Buddhist Meditation Tradition in Korea Ven
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Fall 1969 Wind Bell
PUBLICATION OF ZEN •CENTER Volume Vilt Nos. 1-2 Fall 1969 This fellow was a son of Nobusuke Goemon Ichenose of Takahama, the province of Wakasa. His nature was stupid and tough. When he was young, none of his relatives liked him. When he was twelve years old, he was or<Llined as a monk by Ekkei, Abbot of Myo-shin Monastery. Afterwards, he studied literature under Shungai of Kennin Monastery for three years, and gained nothing. Then he went to Mii-dera and studied Tendai philosophy under Tai-ho for. a summer, and gained nothing. After this, he went to Bizen and studied Zen under the old teacher Gisan for one year, and attained nothing. He then went to the East, to Kamakura, and studied under the Zen master Ko-sen in the Engaku Monastery for six years, and added nothing to the aforesaid nothingness. He was in charge of a little temple, Butsu-nichi, one of the temples in Engaku Cathedral, for one year and from there he went to Tokyo to attend Kei-o College for one year and a half, making himself the worst student there; and forgot the nothingness that he had gained. Then he created for himself new delusions, and came to Ceylon in the spring of 1887; and now, under the Ceylon monk, he is studying the Pali Language and Hinayana Buddhism. Such a wandering mendicant! He ought to <repay the twenty years of debts to those who fed him in the name of Buddhism. July 1888, Ceylon. Soyen Shaku c.--....- Ocean Wind Zendo THE KOSEN ANO HARADA LINEAOES IN AMF.RICAN 7.llN A surname in CAI':> andl(:attt a Uhatma heir• .l.incagea not aignilleant to Zen in Amttka arc not gi•cn. -
Hakuin on Kensho: the Four Ways of Knowing/Edited with Commentary by Albert Low.—1St Ed
ABOUT THE BOOK Kensho is the Zen experience of waking up to one’s own true nature—of understanding oneself to be not different from the Buddha-nature that pervades all existence. The Japanese Zen Master Hakuin (1689–1769) considered the experience to be essential. In his autobiography he says: “Anyone who would call himself a member of the Zen family must first achieve kensho- realization of the Buddha’s way. If a person who has not achieved kensho says he is a follower of Zen, he is an outrageous fraud. A swindler pure and simple.” Hakuin’s short text on kensho, “Four Ways of Knowing of an Awakened Person,” is a little-known Zen classic. The “four ways” he describes include the way of knowing of the Great Perfect Mirror, the way of knowing equality, the way of knowing by differentiation, and the way of the perfection of action. Rather than simply being methods for “checking” for enlightenment in oneself, these ways ultimately exemplify Zen practice. Albert Low has provided careful, line-by-line commentary for the text that illuminates its profound wisdom and makes it an inspiration for deeper spiritual practice. ALBERT LOW holds degrees in philosophy and psychology, and was for many years a management consultant, lecturing widely on organizational dynamics. He studied Zen under Roshi Philip Kapleau, author of The Three Pillars of Zen, receiving transmission as a teacher in 1986. He is currently director and guiding teacher of the Montreal Zen Centre. He is the author of several books, including Zen and Creative Management and The Iron Cow of Zen. -
Gateless Gate Has Become Common in English, Some Have Criticized This Translation As Unfaithful to the Original
