BING CONCERT HALL !"#$%#& SEASON WELCOME TO !"#$%#& SEASON STANFORD SEPT 2013 NOV JAN 2014 APR INFO Our classical recitals will feature violinist Joshua Bell, Stanford students for only $10 or that thousands of Sunday, September 22 4–5 Friday, November 1 9 Sunday, January 12 8 Tuesday, April 1 22 Subscription Order & Itzhak Perlman and the Mariza St. Lawrence String Quartet Asif Ali Khan Donation Form: LIVE ! two di"erent sopranos, Deborah Voigt and Angela elementary school students attend special performances Young Virtuosos of the Between Pages 16 and 17 Saturday, November 2 10 Wednesday, January 15 16 Wednesday, April 2 12–13 Brown, and pianist Richard Goode. The names of these at almost no cost to them. Perlman Music Program Estonian National Symphony Kronos Quartet Philharmonia Baroque Join Our Family 2 BING great artists speak for themselves. Sunday, September 29 6 Orchestra It would not be possible to bring the finest performing Sunday, November 10 10 Saturday, January 25 17 A Night in Treme Season Subscriptions FAMILY CONCERT Sunday, January 26 Sunday, April 6 22 Our premieres will include an evening-length work artists in the world to such an intimate hall without The Musical Majesty * * & Ticketing 26–27 Takács Quartet Aeolus Quartet CONCERT entitled Linked Verse by Stanford composer Jaroslaw the generous support of our members, our annual of New Orleans Christopher O’Riley Donor Benefits 28–29 Kapuscinski, which will feature #D stereoscopic projection donors, and our loyal subscribers. I encourage you to with Preservation Hall Band Friday, January 31 18 Friday, April 11 23 and Special Guests Wednesday, November 13 11 Grupo Corpo Deborah Voigt, Soprano Patron Information 30–31 HALL and which we will produce with the Stanford Department join our family of supporters when making your The Show Must Go On Memorial Auditorium of Music. Atlantic Crossing will bring two internationally subscription selections. Thursday, April 24 24 Engage with Stanford Live 32 OCT Festival Jérôme Bel Jake Shimabukuro renowned Bay Area ensembles—Chanticleer and Memorial Auditorium FEB At the Bing The performing arts at Stanford are transforming Saturday, April 26 3 Wednesday, October 9 7 Monday, November 18 11 Inside Back Cover New Century Chamber Orchestra—together for the Spring Event for hearts and minds far beyond our campus. All of us at *FREE* Cédric Andrieux Saturday, February 1 18 first time in an exciting musical collaboration. Bing Members & Season Calendar Stanford Live look forward to sharing these memorable Harmony for Humanity: Festival Jérôme Bel *FAMILY PERFORMANCE* Grupo Corpo Performance Sponsors Fold-Out Back Cover I am extremely pleased to announce the return of dance experiences with you this coming season! Daniel Pearl World Music Days Concert Memorial Auditorium Patti LuPone & Mandy Patinkin to our season. The French choreographer Jérôme Bel will Memorial Church DEC in Concert ing Concert Hall is an ideal space for Wednesday, February 5 12–13 Stanford Live’s !"#$%#& Season bring us a festival of three full-length pieces, which we will Friday, October 11 7 Monday, December 2 11 Philharmonia Baroque Sunday, April 27 8 the nuanced, delicate, and complex St. Lawrence String Quartet includes nearly 40 performances. B present with the Stanford Dance Division. The acclaimed *FREE* Pichet Klunchun and Myself— Orchestra Subscribe now for advance priority textures of the string quartet literature. Brazilian company Grupo Corpo, known for its joyous Live Simulcast of San Francisco A Film Saturday, February 8 19 Opera’s Falsta! Festival Jérôme Bel MAY seating, ticket discounts, and other and sensuous athleticism, will present entirely di"erent Joshua Bell, Violin Next season, we will focus our chamber Wiley Hausam Frost Amphitheater Saturday, December 7 14 benefits. For higher-priority seating but equally satisfying work. Sunday, February 23 20 Sunday, May 4 24–25 WORLD PREMIERE and additional benefits, please music program around an exploration of Executive Director Sunday, October 13 8 * * Angela Brown, Soprano FAMILY PERFORMANCE * * consider becoming a Member or We have renewed our commitment to performances for St. Lawrence String Quartet Linked Verse Tomáš Kubínek the quartet repertoire. The heart of the P.S. In response to a growing chorus of comments we’ve donor. See pages 26–29 for details. the entire family. Acclaimed pianist Christopher O’Riley Sunday, October 27 9 Tuesday, December 10 12–13 MAR Friday, May 16 25 Philharmonia Baroque chamber music experience at Stanford is will return with his popular From the Top. Other family heard from our audience, we will move our evening Jon Batiste & Stay Human Richard Goode, Piano performance time from 8:00 PM to 7:30 PM (except for Orchestra Thursday, March 6 12–13 the St. Lawrence String Quartet. It also events will include a special holiday concert with the Philharmonia Baroque Sunday evenings, which will remain at 7:00 PM). We look Wednesday, December 11 15 San Francisco Boys Chorus and the comic genius of Orchestra will sponsor a young quartet, the Aeolus, forward to hearing how well this suits your schedule. A Chanticleer Christmas whom we are excited to introduce to you. virtuoso vaudevillian Tomáš Kubínek. Memorial Church Sunday, March 16 20 Sunday, December 15 15 Haifa Symphony Orchestra A central aspect of our mission is to support the future of Israel To these, we will add the unstoppable *FAMILY CONCERT* Kronos and the Takács, one of the world’s of the arts. Stanford Live devotes significant resources San Francisco Boys Chorus Thursday, March 20 21 toward the artistic development of both Stanford Atlantic Crossing preeminent interpreters of Bartók’s students and Peninsula area K–12 students. You may Chanticleer & the New Century string quartets. not know that all our performances are available to Chamber Orchestra

All performances take place at , unless otherwise noted.

'(".)!(.ARTS * LIVE.STANFORD.EDU # ***************** “Stanford’s Bing Concert Hall is SPECIAL EVENT FOR BING MEMBERS a total delight. Architecturally and ( PERFORMANCE SPONSORS acoustically, it is without peer, combining ***************** JOIN OUR contemporary style with a homey, warm ambience.” FAMILY —San Francisco Classical Voice

