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Viejo Columpiã¡Ndose Viejo columpiándose Pagina 1 de 4 - G05105 Número de catálogo: "12" G05105 GW 1816 // G I 470 Título: Viejo columpiándose Javier Goya, 1828; Mariano Goya, 1854; Federico de Madrazo, 1855-1860 c.; Archer Milton Huntington, Nueva York, 1913; Fecha: The Hispanic Society of America, Nueva York, A.3313 1826-1828 PRUEBA DE ESTADO ANTES DEL AGUAFUERTE Serie: ADICIONAL Últimos caprichos [estampa] Aguafuerte, aguatinta, aguada y bruñidor Edición: 1971. Editada por Philip Hofer Books en Nueva York. 187 x 120 mm [huella] Estampada por Emiliano Sorini H 32.I.2 Técnica: Aguafuerte, aguatinta, aguada y bruñidor Kupferstichkabinett, Staatliche Museen zu Berlin, 793.1906 Soporte: PRUEBA DE ESTAMPACIÓN PÓSTUMA Papel continuo ahuesado, marca Zerkall Butten 1859 ant. Medidas: 188 x 121 mm [huella] / 289 x 204 mm [papel] Aguafuerte, aguatinta, aguada y bruñidor Procedencia: 190 x 120 mm [huella] / 220 x 160 mm [papel] Philip Hofer Books, Nueva York, 1971; Delsa-Troa Librerías, Madrid; Museo del Prado, 2004 [G05105 a G05110]. H 32.II Forma ingreso: Fundación Lázaro Galdiano, Madrid, Inv. 11608 Adquisición el 26-04-2004 a la librería Delsa por la Biblioteca del Museo del Prado de la publicación impresa [Eleanor A. EDICIÓN PÓSTUMA Sayre, Late Caprichos of Goya: Fragments from a Series, Nueva York: Philip Hofer Books, Walker and Company, 1971] con sus Edición de John Savile Lumley, Madrid o Londres, 1859 c. estampas correspondientes [sign. 8/1840, reg. 40876]; incorporación de las estampas a los fondos artísticos del Museo, Aguafuerte, aguatinta, aguada y bruñidor 3-10-2007. 185 x 120 mm [huella] / 253 x 185 mm [papel] Obras relacionadas: DIBUJO RELACIONADOViejo columpiándose H 32.III Álbum H 58 Biblioteca Nacional, Madrid, Invent/45611 1824-1828 LÁMINA Lápiz negro y lápiz litográfico Cobre, recubrimiento electrolítico de acero, 190 x 122 mm 190 x 151 mm En el reverso, Vieja columpiándose En el recto, margen superior, a lápiz negro: "58". En el verso, a Javier Goya, 1828; Mariano Goya, 1854; John Savile Lumley, lápiz compuesto: "35". Sobre el enmarque, a lápiz compuesto: 1859; Colnaghi, Londres, 1926; Philip Hofer, Cambridge, Pagina 2 de 4 - G05105 Massachusetts, 1938; Museum of Fine Arts, Boston, 1970.608 Capo Press, 1969, n. 25. Inscripciones: A.L. Mayer, Francisco de Goya, trad. M. Sánchez Sarto, Barcelona: En el recto, debajo del ángulo inferior izquierdo de la huella, Labor, 1925, p. 283, n. XVIII (714). estampado en seco: "es" [iniciales de Eleanor Sayre]. Debajo del ángulo inferior derecho de la huella, estampado en seco: "PH" E. du Gué Trapier, "Unpublished Drawings by Goya in The [iniciales de Philip Hofer]. En el sector inferior del papel, Hispanic Society of America", Master Drawings, I (1963) 11-20, centrado, estampado en seco: "A" [ordenación alfabética]. En el [20], n. 17, il. 19. verso, ángulo inferior izquierdo, anotación reciente, a lápiz compuesto: "G-5105". T. Harris, Goya: Engravings and Lithographs, 2 v.; v. II, Catalogue Raisonné, Oxford: Bruno Cassirer, 1964. Reed., San Francisco: Observaciones: Alan Wofsy Fine Arts, 1983, p. 54, n. 32. Adquiridas por el Museo del Prado en 2004, las estampas G05105 a G05110 pertenecen al ejemplar IX/XXV de la P. Gassier y J. Wilson-Bareau, Vie et oeuvre de Francisco de Goya, edición de 1971.En el reverso de la lámina de cobre comprenant l'oeuvre complet illustré, Friburgo: Office du Livre, 1970. correspondiente a Viejo columpiándose está grabada Vieja Ed. en inglés, The Life and Complete Work of Francisco Goya, with a columpiándose [G05106]. Catalogue Raisonné of the Paintings, Drawings and Engravings, Nueva York: Reynal; Londres: Thames and Hudson, 1971. Reed. en Título asignado por Sayre en 1971: Brujo columpiándose, entre Nueva York, 1981. Ed. en alemán, Frankfurt, 1971. Ed. en demonios. español, Vida y obra de Francisco Goya: reproducción de su obra completa, pinturas, dibujos