Wú Mén Guān The Barrier That Has No Gate Original Collection in Chinese by Chán Master Wúmén Huìkāi (1183-1260) Questions and Additional Comments by Sŏn Master Sǔngan Compiled and Edited by Paul Dōch’ŏng Lynch, JDPSN Page ii Frontspiece “Wú Mén Guān” Facsimile of the Original Cover Page iii Page iv Wú Mén Guān The Barrier That Has No Gate Chán Master Wúmén Huìkāi (1183-1260) Questions and Additional Comments by Sŏn Master Sǔngan Compiled and Edited by Paul Dōch’ŏng Lynch, JDPSN Sixth Edition Before Thought Publications Huntington Beach, CA 2010 Page v BEFORE THOUGHT PUBLICATIONS HUNTINGTON BEACH, CA 92648 ALL RIGHTS RESERVED. COPYRIGHT © 2010 ENGLISH VERSION BY PAUL LYNCH, JDPSN NO PART OF THIS BOOK MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, GRAPHIC, ELECTRONIC, OR MECHANICAL, INCLUDING PHOTOCOPYING, RECORDING, TAPING OR BY ANY INFORMATION STORAGE OR RETRIEVAL SYSTEM, WITHOUT THE PERMISSION IN WRITING FROM THE PUBLISHER. PRINTED IN THE UNITED STATES OF AMERICA BY LULU INCORPORATION, MORRISVILLE, NC, USA COVER PRINTED ON LAMINATED 100# ULTRA GLOSS COVER STOCK, DIGITAL COLOR SILK - C2S, 90 BRIGHT BOOK CONTENT PRINTED ON 24/60# CREAM TEXT, 90 GSM PAPER, USING 12 PT. GARAMOND FONT Page vi Dedication What are we in this cosmos? This ineffable question has haunted us since Buddha sat under the Bodhi Tree. I would like to gracefully thank the author, Chán Master Wúmén, for his grace and kindness by leaving us these wonderful teachings. I would also like to thank Chán Master Dàhuì for his ineptness in destroying all copies of this book; thankfully, Master Dàhuì missed a few so that now we can explore the teachings of his teacher. -
Number 3 2011 Korean Buddhist Art
NUMBER 3 2011 KOREAN BUDDHIST ART KOREAN ART SOCIETY JOURNAL NUMBER 3 2011 Korean Buddhist Art Publisher and Editor: Robert Turley, President of the Korean Art Society and Korean Art and Antiques CONTENTS About the Authors…………………………………………..………………...…..……...3-6 Publisher’s Greeting…...…………………………….…….………………..……....….....7 The Museum of Korean Buddhist Art by Robert Turley…………………..…..…..8-10 Twenty Selections from the Museum of Korean Buddhist Art by Dae Sung Kwon, Do Kyun Kwon, and Hyung Don Kwon………………….….11-37 Korean Buddhism in the Far East by Henrik Sorensen……………………..…….38-53 Korean Buddhism in East Asian Context by Robert Buswell……………………54-61 Buddhist Art in Korea by Youngsook Pak…………………………………..……...62-66 Image, Iconography and Belief in Early Korean Buddhism by Jonathan Best.67-87 Early Korean Buddhist Sculpture by Lena Kim…………………………………....88-94 The Taenghwa Tradition in Korean Buddhism by Henrik Sorensen…………..95-115 The Sound of Ecstasy and Nectar of Enlightenment by Lauren Deutsch…..116-122 The Korean Buddhist Rite of the Dead: Yeongsan-jae by Theresa Ki-ja Kim123-143 Dado: The Korean Way of Tea by Lauren Deutsch……………………………...144-149 Korean Art Society Events…………………………………………………………..150-154 Korean Art Society Press……………………………………………………………155-162 Bibliography of Korean Buddhism by Kenneth R. Robinson…...…………….163-199 Join the Korean Art Society……………...………….…….……………………...……...200 About the Authors 1 About the Authors All text and photographs contained herein are the property of the individual authors and any duplication without permission of the authors is a violation of applicable laws. ALL RIGHTS RESERVED BY THE INDIVIDUAL AUTHORS. Please click on the links in the bios below to order each author’s publications or to learn more about their activities. -
What Is a Koan
WHAT IS A KOAN AND WHAT DO YOU DO WITH IT? Jeff Shore Koan practice is a catalyst to awaken as Gautama Buddha did. Early Chan (Chinese Zen) encounters and statements are precursors of koans. Eventually these impromptu encounters and statements led to the practice of focusing on the koan as one’s own deepest question. The point is to directly awaken no-self, or being without self. This was done through rousing the basic religious problem known as great doubt. This doubt calls into question the very nature of one’s being, and that of all others. Over time, koan cases and commentaries developed to explore and express awakening from a dream world or nightmare of isolation and opposition. Particularly in Japan, koan curricula developed to foster awakening and to refine it in all aspects of life. Scholars have examined koan practice in light of its history, texts, social and political contexts, and sectarian conflicts. The aim here is to clarify what koans are and how they are used in authentic practice. The koan tradition arose out of encounters between teachers and disciples in Tang Dynasty (618-907) China. The koans now used in monastic training and in lay groups worldwide grew out of this tradition. Admirers tend to consider koan practice a unique and peerless spiritual treasure. Critics see koan practice as little more than a hollow shell. There are good reasons for both views. By inviting readers to directly open up to their own great doubt, this paper provides a sense of what koan practice is from the inside. -
