minority Fellowship Program The Dorothy Schiff Endowment for News and Public Affairs Programming The Hubert J.
    [Show full text]
  • The History of NBC New York Television Studios, 1935-1956"
    `1 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 By Bobby Ellerbee And Eyes Of A Generation.com Preface and Acknowledgement This is the first known chronological listing that details the conversions of NBC’s Radio City studios at 30 Rockefeller Plaza in New York City. Also included in this exclusive presentation by and for Eyes Of A Generation, are the outside performance theaters and their conversion dates to NBC Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the network that pioneered so much of the new medium. As you will see, many shows were done as “remotes” in NBC radio studios with in-house mobile camera units, and predate the official conversion date which signifies the studio now has its own control room and stage lighting. Eyes Of A Generation, would like to offer a huge thanks to the many past and present NBC people that helped, but most especially to Frank Merklein (NBC 1947-1961) Joel Spector (NBC 1965-2001), Dennis Degan (NBC 2003 to present), historian David Schwartz (GSN) and Gady Reinhold (CBS 1966 to present), for their first hand knowledge, photos and help. This presentation is presented as a public service by the world’s ultimate destination for television history…The Eyes Of A Generation. –Bobby Ellerbee http://www.eyesofageneration.com/ https://www.facebook.com/pages/Eyes-Of-A-Generationcom/189359747768249 `2 | P a g e "The History of NBC New York Television Studios, 1935-1956" Volume 1 of 2 Contents Please Note: Converted should be understood as the debut date of the facility as an exclusive TV studio, now equipped with its own control room.
    [Show full text]
  • January/February/March/April • the Florida Reporter 1 OFFICIAL
    OFFICIAL PUBLICATION OF THE FLORIDA COURT REPORTERS ASSOCIATION JANUARY/FEBRUARY/MARCH/APRIL 2020 January/February/March/April • The Florida Reporter 1 Advertising Special Needful People WANTED! Need a job? Need a reporter, Your stories to share with other Contact to advertise in 8 issues agency owners? Contact reporters. (2 years) of this magazine and Placement Chairman Sandi Submit an article and receive .15 get a special 15% discount on Nargiz at 850-878-2221 or Fax: CEU points if published in The top of our low rates! Call FCRA 850-878-2254 or Florida Reporter. Email your story Headquarters today at [email protected] to 407$-774- 7880.$ $ [email protected] ARE YOU ON FCRA is now FCRA IS NOW ON TWITTER! FACEBOOK? on Instagram! If so, join the FCRA Group by Search for the Twitter handle looking up Florida Court Please follow us! below and follow us! Reporters Association… all the latest updates right at your @floridacourtreporters @FCRA_Official fingertips! Stenograph Special Order Your Florida Manual MARK YOUR CALENDAR! Stay up to date on Florida Rules Get last-line pricing with and Procedures. Call 407-774- FCRA 2020 Annual Convention 7880 to order your electronic Stenograph supplies, as a version of the Florida Manual or Ocean Reef Club member of FCRA receives visit www.fcraonline.org to order. Key Largo, Florida a rebate. $ $ $ Just $75.00 for members! July 17-19, 2019 WEBSITE SPONSORS ARE YOU CHANGING Be on the Lookout for WANTED YOUR CONTACT INFO AND DON’T WANT TO MISS Upcoming Florida Contact E-FLASHES? Professional Reporter FCRA (FPR) Test Dates! Headquarters, Be sure everything is current.
    [Show full text]
  • NOMINEES for the 32Nd ANNUAL NEWS & DOCUMENTARY EMMY
    NOMINEES FOR THE 32 nd ANNUAL NEWS & DOCUMENTARY EMMY ® AWARDS ANNOUNCED BY THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Winners to be announced on September 26th at Frederick P. Rose Hall, Home of Jazz at Lincoln Center Larry King to Receive Lifetime Achievement Award New York, N.Y. – July 18, 2011 (revised 8.24.11) – Nominations for the 32nd Annual News and Documentary Emmy ® Awards were announced today by the National Academy of Television Arts & Sciences (NATAS). The News & Documentary Emmy® Awards will be presented on Monday, September 26 at a ceremony at Frederick P. Rose Hall, Home of Jazz at Lincoln Center, located in the Time Warner Center in New York City. The event will be attended by more than 1,000 television and news media industry executives, news and documentary producers and journalists. Emmy ® Awards will be presented in 42 categories, including Breaking News, Investigative Reporting, Outstanding Interview, and Best Documentary, among others. This year’s prestigious Lifetime Achievement Award will be given to broadcasting legend and cable news icon Larry King. “Larry King is one of the most notable figures in the history of cable news, and the National Academy of Television Arts and Sciences is delighted to present him with this year’s lifetime achievement award,” said Malachy Wienges, Chairman, NATAS. “Over the course of his career Larry King has interviewed an enormous number of public figures on a remarkable range of topics. In his 25 years at CNN he helped build an audience for cable news and hosted more than a few history making broadcasts.