You are cordially invited to join our family of subscribers and donors this season. PATTI LUPONE ! Subscribers are the heart innovative artists to the of our Bing Members, MANDY PATINKIN and soul of Stanford Live. stage and our community. our Stanford Live annual APR !" Each season subscribers As a way to acknowledge supporters, and our loyal select three or more events, your generosity, we o"er subscribers. We encourage some that are familiar and exceptional seating, VIP you not only to join us in others that are entirely treatment, invitations to the concert hall this new. In return for your receptions, insider access, season but also to join PATTI LUPONE ( MANDY PATINKIN IN CONCERT commitment, we o"er and reserved parking our family of supporters SATURDAY, APRIL $%, &:#' PM choice seating at a great (see pp. 28–29 for details). when making your BING CONCERT HALL price and many more subscription selections. As a Bing Member or Performance Sponsor, you will receive tickets to the Spring Event concert We continue to honor benefits (see pp. 26–27 plus pre-concert supper! For details on how to become a Bing Member or Performance Sponsor, for details). our commitment to share, Together, our family please contact the Stanford Live Development O(ce at 650.736.1251. A limited number of tickets celebrate, and advance the of subscribers and for the concert only will be available for purchase in the spring—details to be announced. Donors are essential to art of live performance. It donors make possible Tony Award-winning actors Patti LuPone and Mandy Patinkin bring the thrill of the success of Stanford would not be possible to the presentation and Broadway to the concert hall in a special evening for musical theater fans. The two Live. Most donors are also bring the finest performing enjoyment of live costarred in the original 1979 Broadway production of Andrew Lloyd Webber’s Evita, subscribers, and on top of artists in the world to such performance at Bing which made them stars. These lifelong friends and master interpreters of everything from your subscription, your gifts an intimate hall without Concert Hall and on the Cole Porter to Sondheim are reunited to share a lighthearted treat: a musical love story help us bring engaging and the generous support Stanford campus. told entirely through the greatest songs ever written for the stage. Their show is funny, passionate, intimate, and utterly unforgettable. Bing Concert Hall was made possible by the vision and generous founding gift of Generously supported by Marcia and John Goldman Helen and Peter Bing and opened in January 2013.

! '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU $ Stanford Live and Bing Concert Hall: ITZHAK PERLMAN Ensuring the future of , THE YOUNG ! VIRTUOSOS SEPT !!

ITZHAK PERLMAN AND THE YOUNG VIRTUOSOS OF THE PERLMAN MUSIC PROGRAM SUNDAY, SEPTEMBER $$, $:#' PM BING CONCERT HALL Reserved Seating $25 / 45 / 60 / Premium $75 The grand master of the violin, Itzhak Perlman is beloved for his charm and humanity as well as his talent. He is treasured by audiences throughout the world, who respond to his remarkable artistry and to his undeniable joy in making music. His Perlman Music Program o"ers a supportive musical community to young musicians of rare and special talent. Perlman acts as the host and conductor of this special concert featuring some of today’s most remarkable young string players.

Generously sponsored by Kristie Hinze Clark and James H. Clark

& '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU ) *FREE* LIVE SIMULCAST OF SAN FRANCISCO OPERA’S FALSTAFF FRIDAY, OCTOBER **, +:'' PM FROST AMPHITHEATER A NIGHT IN TREME Sign up to our e-club online to receive advance notice for obtaining free tickets SEPT !" San Francisco Opera returns to the beloved Frost Amphitheater with Verdi’s take on Shakespeare’s The Merry Wives of Windsor and Henry IV. Bryn Terfel, the “definitive” Falsta" of our day (Chicago Tribune), stars in this wistful DANIEL comedy which will be simulcast live from the War Memorial Opera House to Stanford, projected on a large PEARL screen under the stars. Music Director Nicola Luisotti conducts. WORLD Music by Giuseppe Verdi and Libretto by Arrigo Boito / Nicola Luisotti, conductor / Olivier Tambosi, director MUSIC DAYS Bryn Terfel, Falsta! / Ainhoa Arteta, Mistress Alice Ford / Heidi Stober, Nannetta / Meredith Arwady, Mistress Quickly / CONCERT Francesco Demuro, Fenton / Fabio Capitanucci, Ford / Renée Rapier, Mistress Meg Page OCT "# Sung in Italian with English supertitles. Approximate running time: 3 hours, including two intermissions. This simulcast is sponsored, in part, by Tad and Dianne Taube and the Koret Foundation

*FREE* HARMONY FOR HUMANITY: DANIEL PEARL WORLD MUSIC DAYS CONCERT WEDNESDAY, OCTOBER ), &:#' PM SAN FRANCISCO A NIGHT IN TREME MEMORIAL CHURCH THE MUSICAL MAJESTY OF NEW ORLEANS Stanford Live and Music at Stanford team up to present OPERA’S WITH PRESERVATION HALL JAZZ BAND this annual tribute concert honoring the life and memory AND SPECIAL GUESTS of the slain Wall Street Journal reporter, musician, and FALSTAFF SUNDAY, SEPTEMBER !-, ):"" PM Stanford graduate Daniel Pearl. Faculty and students OCT !! BING CONCERT HALL “The music pressed from Stanford’s Music Department, including ensemble- forward tirelessly, Ivan Neville, vocals / Leo Nocentelli, guitar / Stanton Moore, drums in-residence the St. Lawrence String Quartet, o"er an heroically, exultantly, just engaging program intended to promote cross-cultural Reserved Seating $25 / 36 / 48 / Premium $60 like New Orleans itself.” understanding through music. Treme, the wildly popular HBO television series famous for its portrayal of New Orleans music —Chicago Tribune and tales of intrepid musicians in the aftermath of Hurricane Katrina, brings its soundtrack to Co-sponsored by the O"ce for Religious Life at the Bing, courtesy of the legendary Preservation Hall Jazz Band. There’s no mistaking that

historically rollicking Dixieland sound of trumpet, clarinet, trombone, tuba, banjo, drums, and Grand Opera Photo: Brett Coomer/Houston piano improvising together as one collective, rhythmic force. Preservation Hall will be joined by Become an Usher / Volunteer Opportunities Ivan Neville, son of Aaron Neville and leader of Dumpstaphunk; Leo Nocentelli, guitarist from Join our valued team of volunteer ushers and earn free Stanford Live tickets and more benefits while you perform the Meters; and Stanton Moore, drummer of Galactic! an important service to the community. Duties include seating patrons, ticket taking, concessions sales, and more. Generously funded by the Koret Foundation, the Koret Jazz Project is a multiyear Visit live.stanford.edu or contact Bill Starr, House Manager, initiative to support, expand, and celebrate the role of jazz in the artistic and education programming of Stanford Live. at [email protected] or 650.725.1962.

