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Gallery Trail 2018
Buck’s-horn plantain Buck’s-horn Sea beet From Newlyn Art The Rain it From The Exchange, follow the red Gallery, follow the red Raineth Every Day numbers in descending order, numbers in ascending on your walk to Newlyn Art Gallery order, on your walk to 12 4 Pirates! NEW STREET The Exchange The Exchange CHAPEL STREET 10 NEWLYN ART GALLERY 11 Union New Road, Newlyn, Penzance TR18 5PZ Hotel THE EXCHANGE Princes Street, Penzance TR18 2NL Brick face Tidal observatory Penzance’s pink prom newlynartgallery.co.uk 01736 363715 A L Church St Mary’s E X OPEN Summer Mon - Sat, Winter Tue - Sat, 10.00 – 17.00 A 9 GALLERY TRAIL N D The Egyptian House R BUSES run from The Greenmarket to A Admiral Benbow R 8 Newlyn Art Gallery every 15 - 30 mins. O A Newlyn Art Gallery 5 D D R A Y Facts and information supplied by Bryony Rylett EL WESTERN PR 7 P OMENADE R A Leaflet design by SPY Design and Publishing Ltd. AD OAD H RO NEW Educational Charity: 273785 Fishermen’s memorial Fishermen’s VAT Number: 133 1322 23 1 UNDER C How to use this map: 3 Limited Company Number: 1310070 The Jubilee pool Follow the route indicated and every FREE time you see a number ( 1 ), you will ROUTE 6 find a brief description of the site @newlynexchange GALLERYMAP TRAIL 2 overleaf. ROUTE MAP MOUNTS BAY Gallery Trail statue and raised the money to pay for it and its by pirates. Boats were captured, fishermen does not stop waves, sometimes as high style is Commissioner’s Gothic. -
Download Our Guide To
BEST OF CORNWALL 2020 Marianne Stokes, née Priendlsberger 1855 - 1927 Lantern Light, 1888 Oil on canvas, 82.5 x 102 cm Penlee House Gallery & Museum Purchased by private treaty from Mr & Mrs Allan Amey with assistance from The Art Fund, The MLA/V&A Purchase Grant Fund and the Friends of Penlee A brief and incomplete history of ... art and artists in Cornwall By Andrea Breton Cornwall has always appealed to the creative type; a land of mists and megaliths, it combines a wide variety of landscape, from perfectly sanded coves to dramatic cliffs and breakers; bleak, haunted moors to lush vegetal valleys. There are picturesque harbours and grand country houses set in vast acreages. There are impressive landmarks from the past such as Tintagel Castle, St Michael’s Mount and more standing stones and Neolithic sites than you can shake a stick at. They exist happily alongside the present day futuristic domes of Eden, the stately grey bulk of Tate St Ives, old Mine chimneys (sensibly bestowed with World Heritage status) and the spoil heaps of the clay pits near St Austell. 35 BEST OF CORNWALL 2020 However there is more to Cornwall’s appeal than It was clear that luck landmarks. It is the geographical distance to the rest of was needed. Fortunately, the England; the quirk of geology which makes Cornwall Victorian age was coming somewhat longer than it is wide. Surrounded by the sea, and with it the age of steam it gives the county an all enveloping bright light, allegedly powered travel and the artists’ a couple of lux higher than the mainland. -
201914Th-28Th September Programme of Events
A TWO WEEK CELEBRATION OF MUSIC AND THE ARTS IN ST IVES CORNWALL ST IVES SEPTEMBER FESTIVAL 201914th-28th September Programme of Events Visit our website for updates and online booking: www.stivesseptemberfestival.co.uk and follow us on facebook, twitter and instagram. Tickets & Information Unless otherwise stated, tickets are available from: St Ives School of Painting l www.stivesseptemberfestival.co.uk Outside Workshops l Cornwall Riviera Box Office: 01726 879500 For outside workshops we recommend l Visit St Ives Information Centre, St Ives Library, Gabriel Street, St Ives TR26 2LU you bring sturdy walking shoes (or Opening hours: Mon to Sat 9.30am-5pm, Sun 10am-3pm 01736 796297 trainers) and either warm waterproof l Tourist Offices in Penzance, Truro, St Mawes, St