    [Show full text]
  • Nbc News, Msnbc and Cnbc Honored with 23 News and Documentary Emmy Award Nominations
    NBC NEWS, MSNBC AND CNBC HONORED WITH 23 NEWS AND DOCUMENTARY EMMY AWARD NOMINATIONS “Rock Center with Brian Williams” Honored with Five Nominations in First Eligible Season "NBC Nightly News" Nominated for Eight Awards, Including Two For "Blown Away: Southern Tornadoes" and "Mexico: The War Next Door" "Dateline" Honored with Five Nominations Including Two for "Rescue in the Mountains" "Education Nation" Receives Two Nominations Including “Outstanding News Discussion & Analysis” MSNBC Honored with Two Nominations including “Outstanding News Discussion & Analysis” CNBC Nominated for “Outstanding Business & Economic Reporting” NEW YORK -- July 12, 2012 -- NBC News, MSNBC and CNBC have received a total of 23 News and Documentary Emmy Award nominations, the National Academy of Television Arts & Sciences announced today. The News & Documentary Emmy Awards will be presented on Monday, October 1 at a ceremony at Frederick P. Rose Hall, Home of Jazz at Lincoln Center, located in the Time Warner Center in New York City. The following is a breakdown of the 23 nominations by network and show. "NBC Nightly News" was nominated in the following categories: OUTSTANDING COVERAGE OF A BREAKING NEWS STORY IN A REGULARLY SCHEDULED NEWSCAST: "NBC Nightly News" – Blown Away: Southern Tornadoes "NBC Nightly News " – Disaster in Japan "NBC Nightly News " – The Fall of Mubarak OUTSTANDING CONTINUING COVERAGE OF A NEWS STORY IN A REGULARLY SCHEDULED NEWSCAST: "NBC Nightly News" – Battle for Libya "NBC Nightly News" – Mexico: The War Next Door "NBC Nightly News"
    [Show full text]
  • Museum of the Moving Image to Honor Nbc's Brian
    FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE TO HONOR NBC’S BRIAN WILLIAMS AND KENNETH LOWE OF SCRIPPS NETWORKS INTERACTIVE ON JUNE 2 AT THE ST. REGIS HOTEL Astoria, NY, April 4, 2011 — Herbert S. Schlosser, Chairman of the Board of Trustees of Museum of the Moving Image, announced today that Brian Williams, Anchor and Managing Editor of NBC Nightly News , and Kenneth W. Lowe, Chairman, President, and Chief Executive Officer of Scripps Networks Interactive, Inc., will be honored at the Museum’s annual black-tie benefit on Thursday, June 2, 2011, at The St. Regis Hotel. Each spring, the Museum holds this event, recognizing two leaders in the media industry. Brian Williams is seen by more U.S. television news viewers on a daily basis than any other American. He has become the most highly decorated evening news anchor of the modern era, and NBC Nightly News is the most-watched newscast in all of television. Williams’s coverage of world events has earned him high praise and several citations for journalistic excellence, many of which were awarded for his work covering Hurricane Katrina and its aftermath. The New York Times said his reporting of Katrina was “a defining moment,” and Vanity Fair later called his work “Murrow-worthy” and reported that during the crisis he became “a nation’s anchor.” Williams joined NBC News in 1993 after several years working at local stations in Washington, D.C., Philadelphia, and New York City. A few years later, he became NBC’s chief White House correspondent and then anchor and managing editor of The News with Brian Williams on MSNBC and CNBC.