On the Endeavor of the Way Bendō-Wa
1. On the Endeavor of the Way Bendō-wa All buddha tathagatas who individually transmit inconceivable dharma, actualizing unsurpassable, complete enlightenment, have a wondrous art, supreme and unconditioned. Receptive samadhi is its mark; only buddhas transmit it to buddhas without veering off. Sitting upright, practicing Zen, is the authentic gate to free yourself in the unconfined realm of this samadhi. Although this inconceivable dharma is abundant in each person, it is not actualized without practice, and it is not experienced without realization. When you release it, it fills your hand—how could it be limited to one or many? When you speak it, it fills your mouth—it is not bounded by length or width. All buddhas continuously abide in this dharma, and do not leave traces of consciousness about where they are. Sentient beings continuously move about in this dharma, but where they are is not clear in their consciousness. The concentrated endeavor of the way I am speaking of allows all things to come forth in realization to practice going beyond in the path of letting go. Passing through the barrier [of dualism] and dropping off limitations in this way, how could you be hindered by nodes in bamboo or knots in wood [concepts and theories]? * After the aspiration for enlightenment arose, I began to search for dharma, visiting teachers at various places in our country. Then I met priest Myozen, of the Kennin Monastery, with whom I trained for nine years, and thus I learned a little about the teaching of the Rinzai School. Priest Myozen alone, as a senior disciple of ancestor Eisai, authentically received transmittion of the unsurpassable buddha dharma from him; no one can be compared with him. -
Kusan Sunim. the Way of Korean
“I highly recommend this wonderful book which affords us a ‘bird’s- eye’ view into the teachings of Korean Zen Master Kusan Sunim. The teachings are concise yet comprehensive. A welcome addition to the growing body of writing on Korean Zen.” —Richard Shrobe (Zen Master Wu Kwang), Guiding Teacher, Chogye International Zen Center of New York “A modern Zen classic with deep roots in the oldest traditions of Korean and Chinese Buddhism. Kusan roars like a lion.” —Stanley Lombardo ABOUT THE BOOK The power and simplicity of the Korean Zen tradition shine in this collection of teachings by a renowned modern master, translated by Martine Batchelor. Kusan Sunim provides a wealth of practical advice for students, particularly with regard to the uniquely Korean practice of hwadu, or sitting with questioning. An extensive introduction by Stephen Batchelor, author of Buddhism without Beliefs, provides both a biography of the author and a brief history of Korean Zen. KUSAN SUNIM (1901–1983) was the resident Zen Master at Songgwang Sa, one of the largest monasteries in South Korea. He was the first Zen teacher to accept and train Western students in a Korean monastery. Sign up to learn more about our books and receive special offers from Shambhala Publications. Or visit us online to sign up at shambhala.com/eshambhala. THE WAY OF KOREAN ZEN by Kusan Sunim translated by Martine Batchelor edited with an introduction by Stephen Batchelor WEATHERHILL • Boston & London • 2013 Weatherhill An imprint of Shambhala Publications, Inc. Horticultural Hall 300 Massachusetts Avenue Boston, Massachusetts 02115 www.shambhala.com © 1985 by Songgwang Sa Monastery Cover art by Sokchong Sunim All rights reserved. -
Out of the Shadows: Socially Engaged Buddhist Women