Austell, Bodmin, Launceston, clothing, sunhats and sun cream as Liskeard. appropriate. We meet at Porthmeor l Tickets on the door if available. Studios but a few landscape workshops are based at the Penwith Studio, Information Points accessed via a steep cobbled ramp. l Café Art, The Drill Hall, Royal Square, St Ives. Mon, Wed, Fri, Sat 10am-4pm - Tues, Thurs 10am-5pm, Sun 11am-4pm l Outside Mountain Warehouse, Fore Street, Sat 14th and 21st 10am-5pm Pre-Concert Suppers The 2019 Festival Raffle Café Art, The Drill Hall, Win Cheese and Chocolate. Prize is donated by ‘Cheese On Coast’ and ‘I Should Chapel Street, St IvesTR26 2LR Coco’. Raffle tickets can be bought at a number of venues, including The Guildhall Vegetarian hot meals served in an and Café Art during the Festival. The winner will be announced at the end of October. -
Cognition and Learning Schools List
Cognition and Learning Service - Adviser Support The following table indicates the Cognition and Learning Adviser allocated to each school. Please make all enquiries and referrals (naming the allocated Cognition and Learning Adviser if possible) via our email address: [email protected] Primary Schools A-E School Name Named Adviser Jo Davidson Altarnun Primary School Sandra Page Alverton Community Primary School Jo Davidson Antony CE VA School Sandra Page Archbishop Benson CE Primary School Sandra Page Berrycoombe School Jo Davidson Biscovey Academy Jo Davidson Biscovey Nursery and Infant Community School Jo Davidson Bishop Bronescombe CE Primary School Jo Davidson Bishop Cornish CE VA Primary School Jo Davidson Blackwater Community Primary School Jo Davidson Blisland Community Primary School Sandra Page Bodriggy Academy Jo Davidson Boscastle Community Primary School Sandra Page Boskenwyn Community Primary School Sandra Page Bosvigo School Boyton Community Primary School Jo Davidson Jo Davidson Braddock CE Primary School Sandra Page Breage CE School School Name Named Adviser Jo Davidson Brunel Primary and Nursery Academy Jo Davidson Bude Infant School Jo Davidson Bude Junior School Jo Davidson Bugle School Jo Davidson Burraton Community Primary School Jo Davidson Callington Primary School Jo Davidson Calstock Community Primary School Jo Davidson Camelford Primary School Jo Davidson Carbeile Junior School Jo Davidson Carclaze Community Primary School Sandra Page Cardinham School Sandra Page Chacewater Community Primary -
FRANCIS BACON Dublin, Ireland, 1909- Madrid, Spain, 1992
FRANCIS BACON Dublin, Ireland, 1909- Madrid, Spain, 1992 Francis Bacon was born in Dublin but moved to London in 1925, where he lived and worked from then on. His figurative painting became famous for his grotesque portrayal of his subjects and its somber depiction of the human condition. He represented Britain in the Venice Biennale of 1956 together with artists Ben Nicholson and Lucian Freud, and is considered one of the most remarkable British artists of all time, although anecdotically he turned down a CBE in 1960. Though his work was not well received at first (and as a result he destroyed most of his earlier paintings), his fame started to grow from the 40s until he became one of the better known and most valued artists in the world. His art has been shown internationally in places such as Mexico City (1977), Madrid (1978), Tokio (1983) Moscow (1988) or Washington (1989), and the Tate Modern of London dedicated three retrospective exhibitions to his work (in 1977, 1985, and posthumously in 2008). During his life he was represented by the Hannover Gallery and the Malborough Fine Art Gallery, and nowadays we can find his pieces in museums and art galleries all around the world, for example at the Reina Sofía of Madrid, the Centre Pompidou of Paris, the MoMA of New York or the Tate Modern in London, and a number of them are part of private collections. SOLO EXHIBITIONS (SELECTION) 2016 Francis Bacon: Invisible Rooms, Tate Liverpool, UK 2015 Francis Bacon And The Masters, Sainsbury Centre for Visual Arts, Norwich, UK 2014 Francis Bacon -