    [Show full text]
  • CBS Sunday News • CBS News • NBC Nightly News • NBC
    NOVITA PR NEOCON 2021 BROADER DESIGN PITCH Update May 12: We wanted to send along an update on our NeoCon pitch plan. We’ve had great calls with several NeoCon manufacturers to get their take and are also using them as a resource for supporting collateral. Overall, we’ve received a lot of great positive feedback and have developed relevant, timely angles. The manufacturers we’ve been speaking to have given us the most feedback and strongest insight into the workplace category. Because of this and given that “return to workplace” stories are getting a lot of traction right now, we’ve been focusing on our long-lead, broadcast pitches around that vertical and around the first pitch listed farther down below (“Employee Expectations Have Changed: How the $12.83 Billion Commercial Interiors Industry is Designing for Mental Health, Inclusivity and More). In addition, we’ve been monitoring recent stories around the subject and we’re directly responding to these. Below are the recent pitches. We will be pitching the other angles in the upcoming weeks, as well as print + digital, and are reaching out to gather more intel on the other verticals so we can properly target those. We can provide more updates as we go. PITCHES SENT • CBS Sunday News • CBS News • NBC Nightly News • NBC News • PBS Newshour • Fox Business Network • CNN Business • America This Morning • BBC News • ABC News Turning Point • ABC News Nightline • Direct Response Pitches: • “Back to the Office (Maybe)” - CBS Sunday News this Morning with Susan Spencer on May 2 • Sent our pitch to Susan Spencer and several producers at CBS News in response to this with the angle that we could help secure additional segments that show the backstory of the industry behind making “back to work” inclusive, and creating effective environments that will give the workforce the supportive surroundings they need to return at least in a hybrid manner.
    [Show full text]
  • Interview with Jim Parks (Municipals)
    A CONVERSATION WITH TOM BROKAW 5/20/05 PAGE 1 DEBORAH LEFF: Good evening and welcome. I’m Deborah Leff. I’m director of the John F. Kennedy Presidential Library and Museum. And on behalf of myself and John Shattuck, the CEO of the Kennedy Library Foundation, we are really happy to have you here and happy to have the people in the overflow theaters. I want to thank our Forum sponsors, Bank of America, Boston Capital, the Lowell Institute and Corcoran Jennison, Raytheon, the wonderful PT109 exhibit that we have. And our media sponsors: WBUR, The Boston Globe and boston.com. The Greatest Generation -- the men and women who came of age in World War II and built the country we have today, this is the generation honored and revealed by the wonderful words of this evening’s speaker, Tom Brokaw. Tonight’s Forum coincides with the opening of the John F. Kennedy Presidential Library’s tribute to the generation, our new special exhibit, JFK in World War II. Lt. John Kennedy had a special role in World War II of course. As highlighted by the late Tonight Show host, Jack Parr, in a documentary that aired in 1962. Let’s watch. [VIDEO CLIP] Lt. Kennedy may have gone on to be President but he was only one of millions of men and women who fought to save this country and to protect A CONVERSATION WITH TOM BROKAW 5/20/05 PAGE 2 and enhance its values. Their stories are told compellingly by long-time NBC anchorman and the best selling The Greatest Generation.
    [Show full text]
  • THE 51St ANNUAL NEW YORK EMMY® AWARD NOMINATIONS
    THE 53RD ANNUAL NEW YORK EMMY® AWARD NOMINATIONS ANNOUNCED THIS MORNING! MSG Network Gets the Most Nominations with 64 New York, NY – Thursday, February 25, 2010. The 53rd Annual New York Emmy® Award nominations took place this morning at the studios of CUNY-TV. Hosting the announcement was Jacqueline Gonzalez, Executive Director, NY NATAS. Presenting the nominees were Shelly Palmer, Host of Digital Life with Shelly Palmer and President of NY NATAS; Emmy® Award-winner Marvin Scott, Senior Correspondent, PIX News at 10, and Anchor, PIX News Closeup, WPIX-TV; Emmy® Award-winner John Bathke, Reporter, News 12 New Jersey; and Emmy® Award-winner Virginia Huie, Reporter, News 12 Long Island. The New York Emmy® Awards has evolved to honor the craft of television regardless of the delivery platform. 2010 marks our third year accepting advanced media entries (original content created for broadband and portable delivery). This year all of our advanced media entries were rolled into our broadcast categories truly making this the year of recognizing outstanding achievement in television the art form not television the platform. We continue to celebrate excellence in our industry honoring the best video storytelling. Congratulations to all honored nominees! Total Number of Nominated Entries MSG Network 64 ChinaDoingBusiness.com 2 WXTV Univision 41 35 Epicurious.com 2 News 12 Connecticut 33 News 10 Now 2 WNBC-TV 32 ShellyPalmer.com 2 YES Network 27 SUAthletics.com 2 (MLB Productions for YES - 5) YESNetwork.com 2 SNY 24 Amazon.com 1 News 12 Long Island
    [Show full text]
  • Download a PDF of LEADERS Interview