University of San Diego Digital USD Theology and Religious Studies: Faculty Scholarship Department of Theology and Religious Studies 2019 Out of the Shadows: Socially Engaged Buddhist Women Karma Lekshe Tsomo PhD University of San Diego, [email protected] Follow this and additional works at: https://digital.sandiego.edu/thrs-faculty Part of the Buddhist Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Digital USD Citation Tsomo, Karma Lekshe PhD, "Out of the Shadows: Socially Engaged Buddhist Women" (2019). Theology and Religious Studies: Faculty Scholarship. 25. https://digital.sandiego.edu/thrs-faculty/25 This Book is brought to you for free and open access by the Department of Theology and Religious Studies at Digital USD. It has been accepted for inclusion in Theology and Religious Studies: Faculty Scholarship by an authorized administrator of Digital USD. For more information, please contact [email protected]. Section Titles Placed Here | I Out of the Shadows Socially Engaged Buddhist Women Edited by Karma Lekshe Tsomo SAKYADHITA | HONOLULU First Edition: Sri Satguru Publications 2006 Second Edition: Sakyadhita 2019 Copyright © 2019 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover design Copyright © 2006 Allen Wynar Sakyadhita Conference Poster -
The Ocean of Zen
TThhee OOcceeaann ooff ZZeenn 金金 風風 禪禪 宗宗 Page 1 Page 2 The Ocean of Zen A Practice Guide to Korean Sŏn Buddhism Paul W. Lynch, JDPSN First Edition Before Thought Publications Los Angeles and Mumbai 2006 Page 3 BEFORE THOUGHT PUBLICATIONS 3939 LONG BEACH BLVD LONG BEACH, CA 90807 http://www.goldenwindzen.org/books ALL RIGHTS RESERVED. COPYRIGHT © 2008 PAUL LYNCH, JDPSN NO PART OF THIS BOOK MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, GRAPHIC, ELECTRONIC, OR MECHANICAL, INCLUDING PHOTOCOPYING, RECORDING, TAPING OR BY ANY INFORMATION STORAGE OR RETRIEVAL SYSTEM, WITHOUT THE PERMISSION IN WRITING FROM THE PUBLISHER. PRINTED IN THE UNITED STATES OF AMERICA BY LULU INCORPORATION, MORRISVILLE, NC, USA COVER PRINTED ON LAMINATED 100# ULTRA GLOSS COVER STOCK, DIGITAL COLOR SILK - C2S, 90 BRIGHT BOOK CONTENT PRINTED ON 24/60# CREAM TEXT, 90 GSM PAPER, USING 12 PT. GARAMOND FONT Page 4 Epigraph Twenty-Seventh Case of the Blue Cliff Record A monk asked Chán Master Yúnmén Wényǎn1, “How is it when the tree withers and the leaves fall?” Master Yúnmén replied; “Body exposed in the golden wind.” Page 5 Page 6 Dedication This book is dedicated to our Dharma Brother – Glenn Horiuchi, pŏpsa–nim – who left this earthly realm before finishing the great work of life and death. We are confident that he will return to finish the great work he started. Page 7 Page 8 Foreword There is considerable underlying confusion for Western Zen students who begin to study the tremendous wealth of Asian knowledge that has been translated into English from China, Korea, Vietnam and Japan over the last seventy years. -
Bowz Liturgy 2011.Corrected
Boundless Way Zen LITURGY BOOK SECOND EDITION _/\_ All buddhas throughout space and time, All honored ones, bodhisattva-mahasattvas, Wisdom beyond wisdom, Maha Prajna Paramita. Page 1 Notation ring kesu (bowl gong) muffle kesu (bowl gong) ring small bell 123 ring kesu or small bell on 1st, 2nd, or 3rd repetition accordingly underlined syllables indicate the point at which underlined bells are rung 1 mokugyo (wooden drum) beat once after then on each syllable taiko (large drum) beat once after then in single or double beats -_^ notation for tonal chanting (mid-low-high shown in this example) WORDS IN ALL CAPS are CHANTED by chant-leader only [Words in brackets & regular case] are spoken by chant-leader only {Words in braces} are CHANTED or spoken or sung !by chant-leader only 1st time, and by everyone subsequently (words in parenthesis) are not spoken, chanted, or sung at all _/\_ ! place or keep hands palm-to-palm in gassho, or hold liturgy book in gassho -(0)-! place or keep hands in zazen mudra, or hold liturgy book open !with little fingers and thumbs on the front of the book and !middle three fingers on the back seated bow at end of chant, or after final repetition Beginning our sutra service I vow with all beings To join my voice with all voices And give life to each word as it comes. —Robert Aitken Language cannot reach it, hearing and seeing cannot touch it. In this single beam of illumination, you genuinely wander in practice. Use your vitality to enact this. -