Summary of Sensory Team Manager Duties
Link to thesis website Chapter 6 Competing speech communities Chapter 6 Competing speech communities The final chapter of this section focuses on the evolution of folk tradition, and the new spaces created for performance, within the Celto-Cornish movement through the latter half of the twentieth century to the current era of festival culture and Pan- Celticism. It makes the case that the Celto-Cornish movement and the folk revival that arrived in Cornwall in the sixties represent different speech communities, which competed for ownership of oral folk tradition and the authenticity it represented. It must be also be recognised that there is a third speech community with a stake in the celebration of tradition, the local community within which it takes place. One outcome of these competing speech communities is the way in which the same folk phenomena will be used to express quite different identities. The Padstow May Day festivities for example are a celebration that firstly represents a sense of the towns community1 and secondly a Celto-Cornish tradition2 but at the same time is used as an icon by the English Folk Dance And Song Society.3 Underlying this discussion, however, must be the recognition that identity is chaotically unique for each individual and each group of individuals, all of which are at the centre of a “complex web of being”.4 In order to pursue this argument it is first necessary to revisit and examine more closely what is meant by a speech community and how this might affect performance and meaning within oral folk tradition. -
Work Placement Handbook
Work Placement Handbook 2012 CONTENTS • Background to Falmouth Art Gallery • Falmouth Art Gallery’s Work placement Policy • Work placement Benefits • Getting the most from the placement • Guidelines General Safety Health Object Handling Supervision • Staff Lists • Forms Falmouth Art Gallery Falmouth Art gallery is a service funded by Falmouth Town Council. It is an accredited museum and complies with standards laid down for the Registration of Museums in the United Kingdom and works in partnership with: Age Concern, The Art Fund, Arts Council England, Brightwater Holidays, Combined Universities of Cornwall, Cornwall and Devon Media, Cornwall College, Cornwall Council Conservation Department, Cornwall Heritage Trust, CSV RSVP, Earls Retreat, Falmouth Arts Society, Falmouth BIDS, Falcare (formerly Mencap), Falmouth Marine School, Falmouth Stroke Club, Heritage Lottery Fund, Hine Downing Solicitors, Jason Thomas Dance Company, Kerrier Pupil Referral Unit, Kids in Museums, Langholme, Little Parc Owles Trust, Local schools, MLA (Museums, Libraries and Archives Council), MLA/V&A Purchase Grant Fund, Museums Association, National Maritime Museum Cornwall, Newquay Zoo, Penlee House Gallery & Museum, Royal Cornwall Museum, Royal Cornwall Polytechnic Society, Sully’s Picture Framing Penryn, Susie Group (victims of domestic abuse), Swamp Circus, Tate St Ives, The Tanner Trust, Truro and Penwith College, U3A, University College Falmouth, University of Exeter, Wayfarers,The West End Group – Murdoch and Trevithick Centre, The WILD Young Parents Group Falmouth Art Gallery The Origins of the Collection The first Falmouth Art Gallery was opened in Grove Place in 1894 under the Directorship of William Ayerst Ingram and Henry Scott Tuke. It featured their own work along with that of Sophie Anderson, Richard Harry Carter, Charles Davidson, Topham Davidson, Winifred Freeman and Charles Napier Hemy. -
School Name Town County Post Code Head Teacher