+ '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU * ST. LAWRENCE STRING QUARTET JON BATISTE ( STAY HUMAN SUNDAY, OCTOBER *# SUNDAY, OCTOBER $&, &:'' PM SUNDAY, JANUARY *$, WITH GUEST VIOLIST BING CONCERT HALL MARIZA JONATHAN VINOCOUR NOV "$ Jon Batiste, piano & harmonabord / Eddie Barbash, alto sax / Joseph Saylor, drums & SUNDAY, APRIL $&, WITH GUEST SOPRANO tambourine / Ibanda Ruhumbika, tuba & trombone / Philip Kuehn, acoustic & electric bass JESSICA RIVERA BING CONCERT HALL, $:#' PM Reserved Seating $25 / 36 / 48 / Premium $60 Reserved Seating $25 / 45 / 60 / Premium $75 With his unique voice, virtuosic piano chops, and innovative use of the harmonabord (mouth-blown keyboard), 27-year-old Jon Batiste is a leader among the new generation Stanford’s Grammy-nominated resident ensemble, the St. Lawrence String Quartet, returns with its irresistible of exciting jazz musicians. Steeped in the sounds and rhythms of his hometown of Sunday series. Called “brilliant,” “masterful,” “impassioned,” New Orleans and trained in classical and jazz piano at the Juilliard School, Batiste and his group, Stay Human, prove to be real musical omnivores. Whether in a subway car, The “diva of world music.” and “fearless” by the likes of the Boston Globe and the —Guardian New York Times, the SLSQ consistently delights audiences where they recorded their My N.Y., or in a concert hall, Batiste and his band serve with its vivid musical color and remarkable teamwork. up exuberant, fresh New Orleans jazz. Co-sponsored by KCSM Jazz 91 Generously supported by Paul and Iris Brest Generously funded by the Koret Foundation, the Koret Jazz Project is a multiyear Programs initiative to support, expand, and celebrate the role of jazz in the artistic and education Sunday, October 13 programming of Stanford Live. Haydn: String Quartet op. 71 no. 2 Sam Adams: new Quartet Beethoven: String Quartet op. 132 MARIZA FRIDAY, NOVEMBER *, &:#' PM Sunday, January 12 BING CONCERT HALL ST. LAWRENCE “Jonathan Batiste Dvořák: Bagatelles is on a mission: Mariza, vocals / Jose Neto, Portuguese guitar Janáček: String Quartet No. 1, Kreutzer to bring the joy of Pedro Jóia, acoustic guitar / Nando Araujo, acoustic bass Dvořák: Viola Quintet with Jonathan Vinocour STRING jazz to the masses.” Vicky Marques, percussion —New York Daily News Sunday, April 27 Reserved Seating $25 / 36 / 48 / Premium $60 Haydn: Quartet TBA Tsontakis: New Work with Jessica Rivera QUARTET Of both Portuguese and African descent, Mariza has come to be known as the Verdi: String Quartet embodiment of modern fado, Lisbon’s emotion-filled . Her soulful voice expresses the essence of this melancholy art form, a song style dating back to the early “California-born Jessica Rivera 19th century and imbued with themes of longing, separation, and reconnection. Mariza epitomizes the younger, reinterprets the classical style of “fado tradicional,” adding her own modern signature for post-Upshaw generation of JON BATISTE ! an updated sound. She and her acoustic ensemble convey pure emotion in their tales of American soprano, as much at home the Portuguese sea and sun. in Golijov, Salonen, and Adams STAY HUMAN as she is in the conventional OCT !" song literature and uncommonly eloquent in all of them.” —Financial Times

, '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU - Photo: Tiit Mõtus FAMILY CONCERT The Stanford Dance * * Recommended IN ASSOCIATION WITH Division, a part of the CHRISTOPHER O’RILEY’S for ages 7 and up STANFORD DANCE Department of Theater FROM THE TOP and Performance Studies, SUNDAY, NOVEMBER *', $:#' PM serves students with BING CONCERT HALL dozens of classes and Reserved Seating $20 / 32 / 42 / Premium $50 presents performances, films, artist talks, and Join the studio audience for a live taping of FESTIVAL lectures throughout the From the Top, one of National Public Radio’s most academic year in Roble popular weekly music programs. Hosted by pianist Studio and other venues Christopher O’Riley, From the Top has taped more on campus. than 250 episodes before live audiences in 35 states JÉRÔME BEL dance.stanford.edu and featured more than 2,500 young artists, many of NEEME JÄRVI whom have since entered the professional music world. Now it’s our turn for a brilliant showcase ESTONIAN as the best and the brightest of Stanford and the NATIONAL Bay Area’s talent take the stage. SYMPHONY FROM THE TOP NOV !" NOV !" ESTONIAN NATIONAL SYMPHONY THE SHOW MUST GO ON .!""#/ CÉDRIC ANDRIEUX .!""-/ PICHET KLUNCHUN AND MYSELF .!"")/0 NEEME JÄRVI, CONDUCTOR WEDNESDAY, NOVEMBER #$, ):$" PM MONDAY, NOVEMBER #., ):$" PM A FILM NAREK HAKHNAZARYAN, CELLO MEMORIAL AUDITORIUM BING CONCERT HALL MONDAY, DECEMBER !, ):$" PM SATURDAY, NOVEMBER !, ):$" PM Reserved Seating $20 / 32 / 42 / Premium $50 Reserved Seating $32 / 42 / Premium $50 BING CONCERT HALL BING CONCERT HALL Reserved Seating $20 Reserved Seating $25 / 54 / 82 / Premium $95 The internationally acclaimed French choreographer Cédric Andrieux is part of a series of thoughtful works and conceptual artist Jérôme Bel enjoys a reputation as Bel has created with dancers who have made their mark In a frequently funny and intimate dance dialogue, Originally a small radio orchestra, the Estonian National Symphony Orchestra enjoys increasing one of the working on the art form. In this , we Bel and classical Thai dance master Pichet Klunchun— acclaim for its concerts, Grammy Award-winning recordings, and festival appearances in coolest conceptual dance makers autobiographical solo today. His ironic, antitheatrical productions question the spend an intimate 80 minutes with Andrieux during two artists from radically di"erent worlds—come together Scandinavia, elsewhere in Europe, and in the former Soviet Union. American audiences enjoyed nature of dance and the dividing line between audience which he tells us his story and also dances phrases and for a fascinating exchange of ideas and movement in its colorful brilliance for the first time in 2009, when political borders opened, prompting the and performer. The Show Must Go On features a short sections of the famous ballets and Cunningham this understated conceptual performance that revels in ensemble’s first U.S. tour. Young Armenian cellist Narek Hakhnazaryan, winner of the prestigious mix of the finest Bay Area professional dancers with choreography that defined his career. This is a compelling our common humanity. Jérôme Bel will be present at this International Tchaikovsky Competition in Moscow, adds flair to the evening, which o"ers a untrained Stanford (students, faculty, and sta") and look inside a dancer’s life. screening and will answer questions about his work special insight into centuries of masterful Baltic orchestral tradition. “civilians”, each performing to their own onstage following the film. Program Veljo Tormis: Overture No. 2; Dvořák: Cello Concerto; Sibelius: Symphony No. 5 classic pop soundtrack via headset.