y grabados, Barcelona: Juventud, 1974, n. Existen dos interpretaciones de Viejo columpiándose. Una de ellas, 1816 y 1825. grabada por Bartolomé Maura en 1875, formó parte de la serie El grabador al aguafuerte. La otra fue una copia en electrotipia E.A. Sayre, Late Caprichos of Goya: Fragments from a Series, Nueva realizada por Adolfo Rupérez a comienzos del siglo XX. York: Philip Hofer Books, Walker and Company, 1971, p. 9-46, il. 19-21. Bibliografía: V. Carderera, "François Goya, sa vie, ses dessins et ses P. Gassier, Dibujos de Goya. Los álbumes, Barcelona: Noguer, eaux-fortes", Gazette des Beaux Arts, XV (1863) 247. Traducción 1973, p. 646-647, n. 470, il. p. 626. española, Valentín Carderera y Solano. Estudios sobre Goya (1835-1885), estudio y edición al cuidado de Ricardo Centellas, E.A. Sayre, The Changing Image: Prints by Francisco Goya, Boston: Zaragoza: Institución Fernando el Católico, 1996, p. 81-82.P. Museum of Fine Arts, 1974, p. 317-320, n. 262-265. Lefort, "Essai d'un catalogue raisonné de l'oeuvre gravé et litographié de Francisco Goya", Gazette des Beaux-Arts, X, 25 H. Hohl, "Goya als Zeichner und Graphiker", en W. Hofmann, (1868) 165-180. Reed. Francisco Goya: étude biographique et critique Goya. Das Zeitalter der Revolutionen. 1789-1830, Munich: Prestel suivie de l'essai d'un catalogue raisonné de son oeuvre gravé et lithographié, Verlag; Hamburgo: Hamburger Kunsthalle, 1980, p. 309, n. 280. París: Renouard, 1877, n. 250. J. Wilson Bareau, Goya's Prints. The Tomás Harris Collection in the V. von Loga, Francisco de Goya, Berlín: G. Grotesche British Museum, Londres: British Museum Publications, 1981, p. Verlagsbuchhandlung, 1903. Reed. Leipzig: Klinkhardt & 95 y 98, il. 98. Biermann, 1910. Reed. Berlín: G. Grotesche Verlagsbuchhandlung, 1921, n. 714. J. Camón Aznar, Francisco de Goya. Tomo IV: 1812-1828, Zaragoza: Caja de Ahorros de Zaragoza, Aragón y Rioja, 1982, J. Hofmann, Francisco de Goya. Katalog seines graphischen Werkes, p. 220. Viena: Gesellschaft für vervielfältigende Kunst, 1907, n. 234. T. Lorenzo de Márquez, "Viejo en el columpio y demonios", en A. Beruete, Goya grabador, Madrid: Blass, 1918, p. 147, n. 256, il. Goya y el espíritu de la Ilustración, Madrid: Museo del Prado, 1988, 72-1. p. 476-478, n. 179. L. Delteil, Goya, v. XV de Le peintre graveur illustré (XIXe et XXe J. Gállego, "Últimos caprichos", en Goya grabador, Madrid: siécles), París, 1922. Reed. Nueva York: Collector editions-Da Fundación Juan March, 1994, p. 220-222, 224. Pagina 3 de 4 - G05105 J. Wilson-Bareau y E. Santiago Páez, "Ydioma Universal": Goya en la Biblioteca Nacional, Madrid: Biblioteca Nacional, Sociedad Estatal Goya 96 y Lunwerg, 1996, p. 292, n. 330. M.L. Cuenca, J. Docampo y P. Vinatea, Catálogo de las estampas de Goya en la Biblioteca Nacional, Madrid: Biblioteca Nacional, Sociedad Estatal Goya 96 y Lunwerg, 1996, p. 62, n. 73. M. Cano, Goya en la Fundación Lázaro Galdiano, Madrid: Fundación Lázaro Galdiano, 1999, p. 265-268, 270, n. 71. V.I. Stoichita y A.M. Coderch, Goya. The Last Carnival, Londres: Reaktion Books, 1999. Ed. en español, El último carnaval: un ensayo sobre Goya, Madrid: Siruela, 2000, p. 304-307, il. 162-163. P. Lenaghan (ed. lit.), The Hispanic Society of America. Tesoros, Nueva York: The Hispanic Society of America, 2000, n. 129. J. Brown, "Man on a Swing", en Goya's Last Works, Nueva York: The Frick Collection; Londres: Yale University Press, 2006, p. 226-229, n. 45. S. André-Deconchat, M. Assante di Panzillo y J. Wilson-Bareau, "Catalogue", en Goya graveur, París: Nicolas Chaudun y Paris musées, 2008, p. 301, n. 222. J. de Prada Pareja, Goya y las Pinturas Negras desde la Psicología de Jung, Madrid: Editores Asociados para la Divulgación Literaria, 2008, p. 342. Exposiciones: 2007-08. Madrid. Museo Nacional del Prado. Goya. El toro mariposa. El vuelo, la diversión y la risa. Pagina 4 de 4 - G05105.
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