Deep Learning Architect: Classification for Architectural Design Through the Eye of Artificial Intelligence
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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
Bloomberg Center Design Fact Sheet
SEPTEMBER 13, 2017 Bloomberg Center Design Fact Sheet 02 PRESS RELEASE 05 ABOUT MORPHOSIS 06 BIOGRAPHY OF THOM MAYNE 07 ABOUT CORNELL TECH 08 PROJECT INFORMATION 09 PROJECT CREDITS 11 PROJECT PHOTOS 13 CONTACT 1 Bloomberg Center Press Release// The Bloomberg Center at Cornell Tech Designed by Morphosis Celebrates Formal Opening Innovative Building is Academic Hub of New Applied Science Campus with Aspiration to Be First Net Zero University Building in New York City NEW YORK, September 13, 2017 – Morphosis Architects today marked the official opening of The Emma and Georgina Bloomberg Center, the academic hub of the new Cornell Tech campus on Roosevelt Island. With the goal of becoming a net zero building, The Bloomberg Center, designed by the global architecture and design firm, forms the heart of the campus, bridging academia and industry while pioneering new standards in environmental sustainability through state-of- the-art design. Spearheaded by Morphosis’ Pritzker Prize-winning founder Thom Mayne and principal Ung-Joo Scott Lee, The Bloomberg Center is the intellectual nerve center of the campus, reflecting the school’s joint goals of creativity and excellence by providing academic spaces that foster collective enterprise and collaboration. “The aim of Cornell Tech to create an urban center for interdisciplinary research and innovation is very much in line with our vision at Morphosis, where we are constantly developing new ways to achieve ever-more-sustainable buildings and to spark greater connections among the people who use our buildings. With the Bloomberg Center, we’ve pushed the boundaries of current energy efficiency practices and set a new standard for building development in New York City,” said Morphosis founder and design director Thom Mayne. -
Pritzker Prize to Doshi, Designer for Humanity in Search of a Win-Win
03.19.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS Pritzker Prize to Doshi, Designer for Humanity The 2018 Pritzker Prize, universally considered the highest honor for an architect, will be conferred this year on the 90-year- old Balkrishna Doshi, the first Indian so honored. The citation from the Pritzker jury recognizes his particular strengths by stating that he “has always created architecture that is serious, never flashy or a follower of trends.” The never-flashy-or-trendy message is another indication from these arbiters of design that our infatuation with exotic three-dimensional configurations initiated by Frank Gehry and Zaha Hadid – and emulated by numerous others – may have run its course. FULL STORY ON PAGE 3… In Search of a Win-Win: The Value Engineering Process When most design professionals hear the term value engineering, a dreaded sinking feeling deep in the pit of their stomach ensues. Both the design firm and the contractor are at a disadvantage in preserving the look and design intent of the project, keeping construction costs to a minimum, and delivering the entire package on time. officeinsight contributorPeter Carey searches for solutions that make it all possible. FULL STORY ON PAGE 14… Concurrents – Environmental Psychology: Swedish Death Cleaning First, Chunking Second Swedish death cleaning has replaced hygge as the hottest Scandinavian life management tool in the U.S. Margareta CITED: Magnussen’s system for de-cluttering, detailed in her book, The “OUR FATE ONLY SEEMS Gentle Art of Swedish Death Cleaning: How to Make Your Loved HORRIBLE WHEN WE PLACE Ines’ Lives Easier and Your Own Life More Pleasant, is a little IT IN CONTRAST WITH more straightforward than Marie Kondo’s more sentimental tact, SOMETHING THAT WOULD SEEM PREFERABLE.” described in The Life-Changing Magic of Tidying Up. -
Mcmorrough John Cv Expanded Format
John McMorrough CV (September 2013) - 1/5 John McMorrough Associate Professor of Architecture University of Michigan / Taubman College of Architecture and Urban Planning 2000 Bonisteel Boulevard, Ann Arbor, MI 48109-2069 Education Doctor of Philosophy in Architecture, Landscape Architecture, and Urban Planning 2007, June Harvard University Dissertation: Signifying Practices: The Pre-Texts of Post-Modern Architecture (Advisors: M. Hays, S. Whiting, R. Somol) Master of Architecture (with Distinction) 1998, June Harvard University, Graduate School of Design Thesis: “Shopping and as the City”, Harvard Project on the City: Shopping (Advisor: R. Koolhaas) Bachelor of Architecture 1992, June University of Kansas, School of Architecture and Urban Design Exchange Student in Architecture: Universität Dortmund, Germany 9/88-6/89 Donald P. Ewart Memorial