#" '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU ## The magic continues in an PROGRAM # PROGRAM $ SOLOMON IN LONDON MUSIC FROM THE HEART OF EUROPE ongoing partnership with one of TUESDAY, DECEMBER *', &:#' PM THURSDAY, MARCH %, &:#' PM the most lauded period-instrument PHILHARMONIA Yu l i a Va n Do r e n , soprano Elizabeth Blumenstock, violin and leader orchestras in the country, Thomas Cooley, tenor Featuring works by 17th-century musical Philharmonia Baroque Orchestra. BAROQUE Philharmonia Chorale, Bruce Lamott, director innovators, the program begins with Mu"at’s Van Doren and Cooley are two of today’s most Nobilis Juventus, which includes sections Join the orchestra and esteemed promising young Baroque music vocalists, sought dedicated to the Spanish, the Dutch, the English, soloists in The Grand Tour: ORCHESTRA after for their expressiveness and clarity of tone. and the Italians. Telemann’s overture, Les Nations, Baroque music from London, Don’t miss this rich presentation of both secular is even more peripatetic, and includes movements and sacred English treasures. dedicated to the Turks, the Swiss, the Muscovites, Vienna, and Venice. and the Portuguese. Program Stanley: Concerto in B Minor, op. 2, no. 2; Croft: The Burial Service; Program Mu"at: Fasciculus: I Nobilis Juventus Boyce: Solomon, a serenata from Florilegium Secundum; Schmelzer: Sonata III from Sacro-Profanum Concentus Musicus; Schein: PROGRAM ! Suite V from Banchetto musicale; Biber: Sonata C. P. E. BACH ( HAYDN: IX from Sonatae Tam Aris Quam Aulis Servientes; BERLIN AND VIENNA Schmelzer: Balletto à 4 Pastorella; Johann Georg WEDNESDAY, FEBRUARY ., &:#' PM Benda: Violin Concerto in A Major; Bach: Ricercar Ya - Fe i C h u a n g , fortepiano à 6 from Musical O!ering; Telemann: Overture- Robert Levin, harpsichord Suite in B-flat Major, Les Nations PHILHARMONIA BAROQUE ORCHESTRA NICHOLAS MCGEGAN, Commemorating the 300th birthday of PROGRAM & CONDUCTOR AND MUSIC DIRECTOR C. P. E. Bach, Philharmonia celebrates keyboard VIVALDI’S VENICE THE GRAND TOUR virtuosity as not one but two of today’s most WEDNESDAY, APRIL $, &:#' PM FOUR PERFORMANCES revered interpreters of early keyboard music take BING CONCERT HALL the stage. Juditha: Cécile van de Sant, mezzo-soprano Reserved Seating $25 / 54 / 82 / Premium $95 Vagaus: Vivica Genaux, mezzo-soprano Program C. P. E. Bach: Symphony in E Minor, Holofernes: Diana Moore, mezzo-soprano Wq. 178; Haydn: Keyboard Concerto No. 11 in Abra: Dominique Labelle, soprano D Major, Hob. XIII: 11; C. P. E. Bach: Concerto Ozias: Virginia Warnken, mezzo soprano for Fortepiano and Harpsichord in E-flat Major, Philharmonia Chorale, Bruce Lamott, director THE Wq. 47; Haydn: Symphony No. 68 in B-flat Major The widow Judith takes extraordinary measures to protect her city when it is threatened by foreign invasion. Vivaldi’s only surviving oratorio, Juditha GRAND Tr i u m p h a n s features an all-star cast of powerful MCGEGAN female voices. TOUR Program Vivaldi: Juditha Triumphans Photo: Randi Beach #! '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU #$ Stanford Live can become *WORLD PREMIERE* “an artistic guiding light for STANFORD LIVE COMMISSION Silicon Valley. The new multimedia CHANTICLEER SAN FRANCISCO hall is made for adventure.” A CHANTICLEER CHRISTMAS WEDNESDAY, DECEMBER **, &:#' PM BOYS CHORUS LINKED VERSE —Los Angeles Times DEC !" SATURDAY, DECEMBER &, &:#' PM MEMORIAL CHURCH BING CONCERT HALL General Admission $56 Jaroslaw Kapuscinski, composer A Chanticleer Christmas is in high demand each year in the holiday season, with OpenEndedGroup performances from coast to coast. This Grammy Award-winning “orchestra of voices” Ko Ishikawa, sho initiates the holiday season at Stanford with profound, peaceful, and joyful music in Maya Beiser, cello the ornate and acoustically rich atmosphere of Memorial Church. Always inspiring, its repertoire includes the rarities of Gregorian chant, American gospel classics, and plenty Reserved Seating $52 / Premium $75 of holiday carols. Linked Verse is an evening-length concerto for cello, “No one does a better choral Christmas than Japanese sho, voice, sound, and live $D stereoscopic the virtuoso male voices of Chanticleer…” visual projection by Stanford Department of Music faculty member and composer Jaroslaw Kapuscinski and —New Yorker OpenEndedGroup from New York City. A multimedia evocation of otherness and union that builds on tensions and accords between elements of Japanese and Western *FAMILY CONCERT* cultures, the work explores ancient and contemporary eras CHANTICLEER SAN FRANCISCO BOYS CHORUS LINKED VERSE SUNDAY, DECEMBER *., $:#' PM of sensory modalities, both visual and aural. A collage of DEC $$ photographs and videos gathered on location in Tokyo, BING CONCERT HALL DEC "% Reserved Seating $20 / 32 / 42 / Premium $50 Kyoto, New York, and San Francisco will evoke a haunting visual landscape. #D glasses provided. Let the angelic blend of voices of the San Francisco Boys Chorus enliven your Co-produced with the Stanford Department of Music and holiday season with traditional classics, beloved carols, and irresistible commissioned by Stanford Live favorites. Led by Artistic Director Ian Robertson and Associate Artistic Director Margaret Nomura Clark, the SFBC has sung in churches in Europe, a presidential Additional production support and residency provided by EMPAC/Rensselaer Polytechnic Institute and the Ja!e Fund One of the major campus inauguration, and ballparks across the United States. This December, the Graduate for Experimental Media and Performing Arts partners of Stanford Live, Chorale and Concert and Intermediate Choruses infuse you with holiday spirit Generously supported by the Andrew W. Mellon Foundation the Department of Music while the Handbell Ensemble rings in the season in true festive style. and the Stanford Arts Institute. presents its own series of performances throughout the academic year in Bing Concert Hall, Memorial Church, Campbell Recital Hall, and other venues

on campus. Photo: Lisa Kohler music.stanford.edu

#& '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU #) TAKÁCS QUARTET THE COMPLETE BARTÓK STRING QUARTETS SATURDAY, JANUARY $., &:#' PM SUNDAY, JANUARY $%, $:#' PM BING CONCERT HALL Reserved Seating $25 / 45 / 60 / Premium $75 TAKÁCS QUARTET The Hungarian Takács Quartet, one of the JAN !& ' !( world’s consummate interpreters of Bartók’s string quartets, brings the entire cycle to Stanford in two very special evenings arranged to give a sense of the enormity of Bartók musical journey. The romanticism of the First Quartet gives way to the modernist tendencies of the Third, and finally the Sixth Quartet reveals Bartók’s unprecedented degree of emotional depth, sense of resignation, and even withdrawal from the world. Lauded by critics and audiences alike for its irresistible blend of virtuosic technique and engaging personality, The Takács performs these monuments of the 20th-century quartet literature with a sense of adventure and joyful abandon. Programs KRONOS QUARTET Saturday, January 25 WEDNESDAY, JANUARY #(, ):$" PM Béla Bartók: String Quartet No. 1; BING CONCERT HALL String Quartet No. 3; String Quartet No. 5 KRONOS Reserved Seating $25 / 45 / 60 / Premium $75 Sunday, January 26 Celebrating its 40th-anniversary season, San Francisco’s world-renowned, Béla Bartók: String Quartet No. 2; Grammy-winning Kronos Quartet returns to Bing Concert Hall with a String Quartet No. 4; String Quartet No. 6 Stanford-only program brimming with the quartet’s signature breadth and QUARTET innovation. The evening includes performances of new Kronos-commissioned works by two illustrious composers: Philip Glass, a towering figure in American JAN $& music and a longtime Kronos collaborator, and, in the Bay Area premiere of his Third String Quartet, Ukraine’s Valentin Silvestrov, who unites “an array of influences into a graceful, communicative style of his own” (New York Times). Program Valentin Silvestrov: String Quartet No. 3 (Bay Area premiere); Philip Glass: New Work; Additional works TBA

#+ '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS Photo: Jay Blakesberg '(".)!(.ARTS * LIVE.STANFORD.EDU #* JOSHUA BELL, VIOLIN SATURDAY, FEBRUARY ., ):$" PM BING CONCERT HALL GRUPO Reserved Seating $25 / 100 / 150 / Premium $175 Often referred to as the “poet of the violin,” ! SHOWS! Joshua Bell is one of the world’s most celebrated musicians. In addition to his solo performances, CORPO Bell is in demand as an orchestral soloist, is leader of the English chamber orchestra Academy of St. Martin in the Fields, and is prolific as a JAN )$ ' FEB "$ recording artist. His breathtaking virtuosity, tone of sheer beauty, and charismatic stage presence make him an artist with universal appeal.