Secondary POPPI Schools in partnership with Plymouth University 2015-16. Plymouth School name Town County Post Code Head teacher All Saints Church of England Academy Plymouth Plymouth Devon PL5 3NE Mr Peter Grainger Coombe Dean School Plymouth Devon PL9 8ES Mr S Lewis Devonport High School for Boys Plymouth Devon PL1 5QP Mr Kieran Earley Devonport High School for Girls Plymouth Devon PL2 3DL Mrs Anita Hemsi Eggbuckland Community College Plymouth Devon PL6 5YB Katrina Borowski Hele's School Plymouth Devon PL7 4LT Mr A Birkett Lipson Cooperative Academy Plymouth Devon PL4 7PG Mr Steve Baker Marine Academy Plymouth (MAP) Plymouth Devon PL5 2AF Mrs Helen Mathieson Notre Dame RC School Plymouth Devon PL6 5HN Ms Fiona Hutchings Ridgeway School Plymouth Devon PL7 2RS Mr John Didymus St Boniface's Catholic College Plymouth Devon PL5 3AG Mr Peter Eccles Stoke Damerel Community College Plymouth Devon PL3 4BD Ms Carol Hannaford Tor Bridge High Plymouth Devon PL6 8UN Mr Graham Browne UTC Plymouth Plymouth Devon PL1 4RL Ms Mary Cox Cornwall School name Town County Post Code Head teacher Bodmin College Bodmin Cornwall PL31 1DD Mr Brett Elliott Callington Community College Callington Cornwall PL17 7DR Mr Gary Lobbett Cape Cornwall School Penzance Cornwall TR19 7JX Mr Julie Nash Falmouth School Falmouth Cornwall TR11 4LH Mrs Sandra Critchley Fowey Community School Fowey Cornwall PL23 1HE Mr John Perry Hayle Community School Hayle Cornwall TR27 4DN Mrs Chris Jackman Humphry Davy School Penzance Cornwall TR18 2TG Mr Bill Marshall Launceston College Launceston -
Cornwall Artists Index
6/29/2014 Arthur HAYWARD | cornwall artists index cornwall artists index Arthur HAYWARD 1889—1971 Born at Southport, Lancashire, Hayward studied architecture at South Kensington but gave it up for painting, and subsequently studied at the Warrington School of Art and under Stanhope FORBES (/cornw all-artists/stanhope-forbes) at Newlyn. During WWI he served with Royal Field Artillery, and returned to Newlyn, being addressed as Captain Hayward. He joined the Committee of the NSA (/cornw all-artists/nsa) , serving specifically on the Entertainments sub-committee, as his organisation skills were well known. After working at Newlyn and Paul, he moved to St Ives, and established a St Ives School of Painting (c1924) of which he was the named Principal - not the same School of Painting now in existence, begun in the 1930s with Leonard John FULLER (/cornw all-artists/leonard-john-fuller) in charge. He worked from Treveneth and Shore Studio (Illus, Tovey, p110), and played an important role in STISA (/cornw all- artists/stisa) . After 1932 he refused to have anything more to do with that organisation, but continued to play a part in St Ives and Newlyn's artistic life through the formation of an exhibiting set calling themselves the CORNWALL GROUP. The HARVEYS (Harold HARVEY (/cornw all-artists/harold-harvey) & Gertrude HARVEY (/cornw all-artists/gertrude-harvey) ), the PROCTERS (Ernest PROCTER (/cornw all-artists/ernest-procter) & Dod PROCTER (/cornw all-artists/dod-procter) ), Hugh GRESTY (/cornw all-artists/hugh-gresty) , Alison ROSE and Midge BRUFORD (/cornw all-artists/midge-bruford) were those who banded together for some years. -
Cornwall Music Education Hub Update
Autumn Term 2016 Cornwall Music Education Hub Update Welcome to the Autumn 2016 Newsletter! In this edition we will be looking back at recent Hub supported activities and also highlighting the forthcoming opportunities with which you can get involved. Summer 2016 was probably our busiest term to date with a hundreds of children having the opportunity to perform across the country. We hope you enjoy some of the photos taken at these fantastic events! County Choirs perform alongside Aled Jones in Truro Cathedral CYWO tour of the Scillies Cape Cornwall Project BBC Music Day in St Austell Hubbub 2016 Hub Sounds 2016 Cornwall Music Education Hub Chy Trevail, Room South Two, Beacon Technology Park, Bodmin PL31 2FR T: 01872 327351 Email: [email protected] CMusicHUB cornwallmusiceducationhub www.cornwallmusiceducationhub.org The Annual Cornwall Hub Music Conference 14th October 2016 at The Sands Resort The Hub will be holding its annual