    INTERVIEW VIEW InterviewINTER A Diversifi ed Portfolio An Interview with Steve Capus, President, NBC News although, i don’t think we can take it for positions with diverse backgrounds. otherwise, granted, network news provides an incredibly when a story breaks, we’re likely to all respond important service and plays a key role in soci- the same way. it’s also not enough to have peo- ety, and it’s still valued. Nightly News has grown ple around the organization with diverse back- its audience year over year. nbc in recent years grounds; they also need to be empowered to expanded the Today show from the original two speak up in editorial meetings. hours to four hours a day, and we have an off- Cable is now known for broadcasting shoot of nbc news now on cable with msnbc. very partisan shows. Does that concern you so, at least for nbc news, the marketplace val- long-term? ues our output and there is a desire for news cable news is in a different game at differ- more than ever before. ent times of the day. there ought to be a diver- What is it about the model that has sity of viewpoints on the air, but it should not helped you remain strong and profi table always be about who can shout the loudest or while others have not? which party is in charge at any given time. i en- we have a great diversifi ed portfolio, includ- courage our people to be smart in the way they ing the leading morning news broadcast with the present those opinions, offer well-reasoned ar- Today show; a very aggressive number one eve- guments in support of their stances, and treat ning newscast, Nightly News with Brian Williams, people with respect.
    [Show full text]
  • Administration of Barack H. Obama, 2009 Remarks at the Radio And
    Administration of Barack H. Obama, 2009 Remarks at the Radio and Television Correspondents Association Dinner June 19, 2009 The President. Thanks to all of you. Thank you. Please, everybody, have a seat. Before I get started, as the father of two girls, can I just say how incredibly impressive those three young ladies were. Dad would be proud. To Heather and all the others who have made this evening possible, thank you so much. It is wonderful to be here. I want to express my appreciation for the opportunity to tell jokes that weren't funny enough for me to use when we did this 5 weeks ago. [Laughter] Whatever. [Laughter] The jokes may not be as good, but neither is the guest list. [Laughter] I'm just joking. For me, there's no contest. Why bother hanging out with celebrities when I can spend time with the people who made me one? [Laughter] I know where my bread is buttered. Plus, we have our own luminaries here in attendance. The junior Senator from Wyoming, John Barrasso, is here. [At this point, Press Secretary Robert Gibbs came to the podium and whispered in the President's ear.] I'm sorry, John Barasso skipped this evening. [Laughter] Let me tell you, though, for those who haven't met him, John Barrasso is the George Clooney of junior Senators from Wyoming. [Laughter] It is great to be here with so much talent from the world of TV and radio. Despite the flood of new media, I think your programming is more relevant than ever before.
    [Show full text]
  • Targeted Sampling from Massive Block Model Graphs with Personalized Pagerank∗
    Targeted sampling from massive block model graphs with personalized PageRank∗ Fan Chen1, Yini Zhang2, and Karl Rohe1 1Department of Statistics 2School of Journalism and Mass Communication University of Wisconsin, Madison, WI 53706, USA Abstract This paper provides statistical theory and intuition for Personalized PageRank (PPR), a popular technique that samples a small community from a massive network. We study a setting where the entire network is expensive to thoroughly obtain or maintain, but we can start from a seed node of interest and \crawl" the network to find other nodes through their connections. By crawling the graph in a designed way, the PPR vector can be approximated without querying the entire massive graph, making it an alternative to snowball sampling. Using the degree-corrected stochastic block model, we study whether the PPR vector can select nodes that belong to the same block as the seed node. We provide a simple and interpretable form for the PPR vector, highlighting its biases towards high degree nodes outside of the target block. We examine a simple adjustment based on node degrees and establish consistency results for PPR clustering that allows for directed graphs. These results are enabled by recent technical advances showing the element-wise convergence of eigenvectors. We illustrate the method with the massive Twitter friendship graph, which we crawl using the Twitter API. We find that (i) the adjusted and unadjusted PPR techniques are complementary approaches, where the adjustment makes the results particularly localized around the seed node and (ii) the bias adjustment greatly benefits from degree regularization. Keywords Community detection; Degree-corrected stochastic block model; Local clustering; Network sampling; Personalized PageRank arXiv:1910.12937v2 [cs.SI] 1 Jul 2020 1 Introduction Much of the literature on graph sampling has treated the entire graph, or all of the people in it, as the target population.
    [Show full text]