Generously supported by Bonnie and Marty Tenenbaum

GRUPO CORPO FRIDAY, JANUARY $#, ):$" PM SATURDAY, FEBRUARY #, !:$" PM *FAMILY PERFORMANCE* MEMORIAL AUDITORIUM Paulo Pederneiras, artistic director, lighting designer Rodrigo Pederneiras, choreographer Friday: Reserved Seating $30 / 45 / 52 / Premium $75 Saturday: Reserved Seating $15 / 22 / 26 / Premium $38 Translated as “Body Group,” the highly acclaimed Brazilian ballet company Grupo Corpo is at once vigorous and urban, primordial and metaphysical. Its work JOSHUA BELL combines the sensuality of Afro-Brazilian dance forms and the technical prowess FEB !" of ballet with a contemporary, highly theatrical sensibility. In Sem Mim, or “Without Me,” dancers embark on a journey of evolution from sea to earth, their movements flowing and organic. Ímã is a poetry of polarities, molded by the magic that lurks in the convergence of the divergent.

Program Sem Mim by Rodrigo Pederneiras, music by Carlos Núñez & José Miguel Photo: Chris Lee Wisnik; Ímã by Rodrigo Pederneiras, music by +2 (Moreno, Domenico & Kassin)

#, '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU #- HAIFA SYMPHONY ORCHESTRA OF ISRAEL CHANTICLEER ( THE NEW CENTURY ANGELA BOGUSLAW DAWIDOW, PRINCIPAL GUEST CONDUCTOR CHAMBER ORCHESTRA ROMAN RABINOVICH, PIANO WITH MUSIC DIRECTOR ( VIOLINIST BROWN SUNDAY, MARCH *%, $:#' PM NADJA SALERNO1SONNENBERG FEB !) BING CONCERT HALL CHANTICLEER ! ATLANTIC CROSSING Reserved Seating $25 / 54 / 82 / Premium $95 THURSDAY, MARCH $', &:#' PM BING CONCERT HALL Stanford welcomes the illustrious Israeli orchestra on its first coast-to-coast tour of the THE NEW CENTURY Reserved Seating $25 / 54 / 82 / Premium $95 United States. Under the direction of Music Director Maestro Noam Sheri", the Haifa Symphony Orchestra has become the focal point of musical life in Haifa and northern CHAMBER Two internationally renowned Bay Area Israel and recently expanded its activities throughout the country and abroad. Virtuoso ensembles join forces for the first time in a piano soloist Roman Rabinovich promises to dazzle—he’s the 2008 winner of the Arthur ORCHESTRA unique combination of male chorus and Rubinstein International Piano Master Competition. chamber orchestra. It was the 1930s, with the MAR !" swing of Gershwin and Ellington’s orchestras Program and close vocal harmonies of the Comedian Carl Maria von Weber: Overture to the opera Euryanthe Harmonists. Atlantic Crossing evokes this Serge Rachmanino": Piano Concerto No. 3 in D Minor, op. 30 intoxicating and dynamic time between the two Pyotr Ilyich Tchaikovsky: Symphony No. 4 in F Minor, op. 36 world wars, imagining a cruise ship traveling between Germany and New York in these years of whirlwind creativity when European composers OPERA...FROM A SISTAH’S POINT OF VIEW were migrating to the United States. This exciting ANGELA BROWN, SOPRANO program incorporates the music of the 1920s and KELLEEN STRUTZ, PIANO 1930s, reflecting the complex world after World SUNDAY, FEBRUARY $#, $:#' PM War I was over and the Jazz Age had begun. BING CONCERT HALL Generously supported by Clinton and Mary Gilliland Reserved Seating $25 / 45 / 60 / Premium $75 Angela Brown personifies the ideal American dramatic soprano with her sheer vocal power, luxurious finesse, shimmering, high pianissimos, and a charming personality larger than life. Her highly successful Metropolitan Opera debut in 2004 as Verdi’s Aida sparked rave reviews and spawned her operatic career. Through this witty and inspired recital program, Brown brings awareness of opera and classical vocal performance to diverse audiences, demystifying the genre through lively commentary BOGUSLAW DAWIDOW on opera plots and characters, show-stopping arias, poignant art songs, and HAIFA moving spirituals. SYMPHONY Generously supported by Helen and Peter Bing ORCHESTRA CHANTICLEER

OF ISRAEL Photo: Eran-Lavi MAR !"

!" '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS Photo: Kristin Loken Anstey '(".)!(.ARTS * LIVE.STANFORD.EDU !# ASIF ALI KHAN TUESDAY, APRIL *, &:#' PM BING CONCERT HALL Asif Ali Khan, lead voice / Raza Hussein, harmonium and choirs Sarfraz Hussein, harmonium and voice / Khawar Ali, tablas Ensemble of Choristers and Clappers Reserved Seating $25 / 36 / 48 / Premium $60 Get ready for some Sufi soul from Pakistan’s reigning prince of Qawwali music, Asif Ali Khan, and his ensemble. A student of the great Nusrat Fateh Ali Khan, Asif Ali Khan is a powerful figure on the international music scene, praised for his brilliant inventiveness. AEOLUS His distinctive style of this form of Sufi devotional music, dating back 700 years, is QUARTET characterized by full-throated vocals and energetic rhythms. Khan can be meditative and APR !" trance-like and then suddenly thrilling and ecstatic—a genuinely inspiring experience.

AEOLUS QUARTET SUNDAY, APRIL %, $:#' PM ASIF ALI B ING CONCERT HALL DEBORAH KHAN Reserved Seating $25 / 45 / 60 / Premium $75 Championed by Stanford’s own St. Lawrence String Quartet, the Aeolus is among VOIGT DEBORAH VOIGT, SOPRANO APR "$ the best of the new generation of string quartets. The young “20-something” FRIDAY, APRIL ## , ):$" PM members are taking the competition world by storm, capturing prizes at nearly every BING CONCERT HALL APR $$ major contest in the United States. The Aeolus has released two critically acclaimed of classical and contemporary works and has brought down the house in major Reserved Seating $25 / 54 / 82 / Premium $95 venues across North America, Europe, and Asia. Deborah Voigt has long been recognized as one of the world’s most versatile singers and one of music’s most Program endearing personalities. A reigning dramatic soprano, Henry Purcell: Selections from Four-Part Fantasias internationally revered for her performances in the operas Christopher Theofanidis: Ariel Ascending of Richard Wagner and Richard Strauss, she has also Beethoven: String Quartet in F Major, op. 59, no. 1 portrayed some of the great heroines in Italian opera to notable acclaim. Voigt is an engaging recitalist and Photo: Cynthia Sciberras performer of Broadway standards and popular songs and is featured frequently in TV broadcasts. Her powerful yet nuanced voice is unparalleled.