Traveling Scholarship 1988 Academic University of Michigan Associate Professor of Architecture, with tenure 9/2010 -... Chair, Architecture Program 2010-2013 Director, PhD in Architecture Degree 2010-2012 413: History of Architecture and Urbanism ("A Disciplinary Genealogy from 5,000 BC to 2010") (x3) 2011-2013 503: Special Topics in Architectural History ("Possible Worlds") 2013 506: Special Topics In Design Fundamentals ("Color Theory") 2013 322: Architectural Design II ("For Architecture, Five Projects" - Coordinator) 2011 University of Illinois at Chicago Greenwall Visiting Critic (Lectures, "Critical Figures: Reading Architecture Criticism") 2012 University of Applied Arts, Vienna Critic, Urban Strategies Post-Graduate Program (x4) 2008 - 2011 (08: Networks, 09: Game Space, 10: Brain City, 11: Porosity) Ohio State University Head, Architecture Section 2009 - 2010 Chair, Graduate Studies in Architecture 2008 - 2009 Associate Professor of Architecture, with tenure 2009 - 2010 Assistant Professor of Architecture 2005 - 2009 Charles E. -
A Book Review Taking It to the Streets in LA the Beat
03.12.18 GIVING VOICE TO THOSE WHO CREATE WORKPLACE DESIGN & FURNISHINGS 20th Century Top 100: a Book Review “100 Buildings 1900-2000”, produced by The Now Institute, presents 100 built projects essential to a young architect’s education, according to a sampling of the world’s most respected architects, including Tadao Ando, Steven Holl, Richard Meier, Cesar Pelli, Zaha Hadid, Sir Richard Rogers, Moshe Safdie, Robert A.M. Stern, Robert Venturi + Denise Scott Brown, Tod Williams + Billie Tsien and Thom Mayne. officeinsight contributor John Morris Dixon provides a review of the book – but go get yourself a copy! FULL STORY ON PAGE 3… Taking it to the Streets in L.A. Recently the IIDA SoCal, Los Angeles City Center chapter, hosted its inaugural Designwalk L.A, an event conceived to allow industry peers to reconnect and stay updated on the newest industry products and innovations. Since WestWeek has long since faded as a relevant contract market event, there hasn’t really been an opportunity for the L.A. commercial design community to have a NeoCon-like experience and see the industry’s newest offerings. Officeinsight L.A. correspondent Harriet Morgan chronicles the night, which showed off downtown L.A.’s re-emergence as Southern California’s center for commerce AND design. FULL STORY ON PAGE 8… The Beat: 3 Groups You Need to Know People with new ideas in architecture and design circles can and do actually bring them to fruition, and the architecture and design fields have a way of nurturing those ideas through the CITED: depth and intricacies of the relationships said fields are built “THE ANSWER IS ALWAYS NO on. -
State(S) of Practice
professional practice issue 08.1 architecture california the journal of the american institute of architects california council 08.1 Serial Departure professional practice issue Urbana 90s Generation 90s GENERATION California: State(s) of Practice Licensure and Time Stretching the M. Arch. Blog is in the Details Technology and the Culture of the Profession arc Off the Grid Competition CA Multiple Generations arcCA professional practice issue 08.1 ‘90s Generation Content Cabinet for Sleeping Standing Up 15 ➔ Annie Chu, AIA California: State(s) of Practice 19 ➔ Peter Zellner Two Generations: a Conversation 23 ➔ David Erdman and Thom Mayne, FAIA The 1990s: a Theoretical Post Mortem 27 ➔ Patricia Morton and Paulette Singley Five Schools, Eight Voices, Two Surveys 30 Stretching the M. Arch.: 33 ➔ Christopher Sensenig Dual Degree Students at Cal Technology and the Culture of the Profession 37 ➔ Edward Mojica, AIA Licensure and Time 41 ➔ Casius Pealer Multiple Generations: 45 ➔ David Roccosalva, Assoc. AIA an Interview with Sean Fine Blog is in the Details: 49 ➔ Jimmy Stamp Spread the Good Word A Conversation with Shigeru Ban, Hon. FAIA 53 ➔ Michael Franklin Ross, FAIA Off Grid Ideas Competition 56 Under the Radar: Rob Ley 64 ➔ Stephen Slaughter, AIA 05 Comment 07 Contributors 09 Correspondence 67 ... and Counting 68 Coda 3 Cover photo: Mina Javid and Stella Lee Comment arcCA 08.1 arcCA, the journal of the American arcCA is published quarterly and distributed to AIACC members as part Editor Tim Culvahouse, FAIA of their membership dues. In addition, single copies and subscriptions Managing Editor Laura Schatzkin are available at the following rates: Institute of Architects California Culvahouse Consulting Single copies: $6 AIA members; $9 non-members. -
GRIGORY MASLENNIKOV " ARCHITECTURAL CONSTRUCTIONS" Architectural Constructions