conference for music co-ordinators in primary schools (both specialist and non-specialist), secondary Heads of Music and community practitioners on 14th October at the Sands Resort in Newquay. Keynote speaker for this event will be Professor Susan Hallam who is a high profile advocate for the impact of music on attainment. The day will also feature practical workshop to help teachers and music leaders to gain new ideas or develop their own practice. These will include Composition for Primary and Secondary Using notation in Primary settings Music Technology to support musical learning Creating soundtracks -
A Short History of the Cornwall Council Schools Works of Art Collection
A Short History of the Cornwall Council Schools Works of Art Collection Beginnings On 6th May, 1961 Cornwall County Council received an anonymous donation of £100, made up of twenty £5 notes, with a short note saying simply ‘To help Primary School Funds’. Attempts were made to trace the source of the donation through Plympton post office, from which it was sent, however these efforts failed. Various meetings of the Education Sub-Committee were held to try and decide what best to do with the money, it was felt that it should be used for something specific rather than just subsumed into general funds, and finally art was agreed upon. In September 1961 the Council’s Secretary for Education, Jim Harries, wrote to the artists John Piper, Peter Lanyon and Barbara Hepworth and Jacob Epstein’s recent widow, Lady Epstein explaining what had happened and asking if they might be able to sell something at a reasonable price, or had any other suggestions. They all replied; Piper thought that due to costs of original works buying a group of prints would be more effective, Lanyon was supportive but wanted £100 to supply two small paintings, Hepworth was also very enthusiastic and suggested a scheme of approaching a range of artists to asking them to each supply a piece at a minimal cost and finally Lady Epstein offered to sell a small bronze sculpture by her late husband for a reduced cost of £130. Finally, it was agreed that the opportunity to acquire an Epstein sculpture was too good an offer to refuse and the expenditure of the additional £30 to secure the piece was agreed in January 1962. -
Download Our Exhibition Catalogue
FOREWORD Published to accompany the exhibition at We are delighted to welcome you to the second exhibition at Two Temple Place, London 26th January 2013 – 14th April 2013 Two Temple Place, Amongst Heroes: the artist in working Cornwall. Published in 2013 by Two Temple Place 2 Temple Place, London, wc2r 3bd The Bulldog Trust launched its Exhibition Programme at our Copyright © Two Temple Place headquarters on the Embankment in 2011. In welcoming the public to Two Temple Place we have three objectives: to raise Raising the Worker: awareness of museums and galleries around the UK by displaying Cornwall’s Artists and the Representation of Industry Copyright © Roo Gunzi part of their collections; to promote curatorial excellence by offering up-and-coming curators the opportunity to design a What are the Cornish boys to do? How Changing Industry Affected Cornwall’s Population high profile solo show with guidance from our experienced Copyright © Dr Bernard Deacon curatorial advisor; and to give the public the opportunity to Trustee of the Royal Institution of Cornwall and Honorary Research Fellow, University of Exeter visit and enjoy Two Temple Place itself. A catalogue record for this publication is available from the British Library Two Temple Place was originally built as an office for William Waldorf Astor in the late 19th century and the Bulldog Trust isbn 978-0-9570628-1-8 have been fortunate to own the house since 1999. For our curators, Designed and produced by NA Creative devising a show for the ornate and intricately decorated space is a huge challenge that calls for imagination and ingenuity.