!! '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU !$ JAKE SHIMABUKURO THURSDAY, APRIL $/, &:#' PM Recommended for ages 9 and up TOMÁŠ BING CONCERT HALL Reserved Seating $25 / 36 / 48 / Premium $60 In his short career, young wizard Jake Shimabukuro has almost single- *FAMILY PERFORMANCE* KUBÍNEK handedly , persuading us that it must revived the popularity of the ‘ TOMÁŠ KUBÍNEK be taken seriously as a concert instrument. He has been declared a musical MAY "* RICHARD CERTIFIED LUNATIC AND “hero” by magazine, won accolades from artists and fans of MASTER OF THE IMPOSSIBLE GOODE classical, jazz, country, and alike, wowed audiences on TV, earned SUNDAY, MAY &, !:$" 0FAMILY MATINEE1 , ):"" PM comparisons to Jimi Hendrix and Miles Davis, and even performed for the BING CONCERT HALL MAY !" Queen of England. Matinee: Reserved Seating $16 / 21 / Premium $25 Evening: Reserved Seating $32 / 42 / Premium $50 Dr. Professor Kubínek is a comic genius, virtuoso vaudevillian, “Goode’s special gift has always been his and all-round charmer whose theatrical performances are a joyous selfless artistry: his penetrating intellect, JAKE experience to remember for a lifetime. Part clown, part mime, part warm heart, and nimble fingers are entirely placed at the composer’s service.” acrobat, his slapstick brand of humor leaves audiences clutching —London Times SHIMABUKURO their sides with laughter. With appearances in over 30 countries and APR !" a professional career spanning three decades, Kubínek has won the hearts of thousands in theaters, opera houses, and television specials, on Broadway, and at international festivals of culture. RICHARD GOODE, PIANO FRIDAY, MAY *%, &:#' PM BING CONCERT HALL Reserved Seating $25 / 54 / 82 / Premium $95 Pianist Richard Goode is one of the most celebrated musicians and pianists of our time. He has been acknowledged worldwide as one of today’s leading interpreters of Classical and Romantic music. He is the first American-born musician to have recorded the complete Beethoven sonatas—a recording that was nominated for a Grammy Award. He is a consummate chamber musician as well as a solo recitalist and a favorite soloist with major orchestras. All-Beethoven Program “Absolutely expert and Piano Sonata No. 30 in E Major, op. 109 Piano Sonata No. 31 in A-flat Major, op. 110 consistently charming!” Selections from Bagatelles, op. 119 —New York Times Piano Sonata No. 32 in C Minor, op. 111

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Subscribe now and enjoy the following benefits: & EASY WAYS TO ORDER! DISCOUNTS REFUNDS (Online: live.stanford.edu Due to the nature of live performance, all programs are STANFORD LIVE ēƎ 2* !Ǝ/!0%*#Ǝ,.%+.%05Ǝ+2!.Ǝ/%*#(!Ĩ0% '!0Ǝ15!./ Full Subscribers: Save 10% subject to change. Tickets are nonrefundable, except in )Phone: %.'.&$..ARTS 0$&+&1 Youth (age 18 and under): Save 50% the case of a cancelled event. SEASON ēƎ.!! +)Ǝ+"Ǝ $+% !Ī .!0!Ǝ5+1.Ǝ+3*Ǝ/1/ .%,0%+* *Mail (use enclosed order form): +10$Ǝ#!/ƎøÿƎ* Ǝ1* !.Ǝ.! !%2!Ǝü÷şƎ+ôƎ0$!Ǝ 1(0Ǝ,.% !č Stanford Live ēƎƎ.!!Ǝ0% '!0Ĩ!4 $*#!Ǝ,.%2%(!#!/ƎĴ/1&! 0Ǝ0+Ǝ +* %0%+*/Ǝ* Ǝ Stanford Faculty/Sta3: HANDLING CHARGES SUBSCRIPTIONS Stanford University availability; see website for details) 365 Lasuen Street, Second Floor Save 20% on Subscriptions & Single Tickets There is an $11 handling fee for subscription orders and a Stanford faculty, sta", visiting professors, fellows, and Littlefield Center, MC 2250 $4-per-ticket handling fee for single-ticket orders. ēƎ +/0Ĩ0% '!0Ǝ,.+0! 0%+* Stanford, CA 94305-2250 0*"+. Ǝ$+/,%0(Ǝ!),(+5!!/Ǝ3%0$Ǝ2(% Ǝ Ǝ/2!Ǝù÷şƎ+*Ǝ subscriptions and on full-price tickets throughout the ēƎƎ1/ .%,0%+*Ǝ0+ Stanford Live magazine—a monthly guide with + In Person: CAN’T MAKE A PERFORMANCE? Stanford Ticket O(ce: season. Limit two reduced-price tickets per performance. Exchange or Donate Your Tickets. program info and more—delivered in advance to your home Tresidder Memorial Union, Second Floor Valid ID card or Courtesy Card is required at the door. We are pleased to o"er free ticket exchanges for Full and ēƎƎ! !Ǝ+"Ǝ)%* Ī+. !.Ǝ*+3Ǝ* Ǝ#1.*0!!Ǝ5+1.Ǝ/!0Ǝ!2!*Ǝ"+.Ǝ Stanford University, Stanford, CA 94305 Stanford Students: Tickets Just $10! Hours: Monday–Friday: 10:00 AM–5:00 PM; Mini Subscribers and for donors at the Friend ($150) level sell-out performances All currently enrolled Stanford University students can Saturday: NOON–4:00 PM purchase tickets for just $10 for both subscription and and above. All other exchanges will incur a $5 handling single tickets. SU students are assigned the best available charge per ticket. IMPORTANT DATES Want the Best Seats in the House? Two Subscription Plans to choose from: seats at the time of purchase. Limit one reduced-price Starting September 18, exchanges can be made in person, Monday, June 3 ticket per performance. Not available for Continuing Become a Bing Member or Stanford Live by mail, or by fax for another performance during the MINI SUBSCRIPTION Season Subscriptions go on sale at 10:00 AM. Studies students. Valid ID card is required at the door. current season that is not sold out. If ticket exchanges are Donor. Donors of $7,500+ are seated first Wednesday, July 24 We gratefully acknowledge the support of Helen and for a lower-priced ticket, the di"erence in price becomes a (by level of gift), followed by Donors of Choose any 3-5 performances and receive all the benefits Deadline to subscribe/donate to be guaranteed advance Peter Bing, Elizabeth and Kirk Radke, and the Stanford tax-deductible donation to Stanford Live. $1,000–$7,499. Seating priority begins at the seating priority over single-ticket buyers. listed above. Arts Institute, underwriters of reduced-price tickets for You can also donate your tickets and be eligible for a Friends level ($150–$999). Saturday, September 7 Stanford Students. tax deduction. Single tickets go on sale to the general public. FULL SUBSCRIPTION Non-Stanford Students: Save $5 Per Ticket Ticket exchanges and donations must be received by SPECIAL NEEDS , SEATING REQUESTS Students ages 19 and over with a valid high school, the Stanford Ticket O(ce no later than 5:00 PM the day Choose 6 or more performances and receive all the benefits college, or university ID receive $5 o" adult ticket prices. before a weekday performance or the Friday before Please indicate any special needs or seating requests listed above, plus: Limit one reduced-price ticket per performance. a weekend performance. Tickets for past or missed when you order. If the seating section you request is no performances may not be exchanged or donated. ēƎø÷şƎ %/ +1*0Ǝ+*Ǝ 1(0Ǝ0% '!0Ǝ,.% !/ longer available at the time your order is filled, we will seat Only one discount may be applied per ticket—no you in the best available seats in the next lower-priced compounded discounts. Discounted tickets may not be ēƎ!0%*#Ǝ.%+.%05Ǝ+2!.Ǝ%*%Ǝ1/ .%!./ section. If any performance you request has sold out, combined with other special o"ers. See our website at we will still fill your order for the remaining performances. live.stanford.edu for more details. Please note that we cannot guarantee the same seats for every performance. All programs subject to change.