GRIGORY MASLENNIKOV " ARCHITECTURAL CONSTRUCTIONS" Architectural constructions Architecture is the language of giants, the greatest system of visual elements that was ever created by the humankind. Just like artists, architects are not inclined to talk much, because they are aiming to create tangible objects. Each creative professional has their own tools for communicating their thoughts and feelings. For me, the most complicated yet essential element of architecture and art is simplicity. Simple forms require perfect proportions and measurements that result in visual harmony. To achieve that in my works I experi- ment with texture and colours. It’s not an easy task trying to translate words into construction elements. But being an admirer of archi- tecture myself, I’m setting out on a mission to reimag-ine creations by leading architects of the world in paintings. It’s a complicated yet fascinating challenge. Please join me on my quest powered by imagination and by the artistic tools that will bring it into reality. Painting 1 Ettore Sottsass 170 х 120 cm oil, canvas The painting by the “patriarch of Italian design” is a reflection of his inclina-tion towards simple geome- try, bright colours and playful style. His architec-ture is intimate and is meant for people, not institutions. At its core is the tradi-tionally Medi- terranean approach to life - seizing every moment and enjoying simplicity. Painting 2 Arata Isozaki 170 х 120 cm oil, canvas, metal This work describes Isozaki’s own character. One of the leaders of the 1960s’ avant-garde movement, he learnt from Kenzo Tange and managed to introduce romanticism and humour into large-scale urban construction. -
Los Angeles Times · LOHA Profile
C A R O L I N A A . M I R A N D A A R T S & C U L T U R E E N T E R T A I N M E N T B y C A R O L I N A A . M I R A N D A A U G 2 0 , 2 0 18 | 2 : 2 0 P M Architect Lorcan O'Herlihy at his under-const ruction King 110 1 Apartments in Exposi tion P ark, which will se rve as housi ng for formerly homeless individuals and families. (Maria Alejandra Cardona / Los Angeles Times) 8/21/2018 Architect Lorcan O'Herlihy designs intimate spaces for a denser L.A. Times) t is one of those gloomy June mornings when Los Angeles feels as if it is being deflated by mist, when the Mexican fan palms disappear into alabaster skies. I The bleak conditions, however, seem to have no effect on the hum of activity at a construction site sandwiched between a McDonald’s and a low-rise apartment building on Martin Luther King Jr. Boulevard in Exposition Park. Workers are welding, painting, scraping, hammering and otherwise adding the final layers to a four-story structure that, by early next year — just before Martin Luther King Jr. Day, in fact — will house 26 formerly homeless individuals and families, including veterans. Weaving energetically through teetering ladders and mounds of extension cords is the building’s architect, Lorcan O’Herlihy, the ruddy, 58-year-old founder of Lorcan O’Herlihy Architects, a firm based in the West Adams neighborhood. -
Architects Do Not Make Buildings; We Make Drawings. Our Drawings Can
Instructors: Josh Uhl ([email protected]), Danil Nagy ([email protected]), Bika Rebek ([email protected]), Lexi Tsien ([email protected]) “Drawing, whether done by hand or using sophisticated computer software, can be either descriptive or prescriptive. If descriptive drawings can be subjective (impressionist, expressionist, and so forth) or objective (“technical” or “analytical”), prescriptive drawings are intended to be operative; they are manifestos of sorts. They are devices for thinking as well as for presenting positions.” ‐ Bernard Tschumi, Operative Drawing, The Activist Drawing Architects do not make buildings; we make drawings. Our drawings can be prescriptive when they are generated to convey a particular set of formal relationships, and they can be descriptive when they act as tools used to interrogate adjacencies and spatial conditions. In either case, a well‐crafted drawing becomes a feedback loop for the architect, allowing one to interrogate their design, respond to the drawing, and further their proposal. Architecture’s history of projection‐based representation developed a certain level of stasis in its evolution over the last half a century. However, recent shifts to a ‘paperless’ architecture continue to have a profound impact on the field of architecture and its modes of representation and analysis. Beyond severing the longstanding relationship of the line to paper, the extraction of the vector to a virtual realm is accompanied by a simultaneous influx of data. Tools like Building Information Modeling and other parametric based modes of practice have saturated our methods of representation with a significant amount of information. With this new data saturation, the position of the architectural drawing is in flux. -
Top Japanese Architects