From Liberal Feminist to Buddhist Nun ————————————————————— RANJOO S
Journal of World Philosophies Book Review/114 From Liberal Feminist to Buddhist Nun ————————————————————— RANJOO S. HERR Bentley University, USA ([email protected]) Jin Y. Park. Women and Buddhist Philosophy: Engaging Zen Master Kim Iryŏp. Honolulu: University of Hawaii Press, 2017, pp. 274. In her Women and Buddhist Philosophy (2017), Jin Y. Park examines the life and philosophy of the Korean Zen Buddhist nun Kim Iryŏp. By retracing the evolution of Iryŏp’s philosophy, the book not only explores a distinct way of doing philosophy—narrative philosophy—but also demonstrates a Buddhist nun’s full agency in her conversion as well as her dedicated Buddhist practice. Key words: Iryŏp; Zen Buddhism; feminism; religious women; agency Jin Y. Park explores the fascinating life and philosophy of the Korean Zen Buddhist nun Kim Iryŏp (1896-1971) in Women and Buddhist Philosophy: Engaging Zen Master Kim Iryŏp. Living through an era of utter political turmoil in Korea that spans the twentieth century, Iryŏp went through an extraordinary life transition from a trail-blazing liberal feminist (“New Woman”) to a Buddhist nun. The book is divided into two parts: the first focuses on Iryŏp’s life and philosophy before she encounters Buddhism, and the second chronicles her life and philosophy after she embraces Buddhism. Although this book could have been a straightforward biography that examines the life of an exceptional individual, Park’s approach aspires to be more than that: its goal is to differentiate a distinct way of doing philosophy—what Park calls “narrative philosophy”—from mainstream western philosophy involving theories and abstraction. By examining how her life events affected the evolution of Iryŏp’s thinking, Park aims to illustrate narrative philosophy, a kind of philosophy that “deeply engages [...] with the narrative discourse of [one’s] daily experiences” (6). -
The Life and Letters of Sŏn Master Hanam
The Life and Letters of Sŏn Master Hanam Ven. Chong21Go This article is the first of a series examining the life and letters of sŏn master Hanam Sunim. One of several outstanding sŏn masters who appeared in Korea during the end of the Chosŏn dynasty and the Japanese occupation of Korea, Hanam Sunim played a major role in sustaining and invigorating the Buddhism of Korea. Yet until recently there has been very little research on his life or thought in any language, let alone English. To this end, this first article will examine his life while following articles will examine the major themes that appear in his letters. Key words: Hanam Chungwŏn, Biography, Letters, Kyŏnghŏ, Kŏngbong. I. Introduction The end of the 19th century and the first half of the 20th century was a turbulent time for the people of Korea. As the old Chosŏn dynasty Chong Go Sunim is a Buddhist monk practicing in Korea and is a member of the Hanmaum International Culture Institute. International Journal of Buddhist Thought & Culture September 2007, Vol.9, pp.61-86. ⓒ 2007 International Association for Buddhist Thought and Culture 62 Ven. Chong Go: The Life and Letters of Sŏn Master Hanam weakened and modern influences seeped into the country, Japan took advantage of the confusion to seek control of the country. However, as hardships increased and the era became more perilous, a number of great Buddhist masters arose, seemingly in response to the need of the times. Through their guidance, traditional Buddhist values were upheld and individual spiritual practice was encouraged. Surprisingly, given the crucial role these masters played, there has been only sporadic research about their lives and teachings in the Korean language, and in English virtually none.