!+ '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU !*

ANNUAL FUND BING MEMBERSHIPS SPONSORSHIP GIFTS Annual fund donors help ensure the future of live performances at Back by popular demand! Bing Members support the vitality of Stanford Your support helps to o"set artist fees and production costs, commission new Stanford and receive wonderful benefits such as priority seating by Live programming by making annual gifts of $7,500 or more. Join as a Bing work, and fund community and educational outreach opportunities to ensure that giving level, opportunities to attend campus engagement activities Member and enjoy access to a members-only ticket services phone line and Stanford Live brings the highest quality performances to our community. STANFORD LIVE and special receptions, and reserved parking. special invitations to members-only events. As a Bing Member, you will also Your sponsorship includes outstanding benefits designed to give you special access to the artist receive tickets to the April 26, 2014 Spring Event concert with Patti LuPone or performance of your choice. DONOR and Mandy Patinkin plus pre-concert supper and valet parking. All Sponsors receive the following core benefits: ēƎƎ% '!0/Ǝ0+Ǝ0$!Ǝ,.%(ƎùýĎƎù÷øûƎ,.%*#Ǝ2!*0Ǝ +* !.0Ǝ3%0$Ǝ00%Ǝ 1+*!Ǝ* Ǝ* 5Ǝ0%*'%*ĎƎ,(1/Ǝ BENEFITS pre-concert supper with valet parking. ēƎ !/!.2! Ǝ,.'%*#Ǝ"+.Ǝ0*"+. Ǝ %2!Ǝù÷øúĩøûƎ0% '!0! Ǝ +* !.0/ Annual Fund Benefits Bing Membership Benefits ēƎ  !//Ǝ0+Ǝ0$!Ǝ,+*/+./Ĩ+*(5Ǝ +* %!.#!Ǝ0% '!0Ǝ/!.2% !/Ǝ,$+*!Ǝ(%*! ēƎ *2%00%+*/Ǝ0+Ǝ00!* Ǝ ),1/Ǝ* Ǝ.0%/0Ǝ!*##!)!*0Ǝ 0%2%0%!/ĎƎ.! !,0%+*/ĎƎ* Ǝ+,!*Ǝ.!$!./(/ SU Student* Patron Friend Supporter Advocate Partner Sustainer Benefactor Artist's Circle Director's Circle Bing Circle ēƎ  '/0#!Ǝ%*0.+ 1 0%+*Ǝ0+Ǝ0$!Ǝ2%/%0%*#Ǝ.0%/0Ǝ"+.Ǝ5+1.Ǝ,!."+.)* ! $50+ $75+ $150+ $250+ $500+ $1,000+ $2,500+ $5,000+ $7,500–$14,999 $15,000–$24,999 $25,000–$49,999 Plus additional benefits at the following levels: Subscription to Stanford Live magazine PERFORMANCE2 ēƎƎ.+)%*!*0Ǝ* Ǝ %/0%*#1%/$! Ǝ.! +#*%0%+*Ǝ%*Ǝ0*"+. Ǝ %2!Ǝ,1(% 0%+*/Ǝ Tour of Bing Concert Hall CONCERT SPONSOR on the program page as Performance Sponsor and access to 3$","""† purchase premium seats for your performance Seating by giving level in advance of subscribers and general public** ēƎƎ1.*0!! Ǝ+,,+.01*%05Ǝ0+Ǝ,1. $/!Ǝ03+Ǝ0% '!0/Ǝ0+Ǝ0$! Free ticket-exchange privileges Spring Event with LuPone/Patinkin (see first core benefit at top of page)

Magazine acknowledgment PRODUCING SPONSOR ēƎƎ.+)%*!*0Ǝ* Ǝ %/0%*#1%/$! Ǝ.! +#*%0%+*Ǝ+*Ǝ0$!Ǝ,.+#.)Ǝ,#!Ǝ/Ǝ 3(","""† Access to purchase reserved-section seats for general admission events the exclusive Producing Sponsor and access to purchase premium seats for your performance Invitation to the Annual Donor Reception ēƎƎ3+Ǝ0% '!0/Ǝ0+Ǝ0$!Ǝ,.%*#Ǝ2!*0Ǝ3%0$Ǝ 1+*!Į0%*'%*Ǝ (see first core benefit at top of page) Access to purchase 2 add’l reserved-section seats for general admission events Invitations to attend campus engagement activities and open rehearsals BENEFIT EVENT ēƎƎ.+)%*!*0Ǝ* Ǝ %/0%*#1%/$! ƎƎ.! +#*%0%+*Ǝ+*Ǝ0$!Ǝ,.+#.)Ǝ,#!Ǝ/Ǝ SPONSOR the Benefit Event Sponsor and access to purchase premium seats Invitations to Meet the Artist Receptions 3)","""† for your performance ēƎƎ+1.Ǝ0% '!0/Ǝ0+Ǝ0$!Ǝ,.%*#Ǝ2!*0Ǝ3%0$Ǝ 1+*!Į0%*'%*Ǝ Reserved parking for Stanford Live 2013–14 ticketed concerts (see first core benefit at top of page) Special consideration in all your seating requests Preferred Seating Priority Seating Premium Seating FESTIVAL OR ēƎƎƎ.+)%*!*0Ǝ* Ǝ %/0%*#1%/$! Ǝ.! +#*%0%+*Ǝ+*Ǝ0$!Ǝ,.+#.)Ǝ,#!Ǝ/ Access to purchase last-minute house seats*** FAMILY PROGRAM the Festival or Family Program Sponsor and access to purchase SPONSOR premium seats for your performance Access to Members-only concierge ticket services phone line 3#"","""† ēƎƎ%4Ǝ0% '!0/Ǝ0+Ǝ0$!Ǝ,.%*#Ǝ2!*0Ǝ3%0$Ǝ 1+*!Į0%*'%*Ǝ Tickets to the Spring Event with LuPone/Patinkin† Two Tickets Two Tickets Four Tickets (see first core benefit at top of page)

Option to buy 2 add’l tickets to the Spring Event with LuPone/Patinkin† † Your Bing Membership or Sponsorship gift is tax deductible as a charitable contribution to Stanford University, but your deduction will be decreased by $500 for each ticket to the Spring Event concert and dinner on 4.26.14.

Please be advised that federal law prohibits contributions to attend this event made through a donor advised If you have any questions about your donation, please contact the Stanford Live Development O(ce at 650.736.1251. fund, a private foundation, or a direct payment from an individual retirement account (IRA). Please consult with * Must show current Stanford Student ID number / ** For up to two subscriptions per donation / *** According to membership category, based on availability your tax advisor if you have any questions.