TOP JAPANESE ARCHITECTS CURRENT VIEW OF JAPANESE ARCHITECTURE by Judit Taberna To be able to understand modern Japanese architecture we must put it into its historic context, and be aware of the great changes the country has undergone. Japan is an ancient and traditional society and a modern society at the same time. The explanation for this contradiction lies in the rapid changes resulting from the industrial and urban revolutions which began in Japan in the Meiji period and continued with renewed force in the years after the second world war. At the end of the nineteenth century, during the Meiji period, the isolation of the country which had lasted almost two centuries came abruptly to an end; it was the beginning of a new era for the Japanese who began to open up to the world. They began to study European and American politics and culture. Many Japanese architects traveled to Europe and America, and this led to the trend of European modernism which soon became a significant influence on Japanese architecture. With the Second World War the development in modern Japanese architecture ground to a halt, and it was not until a number of years later that the evolution continued. Maekawa and Sakura, the most well known architects at the time, worked with Le Corbusier and succeeded in combining traditional Japanese styles with modern architecture. However Kenzo Tange, Maekawa's disciple, is thought to have taken the first step in the modern Japanese movement. The Peace Center Memorial Museum at Hiroshima 1956, is where we can best appreciate his work. -
Cost $166-Million
THE CHRONICLE OF HIGHER EDUCATION November 13, 2011 Cooper Union, Bastion of Free Arts Education for the Deserving, Mulls Tuition By Scott Carlson *Jamshed Bharucha, Cooper Union's new president, stands in front of a statue of Peter Cooper, the wealthy philanthropist for whom the college was named. Last year Cooper Union ran a budget deficit of about 27 percent. Mark Abramson for The Chronicle The last time Cooper Union charged tuition to a full-time student was in 1902. Around then, Andrew Carnegie gave the college a gift that would allow it to meet the wish of its founder to make education as "free as air and water," as Peter Cooper had put it. Students here—in the college's well-known programs in the arts, engineering, and architecture—are selected based on talent and promise, not on what they can pay. At a time when tuition at some colleges has reached stratospheric amounts, Cooper Union's cherished and lofty educational ethic is quite unusual in academe. And it is also endangered. On Halloween night here in the East Village, Cooper Union's students gathered to hear Jamshed Bharucha, who has been president for merely four months, lay out some staggering facts about the institution's finances: For years, the Cooper Union for the Advancement of Science and Art has been burning through the unrestricted part of its endowment to cover shortfalls in its budget, and his administration predicts that the cushion will be gone in two to three years. Cooper Union's new academic building, designed by the star architect Thom Mayne, is a landmark—and cost $166- million. -
The Great Living Creative Spirit
The Great Living Creative Spirit Frank LLoyd Wright s legacy in japan Soib ' SS NoV. ii– . Join the Frank Lloyd Wright Building Conservancy for a specially curated tour highlighting modern and contemporary architecture FRANK LLOYD WRIGHT by Wright, Arata Endo, Antonin Raymond, Le Corbusier, Tadao BUILDING CONSERVANCY Ando, Kenzo Tange, Toyo Ito, Kengo Kuma and many more. Day one Sunday, Nov. 11 Arrive in Tokyo and check in at the Imperial Hotel (flights and hotel transfer not included). In the early evening, meet the rest of the group (limited to 27) for a welcome dinner at the historic For- MORI eign Correspondents‘ Club of Japan and a viewing of the Rafael Viñoly-designed Tokyo International Forum. Later, take an optional OICHI evening walking tour of Ginza, the famous upscale shopping and © K entertainment district where the traditional and modern meet. HOTO Overnight: Imperial Hotel, Tokyo / Meals: Dinner P Day TWO Monday, Nov. 12 The first full day begins with a tour of the 1970 Imperial Hotel, which includes the Old Imperial Bar, outfitted with relics of Wright’s demolished Imperial Hotel (1923-67). Then journey to Meguro St. Anselm’s Church, designed by Antonin Raymond, and have lunch at Meguro Gajoen, a lavish design furnished with artwork from its 1928 origins. Continue with a special visit to the private home Japanese modernist Kunio Maekawa built for himself in 1974, then a walking tour of Omotesando (a broad avenue lined with flagship designs by the likes of SANAA, Toyo Ito, Herzog & de Meuron, Kengo Kuma, Tadao Ando and Kenzo Tange). After a visit to the 21_21 Design Sight museum and gallery, designed by Tadao Ando, we finish the day with a view from the 52nd-floor observation deck at Mori Tower in Roppongi Hills, designed by Kohn Pedersen Fox.