!, '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS %.'.&$..ARTS 2 LIVE.STANFORD.EDU !- SEATING DINING PARKING

 

BING CONCERT HALL A Pre-Concert & Intermission Menu Parking is FREE on the Stanford campus in metered (Bing Concert Hall & B B    and lettered parking zones on weekdays after 4:00 PM Bing Concert Hall Ticket O(ce The exclusive Interlude café in the expansive lobby  PATRON A of Bing Concert Hall serves guests one hour before and on weekends at all times. Disabled parking, ) Frost Amphitheater   ,+ each performance and during intermission. The café loading, and service-vehicle restrictions are enforced B PREMIUM B *Memorial Church INFO serves gourmet sandwiches, cheese platters, snacks, at all times.  +Memorial Auditorium  and an assortment of wines, beers, and nonalcoholic   New This Season STAGE Parking for Bing Concert Hall & Frost ,Stanford Ticket O(ce B beverages. You can also pre-order beverages or snacks  Evening performances begin at 7:30 PM and Sunday B G  Amphitheater can be found in the Galvez Lot  G "&#$$&% performances begin at 7:00 PM (except as noted). to be ready for you at intermission by visiting the café G  "&$  and on Lasuen Street, Museum Way, Roth Way,  before the performance or online. See live.stanford.edu  Accessibility C C and the Oval. for details.  G G Wheelchair Seating with up to three companion C (   C   seats per wheelchair space is available at every C Parking for Memorial Church can be found along  Expanded Pre-Order Menu N price level. Please indicate your needs when the Oval at the end of Palm Drive, on Roth Way, on  G G  purchasing tickets. For more options, such as tasty bento boxes including ) MEMORIAL AUDITORIUM Museum Way, and on Lasuen Street. rosemary grilled chicken, herb grilled salmon, spicy  && *  = are available; visit the "&$  '!" Assisted-Listening Devices "&$ C fuki sushi, and more, you can pre-order by 9:00 AM Parking for Memorial Auditorium can be found     Patron Services desk prior to the performance. G    BALCONY the day before the performance. See live.stanford.edu on Serra Street, Memorial Way, Lasuen Street, G Sign Language Interpreting is available with five business B .H%K/  days’ notice. See contact info below. for details. Museum Way, and Roth Way. .D%G/ G/ A A G A .C% .C%G/ + P .A%C/ Other Accessibility Needs for you or someone in your .A%B/ P .A%B P / Pre-Performance Dining at the Alumni Café Parking areas near performance venues may fill up party: see contact info below. BALCONY CIRCLE quickly, depending on the size of the event and   ##($ G On weeknights only, enjoy a pre-concert dinner, a   #)$  Contact Us: Call %.'.&$..*)%$ or email A .Q4/ B B other simultaneously occurring events on campus. G [email protected]. P .M%P/ glass of wine, or just a quick bite before the show at the * A .K%L/ Alumni Café. It is only steps away from Bing Concert For driving directions or public transportation C .F%J/ Children A .A%E/ information, visit live.stanford.edu. Hall in the Arrillaga Alumni Center. $%% $ Stanford Live is committed to making quality cultural  " #" ORCHESTRA , experiences for audience members of all ages, although Please allow 30 minutes to find parking and take STAGE   some performances may not be suitable for children your seat before the performance. Or come early,  

 under the age of five. Regardless of age, all children must easily find parking, and enjoy a meal or a glass of wine  have a ticket. MEMORIAL CHURCH  and snack at the new Interlude café! Lobby & House Seating at Memorial Church is general admission. Designed by Studio Scott, The Bing Concert Hall Lobby and Box O(ce open Access to the reserved seating by section is available for San Francisco. 60 minutes prior to the performance. Auditorium doors donors of $250 or more (see pages 28–29). GPublic Parking Copyright © Stanford University. open 30 minutes prior to the performance. --- Walking Path All rights reserved. All programs subject to change. Stay Informed & Keep in Touch FROST AMPHITHEATER =Alumni Café, Arrillaga Alumni Center Printed alcohol-free with The arts are ever-changing and so are our online resources. Seating at Frost Amphitheater is general admission. vegetable-based inks on Visit live.stanford.edu for more details about events and ticket NOTE: MAP NOT TO SCALE Access to preferred seating is available to donors of recycled paper made with sales, and be sure to join our e-club for all the latest updates ú÷şƎ,+/0 +*/1)!.Ǝ3/0!čƎ and special o"ers. $250 or more (see pages 28–29). Printed by Blanchette Press.

$" '#" TICKETS FOR STANFORD STUDENTS + ALL EVENTS '(".)!(.ARTS * LIVE.STANFORD.EDU $# OUR MISSION, VISION, AND VALUES ENGAGE WITH STANFORD LIVE Stanford Live is committed to sharing, celebrating, and FOR STANFORD STUDENTS FOR THE COMMUNITY advancing the art of live Stanford students enjoy many opportunities to deepen their experiences of the Stanford Live provides a broad range of free and low-cost programs that increase arts music, dance, theater and performing arts by engaging with visiting artists. Stanford Live o"ers workshops access for our community and o"er many ways to engage with the performing arts. Our opera. We unite celebrated and master classes, residence-hall performances and discussions, open rehearsals, and programs include Student Matinees for K–12 students and professional development and emerging artists with the a program that puts students onstage with professional artists. Through Stanford Live workshops for teachers, our free “Informance” concert/discussion series at Mountain Stanford campus and greater Opening Acts, students curate short performances by student ensembles that “open” View’s Community School of Music and Arts, artist workshops at area schools and select events at Bing Concert Hall (to be announced). Beginning in 2013, students community organizations, campus talks with visiting artists, our Jazz Talks series at Bay Area communities in a will take the stage in the annual Shenson Student Performance Festival and Shenson the (presented in partnership with the National Jazz Museum in broad range of experiences Cabaret Series. Harlem), pre- and post-performance talks with artists and scholars, and unique special to engage the senses and

events each season. Details of all programs will be announced in the coming months. SEASON emotions, stimulate minds,

Photos: Joel Simon and enrich lives. We value

THIS artistic vitality, learning, and an inclusive community. ENTS STUDENT OUR HOME MATINEE Stanford Live’s home is OUR CAMPUS Stanford Theater and Stanford Arts Institute Bing Concert Hall. But ARTS PARTNERS Performance Studies The Stanford Arts Institute focuses we present performances Stanford’s academic arts TAPS produces more than a on promoting cross-disciplinary FOR $)4 EV all over campus, including dozen productions each academic approaches to the arts—in teaching, units present dozens of at Memorial Auditorium, year, including canonical plays, research, and art making. performances throughout Memorial Church, and commissioned dance works, artsinstitute.stanford.edu the academic year. Consult experimental projects, and the OIN U S Frost Amphitheater. J these resources for up-to- work of visiting artists. Stanford Events the-minute information. stanford.edu/dept/drama The master calendar of all public events at Stanford can be found at: Music at Stanford Stanford Dance events.stanford.edu STUDENTS One of the major campus partners A division of the Department of ONSTAGE with Stanford Live, the Department Drama, Stanford Dance presents of Music presents its own series free and low-cost performances, of performances throughout the workshops, and more—including events just for Stanford students and The student a cappella group Talisman opening for Vusi Mahlasela at Bing Concert Hall Making Books Sing theater company is joined onstage by students attending the March 2013 academic year. on January 30, 2013. student matinee performance of Louis Armstrong: Jazz Ambassador. music.stanford.edu events open to the public. dance.stanford.edu ******************************************************************************************************************** ********************************************************************************************************************

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